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A Comm. Design Collection Caffeinated Creations Vol.1 Sophomore in Starbucks

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Life in Comm. Design can be exhausting, so add some caffeine to your day using recipes I designed! But, remember, the more caffeine the more difficult the project becomes. And as a bonus, try a traditional Indian Chai tea recipe. Enjoy my portfolio!

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Page 1: Caffeinated Creations

A Comm. Design Collection

Caffeinated Creations

Vol.1 Sophomore in Starbucks

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MeRead Hope van der Wal

SYRACUSE UNIVERSITYCommunicat ion Design

[email protected]

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As a freshman architect major at University of Colorado I was breezing my way through school. I managed to get awesome grades while partying, spending the weekends snowboarding, and attending concerts at least once a week – well, that just wasn’t the right balance for me. I decided to begin my sophomore year at Syracuse as a first year Communication (Comm.) De-signer, I needed a challenge. That is exactly what was handed to me... and then some. Comm. Design was a shock at first, I was pushing my body to a level of hard work and exhaustion I didn’t know possible, but the work I pro-duced was entirely worth it. I felt a strong passion for design and dedicated a lot of time strictly to Comm. classes, I was in the right program. Second semester came and I was too confident, it was an entirely dif-ferent way of thinking and was not easy for me. We were no longer cropping letterforms or talking about make believe restaurants, this was the first real taste of conceptualizing the big idea behind design. I ended up struggling in one class in particular, which resulted in my decision to take the following semester off and press pause on my expensive education. I needed to figure out a purpose. Clearly, I look like the happiest girl in the world in the picture above, I am. After my month long trip to India traveling across the country and teach-ing third graders math and english, I saw a different side of the world which really helped me view my life through a different perspective. Two months later I was back in the Warehouse (the Syracuse design building) reconnecting myself with the Adobe creative suite and bearing through the all-nighters. India inspired me in a lot of ways, I learned how to look for the beauty in life and live every day to the fullest – because we’re all temporary in this world, it is time to see what I can do.

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Communication is a longer word than Design, remember that.

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COMMUNICATION DESIGN

We enter this program as artstic sophomores and are ground to dust after the first week of classes, but as we take on the heat through difficult times we all steep until it is time to be poured into graphic designers, then we learn how to add some flavor and become that perfectly balanced and tasteful creative director, and that is why graduating from this program it’s worth it. It is not an easy process, and the professors will burn you over and over again. But remember why you’re here, because the passion to create design is what drives you.

What It’s All About

How To Use This Book

For all the incoming sophomores who scared out of their minds after receiv-ing the first week’s homework assignments, chill. You’re just going to need a lot of caffeine to get you through the next year. Here you have a collection of recipes to make some delicious caffeinated drinks (my work from sophomore year) presented in chronological order of assignment. Chapters are seper-ated by the type of drink (Communication Design (CMD) classes, including a special section dedicated to my inspirational photography from India). Each drink is presented as a recipe providing instruction and techniques I learned during the design process, follow the directions carefully and you will create some beautiful work, I gaurentee it. The difficulty level of each assingment is measured by starbucks cups, the higher they stack the harder it is. More in-formation such as time management, materials you need, and inside tips are included. Remember to work hard and drink some coffee, you’ll be alright.

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TABL

E O

F CO

NTEN

TS

Typographic Teas

EngagingEspresso

Classic Chai

Basic Brews

Decedent Decaf

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2

3

4

5

6

7

8

9

1

1011

12

1314

15

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TOO

lbO

x

1. Artist Toolbox2. Thumb Tacks (Clear)3. Artists Tape4. Masking Tape5. Pack of Micron Markers6. Pigment Liner7. Adhesive Spray8. Sobo Glue9. 15 inch Mac book Pro (+ Adobe Creative Suite)10. Headphones11. Clippys12. Erasers 13. Brush Point Micron Pens14. X-Acto Blades (+ A Lot of Blades)15. T-Square16. Sharpies17. Triangle18. Burnisher19. Ruler20. A Table You Can Ultimately Destroy...

16

17

18

19

20

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plACES TO kNOw

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plACES TO kNOw

The Art Store10:00 – 5:00935 Erie Blvd E, Syracuse, NY 13210(315) 474-1000

Warehouse Plotter10:30 – 10:00Address: 5th Floor, take the center stairs.Reliable, but never ever the day before they’re due...Make sure they have your cell number incase anything goes wrong. Most important-ly, be very nice to them, you want to be their friends.

Schine Printing8:30-5:00Make sure you know Mary Beth very well, she likes to help out her CMD friends.103 Schine Student Center(315) 443-3455and you can email your files [email protected]

Kinkos Printing24 hours3125 Erie Blvd ESyracuse, NY 13210(315) 449-2112

Library PrintingBIRD 1 - PLOTTER36” wide color plotter Use plain paper! Marshal

Square Mall Printing8:00-8:00720 University AvenueMarshall Square MallSyracuse, NY 13210(315) 472-0546

Staples 8:00-9:005793 Widewaters PkwySyracuse, NY 13210(315) 446-0964

Avalon Document Services24 hour pick up901 N State St, Syracuse, NY 13208(315) 471-3333

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TYpO-GRApHIC TEAS

CMD 281

Cropped Letter Form

Letters to Logos

3D Letter & Posters

Definition Series

1234

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CROppED lETTER FORMS

Ingredients: Preperation:

3hours a

day

Objective: Crop a series of 3 letter forms using classical typefaces (serif & non serif) in a creative and original way. The eye should see shapes and spaces before clearly identifying a letter. However, the letter must not be ambiguous. Make sure to carry use an evenly balanced figure ground relationship throughout the series, it is your milk and sugar for this project.

It always takes 3 times longer than you expect, so plan ahead.

Begin by playing around with classical fonts and choose the most interesting and appealing letter forms. Spend time with each letter cropping it differ-ently, switching between upper and lower case, changing the baseline, etc. Sketch at least 24 of these “thumbnail” size for each letter using quality black markers for best results (Micron, Sharpie, Pigment Liner). From here, choose the 3 best designs for each letter that communicate the project’s purpose best. Next, sketch these cropped letter forms actual size, and select the best option for each letter. Trans-fer this design to the computer, and print out on cheap paper.

large black chip boards.

bristol boards.

large white chip board.

spray paint cans.

roll of one sided adhesive.

sheets colored paper

4

14

3

24

Typographic Teas

Difficulty: 4

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Techniques

Burnishing, use a roller to insure the adhesive.

Instructions:

Same for each letter

Spray mount a 10x10 cheap print of your cropped letter form design to 12x12 bristol board

Using patience the X-Acto knife, carefully cut out every white piece in the design

Roughly cut 12x12 black chip board square, and draw a perfect 10 x 10 square with pencil.

Place white letterform shapes in the square perfectly matching your design.

Spray the BACK of each white letterfrom shape (mark them with a pen!) with adhesive, then quickly and carefully place it in position in the square.

With your burnisher, roll over the mounted pieces of bristol board until you trust they will not fall apart in the Syracuse winds.

Now, line up each edge of the suqare you drew with your T-sqaure to cut a perfect line, and you’re done!

Typographic Teas

Cutting a straight line, be light on your hand.

Cutting a curved line, cut the whole curve in one movement.

Spray adhesive, stay 2 feet away covering the back side.

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Calrendon a

Helvetica R

Bodoni i

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lETTERS TO lOGOS

LLLLz

z

zz

aaa

a

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1hours a

day

Typographic Teas

Look for a cohesive and very simplified logo design using the same letter, keep the same number of letters used in each design the throughout the series to tie them all together.

The execution process is the same for the cropped letter-forms, just remember you are dealing with 12 x 12 squares instead of 10 x 10.

Ingredients: Preperation:

Objective: Create a series of 3 symbols using one letterform multiple times to form shapes and uniqe lines. No letters are allowed to overlap. The form should be simple and memorable, like English breakfast tea and honey.

large black chip boards.

bristol boards.

large white chip board.

spray paint cans.

roll of one sided adhesive.

sheets colored paper

4

14

3

24

Difficulty: 2

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THE lETTER H &GRID DESIGN

3hours a

day

TypographicTeas

Instructions:Find information about a classical typeface, build a 3D letter, shoot it in a creative setting, use a cropped letter-form and letter-logo all in the same typeface. When you are shooting your letter, think about simplicity, the poster will have enough going on as is. Place the photo in a comfortable place on the poster design, this is your anchor. Draw connections from lines and shapes in the pic-ture to tie all of the information together. Your eye should be able to move through each set of information evenly throughout the poster. Make sure to use the grid introduced in class, this will be useful forever.

Ingredients:

large chip boards.

bristol boards.

foam core

box of Q-Tips

43

11

Techniques

- When gluing, keep the pieces together using clippys and masking tape, clean up the glue drops with Q-Tips.

- Every measurement must be perfect, or else the entire model will be slightly off.Difficulty: 4

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THE lETTER H &GRID DESIGN

HHHH

a b c d e f g h i j k l m n o p q r s t u v w x y z

H e l v e t i c a ’s n e u t r a l a p p ro a c h a l l o w s t h e f o n t t o b e u s e d i n m a n yd i f f e r e n t s i t u a t i o n s ; i t ’s m o d e r n a n d c l a s s i c , e l e g a n t a n d e d g y,

r e l a x e d a n d t r a d i t i o n a l . D e s i g n e r s f a l l i n l o v e w i t h t h e s a n s s e r i f f o n t b e c a u s e o f i t s a d a p t a b i l i t y a n d c r i s p c l a r i t y . I t ’ s s i m p l e d e s i g n i s

a t t r a c t i v e t o a n a r t i s t i c e y e , g i v i n g t h e f o n t a n o v e r a l l a s e t h e t i c r e l i a b i l i t y.

Helvetica was designed in 1957 by Max Miedinger and Eduard Hofmann of Haas type foundry in Muchenstein, Switzerland. The goal was to create a sleek and simple typeface, much like another Swiss developed font Akzidenz-Grotesk. The font went through a series of names before they came up with the title Helvetica, a title known worldwide among designers today.

Helvetica’s neutral approach allows the font to be used in many different situations; it’s modern and classic, elegant and edgy, relaxed and traditional. Designers fall in love with the sans serif font because of its adaptability and crisp clarity. It’s simple design is attractive to an artistic eye, the monotone stroke weights mean just as much as the negative space used.

Helvet ica was designed in 1957 by Max Miedinger & Eduard Hofmann o f Haas type foundry in Swi tzer land. The goa l was

to c rea te a s leek and s imple type face, much l i ke ano ther Swiss deve loped fon t Akz idenz -Gro tesk . The fon t wen t t h rough a se r i es

o f names be fo re t hey came up w i t h t he t i t l e He l ve t i ca , a t i t l e known

HelveticaKeep it Simple.

Keep it Simple.

It is modern and classic, elegant and edgy, relaxed and traditional. Helvetica’s neutral approach has designers falling in love with the sans serif font because of its adaptability and crisp clarity. The asethetic des ign of the f o n t is k n o w n f o r the p e r f e c t l y even s t r o k e w e i g h t s c a r r i e d t h r o u g h t h e e n t i r e a l p h a b e t .

Helvetica was designed in 1957 by Max Miedinger and Eduard Hofmann of Haas type foundry in Muchenstein, Switzerland. The goal was to create a sleek and simple t ypeface, much like another Swiss developed font Akzidenz-Grotesk. The font went through a series of names before they came up with the title Helvet ica , a title known worldwide among designers today.

HHHH

a b c d e f g h i j k l m n o p q r s t u v w x y zH e l v e t i c a

You might hate the grid now, but learn to love it... fast.

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4hours a

day

DIFFERENT DEFINITIONS

o

T h e s t a t e o f b e i n g w i t h d r a w o r i s o l a t e dfrom the objective world.

T h e s e a r e t h e v o i c e s which we hear in solitude, b u t t h e y g ro w f a i n t a n d inaudible as we enter into the world. Society everywhere i s i n consp i racy aga ins t t h e m a n h o o d o f e v e r y o n e o f i t s m e m b e r s . ”

—Emerson

al

ie

na

ti

n

Non-verbal definition of chosen word. Look up the definition and break it apart, how would you visualize these words? Use simple shapes!

Photographic definition of word, make sure the image creates an emotion, and is not pixilated!

Typographic definition of word, chose a quotation that expresses the word along with a short defini-tion. Design the layout in a way that reflects the word.

Combine all 3. You can manipu-late each design slightly to create a cohesive layout.

Alienation

TypographicTeas

Difficulty: 6

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goo

o

r a

azi

i

n

nt

there was an old man of nantucketwho kep t a l l h i s cash in a bucke t

h i s d a u g h t e r, n a m e d n a nr a n a w a y w i t h a m a n —

and, as fo r the bucket , nan tucke t

something made

up of elements

with varied

functions that

contribute to the

whole and to

collective

functions;

an organism.

GGRESSION–2pac

You better backt h e f u c k u pBefore you gets m a c k e dt h e f u c k u pThis is how wedo it on our side

or hostile behavior

readiness

to confron

t or attack

VIOLENT

You better back t h e f u c k u pBefore you gets m a c k e d th e f u ck u p This is how wedo it on our side.

GGRESSIO

AT

TA

CKH o s t i l e o r v i o l e n t b e h a v i o r

–2pac

N

r ea d

i ne s

s t o

co

nf r

on

t

or

Organization

Aggression

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BASICBREWS

CMD 281

Restaurant Advertising

Exhibit Design

1

2

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BASICBREWS

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RESTAURANTADVERTISING

BasicBrews

4hours a

day

Objective: Create a new restaurant, advertise it using both typographic and imagery poster solutions, most importantly focus on branding it through a logo. This is your introduction to the meaning of a logo, understand the power that it holds. It’s the most important coffee bean in most recipes.

Ingredients: Instruction:

While designing your logo think simply. As you can see, I chose a different color for all 5 let-ters in the word “immix.” Mix and match different type faces together for some inspiration.While designing your posters, revert back to the benefit of the restaurant, what makes it stand out? And what is the easiest way to convey that? Think of a few words that describe the benefit of your poster and begin a web of ideas. This project is a tough one to grasp because of our unfamiliarity with Comm. Design, but don’t stress too hard. Think Simple.

Mac book Pro

Abobe Suite

Difficulty: 8

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RESTAURANTADVERTISING calm

healthysweetdaring H���Y

Satisfy your food cravings.mood

41 CENTER RD. SYRACUSE, NY( 3 1 5 ) 2 9 8 2 8 8 0

mmixIRESTAURANT

H o w a r e y o u f e e l i n g ?

Satisfy your mood with food.

41 CENTER RD. SYRACUSE, NY ( 3 1 5 ) 2 9 8 2 8 8 0

mmixIRESTAURANT

Just keep trying, you’re headed in the right direction. Don’t give up yet...

A restaurant based on mood food separated by color, yellow is comfort food, blue is seafood, red is spicy, pink is sweet, and grean is healthy organic.

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bRANDING & CORpORATE IDENTITY ExHIbIT

6hours a

day

j o i n t h e c o m m u n i t y

Take a walk throughthe historic villageof branding and corporate identity

December 8, 2011History of Designat the warehouse350 Fayette St. Syracuse, NY

i d e n t i V I L L E

Basic Brews

Objective:

Alright, you’ve been given a topic, now come up with a concept and story to pull someone through an entire exhibit about your topic. Once the exhibit is designed, create a poster advertisement, remember the importance of simplic-ity. If you got a bad topic, you better suck it up be-cause this project requires a lot of hours at the ware-house. Prepare to add a lot more caffeine.

Difficulty: 10

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bRANDING & CORpORATE IDENTITY ExHIbIT

Get to know your group early on, create friendships, you’ll see these guys a lot.

Instruction:

Make sure the concept you choose is entertaining enough to build a story around, if you can do that then you can design a beginning, middle, and end to your exhibit. Incorporate new mediums for viewers to look at and get creative with your infor-mation. But remember SCALE! If you were walking around how big would this type be? Make sure that everything is placed at eye level, make it natural for the visitors eye to flow through the information chronologically. When designing the poster, remember to draw upon the benefit of the exhibit. Our con-cept was a town, for example. My group was able to walk the visitor through out village “Iden-tiville” and using banks, roads, restaurants etc. to organize the information accordingly.

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CMD 252Product Design.1

DECEDENTDECAF

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DECEDENTDECAF

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pRODUCT DESIGN

5hours a

day

Decedent Decaf

Objective:

Create a product that involves baking soda, package it, build a point of purchase for it, and to add some spice advertise it in a magazine.

Instruction:

Firstly, you must be confident in your product, because you’ll be spending a lot of time focus-ing your design work around it for the next few months. This recipe is all about the benefit of the product as well. Make sure it is clear throughout your packaging design, POP, and advertisement. When the viewer sees either of these pieces separately, the purpose of the product should immediately be very clear – you need to capture the buyer very quickly because there are a lot of other products out there! Brand the product to a point where the logo becomes more recognizable than nike.

Ingredients:

Mac book Pro

Abobe Suite

Package Materials (based on design)

POP Materials (based on design)

Chip Board

Difficulty:12

Sports pads protection spray, directed toward team players with stinky sports gear.

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GUARDomni

SPORTS PADS PROTECTION

SPRAY

dont play dirty

DIRECTIONS: Spray solution generously over equipment before practicing. Allow equipmentto dry thoroughly before use. Use as needed.

MADE IN USA

PREFORMANCE: OMNI GUARD uses the natural power of Arm & Hammer Baking Soda to prevent mold and bad odor from invading your sports equipment before the problem even starts.

8 0Z (226g)

FORSPORTSPADS

DEFEND ANY TYPE OF SPORTS PAD AGAINST BACTERIA AND FOUL ODOR

WHAT IS THE BENEFIT??

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ENGAGINGESpRESSO

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CMD 282

Beats Per Minute

Helping Hand

Connection Progression

123

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Engaging Espresso

4hours a

day

bEATS pER MINUTEObjective: Create an information design piece, make sure it is something basic because this recipe can get a bit overwhelming at times. Make sure you are passionate about the topic and can eventually explain the information to your old, almost blind, grandpar-ents through the simplicity design. Use any medium you want.

Difficulty: 5

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This iPhone App explores the dif-ferent genres there are in elec-tronic music, ranging from house to dubstep with explanations in between. The App also allows you to buy music through Beatport, find upcoming concerts near you, and share playlists through face-book and twitter feeds.

Remember, color is the best navigation for information design.

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Engaging Espresso

8hours a

day

HElpING HAND

Objective: Create an information design piece, make sure it is something basic because this recipe can get a bit overwhelming at times. Make sure you are passionate about the topic and can eventually explain the information to your old, almost blind, grandpar-ents through the simplicity design. Use any medium you want.

Instruction:

I based this project on my experience abroad, while I was there I spent time visit-ing local communities and discussing the importance of health, hygiene and the environment. However, be-cause the uneducated fami-lies did not have anything to reference during our visits they could not retain the information well. So here is the solution, a booklet for 3 different countries in their native language offer-ing simple advice to l ive a healthy l ifestyle, no matter what the circumstances may be in that home. Difficulty: 7

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CONNECTIONpROGRESSION

6hours a

day

Objective:

Connection Progression should look like a pece of music, think of an introduction, a verse, the chorus, and so on. Your eye should move up and down through the piece at different paces. Play with the viewers attention.

Ingredients: Instruction:

After you have chosen your macro theme (mine is dark–light–dark, and strong figure ground relationship–weak–strong), begin a collection of Imagery you find online (make sure images are the appropriate size). Using Indesign, flip, rotate, reflect and manipulate the images in different ways creating a beautiful flowing connection from one end to the other. Search for images that may show the exact transition you are looking for. For example, I searched for a dandelion because I needed forward movement. This project takes time, you need to take a step back every now and then in order to succesfully orchestrate it, work with a fresh mind.

Artists tape

Packaging tape

Adobe Indesign

Engaging Espresso

Difficulty: 9

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Even a janitor should be able to define your macro theme.

CONNECTIONpROGRESSION

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CLASSICCHAI

INDIASemester Abroad1

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CLASSICCHAI

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Chai, the traditional spice tea of the Indian culture. Take a sip and enjoy this taste of India.

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I was blessed with the opportunity to travel around India for a month in November 2012, where I made my way from Delhi, to Agra, to Japiur, to Pushkar, the to Palam-pur to teach third grade, and finishing off in Goa. Every place we visited I left with a different perspective in mind, I was constantly learning and taking advantage of everything that was offered to me. It was a freeing mind set, a break from the normal routine. I was looking for something different, and that is exactly what I found. India showed me the power of beauty, but the beauty that lies beneath the surface – culture. The Indian way of life is completely different than our westernized mind sets. Life is a privilege in a blessing, not a privilege. We should all be striving to make this world a more peace-ful and beautiful place to live, and using every day to make that dream come true. While I was there I felt a sense of self importance, because I have this amazing education at my fingertips, it is now time to see what I can do with it to make my mark on this world.

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Girls in Delhi.

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Aggressive Henna Tattooing, she grabbed my hand while walking around the India Gate and would not let go!

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Mahatma Gandhi Memorial

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The Taj Mahal, a piece of art that will raise goose bumps and bring tears to your eyes.

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The Taj, it is massive.

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The Jaipur Markets

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Homeless and still beautiful.

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Diwali, the festival of Light.

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Jaipur, the Amber Fort & riding elephants!

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Amber Fort, Jaipur.

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Bathtub in the Amber Fort.

Bathtub in the Amber Fort.

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Bathtub in the Amber Fort.

Hey, I’m on an elephant.

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Appreciate the little things.

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The beautiful, yet complicated saree.

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The strangest creatures...

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Camping with camels in the Thar Desert

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As I mentioned before, I was teaching in Palampur, second and third grade math and English in the government schools. The most eye opening experi-ence ever – cherish your amazing education.

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Macleod Ganj, home of the Dali Lama Temple

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Foothills of the Himalayas, where I stayed in Palampur.

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Spice it up in Goa!

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Namaste, India!

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Communication Design

Sophomore Experience

Read van deR Wal