btc magazin 2013 web

Some like it hot

Filmmakers as entertainers

hau hebbel am uFer9–14 Feb 2013

berlinale talent Campus

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Berlinale Talent Campus #11

Welcome to the Berlinale talent campuS 300 talentS from 96 countrieS


We would like to thank our international network for its support

IntroductIon

06 Editorial: Dieter Kosslick07 Editorial: Matthijs Wouter Knol, Christine Tröstrum08 Words of welcome

2013 topIcs

12 Focus 2013: Some Like It Hot – Filmmakers as Entertainers15 The Film Prize of the Robert Bosch Stiftung17 Canon at the Campus18 Campus alumni at the Berlinale

programme

22 Meet the Expert26 Campus programme – Timetable32 Day 1 | Sat, Feb 933 Day 2 | Sun, Feb 1035 Day 3 | Mon, Feb 11

38 Day 4 | Tue, Feb 1240 Day 5 | Wed, Feb 1342 Day 6 | Thu, Feb 14

Hands-on traInIng

46 Sound Studio47 Script Station49 Doc Station50 Talent Project Market51 Campus Studio53 Talent Press54 Talent Actors Stage55 Short Film Station

servIce

58 Berlinale Talent Campus website59 Campus International61 Index of experts67 Index of participants68 Index of countries68 Thank you70 Team and imprint71 Partners

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contents

IntroductIon | 01

creatively and be welcomed back to the festival one day! Creating such a focused and intensive space for international exchange wouldn‘t be possible without the tireless support of a superb group of partners whose long lasting dedication forms the Campus‘s foundation. We ex press our utmost gratitude to all our sponsors and supporters, but particularly to our main partners, the MEDIA Training Pro gramme of the European Union, the Robert Bosch Stiftung and our founding partner Medienboard BerlinBran denburg. Furthermore, we are very happy to welcome Canon to this fine group of main partners this year. We thank Canon for its wideranging commitment. And last but not least: thank you Bernd Neumann, Federal Government Commissioner for Culture and the Media, for constantly backing our ideas.

This week, some 300 Talents like it hot – I can‘t think of a more promising premise for a creative and animated atmosphere.

Have an exciting Campus week!

The number 11 is the first possible repetition of a single digit. In English, it is referred to as a repdigit. In traditional German however, you call it “Schnapszahl," which means: whenever you have a repdigit you have to drink a schnaps. But of course celebrating the 11th edition of the Berlinale Talent Campus doesn‘t necessarily mean you will spend a tipsy week at the HAU. It is very important to know traditi ons, to learn about rules and conventions – but mostly to be capable of deciding consciously where to use, ignore, change or adjust them to fit your purposes. It‘s the same in filmmaking, there are a lot of rules and conventions that indicate the perfect way to entertain your audience. But following all of them wouldn‘t guaran tee success – it is your individual way of varying these rules and playing with them that will make your film special. The Campus motto “Some Like It Hot – Filmmakers as Entertainers“ will focus on aspects like these, on what entertainment means in cinema and on the various ways films become great examples of it.

The Berlin International Film Festival lives on these great examples of cinema. The fact that every year more and more films shown in the Official Selection are contributions by Campus alumni is very exciting to us. In 2013 for instance, we are proud to present 45 films made with the major involvement of 52 former Campus participants. And for the first time, four of these alumni films even get an extra screening at the Campus venue HAU Hebbel am Ufer, to celebrate their return.

With alumni films, the profound Campus programme consisting of workshops, lectures and exciting expert talks, and upandcoming film artists mingling at festival venues – the Campus enriches the Berlinale on various levels. 300 Talents have the opportunity to get in touch with distinguished Berlinale guests on the one hand, and hundreds of peers from all over the world, on the other. The Berlinale Talent Campus‘s global network is the biggest asset that you will take home after this week. Use it


global network to go

Introduction | 01Editorial 06

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Berlinale Talent Campus offers to everyone attending: lifechanging encounters and mindblowing events are guaranteed. You’ve been selected for this year’s Campus because you’ve done impressive things in the past few years and we sense you will be able to amaze and inspire fellowfilmmakers. Seeing, reading and hearing what others have done will generate new ideas for your own work. We hope it will broaden your horizon, make you aware of the craftsmanship of others, and will help you to further improve and intensify your own work.

Films move people. Films make people feel and think. Films help us to reflect on our own life and see what we haven’t yet seen or experienced. Looking at the world around you and discovering an array of new options, new people to collaborate with and ways to make films, there is no better place for this exploration than at the Berlinale Talent Campus.

This also applies to seasoned filmmakers who have discovered the Berlinale Talent Campus as the secret hot spot during the Berlin International Film Festival. There aren't many places in the world where you'll find so many aspirations, fresh energy and the most promising filmmakers together. The film industry knows this is the place to connect, to find new film projects and eager and talented people with an international attitude. Out of 4,443 filmmakers who applied, you have made it to Berlin – Europe’s creative capital du jour. The Berlinale Talent Campus #11 promises to be a great edition. We’re glad you’ve come to join us!

Gathering 300 emerging filmmakers in Berlin and introducing them to each other is something we do every year for a very specific reason. Even though most of us today can connect more easily with the rest of the world than ever before, we strongly believe that offering a reallife platform where every attending filmmaker has the chance to meet 299 new people also makes more sense than ever before.

The Berlinale Talent Campus is a broadranging event that primarily sets out to encourage engagement among filmmakers. For us, filmmakers are all those working pro fessionally in the film industry – ranging from actors, direc tors, cinematographers, distributors, editors, film critics, pro ducers, production designers, score composers, sound designers to screenwriters – and our primary aim is to create a space for all of them to exchange thoughts and get inspired by each other’s work. Yet, filmmakers talking is not enough. We facilitate many opportunities to set things in motion and we hope new collaborations sprout from the meetings in Berlin.

In this year’s edition of the Campus, we‘re keen to talk about entertainment. As you’ll notice, we’ve done our best to offer you an entertaining programme as well. We want you to refresh your mind, to reconsider choices made be fore, open up to new input, share ideas, and let others learn from your experience. The proximity of the bustling Berlin International Film Festival increases the opportunities the


let us entertaIn you

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Investing in emerging talented European professionals is essential for the competitiveness of the European audiovisual industry. Thus, ca pa citybuilding through continuous training, peer to peer cooperation and networking activities has been a core objective of the MEDIA Programme of the European Union for more than two decades.

More than 2,000 European professionals are trained every year through more than 60 MEDIA funded training initiatives, where they have the opportunity to learn from their peers, receive coaching and finetune their projects with experienced tutors, explore new tech nologies, and expand their network of contacts.

We are proud of being the main financial partner of the flagship programme Berlinale Talent Campus, as we strive for the same goals: training professionals, fostering projects, connecting people across Europe and internationally.

The MEDIA programme also offers young filmmakers support for pro ject development, international distribution, networking and access to global key markets and coproduction forums.

robert boSch Stiftung

dr. ingrid haMM

Dear participants of the Berlinale Talent Campus,our filmprize for international cooperations was established in 2004. Almost from the very beginning, our support of the Berlinale Talent Campus became an important strategical part in it, with a main focus on the Eastern European participants. Last year we extended our activities and became one of the main partners of the Talent Campus; a fact we are very proud of! In addition to our Eastern European programme, we opened a new focus on young filmmakers from the Arab World for the very first time this year.

With establishing international coproductions and cooperations, we enable young filmmakers to explore the view, the methods and creative styles of partners from other countries.

The support of international film festivals, coproduction markets and film education projects in Germany, Eastern Europe and the Arab World is crucial for our idea to support international cooperations.

We are very happy that many former participants of the Berlinale Talent Campus managed to receive one of our Film Prizes in the categories animated film, documentary, and short film. Maybe you will be next…

Just visit our website www.filmprize.de, learn more about our prize and go for it! But first of all, enjoy the Campus, build up partnerships, enjoy the festival and Berlin – Europe’s centre of creativity.

“The Campus was like suddenly getting a big family which supported me and gave me a boost.” Yuho YaMaShita, gerManY/JaPan | caMPuS 2011


words of welcome08 Introduction | 01Partners

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There‘s no denying it: this year’s Campus motto “Some Like It Hot” is the title of the most legendary comedy film in history about two male musicians dressing up as women. But it could also be the title of a documentary dealing with global warming and its effects on nature, or a Finnish mockumentary about extreme saunaing, or an animation film about a suicidal lobster looking for a pot of boiling water, just to name a few. Choosing the right genre and format has always been a challenge. This year’s Campus is focusing on how important it is to know the rules of filmmaking in order to break them more effectively! Are we better

canon

rainer fuehreS

Canon is proud to be the newest partner of the Berlinale Talent Campus. Helping new generations of filmmakers to emerge and express their vision is a thrilling challenge for us to take up.

The core principals of the EOS system have always been high qual ity image and ease of use. The success of the EOS 5D Mark II in helping creative filmmakers to tell their stories was a stepping stone to the creation of something revolutionary. In 2011 we launched the Cinema EOS System as dedicated tools for creative storytellers, with the objective of expanding the possibilities of creative expression. In less than two years we have established the Cinema EOS range as tools that filmmakers across the globe want to use.

We are constantly striving to provide visual storytellers with the equipment they want to use to convey their creative vision. With Canon and the Berlinale Talent Campus your creative journey can take the next step forward.

“The Campus was one of the greatest experiences ever – it changed my life!” ingrid Veninger, canada | caMPuS 2007

off dealing with the subject with a sense of humour, or with irony or in a serious way? And do we prefer to tell our story in a linear way, backwards or rather in circles? Some like it hot – how do you like it? Learn how to pick the format that fits exactly with your story and film. Learn how to make a difference. The Berlinale Talent Campus offers you the perfect environment to do just that and to be in the very heart of one of the hottest cities in the world.


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2013 Topics | 02


12 2013 Topics | 02Focus

some like iT hoT

Filmmakers as entertainers

hau hebbel am uFer9–14 Feb 2013

berlinale talent Campus

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13 Focus2013 Topics | 02

In the eleventh year of its existence, the Berlinale Talent Campus focuses on the skill to tell stories that entertain people. Drawing people in, engaging them in the emotional world of the characters, and making them wonder what will happen next is a talent not to be underestimated.

This year’s programme will feature a variety of filmmakers from across the globe, seasoned and emerging, from all disciplines of the film industry, who have found their own way to deliver stories that captivate audiences. Acclaimed director Paul Verhoeven, famous for pushing boundaries in the 80s and 90s with revolutionary films, will kick off the Campus programme talking about the importance of following one’s instinct when it comes to making films. In an array of sessions during the week, screen writers, directors and producers will discuss how they develop stories for their films and manage to make films showing people in rather uncomfortable or shocking situations, while still setting examples of spellbinding filmmaking.

Collaboration being at the core of what the Campus aims to encourage and foster, the pivotal work of actors, cinematographers, editors, producers, production de signers, sound designers, film composers and film critics is also actively highlighted. How do cinematographers define the look of a film? How can production designers build a whole new world with digital tools? How can sound designers and film composers create exciting new layers in the film’s narrative with sound and music? We're putting the spotlight on how to refine rough cuts, improve close up acting and dialogue delivery, find soulmate produc ers who can also collaborate on content, and how to reach an audience with the help of a distributor.

Whether a film is liked or not by the people watch ing it is also a matter of taste. To help films reach the right au diences, distributors, publicists and film critics play an essential role. The Berlinale Talent Campus selected eight emer ging distributors from all over the world, who will

Dates

sun 10 | 11:00 hau1Follow Your Instincts: Filmmaking Accor ding to Paul Verhoeven (p.33)

sun 10 | 14:00 hau1How to Glue People to the Screen (p.33)

mon 11 | 14:00 hau1In the Limelight: Ulrich Seidl (p.36)

mon 11 | 21:30 Cinemaxx 8Film Screening: Some Like It Hot(Billy Wilder, 1959)

tue 12 | 14:00 hau1In the Limelight: Lucrecia Martel (p.38)

tue 12 | 17:00 hau1In the Limelight: Jane Campion (p.38)

weD 13 | 11:00 hau1In the Limelight: Ken Loach (p.40)

weD 13 | 17:00 hau1In the Limelight: Anita Ekberg (p.41)

thu 14 | 17:00 hau1Some Like It Hot – The Power of Sex (p.43)

connect to their Talent peers in the six Campus days. Also eight film critics have been selected for the tenth edition of the Talent Press programme. Together with producers, all these people can help films to be launched and received successfully – which will be a recurrent theme during this year’s Campus.

With Jane Campion and Lucrecia Martel joining for master classes, the Campus offers insight into the work of two of the world’s most interesting filmmakers. Legendary actress Anita Ekberg, Marcello Mastroianni’s unforgettable “dream woman“ in Fellini’s La dolce vita (1960), completes a series of strong women who have found their own way in the film industry.

With Some Like It Hot (1959), Billy Wilder, who left Berlin and moved to Hollywood in the 1930s, decided to make a black and white film. This was during a time in which colour blockbusters were massively produced by the film industry in an effort to overcome competition by a new phenomenon: television. Against all odds, this film, lacking the latest “audience teasers“ and with a rather ambiguous story about crossdressing and sexual misunderstandings, turned out to be a huge commercial hit and an alltime favourite. Inspired by Wilder and the many other filmmakers who follow their instincts and decide to focus on telling strong stories, the Berlinale Talent Campus encourages emerging film industry professionals to try out the unusual, improve their work, and discover new horizons.

Let‘s heat up the screen!

“Everydirectorhashisowncolours,likeapainter. SomepaintlikeDuffy,othersaredarker, likeSoutine,say,butI’veneverwonderedabout whetherIwasbitterorcruelorpessimisticor anything.Ilikethestory,that’sallthereistoit. ItellstoriesIlike.” billy wilDer | 1906–2002

heaT up The campus!

59. INTERNATIONALE KURZFILMTAGE OBERHAUSEN2. — 7. MAI 2013LICHTBURG FILMPALAST WWW.KURZFILMTAGE.DE

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15

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Film Prize of the Robert Bosch Stiftung2013 Topics | 02

Jeanne d'Arc Masriya by Iman Kamel is one of the ten nominated projects for the 2013 Film Prize of the Robert Bosch Stiftung Germany/Arab World

The Robert Bosch Stiftung has been supporting the Berlinale Talent Campus for many years. Encouraging collaboration and fostering mutual development among producers and filmmakers in Germany, the Arab World and Eastern Europe is one of the ambitions of the Robert Bosch Stiftung. The Film Prize of the Robert Bosch Stiftung offers crossregional support and has profoundly impacted the production of awardwinning films which have screened internationally at festivals. Berlinale Talent Campus participants from the past years have benefited from the collaboration with the foundation and have often gained support from these prizes.

The Film Prize of the Robert Bosch Stiftung Germany/ Arab World competition is open to joint production teams of emerging filmmakers from an Arab country (one of the 22 member states of the Arab League) and Germany. The categories qualifying for the prizes are short animated film, documentary and short fiction film, with each winning product ion receiving up to 60,000 euros in funding. The three Film Prizes will be awarded at the Opening Ceremony of the Campus. Up to two members of each winning team will have the opportunity to participate as guest in the Berlinale Talent Campus in the following year.

A retrospective of four films awarded with the Film Prize of the Robert Bosch Stiftung Germany/Eastern Europe takes place on February 8 at HAU3 in the session “Heading

Dates

Fr 8 | 20:00 hau3, top FloorHeading East – Screening Film Prize Winners of the Robert Bosch Stiftung Germany/ Eastern Europe

sat 9 | 17:00 hau1Opening Ceremonyand the Announcement of the Award Winners of the 2013 Film Prize of the Robert Bosch Stiftung Germany /Arab World (p.32)

sun 10 | 9:00 hau2Early Bird Breakfast (p.33)

East“: Renovation (winner of 2008), Alerik (winner of 2009), Father (winner of 2010) and The Chosen Ones (winner of 2012).

2013 Film Prize of the Robert Bosch Stiftung Germany/Arab world nomineesShort Feature Film Free Range (GER/LIB), dir: Bassem Breish, prod: Jacques Colman | I Am Spring (GER/JOR), dir: Rami Yasin, prod: Alexander Wadouh | Lips (GER/EGY), dir: Reem Morsi, prod: Stefan Gieren | The Stork (GER/EGY), dir: Kasem Kharsa, prod: Jessica Landt. Documentary A Place Under the Sun (GER/MAR), dir: Karim Aitouna, prod: Carsten Böhnke | Dream Away (GER/EGY), dir: Johanna Domke, Marouan Omara, prod: Hossam Elouan | Jeanne d‘Arc Masriya (GER/KUW/EGY), dir: Iman Kamel, prod: Claudia Romdhane, Talal AlMuhanna | The Common Ground (GER/PAT), dir: Johanna Ickert, prod: Ceylan Rohrbeck, Ameen Nayfeh | The True Story Behind Me (GER/JOR), dir: Maryam Jum‘a, prod: Inka Dewitz | Three Mile Riders (GER/EGY/PAT), dir: Philip Gnadt, prod: Michael Dupke, Stephanie Yamine.

2013 Film Prize of the Robert Bosch Stiftung Germany /Arab World JuryFrank W. Albers, Robert Bosch Stiftung | Vincenzo Bugno, World Cinema Fund | Jo han nes Ebert, GoetheInstitut | Hania Mroué, Metropolis Art Cinema, Beirut | Ro man Paul, Razor Film Produktion | Rasha Salti, Toronto International Film Festival

For more information please contact: Robert Bosch Stiftung, Frank W. Albers; frank.albers@boschstiftung.de Coordination of the Film Prize: Karin Angela Schyle; [email protected]

Europe’s first postgraduate TV serial writing and production programme

Launching in September 2013, the SERIAL EYES programme offers young scriptwriters and producers a fast track into the dynamic world of TV serial drama. The course provides intensive training in both writing and production with a specific focus on European markets.

Classes will be taught in English in Berlin with workshops in London and Cannes. SERIAL EYES is organized by the Deutsche Film und Fernsehakademie Berlin (DFFB) in cooperation with the London Film School (LFS) with the support of the MEDIA programme of the European Union.

Applications are now open. For more information visit:

www.serial-eyes.com


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canon aT The campus

Canon2013 Topics | 02

Canon cameras are indispensable for independent filmmakers to create vibrant images that tell their stories. Canon has now teamed up with the Campus for several activities which will further acquaint Talents with their tools and demonstrate new techniques.

Change Your Lens, Change Your Story: Workshops I, II, IIICrafting visual intensity in fiction and documentary films is not only a matter of using the right camera, lenses and lighting techniques, but even more about cre ating a seamless collaboration between cine matographers and directors to bring the best out of every crew and cast member involved and deliver intense and impressive visual footage. All workshops will feature the use of Canon cameras (EOS C100, C300, C500 and EOS-1D C). Workshop I Intro to Largesensor Digital Cinema CamerasWorkshop II Closeup Acting Workshop III Largesensor Digital Cinema Cameras in Detail

Talent Portraits All participants will have their portraits taken during the Campus by photographer Jörg Kyas, and get prints to take home too. All photos will be taken and printed using Canon equipment.

Dates

sun 10 | 17:00 hau1Speaking in Images: The Cinematographers‘ Perspective (p.34)

mon 11 | 10:30 hau3, blaCk stageChange Your Lens, Change Your Story I (p.35)

mon 11 | 12:45 hau3, blaCk stage“Meet the Expert“ session with Mike Owen and Peter Yabsley (p.23)

tue 12 | 9:00 hau2Early Bird breakfast (p.38)

tue 12 | 10:30 hau3, blaCk stageChange Your Lens, Change Your Story II (p.38)

weD 13 | 10:30 hau3, blaCk stageChange Your Lens, Change Your Story III(p.40)

The “Camera CloseUp Acting“ workshop features the use of Canon cameras

Speaking in Images: The Cinematographers‘ PerspectiveRenowned cinematographers Philippe Le Sourd and Matthew Libatique will give a master class. In cooperation with Canon.

“Meet the Expert” session Talents interested in new cameras can meet Canon representatives Mike Owen and Peter Yabsley to ask questions regarding their equipment.

Campus hands-on programmes The PostProduction Studio, one of the Campus‘ handson programmes, will feature cameras provided by Canon (EOS C300, C500 and 5D Mark III).

Early Bird breakfast Canon will host an Early Bird breakfast at the Berlinale Talent Campus on Tuesday, Feb 12.

In addition to partnering with the Talent Campus on events and activities, Canon has provided cameras for the production of the Campus promo reel, as well as the Talent Campus trailer for 2014.


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2013 Topics | 02Campus alumni

The Nun, coproduced by Reza Bahar, is in Competition for the Golden Bear

Dates

sat 9 | 17:00 hau1Opening Ceremony / Screening The Plague (p.32)

mon 11 | 11:00 hau1Film Screening: Youth (p.35)

tue 12 | 11:00 hau 2Film Screening: The Act of Killing (p.38)

weD 13 | 14:00 hau1Screening Shorts (p.41)

thu 14 | 11:00 hau3, top FloorStage Your Comeback (p.42)

editor of Cold Bloom, Atsushi Funahashi attended the Campus in 2004 and showed Nuclear Nation in the Forum last year, and his Talent Project Market film Big River in Forum in 2007, which he made with collaborators he met at the Campus. The Portuguese film No Man‘s Land, directed by Salomé Lamas (Campus 2013), was produced by Sandro Aguilar (Campus 2006) who also produced the widely acclaimed Tabu, which won the Alfred Bauer Prize 2012. The Spanish film The Plague was directed by Neus Ballús (Campus 2011) and was a project in Doc Station that year. Cinematographer of The Weight of Elephants, Sophia Olsson (Campus 2010) has two films in the festival, the other, The Yearning Room is featured in Generation.

Berlinale Generation also features a film by Campus alumni. Marussia was written and directed by Eva Pervolovici (Campus 2009), cowritten by Monica Stan (Campus 2011), and coproduced by DerkJan Warrink (Campus 2011). Laura Astorga Carrera (Campus 2010) wrote, directed and produced Red Princesses which received crucial help from Talent Project Market 2010. Jenni Toivoniemi (Campus 2009) wrote and directed the Finnish film The Date. Mustafa Dok (Campus 2007) produced the Turkish film Jîn.

The Berlinale Special features codirector of the German film Rosakinder, Julia von Heinz (Campus 2004). Perspektive Deutsches Kino opens with Freier Fall by Stephan Lacant (Campus 2003).

Screening in Berlinale Panorama this year, Youth is a Talent Campus success story. The project began at Script Station 2010 where writer/director Tom Shoval (Campus 2010) was mentored by Gyula Gazdag, who stayed on as script advis or throughout the filmmaking process. Together with producer Gal Greenspan (Cam pus 2009/2011) the project developed, and the following year when the film was pitched at the Talent Project Market 2011, German producers picked up the project. The film will screen at the Campus on Monday, February 11, 11:00 in HAU1.

These filmmakers were at the Campus before you and have now made it back with their latest film in the 2013 Berlinale programme. Many Campus alumni are featured in the various sec t ions of the 63rd Berlin International Film Festival. The Ber linale 2013 welcomes back 52 alumni with 45 films in the official programme, six alumni with projects in the CoProduction Market, eleven alumni return to the Campus with a project in the various handson programmes and films of four 2013 Talents were selected for the Berlinale.

This year there are two alumni with films in Competi ti on for the Golden Bear, Emir Baigazin (Campus 2008) director of the Kazakhstani film Harmony Lessons, which was funded by the World Cinema Fund, as well as Reza Ba har (Campus 2004), coproducer of The Nun.

Several films in the Berlinale Forum this year are collaborations between alumni. When I Saw You was written and directed by Annemarie Jacir (Campus 2005), whose Talent Project Market film Salt of this Sea screened in Forum 2007. When I Saw You was produced by Ossama Bawardi (Campus 2008), and the sound design was done by Kamran Rastegar (Campus 2005). A Greek film also featur ed in the Berlinale Forum, The Eternal Return of Antonin Paraskevas is the first feature film written and directed by Elina Psykou (Campus 2007) and edited by Nikolaos Vavou ris (Campus 2011). A third return to the Berlinale, director, writer and


19 Campus alumni / Manfred Durniok Foundation 2013 Topics | 02

Also showing in Panorama is Interior. Leather Bar. produced and with cinematography by Keith Wilson (Campus 2009). Six Campus alumni return to Berlin with projects in the CoProduction Market. Three projects were part of the first Berlinale Residency, a new international fellowship programme of the festival: Lauded Philippine filmmaker Raya Martin and producer Arleen Cuevas both attended the Campus in 2005, and present their new project The Empire.

Director Sacha Polak (Campus 2010), who had two films in the Berlinale last year, Hemel and Brother, works with fellow alumna Marleen Slot (2008) on Zurich. Rebecca Daly (Campus 2008) was a finalist of the Berlin Today Award in 2010 and presents her project Mammal. Producer Ossama Bawardi (Campus 2008) whose film When I Saw You is featured in the Forum, also presents a new project at the CoProduction Market, A Dog‘s Tail.

Other Campus alumni at the Berlinale in 2013:

Akosua Adoma Owusu Campus 2008, Durban 2011Kwaku AnansePola BeckCampus 2010 | Breaking HorizonsJulia Daschner Campus 2010 | Lose Your Head Kamontorn Eakwattanakij Campus 2011, Tokyo 2011 Tang Wong Julia Furch Campus 2003 | Redemption PossibleAlise Gelze Campus 2006 | Mother, I Love YouMatthias Grunsky Campus 2003 | Computer ChessLuisa Homem Campus 2005 | The End of the WorldHerbert Hunger Campus 2006 Flight of the Pompadour Henning KammCampus 2012 | Rhino Full ThrottleAthanasios Karanikolas Campus 2003 | EcholotLeo KhasinCampus 2005 | Kaddish for a FriendShinya Kitamura Campus 2005 | My Way to Olympia San na Lenken Campus 2011 | Eating LunchDavid Lowery Campus 2005 | Upstream Color

Berlinale Generation film Jîn was produced by Campus alumnus Mustafa Dok

Ilian MetevCampus 2009 | Sofia‘s Last AmbulanceMatías Mosteirín Campus 2004 | Habi, the Foreigner Leonor NoivoCampus 2007 | The End of the WorldCatalina RincónCampus 2006 | BelatedGabriela Santos del Olmo Campus 2007 | WorkersDavid SievekingCampus 2003 | Forget Me NotIneke Smits Campus 2003 | A Fold in My Blanket Felix StienzCampus 2007 Doll, the Fatso and MeTusi TamaseseCampus 2010 | The OratorNicolas Wackerbarth Campus 2003 | Everyday Objects Simon Weber Campus 2007 | Anatomy of Departure Erik Winker Campus 2003 | Dancing With BelliesKihyun Kim Campus 2008 | Love GamesYuho Yamashita Campus 2012 | Layla FourieYan Zhou Campus 2007 | The Rivers of Babylon

Manfred Durniok FoundationManfred Durniok, German producer, filmmaker, writer and photo graph er, was drawn to distant lands, yet it was Asia that captured his imagination. The Manfred Durniok Foundation, founded by the late filmmaker’s daughter, Ay ano Teramoto, is a nonprofit organisation established in 2006 to support and promote cultural ex changes between Germany and Asia through scholarships, awarding prizes and providing financial support for intercultural gatherings.

The Berlinale Talent Campus’s decisive international perspective and interest in crosscultural dialogues makes for a fruitful collaboration. Intercultural awareness is a recurrent theme in the films that Durniok made and produced, and it is this spirit that the foundation hopes to continue.

The Manfred Durniok Foundation once again supports Talents from South East Asia attending the 11th edition of the Berlinale Talent Campus by covering their travel costs, as they have since 2007. Meet fellow East Asian Talents at the Manfred Durniok Foundation‘s reception on Febru ary 10 from 12:30 until 14:00 at Kaffeehaus at Museum of Communication Berlin (by invitation only).

For more information about submitting to the Berlin International Film Festival, visit www.berlinale.de.

STAGE YOUR COMEBACK!

TAKE A ChAnCE And ApplY AS A CAMpUS AlUMnUS fOR BERlinAlE indUSTRY pROGRAMMES in 2014:

BERlinAlE TAlEnT CAMpUSdOC STATiOnSCRipT STATiOnShORT filM STATiOnTAlEnT pROjECT MARKET

BERlinAlE BERlinAlE RESidEnCYCO-pROdUCTiOn MARKETWORld CinEMA fUnd

SEE YOU

in 2014

fURThER infORMATiOn And AppliCATiOn AT: WWW.BERlinAlE.dE WWW.BERlinAlE-TAlEnTCAMpUS.dE

pROGRAMME | 03

BERlinAlE BERlinAlE RESidEnCYCO-pROdUCTiOn MARKETWORld CinEMA fUnd

fURThER infORMATiOn And AppliCATiOn AT: WWW.BERlinAlE.dE WWW.BERlinAlE-TAlEnTCAMpUS.dE

which ones to use to tell your story and tell it well? Ingrid Kopp will use case studies from her work with Tribeca‘s New Media Fund and Tribeca Hacks to give you survival strategies for this everchanging digital world where the opportunities are inspiring but can also be overwhelming. Ultimately, the story should be the priority and this is also a rallying cry to bring a sense of craft and authorship to the interactive storytelling space.

MOn, fEB 11 Mireille van HelM 12:45–13:30 | HaU1, attic rooM

Mireille van Helm, founder of Ginger Film Services, will be available to give helpful advice on how to prepare your film for delivery to an international sales agent and /or to internati onal territories. In this meeting she will also talk about what materials are essential during film production and the estimated costs /budget for an international delivery.

Dr. verena Metze–MangolD 12:45–13:30 | HaU3, Black Stage

For UNESCO, protecting and promoting the diversity of cultural expression is one of the main aims. Spreading the knowledge among filmmakers about UNESCO‘s work, especially also in developing nations, among minorities and indigenous people, is the focus of this session – highlighting also the opportunities for you to join forces with UNESCO and contribute with your work to reach broader cultural diversity.

ingriD kopp

16:00–16:50 | HaU1, attic rooM

There are so many tools available now to tell stories in different ways across a variety of platforms and devices, including interactive tools like Zeega, StoryPlanet, PopcornMaker and Klynt. Films can live across a range of screens, from cinema and television to the web and mobile apps. Games, ARGs, databases, social media and various software and hard ware technologies are increasingly part of the sto rytelling ecosystem. How do you find out about all of these options? And how do you know

Vis à vis with Isabel Arrate Fernández, head of the IDFA Bertha Fund.

Join Different inDUStry pro feS -

Si on alS for focUSeD DiScUSSionS

in SMall groUpS

at HaU1 anD HaU3.

SUn, fEB 10 SyDney levine


Sydney Levine, with over 35 years of experience in the entertainment industry, started as an acquisitions executive and went on to establish FilmFinders, the first comprehensive data base of worldwide productions and rights avail a bi lities by territory. After 20 years, she sold it to IMDB and is now writing for SydneysBuzz, her blog on Indiewire.com and is creating online courses in the international film business, working with the European Film Market as well as the market in Cannes, participating in festival juries and market panels, and consulting. She will talk about how you can enter the market as a producer, and how to find the right market for your film project.


22

ExpERTS fACE TO fACE

Programme | 03Meet the Expert

iSaBel arrate fernánDez

12:45–13:30 | HaU3, WHite Stage

Arrate runs the IDFA Bertha Fund (formerly Jan Vrijman Fund) of the International Doc u mentary Film Festival Amsterdam which aims to support and generate more attention for do cumentaries and filmmakers from devel op ing countries. In this session, she will focus on the possibilities for funding offered by the IDFA Bertha Fund with special attention on how to prepare an application and project pro posal.

gUillaUMe MaingUet


The Produire au Sud workshop was created in 2000 in order to support young producers and lay the foun da ti ons for lasting cooperation between Euro pean film professionals and emerging pro fes sionals from Africa, Latin America and Asia. In this session, you can find out how to apply for the Produire au Sud work shops, which aim to familiarize young producers bas ed in these countries with a vari ety of tools and international coproduction techniques by coaching in di vidual projects in development.

national Film Festival and coinitiator of Talent Campus Tokyo, she will shed light on current developments in Southeast and South Asia as well as how the festival and Talent Campus Tokyo aim to offer a highprofile platform to a new generation of Asian filmmakers.

TUE, fEB 12 Hanne SkJøDt


This is an opportunity for you to ask many questions and learn more about the European Doc umentary Network, an association of 1000 members from 60 countries with the aim of stimulating networks and knowledge within the documentary sector. EDN provides in dividual consulting and possibilities for funding, development, coproduction, distribution and collaboration across borders. You will meet EDN director Hanne Skjødt.

Mike oWen, peter yaBSley 12:45–13:30 | HaU3, Black Stage

In cooperation with Canon.Canon is the new principal partner of the Berlinale Talent Campus. Its products will be introduced in various panels throughout the Campus. In this session, Peter Yabsley and Mike Owen offer a tryandtouch: ask quest ions, try out the latest Canon equipment and get detailed information on its benefits.

peter BelSito


Peter Belsito, American producer, cine matographer and publisher will give an overview of the current international independent marketplace and will share his experience in pre par ing for performing successfully when visiting film markets – and to find your way more easily in the world of sales, distribution, financing, marketing, publicity – both on and offline.

kanako HayaSHi

16:00–16:50 | HaU3, WHite Stage Festival director of the TOKYO FILMeX Inter

…or Michel Reilhac, author, consultant and former head of ARTE France Cinéma Meet TOKYO FILMeX director Kanako Hayashi…


23 Meet the ExpertProgramme | 03

24th INTERNATIONAL FILM FESTIVAL— MARSEILLE

JULY 03— 082013www.fidmarseille.org

THE CALL FOR FILMS IS AVAILABLE ONLINE ON OUR WEBSITE → www.fidmarseille.org

FROM DECEMBER 3rd, 2012 TO MARCH 15th, 2013

THE CALL FOR PROJECTS IS AVAILABLE ONLINE ON OUR WEBSITE → www.fidmarseille.org

FROM OCTOBER 15th 2012 TO FEBRUARY 8th, 2013

INTERNATIONALCOPRODUCTION PLATEFORM 5th EDITION

JULY04 — 052013

Marseille #01-#30, Alexander Schellow

Casting director Beatrice Kruger

ThU, fEB 14Beatrice krUger


A casting director based in Rome, Beatrice Kruger has been involved in the discovery and promotion of new acting talent and develop ed the concept for the multilanguage casting portal (www.etalenta.eu). She is responsible for the European casting of films such as To Rome With Love, The International, Casino Royale, Ocean‘s Twelve and many more. She will give you insight into casting for inter national films.

BeaDie finzi

12:45–13:30 | HaU3, Black Stage

How can a filmmaker be a change maker? Consider how film can be used as a strategic tool to create social, governmental or corporate change. BRITDOC supports documentary filmmakers and producers to do this. The main fo c us of this session will be how you can link up with BRITDOC and benefit from their train ing and pitching events around the world.

BärBel MaUcH


Bärbel Mauch has considerable experience in production and distribution in Africa and produced the films Faro, la reine des eaux, which premiered at the 2007 Berlinale Forum, and L’Av enturier. Being very familiar with a range of festivals in both Europe and Africa, she will share her expertise in filmmaking in the region. Find out more about African film networks, online platforms, African producers and festivals by joining this session.

MicHael geiDel


Michael Geidel, cofounder of the Green Film Initiative, will talk about different methods of sustainable filmmaking while staying within budget and keeping the creative vision of the film. He will also give his outlook on the cur rent developments for support in Germany, UK, France and internationally to go green and discuss how to gain support for a sustainable film industry.

laUrent croUzeix, vanJa kalUDJercic,

JUkka-pekka laakSo, aleSSanDro

Marcionni, Mario Micaelo

16:00–16:50 | HaU3, WHite rooM

In cooperation with European Film Academy and Berlinale Shorts. Festival pro grammers from ClermontFerrand, Sarajevo, Tampere, Locarno, Vila do Conde and others will be present to answer questions. This is a chance to get insights from pro grammers in their selection process and their programming vision.

WEd, fEB 13MicHel reilHac

12:45–13:30 | HaU3, Black Stage

Michel Reilhac is now an author, director and con sultant in interactive storytelling after having spent over 10 years as head of cinema for the French /German cultural broadcaster ARTE. Bas ed in Paris and Berlin, he focuses on ex plor ing the artistic and economic potential of transmedia projects.


25 Meet the Expert Programme | 03

ExpERTS fACE TO fACE

8:30 Ticketing

9:00 Early Bird breakfast Presented by Berlinale Talent Campus. (p.32)

11:30 Taking Off Essential briefing on services, programme and hands-on trainings. Matthijs Wouter Knol and Christine Tröstrum. (p.32)

Fast Forward Germany Frank W. Albers, Christine Berg, Mariette Rissenbeek, Daniel Saltzwedel. Moderated by Henning Kamm. In cooperation with Medienboard Berlin-Brandenburg, Robert Bosch Stiftung, FFA and German Films. (p.32)

Global Speed Matching Meet and greet session.Moderated by Matthijs Wouter Knol. (p.32)

9:30 Welcome Short Film Station In cooperation with Medienboard Berlin-Brandenburg, AG Kurzfilm, KurzFilmAgentur Hamburg and Berlinale Shorts. (p.55)

8:30 Ticketing

9:00 Early Bird breakfast Presented by Robert Bosch Stiftung and Jordanian Royal Film Commission. (p.33)

Speed Matching Directors meet cinematographers. Pre-registration required. (p.32)

Worldbuilding: Inhabiting the Imagination James D. Bissell, Juergen Mayer H., Alex McDowell, Habib Zargarpour. Moderated by Andrew Shoben. In cooperation with the 5D Institute, Los Angeles. (p.33)

Long-Term Love: Working with Creative ProducersChristine Camdessus, Arnaud Pasquali, Bart Van Langendonck. Moderated by Ido Abram. In cooperation with MeDIA. (p.34)

Short Film Station In cooperation with Medien board Berlin-Brandenburg, AG Kurzfilm, KurzFilmAgentur Hamburg and Berlinale Shorts. (p.55)

12:45 Meet the ExpertSydney Levine. At Attic Room. Pre-registration required. (p.22)

16:00 Meet the ExpertIngrid Kopp. At Attic Room. Pre-registration required. (p.22)

WelcomeTalent Actors Stage At Fox Bar. (p.54)

Opening Ceremony: 2013 Film Prize of the Robert Bosch Stiftung Germany/Arab World Followed by the screening of The Plague (Neus Ballús, 2013). With Dr. Ingrid Hamm, Frank W. Albers, Neus Ballús. Moderated by Matthijs Wouter Knol and Christine Tröstrum. Supported by Robert Bosch Stiftung. Invitation required. (p.32)

Follow Your Instincts: Filmmaking According to Paul Verhoeven Paul Verhoeven. Moderated by Matthijs Wouter Knol. (p.33)

Lunch break

How to Glue People to the Screen Fredrik Bond, Yasemin Şamdereli. Moderated by Ben Gibson. (p.33)

Speaking in Images: The Cinematographers‘ Perspective Master class with Matthew Libatique, Philippe Le Sourd. Moderated by Jan Schütte. In coop eration with Canon. (p.34)

9:00

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The Survival Guide to Digital WorkflowsBirgit Gudjonsdottir, Dirk Meier. (p.33)

Indie Filmmaker's Guide to Cross-Media I: Interactivity and Immersion – Creating Stories for 21st Century Audiences Ingrid Kopp, Michel Reilhac. Moderated by Liz Rosenthal. (p.33)

Set In the City: Depicting Urban Africa Tosh Gitonga, Philippe Lacôte. Moderated by Nisha Naidoo. (p.34)

10:00 Editing Studio: Project Introduction Day Katja Dringenberg, Susan Korda, Gesa Marten, Molly Malene Stensgaard. Moderated by Kevin Murphy. In cooperation with German Film and Television Academy Berlin (DFFB). (p.51)

10:00 Welcome Sound Studio In cooperation with HFF “Konrad Wolf ,̋ Fraunhofer / Heinrich-Hertz-Institut and The Post Republic. (p.46)

Distributors Welcome

9:30 Doc & Script Station In cooperation with FFA and Sources 2. (p.47/49)

10:00 Sound Studio In cooperation with HFF “Konrad Wolf ,̋ Fraunhofer/ Heinrich-Hertz-Institut and The Post Republic. (p.46)

10:00 Editing Studio In cooperation with German Film and Television Academy Berlin (DFFB). (p.51)

10:30 Talent Project Market (p.50)

12:30 Reception Manfred Durniok FoundationAt Kaffeehaus, Museum of Communication Berlin. Supported by Manfred Durniok Foundation. Invitation required. (p.19)

13:00 Post-Production Studio In cooperation with Canon, DFFB and tectum – film equipment rental. (p.51)

15:00 Talent Press Editorial meeting. In cooperation with Goethe-Institut and FIPReSCI. (p.53)

19:00 Dine & Shine Supported by Robert Bosch Stiftung. Invitation required. (p.34)


10:00 Script Station: Project Development Day Gyula Gaz dag, Louise Gough, Franz Rodenkirchen, Selina Ukwuoma, Anita Voorham. In cooperation with FFA and Sources 2. (p.47)


13:00 Doc Station: Project Development Day Kathrin Brinkmann, Dick Fontaine, Jakob Kirstein Høgel, Meike Martens, Ulla Simonen. In cooperation with FFA and Sources 2. (p.49)


HAU3WHite StAge

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otHer VenUeS

SAt, FeB 9

SUn, FeB 10

Colour code Events open to the public – ticket required

Talents only Hands-on training events –for pre-selected Talents only

12:45 Meet the ExpertDr. Verena Metze-Mangold. Pre-registration required. (p.22)

16:00 Building New Worlds: Prototyping Vision I Alex McDowell, Habib Zargarpour. In cooperation with the 5D Institute, Los Angeles. Pre-registration required. (p.33)

Page numbers (p.) refer to corresponding texts in the Magazine

27 Saturday, SundayProgramme | 03


8:30 Ticketing

9:00 Early Bird breakfast Presented by Wajda Studio’s eKRAN and the Polish Film Institute. (p.35)

Speed Matching Directors meet producers and distributors. Pre-registration required. (p.32)

Kill Your Darlings Susan Korda. (p.36)

Distributors Sharing Their Secrets Clare Binns, Sam Klebanov, Hengameh Panahi. Moderated by Ben Gibson. In cooperation with Making Waves. (p.37)

Short Film Station In cooperation with Medien-board Berlin-Brandenburg, AG Kurzfilm, KurzFilmAgentur Hamburg and Berlinale Shorts. (p.55)

16:00 Meet the ExpertKanako Hayashi. Pre-registration required. (p.23)

8:30 Ticketing

Early Bird breakfast Presented by Canon. (p.38)

Speed Matching Directors meet screenwriters. Pre-registration required. (p.32)

The Short Film Galaxy Laurent Crouzeix, Vanja Kaludjerčić, Jukka-Pekka Laakso, Mário Micaelo. Moderated by Maike Mia Höhne. In cooperation with european Film Academy and Berlinale Shorts.(p.38)

Documentaries Beyond the RealNamir Abdel Messeeh, Joshua Oppenheimer. Moderated by Jakob Kirstein Høgel. In cooperation with Berlinale Panorama. (p.39)

12:45 Meet the ExpertIsabel Arrate Fernández. Pre-registration required. (p.23)

16:00 Meet the ExpertLaurent Crouzeix, Vanja Kaludjerčić, Jukka-Pekka Laakso, Alessandro Marcionni, Mário Micaelo. In coop er ation with european Film Academy and Berlinale Shorts. Pre-registration required. (p.25)

12:45 Meet the ExpertHanne Skjødt. Pre-registration required. (p.23)

16:00 Meet the ExpertGuillaume Mainguet. Pre-registration required. (p.23)

12:45 Meet the ExpertMireille van Helm. Pre-registration required. (p.22)

16:00 Meet the ExpertPeter Belsito. Pre-registration required. (p.23)

11:00 Film Screening: Youth (Tom Shoval, Israel 2013) In cooperation with Berlinale Panorama. (p.35)

Lunch break

In the Limelight: Ulrich Seidl Veronika Franz, Ulrich Seidl. Moderated by Christoph Gröner. (p.36)

Sound Design and StorytellingWalter Murch. In cooperation with Dolby® Labs. (p.37)

Film Screening: The Act of Killing (Joshua Oppenheimer, Denmark 2012) In cooperation with Berlinale Panorama. (p.38)

Lunch break

In the Limelight: Lucrecia Martel Lucrecia Martel. Moderated by Matthijs Wouter Knol. (p.38)

In the Limelight: Jane Campion Jane Campion. Moderated by Peter Cowie. In cooperation with Berlinale Special. (p.38).

9:00

10:00

12:30

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17:00

9:00

11:00

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14:00

17:00

HAU1Attic room


HAU1

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Small Wallets, Great FilmsAmra Baksič Camo, Anna Seifert-Speck. Moderated by Ben Gibson. (p.38)

Indie Filmmaker's Guide to Cross-Media II: Interactivity and Participation – Engaging 21st Century Audiences Peter de Maegd, Caspar Sonnen. Moderated by Liz Rosenthal. (p.38)

Pride and Prejudice: Southern European Filmmakers Report Salomé Lamas, Thanos Anastopoulos, Elina Psykou. Moderated by Vincenzo Bugno.In cooperation with Berlinale Forum. (p.39)

Embodying the Character Kristof Konrad, Jean-Louis Rodrigue. Pre-registration required. (p.35)

Protect Your RightsMichael C. Donaldson. (p.36)

Taking the Lead: Nina HossNina Hoss. Moderated by Peter Cowie. (p.37)

10:30 Change Your Lens, Change Your Story I: Intro to Large-sensor Digital Cinema Cameras David Leitner. In cooperation with Canon. Pre-registration required. (p.35)

12:45 Meet the ExpertMike Owen, Peter Yabsley. In cooperation with Canon. Pre-registration required. (p.23)

14:30 Building New Worlds: Prototyping Vision IIAlex McDowell, Habib Zargarpour. In cooperation with the 5D Institute, Los Angeles. Pre-registration required. (p.35)


9:30 Doc & Script Station In cooperation with FFA and Sources 2. (p.47,49)


10:00 Excursion to the European Film Market Sydney Levine. In cooperation with european Film Market. Pre-registration required. (p.37)

11:00 Sound Studio In cooperation with HFF “Konrad Wolf ,̋ Fraunhofer / Heinrich-Hertz-Institut and The Post Republic. (p.46)



19:00 Dine & Shine Supported by the British embassy and British Council. Invitation required. (p.39)

9:30 Doc & Script Station In cooperation with FFA and Sources 2. (p.47, 49)



10:30 Sound Studio In cooperation with HFF “Konrad Wolf ,̋ Fraunhofer/ Heinrich-Hertz-Institut and The Post Republic. (p.46)

13:00 Post-Production Studio In cooperation with Canon, DFFB and tectum – film equipment rental. (p.51)13:15 Excursion to the Costume House Theaterkunst In cooperation with with Theaterkunst. Pre-registration required. (p.35)


15:30 Excursion to Berlinale Co-Production Market In cooperation with Berlinale Co-Production Market. Pre-registration required. (p.37)

16:00 Excursion to “Meet the Docs“ at European Film Market. Sydney Levine. Pre-registration required. (p.37)

17:00 TV Series – The New Cinema? at Gropius Mirror. european Film Market in cooperation with Film- und Medienstiftung NRW. Pre-registration required. (p.37)

19:00 Dine & Shine Supported by Medienboard Berlin-Brandenburg. Invitation required. (p.37)

21:30 Film Screening: Some Like It Hot (Billy Wilder, 1959). At CinemaxX 8.

HAU3WHite StAge

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otHer VenUeS

mon, FeB 11

tUe, FeB 12



10:30 Change Your Lens, Change Your Story II: Close-Up Acting Kristof Konrad, Jean-Louis Rodrigue. In cooperation with Canon. Pre-registration required. (p.38)

Rehearsed Reading I: Actors Reading ScriptsAlby James. (p.39)


29 Monday, TuesdayProgramme | 03


8:30 Ticketing

9:00 Early Bird breakfast Presented by Institut français. (p.40)

Indigenous Cinema: Beyond Tribe and Nation Catherine Fitzgerald, Andrew Okpeaha MacLean, Jason Ryle, Tainui Stephens. Moderated by Maryanne Redpath. In cooperation with Berlinale NATIVe – A Journey into Indigenous Cinema. (p.40)

Speed Matching Directors meet actors. Pre-registration required. (p.32)

8:30 Ticketing

12:00 Things to Take Home Kathi Bildhauer, Matthijs Wouter Knol, Christine Tröstrum. (p.43)

Launching Films: Publicity and Film Critique Sylvia Müller, Gordon Spragg. Moderated by Peter Cowie. (p.43)

Speed MatchingDirectors meet sound designers, film composers and editors. Pre-registration required. (p.32)

13:00 Talent Project MarketWrap-up session. (p.50)

15:00 Talent Actors StageWrap-up session. (p.54)

12:45 Meet the ExpertBeatrice Kruger. Pre-registration required. (p.25)

12:45 Meet the Expert Bärbel Mauch. Pre-registration required. (p.25)

16:00 Meet the ExpertMichael Geidel. Pre-registration required. (p.25)

In the Limelight: Ken Loach Ken Loach. Moderated by Ben Gibson. In cooperation with Berlinale Special. (p.40)

Lunch break

Screening Shorts – Selected Competition Films From Berlinale Shorts and Generation In cooperation with Berlinale Shorts and Berlinale Generation. (p.41)

In the Limelight: Anita Ekberg Anita Ekberg. Moderated by Peter Cowie. In cooperation with the embassy of Sweden. (p.41)

20:00 Chris Marker: The Future Has Vivid Memories Basma Alsharif, Tom Luddy, Lia van Leer, Deimantas Narkevičius. Moderated by Marcel Schwierin. In cooperation with Berlinale Forum expanded. (p.41)

Lunch break

Inside Out: Writing Emotions for the Screen Bence Fliegauf, David Gordon Green, Oliver Hermanus. Moderated by Dorothee Wenner (p.43)

Some Like It Hot – The Power of Sex Hagar Ben Asher, John Cameron Mitchell. Moderated by Matthijs Wouter Knol. (p.43)

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HAU1Attic room


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otHer VenUeS

10:00 World Cinema Fund At Your FingertipsVincenzo Bugno, Sonja Heinen. In cooperation with World Cinema Fund. (p.42)

Stage Your Comeback: Berlinale Co-Production Market / Berlinale Residency Kathi Bildhauer, Martina Bleis, Sonja Heinen. In cooperaration with Berlinale Residency and Berlinale Co-Production Market. (p.42)

Roughly Speaking: Editing Studio Presentation Sigrid Limprecht, Paz Lázaro, Susan Korda. Moderated by Kevin Murphy. In cooperation with German Film and Television Academy Berlin (DFFB). (p.43)

Worldbuilding Presentation Alex McDowell.In cooperation with the 5D Institute, Los Angeles. (p.41)

10:30 Change Your Lens, Change Your Story III: Large-sensor Digital Cinema Cameras in Detail David Leitner. In cooperation with Canon. Pre-registration required. (p.40)

12:45 Meet the ExpertMichel Reilhac. Pre-registration required. (p.25)

Rehearsed Reading II Alby James. (p.39)

9:00 Valentine‘s breakfast at Hostel A&O. Presented by Berlinale Talent Campus. (p.42)

9:30 Doc & Script Station In cooperation with FFA and Sources 2. (p.47, 49)

10:00 Hear the Whole Picture: Advancing Sound Design with Dolby®Atmos at Cinestar 7. Julian Pinn. In cooperation with Dolby® Labs. (p.42)

10:00 Digital Differences: Post-Production Studio Presentation at DFFB Cinema. Birgit Gudjonsdottir, Dirk Meier. Moderated by Christine Tröstrum.In cooperation with Canon, DFFB and tectum – film equipment rental. (p.51)

11:00 Talent Press In cooperation with Goethe-Institut and FIPReSCI. (p.53)

11:00 Master Class for Production Designers at Costume House Theaterkunst In cooperation with Theaterkunst. Pre-registration required.(p.43)

21:00 Closing Party at Club GretchenInvitation required. (p.43)


11:00 Project Presentation Day: Script Station Moderated by Gabriele Brunnenmeyer. In cooperation with FFA and Sources 2. (p.41)11:00 Sound Studio In cooperation with HFF “Konrad Wolf ,̋ Fraunhofer / Heinrich-Hertz-Institut and The Post Republic. (p.46)


14:00 Project Presentation Day: Doc Station Moderated by Sirkka Möller. In cooperation with FFA and Sources 2. (p.41)

14:00 Excursion to Studio Babelsberg In cooperation with Studio Babelsberg. Pre-registration required. (p.41)

15:00 Talent Press In cooperation with Goethe-Institut and FIPReSCI. (p.53)

15:00 Screening the Future: Excursion to the Heinrich-Hertz-Institut In cooperation with Fraunhofer/ Heinrich-Hertz-Institut. Pre-registration required. (p.41)

16:00 Project Presentation Day: Short Film Station Moderated by Gabriele Brunnenmeyer. In cooperation with Medienboard Berlin-Brandenburg, AG Kurzfilm, KurzFilmAgentur Hamburg and Berlinale Shorts. (p.41)

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12:45 Meet the ExpertBeadie Finzi. Pre-registration required. (p.25)

15:30 DistributorsWrap-up session.


31 Wednesday, ThursdayProgramme | 03



32

Sat, FeB 9 | Day 1

Saturday Programme | 03

relationships with fellow Talents ranging from actors, directors, screenwriters, directors of photography, producers, editors, distributors and sound designers. More focused meeting sessions will follow daily during the Campus at 12:30 pm:

Feb 10 | directors meet cinematographersFeb 11 | directors meet producers and distributorsFeb 12 | directors meet screenwritersFeb 13 | directors meet actorsFeb 14 | directors meet sound designers, film composers and editors Start time: 16:00

Opening CeremOny:

2013 Film prize OF the rObert bOsCh

stiFtung germany/arab WOrld,

Film sCreening: the plague 17:00 | hau1, admittanCe at 16:30

Dr. Ingrid Hamm, Frank W. Albers, Neus Ballús. Moderated by Matthijs Wouter Knol and Christine Tröstrum. Supported by Robert Bosch Stiftung.

The Berlinale Talent Campus 2013 welcomes all Talents, mentors, and experts to the Open -ing Ceremony of the 11th edition! The Campus man agers, Matthijs Wouter Knol and Christine Tröstrum will present the highlights and focus of this year‘s Campus. The introductions will be followed by the announcement of the award winners of the 2013 Film Prize of the Robert Bosch Stiftung Germany/Arab World, and a screening of alumna Neus Ballús‘s film, The Plague which is in the official Berlinale pro-gramme.

of one of the richest resources you'll have avail-able to you throughout this week – your Campus peers – who are brimming with pot-ential for future collaborations. With Talents specializing in all areas of filmmaking, there is no end to the possibilities that can ensue from the valuable connections made at the Talent Campus.

Fast FOrWard germany 13:00–14:00 | hau2

Frank W. Albers, Christine Berg, Mariette Rissenbeek, Daniel Saltzwedel.Moderated by Henning Kamm.In cooperation with Medienboard Berlin Branden burg, Robert Bosch Stiftung, FFA and German Films.Interested in making films with German part-ners? German film funding organisations, re- pre sentatives from Medienboard Berlin-Bran-denburg, Robert Bosch Stiftung, German Fed-eral Film Board (FFA) and German Films will present their respective initiatives and ob jec-tives in supporting and promoting German cinema. This meeting is relevant to all Talents interested in working with or in Germany. Find out what would qualify your project to apply for funding through these organisations.

glObal speed matChing 15:00–16:00 | hau2

Meet and greet session. Moderated by Matthijs Wouter Knol.

The Talent Campus‘ version of speed-dating, Global Speed Matching is an invigorating way to meet Campus peers. It is also a great chance to get comfortable introducing yourself and your work to those at the festival, learn what others are up to and engage with potential creative partners. The Campus is a hotbed for networking and forging lifelong professional

tiCketing and talent registratiOn

8:30–18:00 | hau2

First things first! As soon as you arrive at the Talent Campus, you need to stop by the re gi-stration counter and pick up your ac cre d i ta - t ion. You'll be welcomed by the Talent Cam pus staff, get all your logistical questions ans wer - ed, pick up your travel reimbursement, find out how to get tickets to the events and films you'd like to attend, and have your portrait tak en courtesy of Canon. That's also where you'll receive your Campus bag, magazine and Berlinale film programmes.

early bird breakFast

9:00–10:30 | hau2

Presented by Berlinale Talent Campus. Start the day with breakfast and conversati ons, hosted by the Berlinale Talent Campus and Cam pus International programmes. Enjoy hot coffee and croissants while you engage with filmmakers from around the world. Get sated and caf fe inated before heading out for a day full of panels, films, master classes and events.

taking OFF

11:30–12:30 | hau2

Matthijs Wouter Knol, Christine Tröstrum.Come find out about all that the Campus has to offer at this opening briefing. You'll be in - tro duced to the Campus team members who will provide an overview of all the events and activities in the coming week, as well as Ber-linale film screenings, receive useful in for ma-tion regarding accessing the Campus data -base, wifi access, etc. The hands-on training pro grammes will also be introduced, which in-clude: Sound Studio, Campus Studio, Short Film Station, Doc and Script Station, Talent Press, Talent Project Market, and the Talent Actors Stage. Most importantly, you'll be made aware

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Day 2 | Sun, FeB 10

SundayProgramme | 03

the de velopment and cre ation of spaces in both re al ity and film, revealing how the advancement of tech no logical pos sibilities has allowed us to redefine the pos sible.

the indie Filmmaker’s guide tO

CrOss media i: interaCtivity and

immersiOn – Creating stOries FOr 21st

Century audienCes

14:00–15:30 | hau3, tOp FlOOr

Ingrid Kopp, Michel Reilhac.Moderated by Liz Rosenthal.

Technology has radically transformed the way we tell, deliver and share stories. We now have an array of tools at our disposal to create, reach and engage audiences – from mobile apps, game platforms, ARGs, open source code frame works, interactive editing, broadcast plat-forms and beyond. How can storytellers and filmmakers adapt to this new storytelling lan-guage and behavioural mindset? Ingrid Kopp, Michel Reilhac and Liz Rosenthal explore new approaches to creating experiences for 21st cen tury audiences. building neW WOrlds:

prOtOtyping visiOn i & ii

16:00–19:00 | hau3, blaCk stage

Alex McDowell, Habib Zargarpour.In cooperation with the 5D Institute, Los Angeles.Worldbuilding is a metaphor for a design and iteration process that creates and actualizes the story space in digital narrative media. It ad-dresses the experience of creating new worlds for storytelling through an immersive creative practice. This workshop will be a col la borative and experiential exploration to de velop the practice of visual storytelling, us ing new in - cep tion and development processes to pro to-type, capture and manufacture the imagi na - tion within a single virtual production space.

how mastering digital workflows has allowed them to deal with various problems in post pro duction.

hOW tO glue peOple tO the sCreen

14:00–15:30 | hau1

Fredrik Bond, Yasemin Şamdereli.Moderated by Ben Gibson.Focusing on romantic comedies, comedies or act ion-driven films, this panel will focus on film makers that have found commercial suc-cess or acclaim with audiences. What are the secrets of making successful films people love and what are the pitfalls to avoid when de vel-oping and directing mainstream films?

WOrldbuilding:

inhabiting the imaginatiOn

14:00–15:30 | hau2

James D. Bissell, Juergen Mayer H., Alex Mc Dowell, Andrew Shoben, Habib Zargarpour. Moderated by Andrew Shoben. In cooperation with the 5D Institute, Los Angeles.

Stories are created as an invitation for people to surpass the boundaries of the known. But for its creators to be guides in the deep cor - ners of our imagination within narrative worlds, stories must become the first inhabitants of these new worlds. Production designers and architects discuss together their methods for


9:00–10:30 | hau2 Presented by Robert Bosch Stiftung and Jordanian Royal Film Commission.

Kickstart the day with breakfast and con ver-sations, hosted by the Robert Bosch Stiftung and the Jordanian Royal Film Commission. Ac quaint yourself with their mission support-ing films that inspire cross-cultural exchange. Get your hot coffee and croissants, and chat with fellow Talents before embarking on an-other ex citing Campus day. Sahteen!

FOllOW yOur instinCts: Filmmaking

aCCOrding tO paul verhOeven

11:00–12:30 | hau1

Paul Verhoeven. Moderated by Matthijs Wouter KnolPaul Verhoeven knows that entertainment val ue is nothing to be scoffed at, having push ed boundaries in the 80s and 90s with films like Robocop, Total Recall, Basic Instinct and Starship Troopers. Talking about his work and the importance of humour, suspense, a poignant story, tal ented actors, an extra ordi-nary aesthetic, he will elaborate on the need for filmmakers to recognize and follow their instincts.

the survival guide tO digital

WOrkFlOWs

11:00–12:30 | hau3, tOp FlOOr

Birgit Gudjonsdottir, Dirk MeierBirgit Gudjonsdottir (Our Grand Despair), Ice-landic/Austrian director of photo graphy, and re puted Dirk Meier (Antichrist, Dredd), digital imaging supervisor, present the in tri cacies of digital workflows. Topics include the chal len-g es that arise when matching film and digital formats, in particular when numerous shots are taken under varied lighting con di tions, and

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Sun, FeB 10 | Day 2

Sunday Programme | 03

dine & shine 19:00–21:30 | rObert bOsCh stiFtung

Supported by the Robert Bosch Stiftung.

At the Dine & Shine dinners, invited Campus Talents find themselves seated next to Campus experts and festival professionals. Set up like musical chairs, this dinner gives everyone the chance to exchange and interact with new faces between each course. With delectable food and company, by the end of the evening you‘ll be sated by this movable feast, by the many great conversations had, connections made, and in-spired advice received. Sunday‘s dinner, sup-ported by the Robert Bosch Stiftung, features filmmakers from the Arab World.

lOng-term lOve:

WOrking With Creative prOduCers

17:00–18:30 | hau2

Christine Camdessus, Arnaud Pasquali, Bart Van Langendonck. Moderated by Ido Abram.In cooperation with MEDIA.

What exactly is the role of a creative producer? And how are they integral to the creative de-velopment, production and distribution of a film? MEDIA aims to support creative produ cers within the European Union, with an inter -est in those who not only have an eye for finding talent and spotting promising projects, but can structure and stimulate the team, bring in external advisors, support and collaborate with directors on content, have marketing strategies, and can help build talent long-term. In con-versation with Arnaud Pasquali from MEDIA, cre ative producers discuss many aspects of their role.

set in the City:

depiCting urban aFriCa

17:00–18:30 | hau3, tOp FlOOr

Tosh Gitonga, Philippe Lacôte.Moderated by Nisha Naidoo.Contemporary life in Africa is greatly defined by the rapidly evolving urbanism. Emerging filmmakers present their latest work, in which megacities play a decisive role, ranging from Kenyan filmmaker Tosh Gitonga (Nairobi Half Life) to French-Ivorian filmmaker Philippe La-côte, currently working on a project for the new short film series “African Metropolis“. They will discuss how they integrate city images in a filmic language, treating the city as one of the story’s characters.

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At the core of the worldbuilding work shop is the opportunity to reexamine the cre ative pro-cess itself, to discover and develop new ways of seeing, thinking, iterating and col la bo rating, as the basis of transmedia pro duct ion.Workshop II Feb 11 | 14:30–19:00

speaking in images:

the CinematOgraphers’ perspeCtive

17:00–18:30 | hau1

Philippe Le Sourd, Matthew Libatique.Moderated by Jan Schütte.In cooperation with Canon.

How do cinematographers define the look of the film by applying new camera tech niques? Accomplished cinematographers Matthew Libatique (Requiem for a Dream, Black Swan), who frequently works with Darren Aronofsky, and Philippe Le Sourd (A Good Year, Seven Pounds) who has recently photographed Wong Kar Wai’s new film The Grandmaster, join the Campus for a master class discussing their col-laborations with various filmmakers.

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35

Day 3 | Mon, FeB 11

MondayProgramme | 03

Film sCreening: yOuth

11:00–13:00 | hau1 In cooperation with Berlinale Panorama.

Writer and director Tom Shoval (Campus 2010) and producer Gal Greenspan (Campus 2009, 2011) will present their film, which was devel-oped at Script Station in 2010 and presented at the Talent Project Market in 2011. They will be joined by cast members and their German co-producers, Sol Bondy and Jamila Wenske.

exCursiOn tO COstume hOuse

theaterkunst

13:15–15:00 | meeting pOint

12:35 | at the entranCe tO hau1

In cooperation with Theaterkunst.

Costume House Theaterkunst, the oldest and most expansive costume and accessory col-lection in Germany, supplies innumerable film, television, theatre, and advertising projects with the perfect costumes. Founded in 1907, this historic institution houses over ten million pieces from a variety of epochs and styles, with branches in Hamburg, Munich, Cologne, and the Berlin headquarter. Their film historical con tribution is immense, hav ing fitted classics such as Ben Hur, Varieté and Metropolis, and recently, Inglourious Basterds, The White Ribbon, and Barbara. This tour is a unique opportunity to peruse their sweeping and rich collection; open to ten Talents.

participants will be asked to have a mono - logue ready. Through mental and physical pro - cesses, the master class will allow actors and film directors to expand their level of awareness of themselves, in stillness and in movement, fo cus on connecting the body and breath to per formance and creating characters. Helping actors gain access to themselves and teaching them to transform into characters requires an atmosphere free of fear. Rodrigue promotes an environment that is both playful and daring, he emphasises: “When performers make the physical component of their work as impor - tant as the intellectual, they become far more convincing.”

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yOur stOry i:

intrO tO large-sensOr digital

Cinema Cameras


David Leitner.In cooperation with Canon.

Advantages in production and post-produc-tion made possible by the latest digital cinema cameras will be the main focus of this work -shop by acclaimed American independent film maker David Leitner. He will give an over-view of the worldwide low-budget jug ger - naut inspired by DSLRs capable of stun n ing -ly artful HD images, which has led directly to the development of a new generation of HD and 4K cameras like Canon's new Cinema series: C100, C300, C500 and 1-D C. Citing ex-amples of recent films shot with DSLRs and other large-sensor cameras, and using Canon‘s family of new cinema cameras to demonstrate, this workshop will give insight into the latest developments in affordable filmmaking, and how these cameras will better enable film-makers to tell their stories in the future.


9:00–10:30 | hau2

Presented by Wajda Studio’s EKRAN and the Polish Film Institute.

Start the day with breakfast and conversa - ti ons, hosted by Wajda Studio’s EKRAN and the Po l ish Film Institute. Enjoy hot coffee and crois - sants while you engage with filmmakers from around the world. Get sated and caf feinated before heading out for a day full of panels, films, master classes and events. Smacznego!

embOdying the CharaCter

10:00–13:00 | hau3, tOp FlOOr

Kristof Konrad, Jean-Louis Rodrigue.

Body, voice, energy, breath and the ability to embody their characters are the fundament - al tools that actors need, and also what they most often lack. The Alexander Technique is a method of self-discovery which explores the basic impulses of human movement, how we interfere with our own coordination, and it offers a means to change. As Larry Moss, an acting coach puts it: “One of the most important things actors can possess is a relationship to their own body and breath. Jean-Louis works with actors in such a way that they immediately understand from deep within themselves their true impulses.“This is a hands-on workshop and interactive ex perience with practical application. Active

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prOteCt yOur rights

14:00–16:00 | hau3, tOp FlOOr

Michael C. Donaldson.

Before getting involved, everyone from direc-tors, producers, distributors, and sales agents, should know the international laws behind the ownership of the films they work on. Get clear explanations and advice from industry law expert Michael C. Donaldson, who has spe ci-alized in independent film for over 30 years. This is a great opportunity to ask all your pres-sing questions about this often illusive, yet important aspect of the filmmaking process.

kill yOur darlings

14:00–16:00 | hau2

Susan Korda.

Editor and director Susan Korda provides analysis and insight into the craft of film editing. Through selected clips from Bonnie & Clyde and Jaws, Korda demonstrates the multifaceted tech niques used to merge sound, image, and timing to bring about the intended cinematic ex perience. She'll elucidate the immense power in editing, and its ability to make a film work, despite flaws that may have occurred during production. To “kill your darlings,” or the critical ability to select the best material and discard what's not necessary, will be a primary focus of the session.

in the limelight: ulriCh seidl

14:00-15:30 | hau1

Veronika Franz, Ulrich Seidl. Moderated by Christoph Gröner.

The masterfully provocative and often bleak depictions of the private lives of everyday people distinguish the realist filmmaking of auteur Ulrich Seidl. Seidl's emotionally troub - l ed, sexually confused and economically stres-s ed protagonists emerge from his staged re-alities which are disturbing and severe at their core. The award-winning filmmaker joins the Berlinale with a premiere of Paradise: Hope, the final film in his trilogy. In this session, Seidl discusses his working process with screenwriter Veronika Franz on this triptych.

Nina Hoss taking the reins in Thomas Arslan‘s Gold (Berlinale Competition)

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Mon, FeB 11 | Day 3

Monday Programme | 03

the tOurs take plaCe at:

Feb 11 | 16:00–17:00

Feb 12 | 10:00–11:00

| 16:00–17:00

Feb 13 | 10:00–11:00

| 12:30–13:30

sOund design and stOrytelling

17:00–18:30 | hau1

Walter Murch. In cooperation with Dolby® Labs.

Preeminent editor and sound designer Walter Murch gives insights into his decades-long, in-fluential career working on a plethora of top films. Murch, who has won numerous Oscars® for his work on Apocalypse Now and The Eng -lish Patient, gives a master class in which he ela-borates on his theories about the inextric - able relationship between sound design and storytelling.

distributOrs sharing their seCrets

17:00–18:30 | hau2

Clare Binns, Sam Klebanov, Hengameh Panahi. Moderated by Ben Gibson. In cooperation with Making Waves.

A skilled distributor recognizes a film's quality and appeal, bringing festival gems to general audiences, and has the power to broaden the film‘s reach. Seasoned distributors Hengameh Panahi, Clare Binns and Sam Klebanov share

exCursiOn

tO berlinale CO-prOduCtiOn market

15:30–16:45 | meeting pOint 15:00

at the entranCe tO hau1

Kathi Bildhauer.In cooperation with Berlinale Co-Production Market.This excursion is a short tour with Talent Project Market coordinator Kathi Bildhauer and the attendance of the one-hour session “Countries in Focus”, a moderated session where public funders and representatives from five selected countries, Brazil, Germany, Luxembourg, Geor-gia and UK, will give short overviews and ans-wer all questions on co-producing with their country.

exCursiOn

tO the eurOpean Film market

meeting pOint at the entranCe

tO hau1 | 30 minutes priOr

tO start time

Sydney Levine.In cooperation with European Film Market.

The European Film Market (EFM) is a major place of convergence for international film pro fessionals including distributors, buyers, pro ducers, financiers, and sales agents, and is the industry centre of the Berlinale. Set in the historic renaissance-style exhibition hall Martin Gropius Bau, the EFM is a bustling nine-day trade fair where over 400 exhibitors from 55 countries present over 1,000 films, and func-tions as a barometer for the upcoming film year. Sydney Levine, a pioneer acquisitions executive, will conduct the tour of the inner workings of the EFM. Monday‘s tour to the EFM, “Meet the Docs”, focuses on the documentary film in-dustry, and is a joint initiative with the European Documentary Network (EDN).

their insights into the multifaceted world of film distribution. The session encourages filmmakers and producers to consider their audience and marketing strategy as early as possible in the film producing process.

taking the lead: nina hOss

17:00–18:30 | hau3, tOp FlOOr

Nina Hoss. Moderated by Peter Cowie.How do actors choose their roles and col la-borate with directors? To what extent do they want to be involved in creating characters? How has the selection of their roles influenced their career so far? Renowned actress Nina Hoss (Barbara) who is back in the Berlinale Com pe-tition this year with Thomas Arslan‘s Gold talks about the various approaches she takes to the filmmaking process.

tv series – the neW Cinema? 17:30–18:30 | grOpius mirrOr

Jane Campion, James Manos, Jr., Annie Wegelius. Moderated by Torsten Zarges.European Film Market in cooperation with Film- und Medienstiftung NRW. Talents have the opportunity to attend a panel at the European Film Market. It focuses on quality TV series that are gaining ever higher approval ratings by audiences. Their quality has improved dramatically also as a result of first-class crews, previously successful with cinema. Amongst others TV programmer Annie Wege-lius (SVTelevision, Stockholm), writer/producer James Manos Jr. (Dexter) and Oscar®-winning director Jane Campion, who is also presenting her mini-series Top of the Lake at the Berlinale Special, will discuss the potential of highly regarded TV series and their effects on the de-velopment of cinema.

dine & shine

19:00–21:00 | gOldneun

Supported by Medienboard Berlin-Brandenburg.At the Dine & Shine dinners, invited Campus Talents find themselves seated next to Campus experts and festival professionals. Set up like musical chairs, this dinner gives everyone the chance to exchange and interact with new faces between each course. Today‘s dinner, sup por ted by Medienboard Berlin-Branden-burg, feat ures international net workers.

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Day 3 | Mon, FeB 11

MondayProgramme | 03

such as the International Short Film Festival Clermont-Ferrand, Sarajevo Film Festival, Tam-pere Film Festival and Curtas Vila do Conde – International Short Film Festival present the profiles of their festival, what kinds of work interest them, and share examples of success -ful films that exemplify their programming vis ion. This is your chance to learn which festi -val would be a good fit for your short, and to quest ion programmers about their selection process.

the indie Filmmaker’s guide

tO CrOss media ii:

interaCtivity and partiCipatiOn –

engaging 21st Century audienCes

14:00–15:30 | hau3, tOp FlOOr

Peter de Maegd, Caspar Sonnen.Moderated by Liz Rosenthal.

Audiences are shifting effortlessly from one platform and device to the next and are actively engaged in the stories that interest them –demanding experiences that are more social and interactive. During this session, leading cross-media producers will showcase a vari e ty of recently launched projects designed spe ci-fically to use new platforms and formats to tell stories that satisfy this growing trend of in ter-active and participatory audience culture.

in the limelight: Jane CampiOn

17:00–18:30 | hau1

Jane Campion. Moderated by Peter Cowie.In cooperation with Berlinale Special.Campion‘s powerful portrayal of the human spirit, and her profound character-driven nar-ratives are intriguing ruminations on socie tal and gender issues, while being gripping cine-matic feats. Her protagonists are often stub-born pioneers with unique artistic visions such as the fearless pianist played by Holly Hunter in

small Wallets, great Films

11:00–12:30 | hau3, tOp FlOOr

Amra Baksič Camo, Anna Seifert-Speck.Moderated by Ben Gibson.

Regardless of budget, some films manage to reach their full potential through the creativity and resourcefulness of the filmmaker. Beyond the use of non-actors or refraining from fancy sets and locations, what key elements should filmmakers consider when working with limit - ed budgets? Producer Anna Seifert-Speck, of acclaimed British indie Weekend, and the pro-ducer of the Berlinale Com petition film An Episode in the Life of an Iron Picker, Amra Baksič Camo, discuss how they managed great creat -ive success while working with micro-budgets.

in the limelight: luCreCia martel

14:00–15:30 | hau1

Lucrecia Martel.Moderated by Matthijs Wouter Knol.Lucrecia Martel, a founding figure of the New Argentine Cinema, whose acclaimed films include The Headless Woman and the Alfred Bauer Award-winning film The Swamp, gives a master class at the Talent Campus. Martel's complex and elliptical narratives are grounded in their treatment of the local often telling stories that visually reveal the social atmosphere that her protagonists struggle within.

the shOrt Film galaxy

14:00–15:30 | hau2

Laurent Crouzeix, Vanja Kaludjerčić, Jukka-Pekka Laakso, Mário Micaelo.Moderated by Maike Mia Höhne. In cooperation with European Film Academy and Berlinale Shorts.How do European short film festivals help film makers to launch their work? Programmers and representatives from renowned festivals


9:00–10:30 | hau2 Presented by Canon. Start the day with breakfast and conversa -tions, presented by Canon. Enjoy hot coffee and croissants while you learn more about how Canon wants to connect with emerging film-makers and check out their touch-and-try area.Say cheese!

Change yOur lens, Change yOur

stOry ii: ClOse-up aCting


Kristof Konrad, Jean-Louis Rodrigue.In cooperation with Canon.An actor’s vision in film acting is lived em o ti o-nally and physically. Performance of this kind requires more than instinct – interpretative in-telligence and a mastery of physical, psy ch o-logical, and emotional craft need to inform performance. Jean-Louis Rodrigue and Kristof Konrad lead an intensive workshop to explore the skills and tools that are required for the extraordinary creation of characters and per-formances specifically geared for the camera close-up. Having collaborated with such film artists as Leonardo DiCaprio, Juliette Binoche, Josh Brolin, Chris Pine, Hilary Swank, Helena Bonham Carter, gives Rodrigue and Konrad a unique point of view, as they apply physicality and the Alexander Technique to film acting.

Film sCreening: the aCt OF killing

11:00–13:00 | hau1 In cooperation with Berlinale Panorama.

Director Joshua Oppenheimer, who worked with editors including alumnus Erik Anders -son will show his film that will also be one of the case studies in the panel “Documentaries Bey ond the Real“ in the afternoon.


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tue, FeB 12 | Day 4

Tuesday Programme | 03

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based on real life situations. Bringing together fellow Talents, this workshop utilizes their skills for collaboration – scriptwriters will be able to see their screenplays in action, and actors will be able to study and perform these scripts, en-couraging discussions and feedback bet ween all participants. WOrkshOp ii Feb 13 | 17:00–18:30

dine & shine

19:00–21:00 | british embassy

Supported by the British Embassy and British Council. Invitation required.At the Dine & Shine dinners, invited Campus Talents find themselves seated next to Campus experts and festival professionals. Set up like musical chairs, this dinner gives everyone the chance to exchange and interact with new faces between each course. With delectable food and company, by the end of the evening you'll be sated by this movable feast, by the many great conversations had, connections made, and in-spired advice received. Tuesday‘s dinner, hos t- ed by the British Embassy and British Council, features filmmakers from the UK.

discuss how they developed their formal tech-niques while discovering their stories, and found their unique cinematic voices.

pride and preJudiCe: sOuthern

eurOpean Filmmakers repOrt

17:00–18:30 | hau3, tOp FlOOr

Thanos Anastopoulos, Salomé Lamas, Elina Psykou. Moderated by Vincenzo Bugno.In cooperation with Berlinale Forum.

All eyes having been on Southern Europe this past year, and discussions have been influ - en c ed by finger-pointing, prejudices and one- di m ensional judgements. Featuring a new and energetic generation of Greek, Spanish and Portuguese filmmakers all telling strong stories influenced by the economic crisis, this panel gives an insider‘s view on the current state of the Southern European film industry, and also discusses the effect of emerging talents leav -ing Southern Europe, how cinema reflects and in fluences political debates, and what op-por tunities are available for filmmakers to join forces, strengthen collaboration and fight stereotypes.

rehearsed reading:

aCtOrs reading sCripts i & ii


Workshop with Alby James. To take-on a character, an actor must create their own approach to the script and bring it to life. With pre-selected scripts from Script Station, this Talent Actors Stage workshop will focus on dialogue training with Alby James, seasoned theatre, film and television direc - tor, previous head of development of EON Screenwriters‘ Workshop, and accomplished independent producer. James will coach actors and script writers on how to build characters

The Piano, writer Janet Frame in An Angle at My Table and poet John Keats in Campion‘s recent Bright Star. Examining social convention through visionary protagonists and powerful emotional insights, Campion’s work has been widely lauded, winning the Palme d’Or (1993), the Silver Lion (1990) and an Ac a demy Award (1994). Her newest mini series, Top of the Lake is featured in the official Berlinale programme. dOCumentaries beyOnd the real

17:00–18:30 | hau2

Namir Abdel Messeeh, Joshua Oppen heimer. Moderated by Jakob Kirstein Høgel. In cooperation with Berlinale Panorama.

The distinction between fact and fiction in documentaries has become irrelevant, as the most incisive recent films tell stories by re-vealing multiple truths and asking questions by employing innovative narrative techniques. Filmmakers Joshua Oppenheimer (The Act of Killing) and Namir Abdel Messeeh (The Virgin, The Copts and Me) utilize their own creative perspectives, embrace experimental story-telling and visual approaches, and integrate them into the formal structure of their films. “I created the conditions for creating a doc u-mentary of the imagination rather than a do c umentary of everyday life”, says Joshua Op pen heimer. In this session, these experts


39

Day 4 | tue, FeB 12

TuesdayProgramme | 03

Elin

a Ps

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‘s Th

e Et

erna

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turn

of A

nton

is P

aras

keva

s

Jan

Cam

pion

‘s fir

st T

V se

ries

in th

e Be

rlina

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peci

al

Josh

ua O

ppen

heim

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The

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Alb

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share insights into his working process on his films including the Palme d‘Or-winning The Wind that Shakes the Barley and The Spirit of ‘45 which screens in this year‘s Berlinale Special.

indigenOus Cinema: beyOnd tribe

and natiOn

11:00–12:30 | hau3, tOp FlOOr

Catherine Fitzgerald, Andrew Okpeaha Mac Lean, Jason Ryle, Tainui Stephens.Moderated by Maryanne Redpath.In cooperation with Berlinale NATIVe – A Journey into Indigenous Cinema.With the launch of the Berlinale's special series devoted to the cinematic storytelling of in di-genous peoples worldwide, the Campus invites an array of experts to shed light on indigenous filmmaking with its culturally diverse, and po li-tically, economically and artistically charged history. The session focuses on how indigenous cultures influence storytelling in form and in content, and discusses its relevance in the in-ternational arena beyond tribe and nation.

new family of digital cinema cameras (C100, C300, C500, 1-D C) to discuss and demonstrate these enhanced capabilities, using case stud -ies where possible to illustrate the advantages these cameras offer emerging filmmakers.

in the limelight: ken lOaCh

11:00–12:30 | hau1

Ken Loach. Moderated by Ben Gibson.In cooperation with Berlinale Special.

Esteemed British filmmaker Ken Loach's rea - list stories about political struggle and uphea-val in the UK and internationally have garnered wide acclaim over the course of his long and impressive career. Loach gives a master class to


9:00–10:30 | hau2

Presented by Institut français. Kickstart the day with breakfast and con ver-sations, hosted by Institut français. Find out how the Institut promotes and supports film-makers while you enjoy hot coffee and crois - s ants and engage with filmmakers from all around the world. Get sated and caffeinat ed before heading out for a day full of panels, films, master classes and events. Bon appetit!

Change yOur lens, Change yOur

stOry iii: large-sensOr digital

Cinema Cameras in detail

10:30–12.30 | hau3, blaCk stage

David Leitner. In cooperation with Canon.The second workshop by David Leitner will focus more specifically on technique, on the technical and ergonomic possibilities provided by the latest in compact digital cinema cameras, particularly where it comes to low-budget and handheld filmmaking. Based on his extensive experience as both documentary filmmaker and DoP, Leitner will use Canon's

Impressive backdrops at Studio Babelsberg


40

weD, FeB 13 | Day 5

Wednesday Programme | 03

Ken

Loac

h‘s

new

film

The

Spi

rit

of ‘4

5 ru

ns in

the

Berli

nale

Spe

cial

this year, and glean knowledge from the film-makers during the discussion following the screenings. The films include: Treffit by Jenni Toivoniemi, Misterio by Chema García Ibarra, Kwaku Anan se by Akosua Adoma Owusu, Pri-mate Cinema: Apes as Family by Rachel Mayeri and La Fugue by Jean Bernard Marlin.

WOrld building presentatiOn

14:00–15:30 | hau3, tOp FlOOr

Alex McDowell.In cooperation with the 5D Institute, Los Angeles.Worldbuilding expert Alex MacDowell and the Talents who participated in the “Building New Worlds: Prototyping Imagination“ workshop will present the results from their intensive session in which they collaborated to explore new modes of visual storytelling and transmedia production through innovative processes.

exCursiOn tO studiO babelsberg

14:00–16:00 | meeting pOint 13:00


In cooperation with Studio Babelsberg.Studio Babelsberg, a prolific and celebrated studio, where noteworthy films from Fritz Lang‘s Metropolis to Quentin Tarantino‘s In glou-rious Basterds were produced, will be open for a tour of the premises to a limited number of Talents. Preference will be given to production designers, producers and directors.

sCreening the Future: exCursiOn

tO the heinriCh-hertz-institut

15:00–17:00 | meeting pOint 14:20 at

the entranCe tO hau1 In cooperation with Fraunhofer/Heinrich- Hertz-Institut.The Heinrich-Hertz-Institut conducts research and development pertaining the digital fut - ure. The leading research institute for mobile broadband communications, photonic net-works and electronic imaging for multimedia, and in the high-tech communications systems, digital media, and service fields, the institute also heads the German national project PRIME, which works in 3D production for film and broadcasting. Image processing, com mu ni ca-tion, 3D displays, and innovative audio tech-nologies comprise their contribution to the film industry, and will be the focus of the tour for visiting Talents.

berlinale talent Campus prOJeCt

presentatiOn day

11:00–18:30 | hOuse OF representatives

Moderated by Gabriele Brunnenmeyer and Sirkka Möller. In cooperation with FFA and Sources 2 as well as Medien board Berlin-Brandenburg, AG Kurzfilm, KurzFilmAgentur Hamburg and Berlinale Shorts.Projects from Script Station, Doc Station and the new Short Film Station will be presented at the Berlin House of Representatives. Script Station showcases global storytelling from pro-jects developed during the intensive workshop, which pairs Talent scriptwriters with writing mentors who foster the development of their concept, story and script structure. Projects from Doc Station are documentaries, all at var-ious stages of development. Having evolved over the course of the work shop days, these docs give a unique look at the world through the vision of ten filmmakers. The new Short Film Station aids in the development of innovative short film ideas by providing creative devel - op ment sessions with mentors, as well as the chance to meet with potential collaborators. Each group of presentations will be followed by a “Meet the Talents” session, in which Talents will have the opportunity to in teract and dis-cuss their projects with Campus peers and in-terested industry professionals. Script Station | 11:00 Doc Station | 14:00

Short Film Station | 16:00

sCreening shOrts – seleCted

COmpetitiOn Films FrOm

berlinale shOrts and generatiOn

14:00–16:00 | hau1

In cooperation with Berlinale Shorts and Berlinale Generation.

Come and see a selection of short films that made it into the official Berlinale programme

in the limelight: anita ekberg

17:00–18:30 | hau1

Anita Ekberg. Moderated by Peter Cowie.In cooperation with the Embassy of Sweden.Swedish screen legend Anita Ekberg, who is famous for her starring role in Fellini‘s La Dolce Vita will join the Campus to give a master class on the start of her acting career. Starring in films such as War and Peace and Boccaccio ‘70, her work has spanned over half a century in which she has worked opposite numerous luminaries in cinema such as Frank Sinatra, Dean Martin, and Marcello Mastroianni.

Chris marker:

the Future has vivid memOries

20:00–21:30 | hau1

Basma Alsharif, Tom Luddy, Deimantas Narkevičius, Lia van Leer.Moderated by Marcel Schwierin.In cooperation with Berlinale Forum Expanded.A tribute to the late Chris Marker, this session will begin with a screening of La Jetée (1962) and lead to a discussion with life-long colleagues of Marker’s, programmer Lia van Leer and pro-ducer and Telluride‘s director Tom Luddy. Con-temporary filmmakers Deimantas Nark e vičius and Basma Alsharif talk about how they have been influenced by Marker’s work. How do Marker’s signature themes such as time and memory in film intriguingly create filmic ex-periences that go beyond fiction?


41

Day 5 | weD, FeB 13

WednesdayProgramme | 03

In th

e Be

rlina

le S

hort

s:

Prim

ate

Cine

ma:

Ape

s as F

amily

Expe

rienc

ing

new

sou

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at th

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Talents with the latest post-production and digital workflow technologies. Together with Talents, expert cinematographers shoot with digital cameras and with post-production pro-fessionals, Talents will experiment with digital post-production software for editing, grading, mastering, and data management. The final results will be presented by mentors Birgit Gudjonsdottir and Dirk Meier.

hear the WhOle piCture:

advanCing sOund design With

dOlby®atmOs 10:00–11:15 | Cinestar 7

Julian Pinn.In cooperation with Dolby® Labs. Dolby® is one of the main supporters of the Sound Studio for talented sound designers and score composers at the Berlinale Talent Campus, and presents its spectacular and revolutionary new sound system Dolby®Atmos.

stage yOur COmebaCk:

berlinale CO-prOduCtiOn market/

berlinale residenCy

11:00–11:45 | hau3, tOp FlOOr

with directors and producers is one of our priorities… if we talk about content and art, we definitely avoid exoticism, we are looking for authenticity and innovation. And it pays off“, says project manager Vincenzo Bugno. Api-chatpong Weerasethakul‘s, Palme d’Or winning Uncle Boonmee Who Can Recall His Past Lives, is one of many successful films supported by the World Cinema Fund. Project managers Vin-cenzo Bugno and Sonja Heinen discuss the aims of the initiative, the breadth of works and re g - i ons considered, and explain how filmmakers can apply with their projects.

digital diFFerenCes: pOst-

prOduCtiOn studiO presentatiOn

10:00–11:30 | dFFb Cinema

Birgit Gudjonsdottir, Dirk Meier. Moderated by Christine Tröstrum. In cooperation with DFFB and tectum – film equipment rental.Technical expertise and the precise applica - t ion of digital tools significantly heightens the sen sorial quality of the viewing experience. Post-Production Studio is a hands-on technical training programme designed to familiarize

valentine’s breakFast

9:00 | hOstel a&O

Presented by Berlinale Talent Campus. A Valentines Day breakfast will be provided at the hostel, hosted by the Berlinale Talent Cam-pus. Shuttle busses will then take Talents to Cinestar7 for the Dolby®Atmos screening, as well as to the HAU for the final day of exciting sessions!

the WOrld Cinema Fund

at yOur Fingertips

10:00–10:45 | hau3, tOp FlOOr

Vincenzo Bugno, Sonja Heinen.In cooperation with World Cinema Fund.Innovative forms, fresh perspectives, and local stories from across the world are supported by the World Cinema Fund, a joint initiative of the Berlinale and the German Federal Cultural Foundation, in cooperation with the Goethe Institut. Independent productions from reg i -ons with little access to funding, such as Latin America, Africa, the Middle East, Central and Southeast Asia and the Caucasus, are its focus. “Our goal is to support bold and undiscovered cinema. Developing an intensive co-operation

It‘s getting hot in here: the Campus Closing Party World Cinema Fund managers Sonja Heinen and Vincenzo Bugno


42

thu, FeB 14 | Day 6

Thursday Programme | 03

In for mation about Campus activities through-out the year, including the online Campus community and Campus International editions will be provided.

inside Out: Writing emOtiOns

FOr the sCreen

14:00–15:30 | hau1

Bence Fliegauf, David Gordon Green, Oliver Hermanus. Moderated by Dorothee Wenner.

Good writing, one of the keys to making suc-cessful films, can easily result in an endless series of trite treatments, but also lead to an uni que and deeply moving views into emot ions that involve us all. A new generation of screen-writers /directors who've received critical ac-claim for their films share their experiences in writing scripts and creating scenes that evoke feelings and reveal important character traits by subtly showing instead of explicitly telling.

launChing Films:

publiCity and Film CritiQue

14:00–15:30 | hau2

Sylvia Müller, Gordon Spragg. Moderated by Peter Cowie.The influential work of the film publicist can seem a bit arcane within the system of film promotion and press. What is the relationship between publicists, filmmakers and film critics? What do publicists do to launch a film during its rounds in the festival circuit or in theatrical distribution? This panel addresses their role and how filmmakers can familiarize themselves with the ins-and-outs of publicity to push and market their films.

rOughly speaking:

editing studiO presentatiOn

14:00–15:30 | hau3, tOp FlOOr

Kathi Bildhauer, Martina Bleis, Sonja Hei nen.In cooperation with Berlinale Co-Production Market and Berlinale Residency.The Berlinale Residency programme invites se lect filmmakers to Berlin to develop their films in town. The Re si dency culminates in feedback from industry pro fes sionals, and a pre-sentation at the Ber li nale Co-Production Mar -k et. Details on both programmes are ex plained during this session.

master Class FOr prOduCtiOn

designers at COstume hOuse

theaterkunst

11:00–16:00 | meeting pOint 10:20


In cooperation with Theaterkunst. Founded in 1907, the Costume House Theater-kunst has a long and reputed tradition of out-fitting a broad range of peri od films. With its highly knowledgable team of wardrobe ex-perts, tailors, designers and costume pain t ers, Theaterkunst meticulously custom-designs col l ections for every film. Theaterkunst will in troduce production de sign er Talents to the collection of clothes and accessories stretch - ing back decades and to the tiny details that go into costume and production designing. Talents will also benefit from an enlightening case study of Christian Petzold‘s Barbara, which is set in Eastern Ger many during the time of the wall. The film was in the festival‘s Competit - ion last year, starred actress Nina Hoss, gained international critical acclaim, and supplied costumes by Theaterkunst.

things tO take hOme

12:00–12:45 | hau2

Kathi Bildhauer, Matthijs Wouter Knol, Christine Tröstrum.One of the last events of the eleventh Berlinale Tal ent Campus is designed to show you that there is life after the Campus, and in fact, there is a whole lot still in store. There are many new opportunities, activities and events that may be of advantage to you and can be ac-cessed right from your home base. Members of the Campus team will present an overview of the various extra Campus services that could be useful in developing your film projects.

Susan Korda, Paz Lázaro, Sigrid Limprecht.Moderated by Kevin Murphy. In cooperation with German Film and Television Academy Berlin, DFFB. In the Campus Editing Studio, internationally renowned editors offer advice and feedback to help Talents rework their rough cuts. In con-versation with Susan Korda, participants will identify their challenges and discuss how the editing session provided fresh insights and approaches to their projects. Paz Lázaro, pro-gramme manager at Berlinale Panorama, will share her experience viewing rough cuts during the programming process, as well as explain programmers‘ expectations when they select a rough cut for screening. Securing distribution before a film has un der-gone post-production may be beneficial, and could inform the final process. German film di s tributor Sigrid Limprecht will discuss her experience viewing unfinished films and offer advice on how and when to present a rough cut to potential buyers.

sOme like it hOt – the pOWer OF sex

17:00–18:30 | hau1

Hagar Ben Asher, John Cameron Mitchell.Moderated by Matthijs Wouter Knol.Religion, morality, and psychology are deeply connected to our sex lives, and the examina -tion of a character or society's relationship to sex can reveal a lot about cultural norms and ta boos. Human rights and freedoms pertaining to gen der and sexual orientation are carefully in ves tigated through the sexual activities of the protagonists in Hagar Ben Asher‘s The Slut, and John Cameron Mitchell‘s Shortbus. These film makers discuss how they have employed the sultry subject to not only steam up the screen but make incisive critiques about society at large.

ClOsing party

21:00 | Club gretChen

As the Campus week comes to a close, we invite all Talents and experts to unwind at the Closing Party at Club Gretchen in Kreuzberg. A final fare well from the Campus team will follow the screening of a Campus promo reel that has been produced in cooperation with Canon and realized by Videobüro.

Dav

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43

Day 6 | thu, FeB 14

ThursdayProgramme | 03

The Festival del fi lmLocarno continues to ramp up its industry activity Screen InternationalStep out of the comfort zone

www.pardo.ch

Hands-on Training | 04


46 Hands-on training | 04

sound sTudioseTTing THe Tone

Dates

mon 11 | 17:00 HaU1Sound Design and Storytelling (p.37)

weD 13 | 15:00 excUrsionScreening the Future: Excursion to the Heinrich-Hertz-Institut (p.41)

tHU 14 | 10:00 cinestar7Hear the Whole Picture: Advancing Sound Design with Doly®Atmos (p.42)

For the Sound Studio, 15 sound designers and composers will take part in an intensive programme working with top-of-the-line equipment and experts:Odin Acosta, Mexico | Mikko Aspelin, Finnland Tiago Bello, Brazil | Roy Bemelmans, The Netherlands Jonas Gervink, Germany | Yulia Glukhova, Russia Marie-Pierre Grenier, Canada | James Hayday, New Zealand Krzysztof A. Janczak, Poland | Richard Keyworth, UK Lucia Palenzuela, Argentina | Ioannis Plastiras, France Rutger Reinders, The Netherlands | Jasmin Reuter, Germany | Robert Teehan, Canada

Sound and music have the power to imbue images with emotive voice, adding another mode of expression to the art of filmmaking.Exceptional sound designs or scores can be as present as the film's protagonist or so in sync with the cinematic tone that its subtle effect almost goes undetected. The new Sound Studio programme will focus on the use of sound in many aspects of the filmmaking process, ranging from designing a sound landscape that enriches the narrative structure of the story, to the intricacies of sound mixing, composing scores, new technologies enhancing sound and exploring the possible collaboration with both creative and strategic partners from the industry.

Sound designers and emerging composers are given the opportunity to gain hands-on experience working with established professionals. In the Sound Studio, participants will work with renowned German composer Martin Todsharow in an intensive workshop with an in-depth look at two participant‘s short films used as case study, and discuss production and composition strategies. A master class with highly renown re-recording mixer Martin Steyer, working with Dolby®Atmos, will also be offered. The participants will have the chance to work with mentors at the Film and Television University (HFF) “Konrad Wolf”, as well as at the Fraunhofer/Heinrich-Hertz-Institute. This is an extraordinary chance for these Talents to collaborate with world-class professionals, and to receive feedback from various experts and mentors.

Ranging from score composing to sound design, the Sound Studio highlights everything we can hear in a film

“My time in Berlin was one of the most rewarding experiences I’ve had thus far as a filmmaker.” noaH Pink , canaDa | camPUs 2010


Hands-on training | 04 47

scripT sTaTionbringing life To pages

Dates

tUe 12 | 17:00 HaU3, Black stageRehearsed Reading I (p.39)

weD 13 | 17:00 HaU3, Black stageRehearsed Reading II (p.39)

weD 13 | 11:00 HoUse of rePresentativesProject Presentation Day: Script Station(p.41)

tHU 14 | 14:00 HaU1Inside Out: Writing Emotions for the Screen(p.43)

Ten projects were selected by an international jury for this year’s Script Station: Alina Abdullaeva, Azerbaijan | The MatchmakerArmando Bautista García, México | Where the Sky RestsSofía Brockenshire, Argentina/Canada | LitheElina Fessa, Greece | Game Master Julia Langhof, Germany | KarlIvan Marinović, Montenegro | The Black PinAlex Piperno, Uruguay/Argentina | Window Boy Would Also Like to Have a SubmarineMariko Saga, Japan | Viet Wander HouseAssaf Snir, Israel | EchoesRaymond Yeung, China, UK | Flying Colours

Scriptwriters work closely with professional consultants to refine their stories. The script is a vital starting point for most films, the foundation upon which the characters and dialogue are built. The entire filmmaking team depends on the pre-cision of a well-crafted script to be their blueprint throughout the creative process. Script Station connects young screenwriters to script consultants from around the world, who help Talents fine-tune their scripts and bring precision and life to their pages.

It begins with intensive project development days, which bring together the writers with their mentors Franz Rodenkirchen, Gyula Gazdag, Louise Gough (Sour-ces 2), Anita Voorham, Selina Ukwuoma, who will also give a “Presenting yourself and your project” workshop. Romanian producer Ada Solomon, who has her latest film Child‘s Pose in Competition this year, will talk about working with screenwriters from a producer‘s point of view. These experts will work with Talents on their specific script issues including character development and sharpening dialogue – to be prepared at the public Project Presentation Day.

For over a decade, the Script Station has received considerable support from its partners: the German Federal Film Board (FFA), Sources 2 – the European Script Writers‘ Training Programme, which lends its support by way of experts from its teaching staff.

Mentor Louise Gough in a concentrated one-on-one session at the Script Station

“So many great people, so many great things to do, so many great films to see and so little time!” Jenni toivoniemi , finlanD | scriPt station 2009

4_hands-on_2013_1.indd 48 24.01.13 11:33



doc sTaTionTransforming realiTy inTo cinema

Dates

tUe 12 | 17:00 HaU2Documentaries Beyond the Real(p.39)

weD 13 | 11:00 HoUse of rePresentativesProject Presentation Day: Doc Station(p.41)

of the Project Development Day, by ZDF/ARTE and Sources 2, the European Script Writers’ Training Pro gramme, which lends its support by supplying experts from its teaching staff.

Ten documentary film projects were selected for Doc Station 2013:Abdullah Al-Ghaly, Egypt/Libya | Cairo – Ar-RehebatZayne Akyol, Canada/Turkey | Land of Roses, My Name Is GülistanClaudio Araya Silva, Bolivia/Chile | When the Dead Are DrierJonathan Durand, Canada | Memory Is Our HomelandJowe Harfouche, Lebanon | FAP FAPParamita Nath, Canada/India | Poems Against BulletsJonas Poher Rasmussen, Denmark | Joe Alina Skrzeszewska, Germany/USA/Poland | Game GirlsSien Versteyhe, Belgium | All 4 MomJakob Weingartner, Germany/Austria | Favela Inc.

Supporting documentary filmmakers to develop their projects further.Inspired by reality, documentaries construct stories of life and the world creatively, often giving audiences access to new realms – whether emotional, environmental or social. The Doc Station is an occasion for documentary filmmakers to think critically about their concepts and to advance their treatments. Encouraged to focus on their projects’ core, Talents develop their films further. This intensive week of hands- on training will bring invaluable support and advice to these projects, at a crucial point in their development process. Inviting ten burgeoning filmmakers and their documentary projects to Berlin, Doc Station supports and pushes these films, all at different stages, to evolve to the next level through the guidance of documentary experts.

The programme begins with a project development day with Merle Kröger and Kathrin Brinkmann and is followed by individual meetings with mentors Dick Fon-taine, Jakob Kirstein Høgel, Meike Martens and Ulla Simonen (Sources 2) as well as group work, before the public Project Presentation Day. The week is rounded off with a lecture by editor Susan Korda and Ulla Simonen’s workshop on “Presenting Yourself & Your Project”.

Doc Station has been made possible by the generous support of the German Federal Film Board (FFA), and has been supported, by way of mentoring and designing

Meeting industry professionals at the Berlinale Talent Campus‘s Doc Station

“Being in the Doc Station was like finding a family to my project.” neUs Ballús, sPain | Doc station 2011



TalenT projecT markeTlook ouT for savvy co-producers

In preparation for the one-on-one meetings with their pot ential co-producers and financiers, Talents will par ti ci-pate in a four day programme. Through the guidance and advice of industry experts and experienced pitching trainers, the Talents will be prepared for their meetings and supplementing their knowledge with insights about the international film market. Talents will also benefit great ly from the exchanges with their peer participants, a valuable networking opportunity to forge life-long pro -fessional relationships and to share project ideas and experiences.

These ten projects compete for two prizes. Three will be nominated for the VFF Highlight Pitch Award of 10,000 Euros, and their projects will be pitched publicly to pro-ducers and financiers at the Berlinale Co-Production Mar k et. The winner will be announced during the “Talent Project Highlights” event, which will take place in the Berlin House of Representatives on Monday, February 11 at 12:15, as will the winner of the ARTE International Prize of 6,000 Euros.

Talent Project Market is a unique opportunity for emerging producers and directors to meet potential co-producers. The Talent Project Market is a collaborative juncture between the Berlinale Co-Pro-duction Market and the Berlinale Talent Campus. Inviting ten emerging producers and directors to present their film proposals to market savvy co-producers and financiers who are attending the Berlinale Co-Production Market, the Talent Project Market offers the opportunity for Talents to meet with potential collaborators, bringing them much closer to making their films.

Chosen from 212 entries, the following ten projects have been selected to participate in the Berlinale Co-Production Market: Aaron Brookner, UK/USA | Smash the Control Machine: Howard Brookner, C.B. Yilin, Austria | Moneyboys, Jelena Goldbach, UK | Passing Clouds, Petar Valchanov, Bulgaria | The Lesson, Simon Jaquemet, Switzerland | War,Ville Kerimaa, Finland | Panoramic, Ian Loreños, Philippines | Burden,Geordie Sabbagh, Canada | Two Guys Who Sold the World,Daniel Gabriel Sandu, Romania | One Step Behind the Seraphim,Jonas Weydemann, Germany | Los Ángeles

“The Berlinale Talent Campus changes lives and allowed us to make our dreams a reality!” agnes anD caroline kamya, UganDa scriPt station 2011 anD talent ProJect market 2012

Dates

mon 11 | 12:15 HoUse of rePresentativesTalent Project Highlights

mon 11 | 15:30 excUrsionExcursion to the Co-Production Market(p.37)

tHU 14 | 11:00 HaU3, toP floorStage Your Comeback: Berlinale Co-Production Market / Berlinale Residency(p.42)

The “Talent Project Highlights“ event at the House of Representatives



campus sTudiolife afTer sHooTing

Editing Studio The editing process can often become dizzying, and an outside perspective can be a welcomed renewal for the pro ject. Renowned editors Molly Malene Stensgaard, Susan Korda, Andrew Bird, Katja Dringenberg and Gesa Marten will guide Talents providing valuable insight and tips on how to improve and strengthen the narrative structure of their projects. Participants will have the opportunity to work closely with an editing mentor for an entire day, re-vising and polishing rough cuts of their fiction or doc u-mentary short and feature films. As Matthew Rankin, par-ticipant in 2011, explains: “The day I spent with Molly has really led to a radical and totally inspiring realignment of my thinking, specifically with respect to how I write my scripts, how I shoot them and the ramifications for the editing room.”

The Campus Studio offers select Talents exposure to state-of-the-art filmmaking tools and techniques.A solid understanding of the mechanics of filmmaking are essential to skillfully translate the filmmaker‘s creative vision into an aesthetic and visual medium. The Post-Production Studio gives Talents rare access to top-of-the-line technology, from shooting and editing to color correction and mastering for the final stages of production. The Editing Studio allows selected Talents to refine the narrative structure of their rough cuts with the advice of expert editing mentors. The Campus Studio has been made possible through the support and cooperation of Canon, the German Film and Television Academy Berlin (dffb) and tectum – film equipment rental.

Post-Production Studio Cinematographer Birgit Gudjonsdottir (Our Grand Despair, Tomorrow You Will Leave, Long Shadows) and post-production expert and colourist Dirk Meier (Antichrist, Magic Silver, Dredd) will mentor Talents working on state-of-the-art digital workflow equipment including cameras such as ARRI Alexa, RED Epic, Canon EOS C300, C500 and Canon 5D Mark III, the latest Avid and Final Cut editing software, grading in the latest version of the Nucoda Film Master suite, and finalising on the DVS Clipster.

“The Editing Studio was one of the most illuminating and constructive experiences of my filmmaking career so far.” Ben roBinson, qatar | eDiting stUDio 2012

Dates

tHU 14 | 10:00 DffB cinemaDigital Differences: Post-Production Studio Presentation (p.42)

tHU 14 | 14:00 HaU3, toP floorRoughly Speaking: Editing Studio Presentation (p.43)

Editing with Susan Korda in the Editing Studio

Working with state- of-the-art equipment in Post-Production Studio

Anzg.Nipkow TalentCampus 2013 21.12.2012 13:16 Uhr Seite 1

Probedruck

C M Y CM MY CY CMY K

Scholarships for EuropeanAudiovisual Media

Professionals in Berlin

WITH THE SUPPORT OF

NIPKOW

PROGRAMM

Further studies for qualified applicantsin the fields ofFilm and television financing, production,marketing, sales and distributionCross-media projects

Contact

Kurfürstendamm 225D - 10719 Berlinphone: +49 30 614 28 38fax: +49 30 614 28 26e-mail: [email protected]: www.nipkow.de



TalenT pressTHe rigor of criTicism

Dates

tHU 14 | 14:00 HaU2Launching Films: Publicity and Film Critique (p.43)

for furtherinformation on the Talent Presswebsite see page 58or visitwww.talentpress.org

In its tenth year, eight film critics and journalists at different stages in their careers from across the world come together in Berlin: Ariel Esteban Cayer, Canada | Thomas Cottey, UKJuan Carlos Fangacio Arakaki, Peru | Siphesihle Mthembu, South Africa | Adrian Pasaribu, Indonesia | Ankur Pathak, India | Višnja Pentić, Croatia | Irina Trocan, Romania

“At Talent Press, you have the chance to talk and work with people who are motivated by the same thing as you: the desire to see and understand cinema”, says critic mentor and Artistic Director of the Edinburgh International Film Festival, Chris Fujiwara. Joining him as mentors of Talent Press 2013 are Dana Linssen, Derek Malcolm, and Stephanie Zacharek.

Eight young film critics watch films and produce criticism with the guidance of renowned international critics.Emerging critics have experience articulating their appreciation of films, yet it‘s an entirely different mode of working to produce criticism on assignment and with daily deadlines. Talent Press offers young critics the opportunity to engage with an international film festival with the rigor required of professionals. With an official press pass, participants are encouraged to see much of what the festival has to offer, and they work daily in the editorial office, polishing their articles and discussing films with their editors – the mentors, who are all professional critics also on assignment at the Berlinale.

Their articles will be published daily from Feb 10 to Feb 14, 2013 on the Talent Press website, www.talentpress.org, which features articles by current participants and alumni, as well as on the websites of the Goethe-Institut and FIPRESCI.

For its tenth anniversary, Talent Press is excited to announce a new structure for its annual publication. “Best of Berlinale Talent Campus” will feature two Talent Press alumni critics specifically covering events at the Campus which will be published alongside articles on films from the festival at large and Campus events and experts by all eight Talent Press participants. This print publication will be distributed on the last day of the Campus, Thursday, Feb 14.

“Talent Press was a momentous step in exploring the styles of film criticism – an art form of its own.” makBUl mUBarak, inDonesia | talent Press 2012

Mentor Chris Fujiwara discussing a review



TalenT acTors sTageexamining THe acTor's role

Dates

mon 11 | 10:00 HaU3, toP floorEmbodying the Character (p.35)

mon 11 | 17:00 HaU3, toP floorTaking the Lead: Nina Hoss (p.37)

tUe 12 | 10:30 HaU3, Black stageChange Your Lens, Change Your Story II: Close-Up Acting (p.38)

tUe 12 | 17:00 weD 13 | 17:00 HaU3, Black stageRehearsed Reading (p.39)

tHU 14 | 12:45 HaU1, attic roomMeet the Expert: Beatrice Kruger (p.25)

Meet the ExpertEstablished casting director Beatrice Kruger meets actors in a vibrant “Meet the Expert“ session to discuss how an audition works, the dos and don‘ts during an audition, and how actors can prepare best for international auditioning.

Change Your Lens, Change Your Story II: Close-Up ActingJean-Louis Rodrigue and Kristof Konrad lead an intensive workshop to explore the skills and tools that are required for the extraordinary creation of characters and per for-mances specifically geared for the camera close-up.

Taking the Lead: Nina HossHow do actors choose their roles and collaborate with directors? To what extent do they want to be involved in creating characters? Actress Nina Hoss (Barbara) , taking the lead in the Berlinale Competition film Gold, talks about the various approaches she takes to the filmmaking process.

Actors enhance their techniques and develop their craft during the workshops in Talent Actors Stage. The action, emotion and dialogue of a film is carried by the talent and intuition of the actors, who are tasked with embodying the characters perscribed by the script and interpreted by the director. Because the actor‘s role is intricately interwoven with various creative contributors, everyone from directors, producers, scriptwriters, and cinematographers must develop a working dialogue with actors, and it is crucial that actors are sensitive to their collaborators‘ approaches.

Actors from around the world are invited to explore their techniques, dialogue delivery, auditioning and more in the Talent Actors Stage. Offering a variety of sessions that focus on particular aspects of acting, these rigorous interdisciplinary workshops help both actors and filmmakers to develop collaboration skills in order to communicate and work with everyone involved in the filmmaking process.

The Talent Actors Stage offers actors five special events: Embodying the CharacterThis intensive, interactive acting workshop led by internationally renowned acting coach, movement specialist and choreographer Jean-Louis Rodrigue and Kristof Konrad, focuses on recognizing the power of movement and physicality in creating a character in film.

Rehearsed Reading I & IIDramaturge Alby James will work with actors and screenwriters on building charac-ters and bringing scripts to life through smooth and effective delivery of dialogue, as they read vital scenes from a selection of Script Station projects.

Actors developing their craft during workshops: camera training with Jean-Louis Rodrigue



sHorT film sTaTionsome like iT sHorT

Dates

tUe 12 | 14:00 HaU2The Short Film Galaxy(p.38)

tUe 12 | 16:00 HaU3, wHite stageMeet the Expert with festival programmers(p.25)

weD 13 | 16:00 HoUse of rePresentativesProject Presentation Day: Short Film Station(p.41)

Pavel Jech, François Pirot, Anna Seifert-Speck and pre sen-tation training by mentors Irene Christ, Andrea Kurmann, Sibylle Kurz.

The Short Film Station is excited to welcome ten filmmakers from ten countries across the globe:Mihai Gavril Dragolea, Romania | SisyphusMatthew Jankes, South Africa | The Cat Who KnewPirjo Ojala, Finland | Burning VoicesMark Raso, Canada | PrimoEmma Rozanski, UK/Australia | Fridge LoveAriel Shaban, Macedonia | The TouristImran Shafi, USA/UK | Sight of DronesSamson Ssenkaaba, Uganda | ZontoKatarina Stankovic, Serbia | Circle with Four CornersCarina Tautu, USA/Romania | No Left Turn

Maybe the extraordinary short film you develop at Short Film Station will return to the Berlinale to win the Golden Bear!Short films are often a starting point for filmmakers, yet short form works are also vital art forms in themselves. For emerging filmmakers, the opportunity to gain support for their creative short film is a vital launching pad for their careers. The Talent Campus‘ new Short Film Station was developed to support these up-and-coming Talents, inviting ten filmmakers with strong concepts for short films to partake in a programme offering them a platform to meet with German and in ter-national emerging producers and other industry professionals. This initiative is in collaboration with the Berlinale Shorts programme.

During the programme, the participating filmmakers will get feedback and consult with a script editor/mentor, as well as get presentation training before taking part in a the new Project Presentation Day of the Campus at the Berlin House of Representatives on Wednesday, Feb 13, 2013. Shorts filmmakers will also attend the reception for the short film industry during the Berlinale, as well as gain in - sights into the latest developments in the short film industry. The programme is a collabo rat ion with Medienboard Berlin-Brandenburg, the German umbrella orga-nisation for the short film industry AG Kurzfilm, Kurzfilm Agentur Hamburg and Berlinale Shorts. With the guidance of experts Sandra Beer ends, Veronika Grob,

Get to the point: short films are at the centre of the Short Film Station

“Strangers talking for hours, seeing a big dream called cinema – this was the gift of the Talent Campus.” amir ali navaee, iran | camPUs 2010

Screenwriting | Developmentnetworking | training

proFeSSional Development anD trainingScript Development workSHop

Three-month process guided by experienced advisers for European screenwriters and teams of writers, producers or directors.

Seven-day session, coached development period, follow-up session.

application Date 1St marcH 2013for the workshop at Filmcamp, norway | June 2013 with the support of FilmCamp AS.Requested: Feature film projects and creative documentaries

SourceS 2 aDviSerS at Berlinale talent campuSconsultation | analysis | advice for selected projects Louise Gough at the Script Station, Ulla Simonen at the Doc Station.

contactSources 2 | Köthener Straße 44 | D-10963 Berlinphone + 49 30 886 02 11 | [email protected] www.sources2.de

Service | 05


Service | 0558 www.berlinale-talentcampus.de

diScover the virtual campuS

as contact fellow filmmakers via the messaging system. The Berlinale Talent Campus community also includes profiles of Berlinale Campus alumni and of the Campus International initiatives, and a bulletin board where news about festivals, events and calls-for-entry are collected and shared. You can stay updated year round with the Campus newsletter, which can be read online or you can register to receive it via email on the Berlinale Talent Campus homepage. Featuring not only news from Ber-lin, it also reports on all Campus ventures around the world including programmes in Guadalajara, Buenos Aires, Durban, Sarajevo, and Tokyo.At www.talentpress.org emerging film critics have found a platform.

Read articles, reportages, interviews and features on films, filmmakers and festivals from Talents and Campus alumni.

Our virtual Campus is there for you to interact, collaborate, get informed about fellow filmmakers and present yourself actively: the place for all daily Campus needs and beyond.

You can access the extensive Campus network remotely via the Berlinale Talent Campus website. The Berlinale Talent Campus website is an active source of information for the current Campus edition, as well as a place to find out about the next application deadline and ongoing programmes, and is regularly updated with news about Campus events happening worldwide and the current status of alumni projects. You can also see a selection of master classes that will be streamed live, and will be accessible thereafter on the Campus-on-demand section. Campus-on-demand offers a variety of videos, programmes and photos

from past Campus editions. Panels and discussions with experts such as Hou Hsiao-Hsien, Mike Leigh, Claire Denis, Tilda Swinton, Nuri Bilge Ceylan and Wim Wenders can be viewed online and downloaded as audio files – a great way to catch up on any master classes or sessions you might have missed! As our international network is vital to the Campus experience, each year we introduce participating Talents online. Computer stations in HAU1 and HAU2 give direct access to this network, where you can browse profiles, work samples and filmographies, as well

“MyfilmmakingjourneystartedinBerlin. I’mnowmakingmyfirstfeature-lengthfilm, andIknowIwouldn’tbeherewithout theBerlinaleTalentCampus.”

KyoKoMiyaKe,Japan/UK|CaMpUs2010,TalenTCaMpUsToKyo2011

Follow us online… …and watch talks from past or current editions of the Berlinale Talent Campus


Service | 05 59 Campus International

campuSeS around the world

opportunities offered by the Talent Campus community pave the way to a cinema that respects, actively engages and tackles curiosity in its audience. Talents are given opportuni - ties to discover stories and new possibilities of story telling, to push the boundaries of film-making while grasping the complexities of enter tainment.“

3rdTalenTCaMpUs

ToKyo|noveMber25-302013

Presented by the TOKYO FILMeX organizing committee. Supported by the Tokyo Metropolitan Government, the Tokyo CultureCreation Project and the Goethe-Institut Tokyo.

Kanako Hayashi:“Young filmmakers must always take on dif-ferent roles, maintaining their creativity while determining how to forge a future in cinema. For two years, the Talent Campus Tokyo has taken place concurrently with the TOKYO FILM eX and welcomes emerging directors and pro ducers from East and Southeast Asia. This Talent Campus is meant for promising film-makers to develop their voices and become the ‘Next Masters‘.“

María Marta Antin:“We are very happy to announce the upcoming edition of the Talent Campus in Buenos Aires. In 2013 “Current cinema realities” will be the main theme. From a South American per spec-tive, the Campus will focus on contem porary cinema having in mind current challenges in film mak ing. As with the Berlinale Campus‘s theme, ‘Some Like It Hot‘, one of our main con-cerns will be to inquire how the con tem porary audience relates to cinema and how cinema will adapt to (re)create that unique feeling.“

6ThTalenTCaMpUs

dUrban|JUly19–23,2013

Supported by the German Embassy South Africa, the Goethe-Institut Johannesburg and the KwaZulu-Natal Department of Economic Development.

Carole Gumede, Tiny Mungwe: “The 6th Talent Campus in Durban ‘Me m etic Africa‘, is a career de vel opment spring board for selected African filmmakers to exchange ideas on innovative film practices in Africa and the rest of the world. Through an intensive programme of seminars, workshops and in-dustry networking activities, the con ti nent’s emerging film content creators are assisted in catalysing their careers and forging relat ion-ships with their global counterparts.“

7ThTalenTCaMpUs

saraJevo|aUgUsT18-242013

Supported by the Robert Bosch Stiftung and partners.Mirsad Purivatra and Asja Makarević:“Reaching the heart of the audience is what pushes most filmmakers forward. The same goes for emerging filmmakers from the wider region of Southeast Europe, including Greece, Turkey and the Caucasus. We believe that the

Five international editions of the Campus, modelled along the lines of the Berlin archetype, have taken off abroad: in Guadalajara, Buenos Aires, Durban, Sarajevo and Tokyo.

5ThTalenTCaMpUs

gUadalaJara|MarCh1–5,2013

Supported by the Goethe-Institut Mexico and the University of Guadalajara

Ana de la Rosa Zamboni and Lorena Rossette Riestra: “In 2013 Talent Campus Guadalajara celebrates its fifth year and becomes established as a im-portant spot for the professional devel opment of emerging filmmakers and film critics from Mexico, Central America and the Carib be an. The theme to commemorate our 5th edi tion is ‘Private stories for the world‘. We know there is nothing new under the sun, but film makers’ talent is precisely what surprises us, makes us live and feel, and keeps us tied to the screen. We want more from this intense cinema, we want more from these filmmakers. In Guada-lajara, you have to like it hot.“

8ThTalenTCaMpUs

bUenosaires|april12–16,2013

Supported by the Goethe-Institut Buenos Aires, Buenos Aires International Independent Film Festival and the Buenos Aires Lab.

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IDFAcADemy Summer SchoolIDFAcademy is an international training program for young up-and-coming talent eager to learn about the documentary industry and develop documentary projects.

Would you like to meet and work with highly esteemed filmmakers and film professionals?

Would you like to strengthen the narrative structure of your documentary project (script or editing), over a period of one week?

Would you like to be part of individual coaching, group sessions and an inspiring cultural program?

Then come to the IDFAcademy Summer School. We look forward to meeting you!

IDFAcademy Summer School, Amsterdam, July 1 – 6, 2013Deadline for submission: April 1, 2013More information on www.idfa.nl/idfacademy

IDFAcademy Summer School is supported by

IDFA, November 20 – December 1, 2013 One of the leading documentary events in the world.

abdelMesseeh,naMir

Paris-born documentary filmmaker with Egyptian roots whose feature debut The Vir-gin, The Copts and Me, a humorous account of his travels with his mother to a Coptic village in Egypt in search for a sighting of the Holy Virgin, was shown at the Berlinale Panorama section in 2012 and won awards worldwide. (p.39)abraM,ido

Director of Presentation and Communications of the EYE Film Institute Netherlands, also head of programming and distribution. EYE is both a film museum and the national film institute of the Netherlands. Before he joined EYE, he was the direc -tor of the Binger Filmlab and CineMart Director at the International Film Festival Rotterdam. (p.34)albers,FranKW.

Former director of the Goethe-Institut in Reykjavík, he joined the Robert Bosch Stiftung in 2001. As programme manager for arts and culture he has developed and established the Film Prize of the Robert Bosch Stiftung that encourages cooperation between up-and-coming filmmakers from Germany with their peers from the Arab World and Eastern Europe. (p.32)albreChT,bernhard

Academic staff member at the HFF Potsdam in the programme of sound studies and responsible for artistic research and teaching in the field of re-recording mixing. He was also active in music recording and film sound, and worked at the TU Ilmenau. In various cooperations he researched recordings for reproducing with re-synthesized sound fields. (p.46)alshariF,basMa

Kuwait-born with Palestinian roots, Basma received a MFA from the University of Illinois at Chicago, in 2007, with a specialization in photography and has since de-veloped her practice no ma dically across various cities of the Middle East, Europe and the US including Chi cago, Cairo, Beirut, Sharjah, Amman and most recently Paris where she is represented by Galerie Imane Fares. (p.41)anasTopoUlos,Thanos

Greek director, writer and producer. He has directed short films, documentaries and theatre plays. His first feature All the Weight of the World premiered at Rotterdam, his second Correction at the Berlinale. His latest film The Daughter will premiere in the 2013 Berlinale Forum section. (p.39)arraTeFernández,isabel Worked in festival production, programming and film financing before becoming manager of the IDFA Bertha Fund (formely known as Jan Vrijman Fund) in 2002. She has participated in juries and works regularly as consultant for documentary projects. In 15 years the IDFA Bertha Fund has developed into an internationally re-nowned institution with a broad network supporting over 500 documentaries and film organisations in developing countries. (p.23)baKsiCCaMo,aMra

Head of CineLink, the Sarajevo Film Festival‘s annual co-production market. CineLink focuses on feature-length projects by authors from Southeast Europe. She is also one of the founders of the production company pro.ba and producer of An Episode in the Life of an Iron Picker, which screens in this year‘s Berlinale Competition. (p.38)beerends,sandra

Dutch script editor and guest lecturer for Dutch public broadcaster NTR and free-lance consultant for shorts, features, documentaries, series and projects for talents. She script-edited Kauwboy, which won Best Youth Film and Best First Feature at Berlinale 2012. She wrote and produced the short Arigato (Audience Award, Film by the Sea 2012). (p.55)beheshTnedJad,roshanaK Started Flying Moon Film Productions in 1999 with Helge Albers, producing features & documentaries, among them award-winning films like Football Under Cover or Silent Waters. She is a member of the German and European Film Academy and an EAVE group leader. In 2012 she co-founded the transmedia company LudInc. (p.50)belsiTo,peTer

American producer, cinematographer and publisher, he was the executive vice president of FilmFinders. Together with Sydney Levine, he successfully merged

FilmFinders with IMDb and Amazon.com. He has been involved in the professional education of young filmmakers at festivals, market panels and forums. He produced Valley of Tears, a documentary which was playing the festival circuit in 2012. His latest documentary Tarkovsky: Time Within Time will be released in 2013. (p.23)benasher,hagar

Israeli writer, director and actress. After several multi-award winning short films, her controversial and ground-breaking feature debut The Slut was supported by the World Cinema Fund, premiered in Cannes in 2011 and distributed all over the world. She is currently writing her next feature The Burglar. (p.43)berg,ChrisTine

Deputy director of the German Federal Film Board (FFA) with many years of ex-perience in film funding in Germany. She also worked for the production company Kinowelt where she produced Mostly Martha. (p.32)bildhaUer,KaThi

Founding member of the Berlinale Co-Production Market and coordinator of the Talent Project Market. After working for the World Cinema Fund she now coordinates the Berlinale Residency. She is the author of “Drehbuch reloaded”, her PhD thesis on unconventional contemporary screenplays. (p.37, 42, 43)binns,Clare

Head of Programming at City Screen Ltd, Britain‘s largest circuit of independent art-house and community cinemas. She has more than 30 years of industry experience and is a member of the Industry Liaison Committee for the London Film Festival. (p.37)bird,andreW

British-born editor who works chiefly in German cinema. He has collaborated with Fatih Akin, editing the award-winning films The Edge of Heaven, Head On and Soul Kitchen. He also edited Miranda July’s The Future. Among others, he has received the Lola (German Film Award) for editing and the Filmplus Editing Prize. (p.51)bissell,JaMesd.

American production designer with over 30 years of experience in Hollywood, where he worked on such diverse films as E.T., Good Night, and Good Luck and 300, amongst many others. He is currently working on George Clooney's The Monuments Men, which is currently being filmed at the Babelsberg Studios near Berlin. (p.33)bleis,MarTina

Member of the Berlinale Co-Production Market team since its inception, and man ager of the selected official projects, she is also active as a consultant for co-production events with international institutions and festivals, like the Cottbus Co-Production Market. (p.42)bond,FredriK

One of the preeminent directors of commercials worldwide, Swedish-born Bond has directed dozens of legendary spots and earned countless international awards and honors for his work, including four Directors Guild of America Award nomination and an Emmy nomination. His film The Necessary Death of Charlie Countryman is part of this year‘s Berlinale Competition. (p.33)brinKMann,KaThrin

Commissioning editor of the department “ARTE Thema” within the German TV channel ZDF, she used to commission “Das Kleine Fernsehspiel” from 1994-2000. Recently she commissioned ¡Vivan Las Antipodas! by Victor Kossakovsky, and Mark Lombardi – Death-Defying Acts of Art and Conspiracy by Mareike Wegener. (p.49)brUnnenMeyer,gabriele

Project advisor at the Kuratorium Junger Deutscher Film, a funding body for the first and second films by German young talents. Formerly the artistic director of the coproduction market Connecting Cottbus, she also works as a consultant for script development, packaging and project presentation. (p.41, 47)bUgno,vinCenzo

Journalist and film critic, he has contributed to newspapers and magazines. He worked as a journalist and director for TV channels like ARTE, ZDF, Tele+, Sky Italy and as a curator for international film festivals. He was a member of the programming committee of the Locarno Film Festival and head of Open Doors. He is one of the initiators, project manager and jury member of the World Cinema Fund and the Berlinale delegate for Italy and the Maghreb and Mashrek countries. (p.42)


61 Service | 05 Index of experts

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CaMdessUs,ChrisTine Former CEO of Gaumont Television, who launched her own documentary production company Alegria in 2001. Productions include The House of Saud and Hammer and Tickle. She is a Jury member and permanent expert at the Nipkow programme. She was director of the Master in European Audiovisual Management (MEGA) from 2000 to 2011 and was elected to the board of USPA, member of European Documentary Network and of the European Film Academy. (p.34)CaMpion,Jane

New-Zealand-born writer and director, who ranks among the most prominent inter-national arthouse filmmakers. Her films include An Angel at My Table, The Piano and Bright Star. Her work has received awards in Cannes, Venice, and at the Oscars®. Her TV series Top of the Lake will be screened in the Berlinale Special 2013. (p.38)ChrisT,irene

German actress for theatre and film, she has worked with directors like Leander Haußmann and Klaus Emmerich. Between 2002 and 2009 she ran her own theatre company Actinghouse Productions in Malta. Since 2002 she works as teacher and con sultant for various acting schools and companies like Airbus. (p.55)CoWie,peTer

Film historian and former International Publishing Director of Variety magazine, he has written more than 30 books on major figures and eras of world cinema, including Bergman, Welles, Coppola, and Kurosawa. He published and edited the annual Inter-national Film Guide for 40 years. He has also contributed numerous commentaries to Criterion‘s DVD collection. (p.37, 38, 41, 43)CroUzeix,laUrenT Film programmer for Clermont-Ferrand International Short Film Festival, where he also manages the translation team and international projects. He is the coordinator of the Shortfilmdepot network of festivals and a course instructor for the Cultural Management Master’s programme. (p.25, 38)deMaegd,peTer

Independent film producer focusing on converging media. He was involved in the production and marketing of various Caviar Films releases such as Dirty Mind, Left Bank and My Queen Karo. With Caviar Films he developed the participatory TV series The Spiral which is simultaneously broadcast in eight Eureopan countries. In 2004 he founded the production company Potemkino. (p.38)donaldson,MiChaelC.

Entertainment lawyer for independent filmmakers for over thirty years. In addition to representing writers, producers and directors, he serves as General Counsel to Film Independent and the Writers Guild Foundation. His books on fair use, copyright, negotiation and trademarks for independent filmmakers are standard reference books. He lectures at law and film schools worldwide. (p.36)dringenberg,KaTJa

One of Germany’s finest film editors, she won the German Camera Award for Andres Veiel‘s Black Box BRD and for Deadly Maria by Tom Tykwer. She also edited Michael Hammon‘s Gold, which is showing in this year‘s Berlinale Special, and is director of the documentaries Ich Dich auch and Endlich. (p.51)eKberg,aniTa

Swedish-born actress, immortalized by her fountain bath in Fellini’s La dolce vita. In a career spanning 50 years, she also appeared in films by King Vidor, Robert Aldrich and Frank Tashlin and starred alongside Sophia Loren, Romy Schneider, Frank Sin a-tra, Audrey Hepburn, John Wayne and Lauren Bacall. (p.41)Finzi,beadie

Documentary filmmaker and producer. She is a founding director of The Channel 4 BRITDOC Foundation, which funded films such as BAFTA winner Chosen, Tribeca winner We Are Together, and Sundance winner Afghan Star. Her own films include Unknown White Male, The Hunger Season and Only When I Dance. (p.25)FiTzgerald,CaTherine New Zealand producer of films having screened in Berlin, Venice, Cannes and Sun-dance. She produced the Samoan film The Orator, which won three prizes in Venice 2011 and was submitted by New Zealand for the Foreign Language Oscar® 2012. She also received the SPADA NZ Independent Producer of the Year Award 2011. (p.40)

FliegaUF,benCe

Writer, director, production and sound designer. His five feature films including Tejút and Womb were honoured with more than 50 prestigious awards including the 2012 Silver Bear for Just the Wind. (p.43)FonTaine,diCK Currently Head of Documentary at the National Film and Television School UK, he has made over 40 films for television and independent media. He began by in tro-ducing Direct Cinema to British television, then developed essay films with writers like Norman Mailer and James Baldwin and experiments in music with John Cage, jazz musicians like Ornette Coleman, Art Blakey and the inventors of hip hop. His latest films is Sonny Rollins – Beyond the Notes. (p.49)Franz,veroniKa

Former journalist turned screenwriter, she has collaborated with her husband Ulrich Seidl since the script for Dog Days. They co-founded the Ulrich Seidl production company, where she is also responsible for casting and marketing decisions. She wrote the script to Paradise: Hope, which will premiere in this year’s Berlinale Competition. Her directorial debut, the documentary Kern, was selected for the Chicago International Film Festival. (p.36)FUJiWara,Chris

Artistic Director of Edinburgh International Film Festival since 2012, Chris Fujiwara has written and edited several books on film. He edits the online film criticism mag a zine “Undercurrent” and contributes to numerous journals such as “Sight & Sound”. He has lectured on film aesthetics and film history at Tokyo University and Yale University. (p.53)gazdag,gyUla Hungarian director of theatre, film and television, his feature films include: A Hun-garian Fairy Tale, Stand Off and Singing on the Treadmill. He is the artistic director of the Sundance Filmmakers Lab, teaches at the Binger Filmlab and is a distinguished professor at the UCLA School of Theatre, Film & TV. (p.47)geidel,MiChael

Co-Founder of the Green Film Initiative in Germany. The media economist has been working in the media industry since 1999 at broadcasters, production companies and distributors. He is working together with film funds, agencies and filmmakers in Germany, Europe and abroad to support sustainable filmmaking. (p.25)gibson,ben

Currently director of the London Film School, he was a former independent producer and head of Production at the British Film Institute in the 1990s. He has produced films by Terence Davies, Derek Jarman, John Maybury and others. Before becoming a producer, he was a distributor and exhibitor (The Other Cinema/Metro Pictures), theatre director, film critic and journalist. (p.37, 40)giTonga,Tosh

Kenyan filmmaker and Campus Talent in 2013. His 2012 debut feature Nairobi Half Life is only Kenya‘s second-ever official submission for the Oscars®. It was produced by Tom Tykwer and his team after they met at the One Fine Day Film Workshop. (p.34)goUgh,loUise

Australian script editor and dramaturg working in film, television and theatre in America, Australia, New Zealand and throughout Europe. In Europe she works for Sources 2. (p.47)green,davidgordon

American director, writer and producer. His films include indie hits like George Wash-ington, All the Real Girls, which won Spezial Jury Prize at Sundance, as well as Prince Avalanche, which runs in the 2013 Berlinale Competition. (p.43)gröner,ChrisToph German film journalist and festival programmer. As a journalist he worked for Süddeutsche Zeitung, Die Welt, and trade magazine Blickpunkt: Film and received the Film Journalism Award FFF Bayern in 2006. Since 2008 he is programmer with the Filmfest Munich, where he handles the New German Cinema since 2011. (p.43)grob,veroniKa

Worked as a programming executive in the film and series department of Swiss National Television. She was also editor of the annual Swiss film book Cinema, in the committee for funding fiction films of the Zurich Film Foundation and president of


Service | 05Index of experts62

expertS

cinema Xenix in Zürich. Now she works as a funding advisor for Medienboard Berlin-Brandenburg, concentrating on newcomers, development and production. (p.55)gUdJonsdoTTir,birgiT

Iceland-Austrian cinematographer who mainly works and lectures in Germany. Besides second unit work for films like The Bourne Conspiracy she was DoP for films like Fidgety Philip, Our Grand Despair, Long Shadows and No Name City. She has been a professor of cinematography at several major German film schools, most recently at the HFF “Konrad Wolf“ Potsdam. (p.33, 42, 51)hayashi,KanaKo

Festival director of the TOKYO FILMeX International Film Festival, which has the com-petition section for emerging Asian filmmakers and showcases both con tem porary and classic cinema annually in late November. She was a member of the International Jury of the Berlinale 2002. (p.23)heinen,sonJa

Head of the Berlinale Co-Production Market and project manager of the World Cinema Fund, she has been a driving force behind the international co-productions of films and funding films from developing countries. (p.42)herManUs,oliver

South African director and writer. His feature debut Shirley Adams premiered in competition at the 2009 Locarno Film Festival and won three awards at the Durban International Film festival. His second film Beauty won the Queer Palm in Cannes 2011 and Best Film in Durban. (p.43)höhne,MaiKeMia

Programme curator of Berlinale Shorts since 2007. She is also a freelance writer, director, curator and photographer. Her short films are represented by the Arsenal –Institute for film & videoart, Berlin and the shortfilmagency, Hamburg. Currently she is editing her feature film which introduces a different perspective on a cinema of argument. (p.38, 41)høgel,JaKobKirsTein

Artistic director of New Danish Screen, previously a film consultant at the Danish Film Institute. Høgel has recently supported feature films such as Volcano or R and documentaries like The Ambassador. He was founder and co-owned the production company Cosmo Doc, producing films such as Prostitution Behind the Veil and the highest grossing Danish documentary ever, Gasolin. (p.39, 47)hoss,nina

One of Germany‘s most prolific actresses on the stage and screen. She has worked with prestigious directors like Oskar Roehler, Robert Wilson and especially Christian Petzold, for whom she starred recently in Barbara and Yella, for which she received a Silver Bear at the Berlinale and the German Film Award as Best Actress. Her latest film, Thomas Arslan‘s Gold is in the 2013 Berlinale Competition. (p.37, 54)JaMes,alby

Former head of development at EON Screenwriters’ Workshop, he works as a pro-ducer, script consultant and trainer of emerging talent and as a theatre director. In the first 15 years of his career he was mainly in the theatre and he has produced, directed and written a large number of notable theatrical and radio plays. (p.39, 54)JeCh,pavel

A graduate of Columbia University as well as of FAMU in Prague, where he has served as Dean since 2008. He has extensive teaching experience in scriptwriting, both in the Czech Republic and in the US. Prior to taking on his latest post he was the Chair of FAMU International and has written the influential “The Seven Minute Screenplay“ manual on short film dramaturgy. (p.55)KalUdJerCiC,vanJa

Croatia-born festival programmer, who started out working at the Motovun Film Festival in Croatia and the Slovenian Cinematheque before organizing several festi vals and festival sections in Zagreb like the Human Rights Film Festival, the Zag-rebDox Pro workshop and the Animafest. She currently programs the short film section at Sarajevo Film Festival. (p.25, 38)KaMM,henning

German producer, co-founder of DETAiLFILM in 2007 and Campus alumnus from 2012. His projects have won the German Film Award, the Crystal Globe at Karlovy

Vary and the Robert Bosch Film Prize and were shown at festivals including the Berlinale, Sundance, Karlovy Vary, Venice and museums such as MoMA New York. Kamm is currently working on upcoming films including Praia do Futuro, Berina‘s Chacras and The Special Need. (p.32)Klebanov,saM

Russian producer and screenwriter currently living in Sweden. He was the anchor of the television show “Magic of Cinema”, he co-wrote the film Newsmakers and wrote and directed the documentary Galle Road: The Volunteer Diaries. (p.37)Konrad,KrisToF

Polish-trained actor, who studied and worked with directors Andrzej Wajda, Kenneth Branagh, Ron Howard and Roland Emmerich. He has taught Intensive Acting in Film and Alexander Technique Workshops in New York, Los Angeles, Milan, Toronto, Melbourne and Vancouver. He has recently worked with the Royal Shakespeare Com pany and the Cirque du Soleil. (p.35, 38, 54)Kopp,ingrid

Director of Digital Initiatives at the Tribeca Film Institute where she overseas the TFI New Media Fund and leads the institute's digital and interactive programs including Tribeca Hacks. Before that she was editor-in-chief of Shooting People in the US, an international networking organization for independent filmmakers. She writes about film, social media and technology for various publications and is a frequent speaker on interactive storytelling and social media. (p.22)Korda,sUsan

Editor of the Oscar®-nominated and Sundance-crowned For All Mankind and Teddy winner Trembling Before G-D. Most recently she was story consultant of First Cousin Once Removed, which won at IDFA in 2012. She was a producer on the Oscar short-listed William Kunstler: Disturbing the Universe and her own work includes Vienna Is Different, One of Us and the forth-coming short My Grandmother‘s Nose. She teaches at Columbia University, Binger Film Lab, the Scottish Documentary Institute and the Sam Spiegel School in Jerusalem. (p.36, 43, 49, 51)Kröger,Merle

Producer and writer, her company Pong has produced award-winning doc u men-taries by Philip Scheffner and Dorothee Wenner. Her third novel was published in 2012, and a feature film script is in project development. She is co-directing the Professional Media Master Class for Documentary Filmmaking in Halle, and teaches project development. (p.49)KrUger,beaTriCe

Casting director based in Rome, she is responsible for the European and/or Italian casting of films such as The Cut, To Rome With Love, Borgia, The American, The Tourist, The International, Casino Royale, Ocean‘s Twelve and many more. She is also founder of the European casting platform www.e-talenta.eu. (p.25, 54)KrUse,FranK

German sound mixer and sound designer, who worked on films directed by Tom Tykwer, Andy and Lana Wachowski, Wolfgang Becker and many more. He received a German Film Award and several nominations. He just finished Ron Howard‘s Rush and is about to begin work on Anton Corbijn‘s new film A Most Wanted Man. (p.46)KUrMann,andrea Swiss actress, director and teacher. She worked at a variety of German theatres as well as in a series of German and Swiss TV productions. Her second work field con-sists of teaching and consulting in professional self presentation, holding seminars for international companies like Siemens, McKinsey and Eon. (p.55)KUrz,sibylle Pitching trainer and consultant for film schools and film institutes all over Europe, she specialises in intensive pitching training, project presentation, proposal de vel-opment, dramaturgical doctoring and consultancy work. (p.55)laaKso,JUKKa-peKKa Finnish director of the Tampere International Short Film Festival, where he has been working since the 80s. He also acts as the executive director for the Pirkanmaa Film Centre, a local non-profit organisation that works extensively with media education, and he has been chairman of the National Council for Cinema from 2004 to 2009. (p.25, 38)



expertS

laCôTe,philippe

French-Ivorian director and producer. His short films The Messenger and Affaire Libin-ski were shown at several international festivals. His work includes the first-person documentaries Cairo Hours and Chronicles of War in the Ivory Coast as well as his upcoming feature debut Run. He also produced Burn It up Djassa, which screens in Berlinale Panorama 2013. (p.34)laMas,saloMé

Portuguese visual artist, filmmaker, lecturer and 2013 Campus participant. Her films have been screened both in art spaces and film festivals in Portugal and abroad, win-ning several awards. Her feature No Man‘s Land has swept most of the domestic awards at Doclisboa and will screen in the 2013 Berlinale Forum section. (p.39)lázaro,paz

Programme manager at Berlinale Panorama and member of the selection committee for the Competition. She has produced several feature films and documentaries, including Nómadas, Fallen Angels: Gram Parsons and Short Cut to Hollywood. She is a member of the Spanish Film Commission and part of the Board of the European Film Academy. (p.43)lesoUrd,philippe

French director of photography, based in the US. After shooting television com-mercials and music videos he turned to cinema, where he filmed Ridley Scott‘s A Good Year, Gabriele Muccino‘s Seven Pounds and most recently Wong Kar Wai's The Grandmaster, which opens the 63rd Berlinale. (p.34)leiTner,david

Director, producer, and DoP with over sixty credits in feature dramas and doc u-mentaries including eight Sundance premieres. He is also an author, columnist, speaker, and ongoing contributor to the textbook classic, “The Filmmaker's Hand-book”, and serves as Motion Picture Chair of the New York Section of SMPTE. (p.35, 40)levine,sydney

Over 35 years experience in the entertainment industry, she was a pioneer acqui - si tions executive and founder of FilmFinders, the first database used for tracking new films worldwide. She established the video rental division of Republic Pictures and Lorimar Home Video. (p.22, 37)libaTiqUe,MaTTheW

Acclaimed American director of photography. He started out in music videos and independent films, won several awards and was a Sundance regular. He became famous with his work with Joel Schumacher, Spike Lee and especially Darren Aronofsky, including Requiem for a Dream, Black Swan and the upcoming Noah. (p.34)liMpreChT,sigrid

Long-term director of the Bonner Kinemathek, the International Silent Film Festival and expert on worldwide developments in the industry, especially distribution. She was a founding partner of distribution company Rapid Eye Movies from 1997 to 2008. Today, she focuses both on international networking between distributors and on educating young filmmakers about this issue. (p.43)linssen,dana

Since 1997, main film critic of the leading Dutch newspaper NRC Han delsblad, became editor-in-chief in 1998 and later co-publisher of the Dutch in dependent film monthly De Filmkrant. In 2009, she launched the Slow Criticism Project as a coun terbalance against the commodification of film criticism. (p.53)loaCh,Ken

British film and television director. His countless international awards include several prizes in Cannes, Venice and Berlin for films like Kes, Riff-Raff, Raining Stones, The Wind that Shakes the Barley, It‘s a Free World and The Angel‘s Share. His latest film, the documentary The Spirit of ‘45, will premiere in this year’s Berlinale Special. (p.40)lUddy,ToM

Co-founder and co-director of the Telluride Film Festival and programme curator for the Documentary Film Institute at San Francisco State University. He worked as a producer at Zoetrope with directors like Jean-Luc Godard, Akira Kurosawa and Chris Marker. (p.41)

MaClean,andreWoKpeaha Iñupiaq writer and director from Alaska. After several award-winning short and documentary films, his feature debut On the Ice premiered at Sundance and won Best First Feature and the Crystal Bear for Generation 14plus at the Berlinale in 2011. His upcoming short science fiction film Children of the Northern Lights will premiere in 2013. (p.40)MaingUeT,gUillaUMe

Worked in different sectors of cinema distribution for eight years, before joining the Festival of Three Continents in 2007. Since 2009 he is coordinating its professionnal programme, the international training workshop Produire au Sud. He is also author and director, currently preparing his third short film and first feature film. (p.23)MalColM,dereK

Critic for The Guardian for many years, he is now writing for the London Evening Standard. He is Honorary President of FIPRESCI, the international film critics asso-ciation and a frequent juror at film festivals around the world. (p.53)MarTel,lUCreCia

Argentinian director and writer. After several award-winning short films she made The Swamp, The Headless Woman and The Holy Girl, which entered the competition in Cannes, Berlin and Sundance and won several awards. Her new project Zama is part of this year's Berlinale Co-Production Market. (p.38)MarTen,gesa

German editor, dramatic advisor and lecturer, she was nominated for Best Editing at the German Television Awards for Abnehmen in Essen and at the German Camera Award for Krokodile, Im Augenblick and Geschwister Vogelbach. She won the Filmplus Editing Prize for Was lebst Du? in 2005 and for Perestroika in 2009. (p.51)MarTens,MeiKe

German producer of creative documentaries, with a focus on international co-pro-duction and CEO of Blinker Filmproduktion. She is an alumna of the Campus 2009. She works with Azza El-Hassan, Thomas Heise, Patricio Guzmán, Philip Scheff ner and Mika Taanila – and always looking for new talents! (p.49)MaUCh,bärbel

Producer and founder of Bärbel Mauch Film, she has considerable experience in production and distribution as well as with film festivals in Germany, France and Africa. She produced Faro la Reine des Eaux and L’Aventurier. (p.25)Mayerh.,JUergen

Founder and principal of the J. Mayer H. architects‘ studio, which focuses on works at the intersection of architecture, communication and new technology. His work has won international awards and is part of numerous collections including MoMA New York and SF MoMA. He has taught at Princeton, Harvard, New York, London and Berlin. (p.33)MCdoWell,alex

Acclaimed production designer and film producer, he has worked with Tim Burton, Steven Spielberg and David Fincher. His filmography includes Fear and Loathing in Las Vegas, Fight Club, Minority Report and the upcoming Superman reboot Man of Steel. He is also co-founder and creative director of the 5D Institute, Los Angeles, an interdisciplinary network focusing on the impact of technologies in design fields. (p.33, 41)Meier,dirK

German colorist and post-production consultant, he is an expert at color man-agement and post-production for digital projects. He worked for German and international (post-)production companies like Farbkult, The Post Republic, ARRI and Zentropa, and on films such as Russian Ark, Antichrist and Dredd 3D. (p.33, 42, 51)MeTze-Mangold,dr.verena

Vice President of the German Commission for UNESCO and former Director of the Department of HR coordination in the General Directorate of Hessischer Rundfunk. She also was a representative of the German government at the advisory conference on the South African constitution and at the Stability Pact Conference on media development in East and Southeast Europe. She lectured at the Universities of Frankfurt, Leipzig, Hannover, Maastricht and Utrecht and is author and editor of several books on international media development. (p.22)



expertS

MiCaelo,Mário Founder and director of the Vila do Conde International Short Film Festival in Por-tugal, which celebrates its 20th anniversary this year. He was also editor of the book “Puro/ Pure Cinema”, featuring interviews with Manoel de Oliveira, Alexander So ku-rov, Kenneth Anger, Gus Van Sant and many more. (p.25, 38)MiTChell,JohnCaMeron

American writer, actor, and director. His debut feature Hedwig and the Angry Inch won him Best Director at Sundance, the Teddy for Best Feature and a Best Actor nomination for a Golden Globe. He directed Shortbus and the Oscar-nominated Rab-bit Hole and was executive producer of Jonathan Caouette‘s Tarnation. He is pre s-ently producing the animated feature Shell Game, adapting Neil Gaiman’s How to Talk to Girls at Parties, and working on a “Hedwig“ stage sequel. (p.43)Müller,sylvia

Director of the Berlin-based film PR and marketing company MM Filmpresse, de sign-ing media strategies and marketing concepts for award-winning films such as Claudia Llosa's The Milk of Sorrow or Ulrich Seidl's Paradise trilogy. She was formerly head press manager at the Filmfest Oldenburg and head of PR and marketing at the distribution company Neue Visionen. (p.43)MUrCh,WalTer

Legendary sound designer and editor, and the only person ever to receive Academy Awards in both categories. His pioneering work on films include The Godfather II/III, Apocalypse Now and The English Patient. He is author of ”In the Blink of an Eye”, a book about film editing. His latest work is the feature documentary Particle Fever. (p.37)naidoo,nisha

South African festival manager and film programmer. She was manager at the Cape Town World Cinema Festival and the Sithengi Cinema Festival and now manages the Durban International Film Festival. (p.34)narKeviCiUs,deiManTas

Lithuanian artist working mainly in film and video taking a subjective and con tem-porary view of history. He represented his country at the 49th Venice Biennale in 2001 and has held solo exhibitions in Germany, France, Belgium, and Lithuania. (p.41)oppenheiMer,JoshUa

American documentary director, who explores the relationship between political violence and the public imagination. He is Senior Researcher on the UK Arts and Humanities Research Council’s Genocide and Genre project. His award-winning films include The Globalization Tapes and These Places We Learned to Call Home. His latest film The Act of Killing is shown in Berlinale Panorama 2013. (p.39)oWen,MiKe

Image Marketing Manager and former Product Planning Manager for Canon Europe. He specializes in all matters of camera technology, including the latest developments and future trends in filmmaking and photography. (p.23)panahi,hengaMeh

Producer and sales agent, she is the president of the world sales agency Celluloid Dreams. Among others, she co-produced The Countess by Julie Delpy, was executive producer of I‘m Not There by Todd Haynes and world sales head for Persepolis by Vincent Paronnaud and Marjane Satrapi. (p.37)pasqUali,arnaUd

Arnaud Pasquali is head of MEDIA Promotion (markets and festivals) and MEDIA Training at Education Audiovisual and Culture Executive Agency (EACEA), the EU in-sti tution in charge of implementing the MEDIA programme. (p.34)pinn,JUlian

Chair of both the BSI and ISO Technical Committees on Cinematography, he is re-spon sible for the development of Dolby®’s motion picture services portfolio. With fifteen years experience as a Dolby® consultant for both original and foreign-lan - g u age movie releases, he is also heavily involved in standard-making and currently helps introducing the Dolby®Atmos system. (p.42)piroT,François

Screenwriter and actor. His short films were picked up by numerous international festivals. With Joachim Lafosse he wrote the screenplays for Private Property (com-petition at Venice 2006) and Private Lessons (Directors’ Fortnight at Cannes 2008). His first full-length feature is Mobile Home (2012). (p.55)

psyKoU,elina Greek writer and director and a Campus alumna (2007). She has written and directed two short films and is a partner at Guanaco Film production company. Her first feature film The Eternal Return of Antonis Paraskevas has recently received the first award of the Works in Progress section in Karlovy Vary and premieres in the 2013 Berlinale Forum. (p.39)redpaTh,Maryanne

New Zealand-born director of the Berlinale Generation section, the official Berlinale delegate for Australia and New Zealand and head curator of the 2013 Berlinale special series “NATIVe – A Journey into Indigenous Cinema”. (p.40)reilhaC,MiChel

Transmedia author, who was the executive director of ARTE France Cinema and the director of film acquisition for ARTE France for over 10 years. For Canal+, he made To Be a Man in 1999, and in 2000 directed Kenya Islands for ARTE. He produced Cry Wom-an, which was in Un Certain Regard of the Cannes Film Festival in 2002, and The Good Old Naughty Days (which he directed) was presented in the Directors‘ Fortnight also in 2002. (p.25, 33)rissenbeeK,MarieTTe

Managing director of German Films, she is also responsible for public relations and press, international festivals and “Das Rendezvous“, an annual German-French film meeting. (p.32)rodenKirChen,Franz

Berlin-based script advisor and tutor in international workshops and individual project de vel opment. Among others he works with Torino Film Lab, Nipkow Pro-gram, and the Binger Filmlab, where he also teaches script editing to industry pro-fessionals. (p.47)rodrigUe,Jean-loUis Acting coach on faculty at the UCLA School of Theater, Film and Television and the Howard Fine Acting Studio in Los Angeles and Melbourne. Past and current students include: Ian McKellen, Hilary Swank, Jonathan Pryce, Kirsten Dunst, Juliette Binoche and Leonardo DiCaprio. He has trained and coached performers at the Royal Shakespeare Company, the Mark Taper Forum, the Steppenwolf theatre group, the San Francisco Opera, Cirque du Soleil and on Broadway. (p.35, 38, 54)rosenThal,liz

Expert for cross-media storytelling, distribution and filmmaking, she is the founder and CEO of leading cross-media company Power to the Pixel, based in London. Power to the Pixel runs The Cross-Media Forum, The Pixel Lab and advises inter na-tional media organisations, producers and creators. (p.33, 38)ryle,Jason

Executive director at the imagine NATIVE Film and Media Arts Festival, the world's largest indigenous film festival, based in Toronto. He also sits on the Board of Direc-tors for Vtape, an independent video distributor, and is a script reader for The Harold Greenberg Fund. As an award-winning writer, Jason has written for the Smithsonian Institution and several publications throughout North America. (p.40)salTzWedel,daniel

Funding consultant specialising in creative documentaries. Before joining the Medienboard Berlin-Brandenburg in 2008, he has worked as a film producer. He has studied Business, Cultural Studies and Philosophy in Germany and Wales. (p.32)saMdereli,yaseMin

Turkish-German filmmaker and scriptwriter, who started out in television, before her cinematic debut Almanya premiered at the Berlinale 2011. The film won two German Film Awards and several international prizes. (p.33)sChleier,doMiniK

German sound designer, who has worked with directors such as Kevin MacDonald, Detlev Buck, István Szabó, Christian Petzold, Nicolas Winding Refn and others. For his work on Marco Kreuzpaintner‘s Trade he won the German Film Award in 2008, for which he was again nominated in 2012 for Barbara. (p.46)sChory,KaTriel

Executive director of the Israel Film Fund since 1999, he founded the production com pany Belfilms and produced over 200 films including award-winning feature films like the Oscar®-nominated Beyond the Walls. (p.50)



expertS

sChüTTe,Jan

German filmmaker of both documentary and fiction. After teaching directing and film in Ludwigsburg, Dartmouth and Harvard, he is currently director of the DFFB film school in Berlin. His films like Winckelmanns Reisen, Love Comes Lately and Drach enfutter won awards in Venice, Locarno and at the German Film Awards. (p.34)sChWierin,MarCel

Curator, filmmaker. Co-founder of the Werkleitz Biennial, the experimental film database Cinovid, and Arab Shorts, Cairo. He has curated film programmes for ISFF Oberhausen, ARTE Creative, Max Ophüls Prize. Since 2010 he is the film curator of the Transmediale festival. (p.41)seidl,UlriCh

Austrian film director, writer and producer. His controversial films like Dog Days and Import / Export won numerous awards. Paradise: Hope, premiering in this year‘s Berlinale Competition, is the final part of his Paradise trilogy, after Paradise: Love competed in Cannes and Paradise: Faith won the Special Jury Prize in Venice. (p.36)seiFerT-speCK,anna

Senior Talent Executive at Creative England and formerly award-winning Film De-velopment Executive at EM Media, where she executive produced award winning shorts and features. Credits include Weekend, by Andrew Haigh, Skeletons and This Chair Is not Me. (p.38, 55)shoben,andreW Founder of Greyworld, which has created works in hugely coveted locations across the world and has permanent installations in twelve countries. Notable works include “The Source“ for the London Stock Exchange, “Paint“ for Nokia and “Sun“ for Trafalgar Square. He is professor of public art at Goldsmiths, University of London. He was nominated as president of the Royal Society of Sculptors in 2011. (p.33)siMonen,Ulla

Finnish producer in her own company MADE, working also as a consulting producer for other companies and as a documentary script advisor for Sources 2. She lectures both nationally and internationally on different aspects of documentary productions and is a member of the European Film Academy. (p.49)sKJødT,hanne

Director of the European Documentary Network (EDN). She studied psychology, work ed as an independent producer of international documentary co-productions and was head of unit for the promotion and distribution of shorts and documentaries at the Danish Film Institute. (p.23)soloMon,ada

Romanian producer, who founded HiFilm Productions. She works in short and feature films with acclaimed directors like Razvan Radulescu, Paul Negoescu and Radu Jude, whose Everybody in Our Family premiered in Berlinale Forum in 2012. Her latest film Child‘s Pose is part of this year‘s Berlinale Competition. (p.47)sonnen,Caspar

Dutch festival organizer and curator, specializes in new forms of cinema and media art emerging within the digital domain. He started working for the IDFA documen-tary festival in 2005, where he set up the online documentary channel IDFA TV and the festival’s new media program IDFA DocLab. Besides his work at IDFA, he is co-founder of Seize the Night, the annual Open Air Film Festival Amsterdam. (p.38)spragg,gordon

PR and marketing specialist and publicist. He is founder of Berlin-based PR company Wolf Consultants and a former head of marketing and publicity at Celluloid Dreams. His clients include international distributors and production companies. (p.43)sTensgaard,MollyMalene

Danish film editor who has edited most of Lars von Trier’s films including Dancer in the Dark, Dogville and Melancholia. From 2006-2010, she was commissioning editor for feature films at the Danish Film Institute. She is a lecturer at the Binger Filmlab, and in 2007, she was a member of the Berlinale International Jury. She is currently editing Lars von Trier‘s Nymphomaniac. (p.51)sTephens,TainUi

Maori independent film and television producer, director, writer, presenter, and voice artist. In 2000 he established his company Pito One Productions. His first short film as a director The Hill was selected for Sundance and the Berlinale in 2002. He has

a wide range of television programmes in production, as well as two features and one short in development. (p.40)sTeyer,MarTin

German sound mixer who worked on numerous acclaimed films including Barbara, The Last King of Scotland and The Last Station. He won the German Film Award for Best Sound Editing for Requiem and Trade. He is a professor at the Film & Television University (HFF) “Konrad Wolf” since 2005 and its vice president since 2006. (p.46)TodsharoW,MarTin

Film music composer, producer and musician. He wrote scores for Oskar Roehler’s Elementary Particles and The Sources of Life as well as for Desert Flower, Hilde and The Guardian. He worked as lecturer at the Film Academy Ludwigsburg, the German Film and Television Academy Berlin (DFFB) and the HFF “Konrad Wolf” in Potsdam. (p.46)UKWUoMa,selina

Formerly a development executive at EON Screenwriters‘ Workshop and Cuba Pic t-ures, she now works as a freelance script editor, consultant and tutor. She has worked on a number of projects including the feature Boy A, which screened in the 2008 Berlinale Panorama. (p.47)vanhelM,Mireille

Founder of London-based Ginger Film Services, an international film consultancy and servicing company, offering sales agents, producers and distributors full post-production and distribution services. She also offers workshops with a focus on how to prepare your film for international delivery at an early stage in production. (p.22)vanlangendonCK,barT

Belgian producer. After a career in music management he produced documentaries, dance films and feature films, he founded Savage Film, where he produced features Bullhead and Anton Corbijn Inside Out. Participated in Eurodoc, Documentary Cam-pus, EAVE, ACE etc. (p.34)vanleer,lia

Israeli film archive and programming pioneer. She was the founder of the Haifa Cine-matheque, the Israel Film Archive, the Jerusalem Film Festival and the Jerusalem Cine matheque, of which she became the director. She was head of the International Jury of the Ber linale in 1995. (p.41)verhoeven,paUl

Dutch-American director and one of the most provocative filmmakers of our time. After a string of movies, including the Oscar®-nominated Turkish Delight he went to the USA to make hits like Robocop, Total Recall, Basic Instinct and Starship Troopers. He recently directed the community-scripted internet/TV project Tricked. (p.33)voorhaM,aniTa

Script advisor for television series and feature films. She has worked as a writer, script editor and creative producer for independent producers and public broadcasters. Currently she is part of Torino Filmlab, the Binger Filmlab, the Nipkow programme and Biennale College-Cinema and also works with individual filmmakers. (p.47)Wenner,doroThee

Documentary filmmaker, author and journalist, she has been on the selection committee of the Berlinale Forum since 1990 and serves as the Berlinale delegate for India and Sub-Saharan Africa. (p.43)yabsley,peTer

Products Marketing Team Leader for Canon Europe. He specializes in all matters of cam era technology, including the latest developments and future trends in film-making and photography. (p.23)zaChareK,sTephanie

A film critic for NPR.org, Film.com and other publications, she was the senior writer and film critic for Salon.com for many years. Her writing on books and pop culture has also appeared in The New York Times, The Los Angeles Times, Rolling Stone and Sight and Sound. (p.53)zargarpoUr,habib

Iranian-born visual art director and effects specialist. He has done digital effects for films like Star Wars Episode I, Star Trek: First Contact and The Bourne Identity. He was nominated for an Oscar® for his effects work on Twister and The Perfect Storm. Since 2003 he has been senior art di rector and creative director at Electronic Arts and the Microsoft Game Studio. (p.33)



expertS

a

Abdullaeva, AlinaAbdullahi, NafisatAcosta, OdinAhmad, Mian AdnanAkyol, Zayne KaderAlandy, JoenathannAl-Ghaly, AbdullahAllard, AliochaAlsharif, NoraAmer, AhmedAnakiev, AlmaAnderson, KristinaAndrade, SergioAng, AlembergAngelidis, AngelosAngelidou, SofiaArad, ShiraAraya Silva, Claudio Alejandro AntonioArechavala, Javier SebastianArieli, KerenAsgari, AliAspelin, MikkoAssefa, DirbdilAverina, MariaAvilés, Daniel

b

Babara, OtiliaBahir, MuhammadBalcheva, MonikaBashir, AamirBautista, ArmandoBayraktaroglu, OsmanBayram, OrkanBekerman, DanielBello, TiagoBemelmans, RoyBezinović, IgorBham, Min BahadurBiałowąs, BarbaraBilgin, BelcimBlaisse, MoonBoamah, Ama OforiwaaBobina, MirceaBoguzaite, RutaBrand, AndrewBravo, AngelaBrockenshire, Maite SofiaBrogan, Jacqueline MarieBrookner, AaronBuali, MohamedBurke, EleanorBuzinskaite, Ieva

C

Campos Valladares, Laura MariaCanale, MaríaCappellaro, Susanna

Caruso, GiuliaCayer, Ariel EstebanChagasik, MaenumCharras, MarceloChen, BoChojna, IgorCindrić, MarkoConceição, CarlosCottey, ThomasCrosignani, MagelaCuthbert, Sean

d

Daniel Gabriel, SanduDaniyan, Adeyinka EdwardDavis, Tammy KadeDebrock, JulesDeliberador, AnaDenda, DraganDietrich, FlorianDipietro, FrancoDjamo, Daniel NicolaeDogbey, Carl RomeoDominguez-Degen, AnoukDoyle, Maria-ElenaDragolea, Mihai GavrilDragus, Maria-VictoriaDurand, Jonathan

e

Egenti, OnyinyeEid, ChristianEl Amine, GhaithEl Hacahdi, MahassineEl Koussa, MiraElkington, RuariElouan, HossameldeenEndres de Oliveira, Gloria RafaelaEscobar Campos, Carlos MauricioEspia, Hannah TabithaEstrada Torrescano, José Pablo

F

Faber, RomkeFadlon, ThorFair, JamesFallshaw, DanielFangacio Arakaki, Juan CarlosFerreira, PedroFessa, ElinaFigueroa Rodriguez, RayFontes, RodrigoFortier Gauthier, AlexisFranco, AndreaFrank, BorisFrugiuele, Cecilia

g

Galibert, SophieGaona Morales, Ivan DavidGasmia, FabianGaß, Lisa ViolettaGervink, JonasGhammam, FairuzGilat, LeeGitonga, ToshGlukhova, YuliaGoel, NitinGoldbach, JelenaGomez Millan, PedroGrenier, Marie-PierreGrevstad, Ina Therese LernerGunawan, Edward

h

Halilaj, TristanHan, XiaosuHarfouche, JoweHattou, Mohamed El AmineHayday, JamesHeindel, ClaudiaHenriquez, SamuelHiveluah, OshosheniHjörleifsdóttir, ÁsaHoffmann, JerryHönig, PhilippHristoskov, Atanas

i

Ibrahim, Muhammad Al AminIorga, Emanuela

J

Jambrovic, VanjaJanczak, Krzysztof A.Jankes, MatthewJaquemet, SimonJärvet, ToomasJarvis, SophieJean Bosco,NshimiyimanaJoaquin, LucasJohansen, Louise Højgaard Ssebaggala, Joseph KennethJung, Yumi

K

Kerekgyarto, YvonneKerimaa, Ville-VeikkoKeyworth, RichardKhan, RyanKhan, SamiKnag, NinaKocsis, DanielKöslin, Franziska

Krukle, LindaKvithyll, ElisabethKyritsis, Nikolaos

l

Lagogué, DamienLai, YifanLamas, SaloméLanghof, JuliaLechapelier, RomanLemke, JuliaLemos, AraceliLi, ShanshanLinda, SiphiweLloyd, Ryan AlexanderLópez Fernández, Julio RolandoLopez Maas, Juan SebastianLoreños, Ian Dean

M

MacInnes, CatrionaMagoko, Otaigo BerylMainali, Narendra RajManor, AmirManukyan, TatevikManzheeva, EllaMaragkos, AristotelisMarin Duarte, CatalinaMarinović, IvanMarion, AuroraMarno, MozhanMartinessi, MarceloMendiz, ArturoMikalački, NenadMirica, Bogdan FlorianMoreno González, Maria del MarMorgan, EmilyMthembu, SiphesihleMueller, Vanessa NicaMüller, NikolausMwakaba, Mercy Mkaiwawi

n

Nabil, AhmedNandakumar, AnushaNath, ParamitaNdahayo, GilbertNedeczky, DóraNiyongabo, Yves MontandNolan, ClaireNzinga, David

o

Ó Cuaig, Cathal SeosamhOjala, PirjoOlstein, JustinOumarou, Maman Salissou

Snir, AssafSøderlind, IngvildSparmberg, MarcoSsenkaaba, SamsonSta. Ana, PaulStankovic, KatarinaSturm, BarbaraSubotowicz, ElizaSukholytkyy-Sobchuk, DmytroSutti, Valentina Maria Eugenia

T

Taher, RonakTailfeathers, Elle-MaijaTautu, CarinaTeehan, RobertTerebilo, NatalieaTessaud, PascalTran, SallyTremblay, ElisabethTrisna Sari, AmaliaTrocan, IrinaTrukanas, JonasTsicko, Eti

U

Umdenstock, Pierre-Louis

v

von Matthiessen, MaxVaičiūnaitė, GabrielėValadez Rodríguez, María FernandaValchanov, PetarValente, Alvaro Riccardovan der Kooij, DanielleVersteyhe, SienVidal, CarmenVierhout, AnneVinokurova, AnastasiaVisa, IreneVlasova, DariaVollrath, PatrickVoogt, Dylan

W

Wallace, MartinWatson Stafford, AdamWaugh, IanWeingartner, JakobWeydemann, JonasWolkstein, Laurenx-y

Xu, Qian ChunYang, HyojooYeung, RaymondYildirim, StareYin, Xue

z

Zosso, Géraldine

p

Palenzuela, LuciaPaolucci, SandraPasaribu, AdrianPathak, AnkurPavljutškov, IvanPaz, DoronPentić, VišnjaPerez Him, EnriquePeter, HildaPiperno Krugman, Alex DavidPiturescu, Ioan CristianPlastiras, IoannisPollard, JasonPomponiu, RoxanaPuscas, Anda-LuanaPütsep, Kristjan

q

Quesada Mena, MarceloQuiroga Russo, Mauricio

r

Ramos, MarianaRamsay, JamieRashid, XavierRasmussen, Jonas PoherRaso, MarkReinders, RutgerRemón, DanielReuter, JasminRinner, LukasRoccati, LuigiRodnes, SiriRodriguez Diaz, Alicia LuzRozanski, EmmaRuano Auday, EduardRutanen, JoonasRytel-Przełomiec, Michał

s

Sabbagh, GeordieSaga, MarikoSakaoglu, SinemSaleh, AhmadSaleh, SidiSandell, KerriSarmiento Pagan, AlvaroSavić, MihajloSawhney, CarySchatz, JohanneSchilling, VerenaSchouw, BramScicluna, KennethShaban, ArielShafi, ImranSiepker, UndineSilbert, RyanSilverstein, AnnieSinger, LuisSironi, CarloSkrzeszewska, Alina


67 Service | 05 Index of participants

participantS

Ambassade de France Emmanuel Suard, Nathalie von Bernstorff, Carole Lunt, Anne Vassevière.A&O HOTEL and HOSTEL Mitte Katharina Pötter Krouse, Jennifer Remus, Sandra Otte, Heike Brose.Arri Catia Marini, Phillip Vischer. ARTE Deutschland Kathrin Brinkmann.ARTE France Annamaria Lodato.Auswärtiges Amt (Federal Foreign Office) Dr. Guido Westerwelle, Dr. Hans-Ulrich Seidt, Uwe Wolfgang Heye, Helmut Lörsch, Petra Giese. Binger Filmlab Gamila Ylstra. BKM – Der Beauftragte der Bundes regierung für Kultur und Medien Dr. Bernd Neumann, Dr. Ingeborg Berggreen-Merkel, Sandra Wemmel, Ulrike Schauz, Michael Knoche.BMW Karsten Engel, Johannes Seibert, Hans-Reiner Schröder. British Council Briony Hanson, Will Massa, John Whitehead, Dr. Elke Ritt.British Embassy Simon McDonald, British Ambassador to the Federal Republic of Germany, Dr. Amelie Heinrichsdorff.Canon Europe Rainer Fuehres, Kieran Magee, Mike Owen, Peter Yabsley, Scott Fitzgibbon. Canon Deutschland Bettina Steeger. Daazo Film and Media Ltd. Dániel Deák, Zoltán Aprily, Anita Libor.Deutsche Weine Monika Reule.Deutsche Welle Eric Bettermann, Rainer Traube, Melanie Matthäus, Bettina Kolb, Fred Ölschlegel, Michael Münz, and the Deutsche Welle trainees.Deutsche Welle Akademie Gerda Meuer, Bernhard Graf von der Schulenburg, Pamela Schobess and the Deutsche Welle Akademie volunteers.

DFFB – German Film and Television Academy Prof. Jan Schütte, Edith Forster, Kathrin Osterndorff, Stefan Beckers, Laura Gintar, Alex Röhl, Debora Schuchert, Ingo Schumacher.Dolby® Labs Julian Pinn, Michael Dalock-Schmidt. Durban International Film Festival Nisha Naidoo, Peter and Monica Rorvik.European Film Market Beki Probst, Nadja Tennstedt, Manuela Guddait, Volker Hörich. Festival internazionale del film di Locarno Nadia Dresti, Mario Timbal.FFA – German Federal Film Board Peter Dinges, Christine Berg, Birthe Klinge, Julia Walpersdorf.FIDMARSEILLE Jean-Pierre Rehm, Fabienne Moris, Anaëlle Bourguignon, Rebecca De Pas, Ourida Timhadjelt. FILMeX Kanako Hayashi, Shozo Ichiyama, Shigeo Kanaya.Film- und Medienstiftung Nordrhein Westfalen Petra Müller, Katharina Blum. FIPRESCI Klaus Eder.Fraunhofer / Heinrich-Hertz-Institut Michael Witte, Ralf Schäfer, Christian Weissig, Peter Kauff.Gahrens & Battermann Michael Kugel.Goethe-Institut Buenos Aires Stefan Huesgen, Inge Stache.Goethe-Institut Johannesburg Dr. Katharina von Ruckteschell-Katte.Goethe-Institut Mexico Reinhard Maiworm, Sebastian Huber.Goethe-Institut Tokyo Raimund Wördemann, Mihoko Tanno.Goethe-Institut München Prof. Dr. Klaus-Dieter Lehmann, Johannes Ebert, Dr. Christian Lüffe, Marina Ludemann.Goldneun Simon Chappuzeau, Diana Riepel.Guadalajara International Film Festival Raul Padilla, Iván Trujillo Bolio, Andrea Stavenhagen, Alejandra Paulín Albor.HAU Hebbel am Ufer (HAU1-3) Annemie Vanackere, Aenne Quiñones, Robert Gather, Elisabeth Knauf, Martina Gessner, Sabine Hertwig, Matthias Schäfer and the entire HAU team for their cool theatre.

MeeTparTiCipanTs

FroM96CoUnTries:

a

Albania, Algeria, Andorra, Angola, Argentina, Armenia, Australia, Austria, Azerbaijan

b

Bahrain, Bangladesh, Belgium, Bolivia, Bosnia and Herzegovina, Brazil, BulgariaC-d

Canada, Chile, China, Colombia, Costa Rica, Croatia, Cuba, Denmark

e

Ecuador, Egypt, El Salvador, Estonia, Ethiopia

F

Finland, Franceg

Germany, Ghana, Greece, Guatemala

h

Hong Kong, Hungaryi-J

Iceland, India, Indonesia, Islamic Republic of Iran, Ireland, Israel, Italy, Japan, Jordan

K

Kenya, Republic of Korea, Kosovol

Latvia, Lebanon, Libya, LithuaniaM

Macedonia, Malaysia, Malta, Mexico, Republic of Moldova, Montenegro, Morocco

n

Namibia, Nepal, The Netherlands, New Zealand, Niger, Nigeria, Norway

p

Pakistan, Palestinian Territory, Panama, Paraguay, Peru, Philippines, Poland, Portugal, Puerto Rico

r

Romania, Russian Federation, Rwanda

s

Serbia, Slovenia, South Africa, Spain, Sweden, Switzerland

T

Taiwan, Thailand, Trinidad and Tobago, Tunisia, Turkey

U

Uganda, Ukraine, United Kingdom, United States, Uruguay

v

Venezuela

WeWoUldliKeToThanK:


Service | 05Index of countries / Dankeschön68

countrieS

Susan Korda, Kevin Murphy, Marcie Jost (Editing Studio).Special thanks to Peter Cowie, Sigrid Limprecht, Gabriele Brunnenmeyer, Matthias Lilienthal, Marjorie Bendeck, Wolfgang Janßen. Campus team 2013 Aily, Andrea, Anja, Ana, Andreas, Arlyn, Arne, Christiane, Daniel, Jana D., Jana W., Janne, Johannes, Jona, Juliane, Kathi, Katrin, Kevin, Lira, Marc, Marcie, Marcus, Michael, Nicole, Oli, Philip, Ricardo, Sebastian, Sirkka, Stefan, Susann, Thomas, Tiny, Tommaso and Tobi; to all photographers, volunteers, angels, service suppliers and technicians.

Many thanks to our location partner

Haus der Kulturen der Welt Ellen Kraft, André Schulze, Frank Jahn.Hugo Boss Claus-Dietrich Lahrs, Claudia Schmidt.IDFA Cathalijne de Wilde.Internationale Kurzfilmtage Oberhausen Marcus Schütte.Jensen&Lechleitner Finn Jensen, Janine Plew, Hendrik Eibisch, Steffi Eichhorn, Samo Darian.jobs und böhm Sonja Jobs, Sylvia Böhm.LFB – Lichtforum Berlin Mario Klapper. London Film School Ben Gibson, Suzy Gillett, Alex Duxbury.L’ORÉAL PARiS Jérôme Bruhat, Yvonne Rostock, Heike Leder. Manfred Durniok Foundation Michiko Teramoto.MEDIA Training Programme of the European Union Aviva Silver, Brian Holmes, Sari Vartiainen, Costas Daskalakis, Arnaud Pasquali, Piedad Rivas Lopez, Cristina Fernandez Estrada. MEDIA Mundus Irina Orssich Slavetich, Emmanuel Cocq.MEDIA Antenne Berlin-Brandenburg Susanne Schmitt, Uta Eberhard, Andrea Greul. Medienboard Berlin-Brandenburg Kirsten Niehuus, Elmar Giglinger, Daniel Saltzwedel, Rangeen Horami.Miller Fluid Heads Europe Mike Lippmann.MJIT-Berlin Michel Juknat, Ludwig Reuter.Nipkow Programme Uta Ganschow, Petra Weisenburger. Polish Film Institute Izabela Kiszka, Kinga Gauszka. Power to the Pixel Liz Rosenthal, Tishna Molla. Rabenhorst Klaus-Jürgen Philipp, Johannes H. Mauss.RED Digital Germany Alfred Jaax, Kristin Geyer.Robert Bosch Stiftung Dr. Ingrid Hamm, Dr. Kurt Liedtke, Ottilie Bälz, Frank W. Albers, Karin Angela Schyle, Christine Kopf.

Robert Bosch Repräsentanz Miriam Gundlach, Isabel Bornhorst.Sarajevo Film Festival Mirsad Purivatra, Amra Baksič Camo, Jovan Marjanović.Serve-U Phillip Sünderhauf, Andreas Buchholz.Sources 2 Dr. Renate Gompper, Marion Gompper.Talent Campus Buenos Aires María Marta Antin, Manuel Ferrari, Agustina Arbetman.Talent Campus Durban Tiny Mungwe, Carole Gumede.Talent Campus Guadalajara Lorena Rossette Riestra, Ana de la Rosa Zamboni.Talent Campus Sarajevo Asja Makarević, Ivana Pekušić, Ivana Kalember.Talent Campus Tokyo Akiko Yukawa, Eiko Mizuno.Talent Project Market Sonja Heinen, Dr. Kathi Bildhauer.tectum – film equipment rental Christian Klimke, Torsten Schimmer.Theaterkunst Susanne Franke, Nikola Fölster, Birgit Raabe.The Film and Television University (HFF) „Konrad Wolf“ Prof. Dieter Wiedemann, Prof. Martin Steyer, Holger Lochau, Bernhard Albrecht.Tokyo Metropolitan Government Yuuji Izawa, Yusaku Imamura, Katsuhiko Funaki, Tomo Murakami.TOP-IX Torino e Piemonte Internet Exchange Silvano Giorcelli and the entire team.U.S. Embassy Berlin Philip D. Murphy, Katharina Göllner-Sweet, Kerstin Reichert, Oktay Ay.VFF Prof. Johannes Kreile, Prof. Norbert Flechsig, Prof. Georg Feil.VIDEOR E. Hartig Joachim Meyer.Viva con Agua Benjamin Adrion.Wajda Studio Wojciech Marczewski, Agnieszka Marczewska, Katarzyna Ślesicka, Joanna Solecka.Wirtshaus am Ufer Thomas King and the entire team.20sec.net Jens Rietdorf, Robert Wagner.

KBB – Kulturveranstaltungen des Bundes in Berlin Charlotte Sieben, Johannes Emig, Andrea Schreiber, Petra Hemprich, Stefan Martin, Dr. Albert Drügemöller, Lara Rossi, Matin Schiemann, Roman Schumann, Stefan Heicking.Berlin International Film Festival Our colleagues Thomas Hailer, Solmaz Azizi, Sabine Gebauer, Merle Kasprzak, Lorna Bösel, Karin Hoffinger, Daniela Weber. Johannes Wachs and Adrienne Boros. Anne Gebhardt, Kerstin Iskra, Melike Öztürk and Eva Simhart. André Stever and the Film Office team. The section heads Christoph Terhechte, Maike Mia Höhne, Dr. Rainer Rother, Maryanne Redpath, Florian Weghorn, Linda Söffker, Wieland Speck and their teams. Vincenzo Bugno, Stefanie Schulte Strathaus, Wilhelm Faber, Frauke Greiner, Dagmar Forelle, Anne Marburger and their teams. Hans von Trotha. Markus Hönle, Nina Orda, Albrecht Wendel, Gunnar Gilgen and Irena Akopjan; Karen Arikian, Jose Carlos Avellar, John Badalu, Alexis Grivas, Dominique Green, Elisabeth Lequeret, Luciano Monteagudo, Nikolaj Nikitin, Norman Wang and Dorothee Wenner for strategic expert approach. Last but not least Dieter Kosslick! Our juries: Doc Station Kathrin Brinkmann, Fabienne Moris, Sirkka Möller. Script Station Alby James, Franz Rodenkirchen, Merle Kröger. Sound Studio Martin Steyer, Martin Todsharow, Bernhard Albrecht, Frank Kruse, Dominik Schleier. Talent Project Market Katriel Schory, Roshanak Behesht Nedjad, Ellis Driessen, Prof. Georg Feil. Talent Press Marina Ludemann, Oliver Baumgarten, Aily Nash, Frédéric Jaeger and Frauke Greiner.Short Film Station Maike Mia Höhne, Alexandra Gramatke, Christiane Steiner, Daniel Saltzwedel.Campus Studio Birgit Gudjonsdottir, Dirk Meier, Andreas Westphal (Post-Production Studio),


69 Service | 05 Dankeschön

thank you


Service | 05Team / Imprint70

the campuS team 2013

Publisher Berlin International Film Festival

Berlinale Talent CampusPotsdamer Straße 5, 10785 Berlin Phone: + 49 30 259 205 15 Fax: + 49 30 259 205 [email protected]

Printed on Plano Art FSC MIX

An initiative of the Berlin International Film Festival, a business division of the Kultur ver an-staltungen des Bundes in Berlin GmbH.

Campus Team 2012 (from left to right): Thomas Hakim, Sebastian Gutierrez Perez, Aily Nash, Daniel Bickermann, Kevin Murphy, Jona Armborst, Matthias Campe, Jana Daedelow, Arne Kohlweyer, Andrea Rieder, Kathi Bildhauer, Hannes Reiss, Matthijs Wouter Knol, Finn Jensen, Tobi, Christine Tröstrum, Katrin Wirth, Steffi Eichhorn, Jana Wich, Marcus Forchner, Anja Joos, Nicole Münch, Marcie Jost, Andreas Westphal, Juliane Rutscher, Susann Pataki, Arlyn Könemund, Lira Lousinha, Michael Hoffmeister and Christiane Steiner.

Berlin International Film FestivalFestival Director Dieter Kosslick

Berlinale Talent Campus 2013Programme Manager Matthijs Wouter KnolProject Manager Christine TröstrumProgramme Coordination Andrea Rieder Events & AdministrationNicole MünchHead of Communication Christiane SteinerHead of Press Susann PatakiAssistant Press & Communication Katrin WirthAssistant Events Sebastian Gutierrez PerezOnline Editor & Community Manager Marcus ForchnerTalent Administration Coordination Lira Lousinha, Jona ArmborstSelection Commitee Marcie Jost, Tiny Mungwe, Kevin Murphy, Ana de la Rosa ZamboniSponsorship Dagmar Forelle, Milad GanjiText Editor Daniel Bickermann

Hands-on training Sound StudioMarcie Jost, Janne von Busse Campus StudioAndreas Westphal, Kevin MurphyDoc & Script StationSirkka Möller, Arne Kohlweyer;Meet Coordinator: Gabriele BrunnenmeyerTalent Project MarketDr. Kathi Bildhauer, Sonja Heinen Talent PressOliver Baumgarten, Aily NashTalent Actors Stage Anja JoosShort Film StationChristiane Steiner, Philip Widmann Guest Managers Jana Daedelow, Johannes ReissTrainee Arlyn Könemund Interns Programme Thomas Hakim, Jana Wich Intern Press Juliane Rutscher Interns Talent Administration Matthias Campe, Ricardo Lopez RöhlAdministration Support Michael Hoffmeister

Event Agency Jensen & Lechleitner GmbH, Finn JensenIT Project Management 20sec.net – Jens RietdorfIT Technology serve-u – Phillip SünderhaufConsultants Peter Cowie, Sigrid Limprecht

ImprintCirculation 3.500 Editorial Office Oliver Baumgarten, Aily Nash, Matthijs Wouter Knol, Thomas Hakim, Jana Wich, Daniel BickermannPhotography Berlin International Film Festival, David Ausserhofer, David von Becker, Andreas Böhmig, Chiara Ferrau, Lydia Hesse, Peter Himsel, Ute Langkafel and cooperation partners, distributors, film productionsDesignjobs und böhm, Sonja Jobs Photography CoverScarlett Hooft GraaflandPrint Druckzone GmbH & Co. KG, Cottbus


The Berlinale Talent Campus is an initiative of the Berlin International Film Festival, a business division of the Kulturveranstaltungen des Bundes in Berlin GmbH , funded by the Federal Government Commissioner for Culture and the Media.

In cooperation with MEDIA – Training programme of the European Union, Robert Bosch Stiftung, Medienboard Berlin-Brandenburg and Canon.

Thanks To

Principal Partners

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Supporters

Celebrating Our Official Partners

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