Book of the Lakefor voice and ensemble

Daniel Thomas Davis

BOOK OF THE LAKE Commissioned by the Walters Art Museum, with support from the Maryland Historical Commission

Texts Sung texts freely adapted, by the composer, from the “Book of the Faiyum” (ca. 100 BCE) – a Greco-Egyptian papyrus from the Faiyum Oasis. I. Sunrise on Crocodilopolis ---no text--- II. Naos of Neith, by Her Sacred Tree ---no text--- III. Island of Fire This place, it is the South and the North. This place is the Great Sea of the White Wall. This place is named the House of Flame. And this place will be called from now henceforth the Island of Fire.

IV. Menmehdet: The Fighting Place This place is called Shedet. This place is named Anety and belongs to Sema-Behehdet. Call this place Hawi, and this Pehret, place of Sopdu, Lord of the East. This land is Menmehnet: fighting place of man. V. Dwelling Place This is where we live, where we stay, where we dwell, where we love. And where we will die. This place is our dwelling place. We brought ourselves there, and we settled here in this lake, here in this place. There our child live, and those after them, The children of our bodies, and those after them. There they live, and those after them, The children of our bodies, and those after them. We entrust them, we commend them to your care. Look after our children, and those after them.

Composer’s Note: Throughout my engagement with the ancient Egyptian Book of the Faiyum, I was struck by the ways in which a text so old, strange and seemingly unfamiliar might nonetheless ignite the imagination of a twenty-first-century viewer and listener. My musical response is one in which contemporary sounds resonate alongside intimations of other, older worlds – and, I hope, one in which ancient voices might somehow speak to life in the present. Or to put it more concretely, I’ve envisioned a musical landscape in which glimpses of Coptic or Byzantine chant might occasionally give way to flashes of American popular music. Drawing on both texts from these ancient scrolls and my imagination of ancient music more generally, my new piece features an unusual ensemble of modern and not-so-modern instruments, loosely inspired by ancient musical groups. Scored for flutes, singer, strings, handheld percussion and harpsichord, the piece is divided into five movements – each one a kind of musical map of an imaginary and shifting landscape.

2

Instrumentation

3 Flutes (Flute 3 = Piccolo)alternate fingerings and tuning required

(see Movement 2 and 3 instructions)

ViolinContrabass

Low Female Voice (also plays small cymbal)

Percussion4 Crotales (mounted together) Small Tambourine (with head)

Castanets (machine-style) Sizzle Cymbal

Large Rototom or Tom-TomVibraslap

Sistrum (or other metallic rattle) China Cymbal (shared by vocalist & percussionist)

Electric HarpsichordAmplified or Digital Harpischord preferred

DURATION: ca. 18 minutes

Copyright © 2013, DanielThomasDavis (BMI)

Flute 1

Flute 2

Flute 3

Violin

Contrabass

Crotales

Harpsichord

p

q = ca. 68Gradually unfolding

p

p

p sempre

ppp p

q = ca. 68

Gradually unfolding

pppp

Daniel Thomas Davis (2013)

commissioned by the Walters Art Museum of Baltimore

Book of the LakeI. Sunrise at Crocodilopolis

retake as needed

Hard mallets:with a little muffling

5 5 5 5 5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5 5 5 5 5 5 5 5 5

3

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Cym.

Crot.

Hpcd.

5

pp p

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5 5 5 5 5 5 5 5 5

4

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Cym.

Crot.

Hpcd.

mp

A9

mp

mp

ppp ppp

A

3 3 3

3

3 3 3 3

3 3 3

II.

CHINA CYMBALplayed by vocalist

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5

3

5 5 5 5 5 5 5 5 5 5 5

5

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Cym.

Crot.

Hpcd.

mf

13

mf

mf

36 3 3

3

3 3 3

33 3 3

5

3

5

3

5 5 5 5 5 5 5

5

5

5

5

5

5

5

5

5

5

5

5 5 5 5 5 5 5 5 5 5 5 5 5 5

6

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Cym.

Crot.

Hpcd.

mp

B17

mp

mp

B

5

3 3 3 3

5

3 3

flutter

5

III.

5

3

5

3

5 5 5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5 5 5 5 5 5 5 5 5 5 5 5 5

7

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Cym.

Crot.

Hpcd.

23

f

f

f

mp

3 3

3

3 33

3

3

3 3

pizz.

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5 5 5 5 5 5 5 5 5 5 5 5 5 5

8

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Cym.

Crot.

Hpcd.

mf

C28

mf

mf

C

3

3

3 3

3

IV.

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5 5 5 5 5 5 5 5 5 5 5 5 5 5

9

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Cym.

Crot.

Hpcd.

33

3 3 3 3

3

3 3 3

3

3

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5 5 5 5 5 5 5 5 5 5 5 5 5 5

10

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Cym.

Crot.

Hpcd.

f f

D37

f f

f

f

fp fp

D

(mp)

f

3 55

3 5 5

Change to PICCOLO

3

5

II. solo

III.

simile

5 5

5 5 5 5 5

arco

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5 5 5 5 5

5 5 5 5 5

11

Picc.

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Cym.

Tamb.

Crot.

Hpcd.

mf

E42

fp simileE

mp

3 3 3

slide, as possible

35

3 3 3 3 3

slide, as possible

35

3 3 3 3 3

simile

5 5 5 5 5 5 55 5 5 5 5 5 5 5 5

TAMBOURINE5 5 5 5 5 5 5 5

5

5

5

5

5

5

5

5

5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5

12

Picc.

Fl.1

Fl. 2

Vln.

Cb.

Cym.

Tamb.

Crot.

Hpcd.

46

3

3 3

5

3

3 3 5

3

3 3 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5

13

Picc.

Fl.1

Fl. 2

Vln.

Cb.

Cym.

Tamb.

Crot.

Hpcd.

50

mf

mf

3 3 3 3 3 3

3 3 3 3 3 3

3 3 3 3 3 3

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

CHINA CYMBALplayed by vocalist

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5

14

Picc.

Fl.1

Fl. 2

Vln.

Cb.

Cym.

Tamb.

Crot.

Hpcd.

ff slurred

F54

ff slurred

ff slurred

F

5 5 5 55 5 5 5

3 3

5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5

15

Picc.

Fl.1

Fl. 2

Vln.

Cb.

Cym.

Tamb.

Crot.

Hpcd.

56

ff

Change to FLUTE

solo

5 5 5 5 5 5

3

5 5

5 5

5 5

16

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Perc.

Hpcd.

f

q = ca. 82Spirited

59

mp

mp

mp play as many of these harmonics as possible, but omit any that prove especially problematic

f mf

q = ca. 82Spirited

Fl. 1: Should dominate the texture, f as written.

solo

3

3

3 3 3

II. Naos of Neith, By Her Sacred Tree

Fl. 2: Pull out headjoint to lower pitch by 1/4 tone. Sounds 1/4 tone lower than written.Shades Flute 1.

soundingpitches

3 33 3 3

PLAY:

3

3

3 3 3

Fl. 3: Pull out headjoint to lower pitch by 1/4 tone. Sounds 1/4 tone lower than written, one semitone higher, than Fl. 2. Shades Flute 1.

soundingpitches

3 33 3 3

PLAY:

3

3 3 3

3

arco

All bass harmonics sound anoctave lower than written.

HAND PERCUSSION1: Tambourine (mounted/on table)2: Sizzle Cymbal (with hands)3: Castanets (mounted)

3. 1.

17

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

64

pp f

3 33 3

3

3 3 33

3 33 3

3

3 33 3

3

3

3

3 3

3

solo

18

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

(f)

70

pp

pp

simile

mp mp

mp

(solo)

5 3 3

5 3 3

5 3 3

5 3 3

5

3 3

3 3

jeté

3 3 3 3 3

(non-trem)

China CYMBALplayed by vocalist

2. Sizzle CYMBAL

19

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

77

p mp

p mp

3

3

3 3

3

3

3 3

3

3

3 3

3

3

3 3

3 3 3

3

3

3

3 3 3 3

(non-trem)

20

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

83

3

5

3

5

3

5

3

5

3

5

3 3

21

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

ff

rit. 88

f

rit.

f

mf

3

3 3 3

3

3 3 3

3

3 3 3

3

3 3 3

3

3 3

3

solo

3

22

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

pp

A shade slowerq = ca. 78G93

mf colla voce

mf

A shade slowerq = ca. 78G

mp

mp

Wind Sounds:Blow through flutewith no clear pitch.

Wind Sounds:Blow through flutewith no clear pitch.

solo sul tasto

3

CLOSED MOUTH

3

3

3

3 3

3

3 3 3 3

3

3 3 3 3

3

3 3

3

3 3

3

3

3 3 3 3 3 3 3 3 3 33 3 33 3

23

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

mp colla voce

H102

H

3 3 3 33

3 3

3

3

3

3

3

Now Gradually OPEN MOUTH

3 3

3

3 3 33

3

3

3 3

3

3 3

3

3 3

3

3 3

3

3 3 3 3 3

3

3 3

3

3

3 3 3 3 3 3 33 3 3 3 3 3 3 3 3

24

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

mf

I110

mf

mf

use any conformable syllables, avoiding "ah" or "oo"

mfI

3

3

3

3 3 3 3 3 3

3

3

3

3 3 3 3 3 3

OPEN

3 3 3

3 3 3 3 3 3

3

3

3 3 3 3 33

3 3 3 3 3 3 3 3

3

3 3

3

3

3

3 3

3 3 3 3 3 3 33 3 33 3 3 33 3 3 33 3 3 33 3 3 33 3 3

25

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

pushing forward, just a little118

pushing forward, just a little

3

3

3

3

3

3

3 3 3

3 3 3 3 3 3 3

3

3 3 3

3

3 3 3

3

33

33 3 3 33 3 3 33 3 3 3 33 3 3 3 33 3 3 3

26

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

(mf) ff

A little faster than beforeq = ca. 90J123

mp mf

mp

mf

A little faster than beforeq = ca. 90

J

mf

3

3 3 3 3 3 3 3 3 3

3

3

3

3

3

nat.

3 3 3 3

3

33

3

3

3

3 3 3 3 3

3

3

3

Sizzle CYMBAL (2.)played with hands

2.3 3 3 3 3 3 3 3 33

3 3 3

33 3 3 3 33 3 3 3 33 3 3 3 3

27

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

p f (f)

K129

pp

pp

f mp

f

K

mf

mf

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

solo

solo

3 3

China CYMBAL (vocalist)

28

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

136

p mp mf

p mp mf

mf sotto voce f mf f

mp

3

3

3

3

3

3

3

3

3

3

solo

solo

3 3

3

3

3

29

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

q = ca. 58Suddenly slower

accel. L M144

fq = ca. 58Suddenly slower

accel. L

M

3

3

3

3

3

30

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

f ff

q = ca. 90a tempo

N153

f ff

f ff

ff

ff

q = ca. 90a tempo

N

f

f

3 3

3 3

no vib. wide vib.

31

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Hpcd.

mf

O160

mf p

mf p

O

ff f

3

3

3

3

3

3

3

pizz.

3

32

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Cym.

Perc.

Hpcd.

167

pp mp p

pp mp p

pp

mp p pp

3 3 3

3

3

3

3

II.

33

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

mp sempre

q = ca. 96Floating, wandering

mp sempre

p murmuring slow slide ad lib., very murky

q = ca. 96

Floating, wandering

pp subtle swells, ad lib.

Flute 1: For this movement, alternate fingerings for these pitches are needed. Here are two possible fingerings:

III. Island of Fire

Flute 2: Pulled-out headjoint, as before.

Flute 3: Return to standard tuning.

arco

MALLETS:1 or 2 soft mallets for Rototom Roll 1 or 2 soft mallets for Cymbal Roll ROTOTOM

34

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

P181

mp

mp sempre

p

n

This

p

place it is the South and the

P

n p

n

sounding pitches

sounds 1/4 tone lower

play:

1/4 tone vib.

non-vib.

Sizzle CYMBAL

35

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

Q188

p

mp\

n p

North this place is

Q

ppp

n p

"wind" sounds

36

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

198

p mf

n n

the great sea of

p

the White Wall.

mf

n p n

n n

Wind Sounds

non-vib.

37

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

R207

pp p

p n

This place is named: the House of Flame.

R

pppp pp

"wind" sounds

non-vib.

38

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

S216

p p

mp

colla voce

And this place will be called from now hence forth the is land-

S

ppp

p pp

"wind" sounds

ord.

39

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

225

pp mp

mp pp

is

pp

land- - - - - - - - of fire.

mf

ppp mp mp

mp

Return to Standard Tuning

China CYMBALpercussionist

40

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Cym.

Perc.

232

41

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Hpcd.

f simile

Chanting, vigorousq = ca. 96 in 4

f

f

f

f robust, like a cantor

This

f

place is called Sheh det.- - - - - - - - - - - -

Chanting, vigorousq = ca. 96 in 4

mp blended into texturemf

mf sempre non-legato

flutter

(ord.)

IV. Menmehnet: The Fighting Place

Standard Tuning

3

solo

5 3

3

Castanet

Vibraslap3

3

3

42

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Hpcd.

in 4T247

as before (tutti)

This place is named A ne- - - - - - - ty- and

in 4T

mp

3

3

solo

3 6 3

3

Castanet

3

3

43

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Hpcd.

in 4256

be longs- to Se - - - - - ma Beh- - - heh- det.- - - -

in 4

(ord.)

3 ord.

3

3

3 3 3

3

3 3 3

3

3 3 3

Vibraslap

Castanet

3

3 3 3

3

3 3 3

44

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Hpcd.

in 3 in 4 pushing forward...U

263

Call this place Hah wi,- and this here Peh ret,-

in 3 in 4 pushing forward...U

ord.

3

solo

3 6 3

3

Castanet

Vibraslap Castanet 3

3

3

45

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Hpcd.

fp fp fp fp f articulated

in 3 q = ca. 112274

fp fp fp fp f articulated

fp fp fp fp f articulated

fp

fp

place of Sop (p)- - - - - - - du.- Lord of the East

in 3 q = ca. 112

3

3

3

3

3 3 3 3 3 3 3

3 3 3 3 3 3 3

3 3

3 3 3 3

Vibraslap

3 3

3 3 3

3

3 3 3 3

46

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Hpcd.

in 3 V283

ff

f ff f

(st). This land is Men meh- -

in 3 V

3 5

3 5

3

5

3

solo

3 3 3

3 5

3

Castanets

3 5

3

3 53

47

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Hpcd.

L'istesso Tempo: Increasingly Enflamede. = q = ca. 132

W291

net Fight

fff

ing

raw

- place... of man.

L'istesso Tempo: Increasingly Enflamede. = q = ca. 132

W

3 3

3 3

3 3

Vibraslap

3 3

3 3

48

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Hpcd.

X296

Men meh- - - - - - - - - - -

X

f

ord.

3 3

Change to PICCOLO

1. Tambourine2. Castanets

49

Picc.

Fl.1

Fl. 2

Vln.

Cb.

Voice

Perc.

Hpcd.

fff f

Y303

f

f

f

- - - - - - - - - net

Y

mf pp

mf

PICCOLO

solo

3 3

3 3

3 3 3

3 3

CHINACymbal

TambourineCastanets

50

Picc.

Fl.1

Fl. 2

Vln.

Cb.

Voice

Perc.

Hpcd.

313

ff

ff

ff

ff

Men meh- - - - - - - net- -

f

f

3 3 3 3

3 3 3 3

3

3

3

3

3

51

Picc.

Fl.1

Fl. 2

Vln.

Cb.

Voice

Perc.

Hpcd.

ff f

322

f

f

f

f

Fight ing- place of man. Men meh- net-

mf p

f

f

solo

3

3

3

3

Cymbal

52

Picc.

Fl.1

Fl. 2

Vln.

Cb.

Voice

Perc.

Hpcd.

332

ff articulated

ff articulated

ff articulated

ff articulated

Men meh- - - - - - net.- - - - - - - - - - - - Men -

f

ff articulated

3 3

3 3

3 3

3 3

3

3

3

53

Picc.

Fl.1

Fl. 2

Vln.

Cb.

Voice

Perc.

Hpcd.

341

at the frog

at the frog

- - - meh net.- - - - - - - - - - - - -

Change to FLUTE

3

3

3

3

3

Vibraslap/Sistrum

3

3

54

Voice

Crot.

Hpcd.

This

f

is where we live, where we stay where we dwell where

pp

we...

q = ca. 68Very free, unhurried, with a sense of arrival

Z349

mp

f

Voice

Crot.

Hpcd.

love

f

and where

350

3

V. Dwelling Place

3

3 3

55

Voice

Crot.

Hpcd.

we will die. This place is our dwell ing- place. We brought

351

Voice

Crot.

Hpcd.

our selves- there and we sett led- here in this lake here in this place.

molto accel. molto rit.

3 5 5 5

33

5 5 3 3 3 3 3 3

56

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Hpcd.

p very smooth

Slow and freeq = ca. 56 - 60AA353

p very smooth

p very smooth

p mf

p poco p simile

f

There

full but earthy

our child ren- live and those af ter- them: the child ren- of our bod ies-

Slow and freeq = ca. 56 - 60AA

pp

mp always rolled, before the beatsimile

6 3 5 6 3

3 3

3

3

FLUTE

non-vib.wide vib.

pizz. pizz. arco

3 33

Rototom - very soft mallets

57

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Hpcd.

ppp mp pp mf p

358

ppp mp pp mf p

ppp mp pp mf p

pp mf mp

and those af ter- them. There they live and those af ter- them, the child - ren of our bod ies

3

6

non-vib. non-vib.

pizz. arco pizz. arco

3 3 33 3

58

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Hpcd.

pp mp p mf mp

BB363

pp mp p mf mp

pp mp p mf mp

pp mf pp mf singing

and those af ter- them, and those still af ter- them. We en trust- them,

BB

pp mp

3

3

3

3

3

3

3

3

3

3

3

3

3

non-vib. non-vib. ord.sul G

pizz. arco pizz.

arco

3

33 3

Sizzle CYMBAL

59

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Crot.

Hpcd.

ppp mp p ppp mp p mp colla voce

CC371

ppp mp p ppp mp p

ppp mp p ppp mp p

p mf pp mf singing

we com mend- them... to your care Look af ter- our child ren-

CC

p

33

II.III. sul G

5 3 3

pizz. arco pizz. arco

pizz.

3 3 3 35

Rototom

CROTALES

3

60

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Crot.

Hpcd.

mp p

in 3DD377

mp p

mp p

mp p pp

p pp p pp p pp

and

mp p

those af ter- them...

in 3DD

p

pp p

use harmonicswhenever possible

use harmonicswhenever possible

use harmonicswhenever possible

2

I.

arco

close mouth

Sizzle Cymbal

61

Fl.1

Fl. 2

Fl. 3

Vln.

Cb.

Voice

Perc.

Crot.

Hpcd.

p pp

in 4 in 3EE386

p pp

p pp

(mmm)

in 4in 3EE

pp

pp

pp

2 2 2 2 2 2 2 2 2

2

2 2

2

2 2

2 2

2 2

22 2

2 2 2 2

2 2

2

ad lib.

2 2 2 22

2 2 2

2

2

2

2 2 2 2

2 2 2 2 2

2 2 2 2 2 2 2

22

62