bfi statistical yearbook 2014 tabels and charts€¦ · xls file · web view · 2015-01-08ch12...

2014 Statistical Yearbook

IndexChapter 1Chapter 2Chapter 3Chapter 4Chapter 5Chapter 6Chapter 7Chapter 8Chapter 9Chapter 10Chapter 11Chapter 12Chapter 13Chapter 14Chapter 15Chapter 16Chapter 17Chapter 18Chapter 19Chapter 20Chapter 21Chapter 22

The box officeTop films in 2013Top films of all time at the Uk box officeGenre and classificationSpecialised filmsUK films internationallyUK talent and awardsTheatrical release history and comparative performance of independent domestic UK filmsDistributionExhibitionFilm on physical videoVideo on DemandFilm on Uk televisionThe UK film market as a wholeAudiencesFilm educationFilm, high-end television and animation production in 2013Film, high-end television and animation productions certified as BritishPublic Investment in film in the UKFilm industry companiesThe UK film economyEmployment in the film industry

Sources

Theatrical release history and comparative performance of independent domestic UK films

Notes:

ContentThe Statistical Yearbook 2014 Table and Charts pressents all the tables, charts and maps provided the in Statistical Yearbook 2014.

The tables, charts and maps are provided by chapter; each chapter is provided in an individual spreadsheet and can be accessed by clicking on the links above or the tabs at the bottom of the page.

The data sources used to provide data for the Statistical Yearbook 2014 are listed in the spreadsheet labelled Sources.

Re-production of and using tables, charts and mapsIn the re-production of tables , charts or maps, appropriate references to the data sources must used .

The data source should be cited as shown in this document, where the source is shown as Source: <data owner/supplier>, underneath each table and table that accompanies each chart and map with an additional reference to the BFI Statistical Yearbook. For example: Source: Rentrak, from BFI Statistical Yearbook 2014

ContactAny queries about the data presented here, Statistical Yearbook, its data, data sources and re-production of data should be directed to :

Research and Statistics UnitBritish Film Institute21 Stephen Street, London W1T 1LN, United Kingdom

t +44( 0)20 7957 4815e [email protected]

Notes:

ContentThe Statistical Yearbook 2014 Table and Charts pressents all the tables, charts and maps provided the in Statistical Yearbook 2014.

The tables, charts and maps are provided by chapter; each chapter is provided in an individual spreadsheet and can be accessed by clicking on the links above or the tabs at the bottom of the page.

The data sources used to provide data for the Statistical Yearbook 2014 are listed in the spreadsheet labelled Sources.

Re-production of and using tables, charts and mapsIn the re-production of tables , charts or maps, appropriate references to the data sources must used .

The data source should be cited as shown in this document, where the source is shown as Source: <data owner/supplier>, underneath each table and table that accompanies each chart and map with an additional reference to the BFI Statistical Yearbook. For example: Source: Rentrak, from BFI Statistical Yearbook 2014

ContactAny queries about the data presented here, Statistical Yearbook, its data, data sources and re-production of data should be directed to :

Research and Statistics UnitBritish Film Institute21 Stephen Street, London W1T 1LN, United Kingdom

t +44( 0)20 7957 4815e [email protected]

Chapter 1 The box office

Figure 1.1 Annual UK cinema admissions, 2001-2013

Year Total admissions (million)2001 155.92002 175.92003 167.32004 171.32005 164.72006 156.62007 162.42008 164.22009 173.52010 169.22011 171.62012 172.52013 165.5Source: CAA, Rentrak

Table 1.1 Monthly UK cinema admissions, 2012 and 2013Month 2012 (million) 2013 (million)January 13.6 17.1February 15.3 14March 11.7 10.9April 15.1 11.9May 13.4 15.6June 12.4 13July 15.5 14.3

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

20

40

60

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100

120

140

160

180

200

£ m

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Please note, data sources must be cited in the re-production and use of tables, charts and maps

See notes in Index and Notes tab for guidance

August 17.2 17.6September 9.4 9.9October 16.8 11.9November 17.6 13.7December 14.4 15.7Total 172.5 165.5Source: CAA, RentrakNote: Figures may not sum to totals due to rounding.

Table 1.2 Average weekly admissions, 2012 and 2013Month 2012 weekly average (million)January 3.1 3.9February 3.7 3.5March 2.6 2.5April 3.5 2.8May 3 3.5June 2.9 3July 3.5 3.2August 3.9 4September 2.2 2.3October 3.8 2.7November 4.1 3.2December 3.3 3.5Source: CAA, Rentrak

Table 1.3 Cinema admissions by ISBA TV region, 2013Region Admissions (million) %London 42.2 25.5Midlands 22.5 13.6Lancashire 16.4 9.9Southern 15.6 9.4Yorkshire 13.4 8.1Wales and West 11.5 7Central Scotland 11.5 6.9East of England 11.1 6.7North East 6.3 3.8Northern Ireland 5.8 3.5South West 4 2.4Northern Scotland 3.8 2.3Border 1.3 0.8Total 165.5 100Source: CAA, RentrakNote: Figures/percentages may not sum to totals due to rounding.

Figure 1.2 Annual UK admissions, 1935-2013 (million)

(million)

Year Admissions (million) Year1935 912.30 19551936 917.00 19561937 946.00 19571938 987.00 19581939 990.00 19591940 1,027.00 19601941 1,309.00 19611942 1,494.00 19621943 1,541.00 19631944 1,575.00 19641945 1,585.00 19651946 1,635.00 19661947 1,462.00 19671948 1,514.00 19681949 1,430.00 19691950 1,395.80 19701951 1,365.00 19711952 1,312.10 19721953 1,284.50 19731954 1,275.80 1974Source: BFI, CAA, Rentrak

Table 1.4 UK box office trends, 2001–2013Year Box office gross (£ million) % +/-2001 645 –2002 755 17.12003 742 -1.72004 770 3.82005 770 02006 762 -12007 821 7.72008 850 3.52009 944 11.12010 988 4.72011 1,040 5.32012 1,099 5.72013 1,083 -1Source: CAA, Rentrak

Table 1.5 Summary of results at the UK and Republic of Ireland box office, 2007–20132007 2008

Releases 516 527933.8 934.5

51.2 49.675.7 72.4

Combined gross office)office)

91 90.3Source: Rentrak, BFI RSU analysis

Note: Table 1.5 and all subsequent analysis of the theatrical market includes all titles released in 2013. The combined gross reflects the territorial gross (ie including the Republic of Ireland), and includes those titles released in 2013 but also generating revenue into 2014, up to and including 23 February 2014.

Figure 1.3 Market share of top 20, 21-50, 51-100 and rest of films, 2001-2013

% share of top 20 % share of 21-502001 60 242002 60 222003 54 242004 49 262005 55 212006 48 232007 51 252008 50 232009 49 242010 48 242011 48 262012 55 232013 48 26Source: Rentrak, BFI RSU analysis

Note: Percentages may not sum to 100 due to rounding.

Figure 1.4 Gross box office of top 20, 21-50, 51-100 and rest of films, 2001-2013

office)

Year

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

10

20

30

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50

60

70

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90

100

% share of top 20 % share of 21-50 % share of 51-100 % share of rest

%

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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1,000

1,200

1,400

Gross box office of top 20 (£ million) Gross box office of 21-50 (£ million)Gross box office of 51-100 (£ million) Gross box office of rest (£ million)

£ m

illio

n

2001 450 1812002 495 1862003 438 1972004 409 2162005 464 1792006 408 1962007 480 2302008 465 2132009 559 2742010 495 2432011 539 2972012 648 2672013 551 299Source: Rentrak, BFI RSU analysis

Table 1.6 Number of releases and median box office gross by number of sites at widest point of release, 2013Number of sites at WPR Number of releases % of releases≥500 31 4.4400 – 499 53 7.6300 – 399 42 6200 – 299 19 2.7100 – 199 36 5.250 – 99 64 9.210 – 49 210 30.1<10 243 34.8Total 698 100Source: Rentrak, BFI RSU analysis

Notes: Median, minimum and maximum box office values rounded to nearest £1,000.

Figure 1.5 Median box office gross by number of sites at widest point of release for all films, UK films and UK independent films, 2013

Year million) million)

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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≥400 300 - 399 200 - 299 100 - 199 10-99 <100

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All films UK films UK independent films

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Number of sites at WPR ≥400 300 - 399All films 7.84 2.12UK films 7.48 2.3UK independent films 3.76 2.07Source: BFI, RSU

Table 1.7 Country of origin of films released in the UK and Republic of Ireland, 2013Country of origin Number of releases % of all releasesUSA 245 35.1UK independent 123 17.6UK studio-backed* 16 2.3All UK 139 19.9Other Europe 151 21.6India 128 18.3Rest of the world 35 5Total 698 100Source: Rentrak, BFI RSU analysisNotes: Box office gross = cumulative total up to 23 February 2014.

Sub-totals may not sum to totals due to rounding.* ‘Studio-backed’ means backed by one of the major US film studios.

Figure 1.6 Market share by country of origin, 2001-2013

2001 2002USA 72 75.2UK studio-backed 21.2 16.1UK independent 3.8 6.5Europe 1.3 0.7India 1.2 1Rest of the world 0.5 0.5Source: BFI, RSU

Figure 1.7 UK films’ share of the UK theatrical market, 2001-2013

≥400 300 - 399 200 - 299 100 - 199 10-99 <100

1

2

3

4

5

6

7

8

9


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2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

102030405060708090

100

USA UK studio-backed UK independent Europe India Rest of the world

%

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

5

10

15

20

25

30

Market share of UK studio-backed films Market share of UK independent films

%

2001 200221.2 16.1

3.8 6.5Source: BFI, RSU

Table 1.8 UK and non-UK releases by box office band, 2013Non-UK releases

Number % releases≥30 6 1.120 – 29.99 4 0.710 – 19.99 17 35 – 9.99 20 3.61 – 4.99 56 100.1 – 0.99 112 20<0.1 344 61.5Total 559 100Source: Rentrak, BFI RSU analysisNote: Percentages may not sum to 100 due to rounding.

Table 1.9 UK releases by box office band, 2007–20132007

Number % releases≥30 1 0.920 – 29.99 4 3.710 – 19.99 4 3.75 – 9.99 6 5.51 – 4.99 12 110.1 – 0.99 28 25.7<0.1 54 49.5Total 109 100Source: Rentrak, BFI RSU analysisNote: Percentages may not sum to 100 due to rounding.

Table 1.10 Median number of weeks on release by country of origin, 2013Country of origin Number of filmsUSA 245 12UK independent 123 8

backed filmsindependent films

Box office gross (£ million)

Box office gross (£ million)

release

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

5

10

15

20

25

30


%

UK studio-backed* 16 17.5All UK 139 9Other Europe 151 9India 128 3Rest of the world 35 8Total 698 9Source: Rentrak, BFI RSU analysisNotes:Number of weeks = the number of weeks on release up to 23 February 2014.* ‘Studio-backed’ means backed by one of the major US film studios.

Table 1.11 Median number of weeks on release by type of filmType of film Number of films

419 11Foreign language 279 4Mainstream 252 11Specialised** 446 7Of which:

279 4i) foreign languageii) documentary 89 7iii) re-release 42 11

Source: Rentrak, BFI RSU analysisNotes:Number of weeks = the number of weeks on release up to 23 February 2014.

** Thirty-five specialised films released in 2013 fall outside these three sub-categories.

releaselanguage*

* One film released in 2013, Y Syrcas (The Circus) was a Welsh language film which has been included with the English language films in the Table as Welsh is a UK official language.

% +/- on 201226

-8.8-7

-2116.1

5.3-7.7

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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2.44.7

-29.5-22.5

9-4

Admissions (million) Year Admissions (million) 1,181.80 1975 116.30 1,100.80 1976 103.90 915.20 1977 103.50 754.70 1978 126.10 581.00 1979 111.90 500.80 1980 101.00 449.10 1981 86.00 395.00 1982 64.00 357.20 1983 65.70 342.80 1984 54.00 326.60 1985 72.00 288.80 1986 75.50 264.80 1987 78.50 237.30 1988 84.00 214.90 1989 94.50 193.00 1990 97.40 176.00 1991 100.30 156.60 1992 103.60 134.20 1993 114.40 138.50 1994 123.50

Change since 2001 (%)–

17.115

19.419.418.127.331.846.453.261.270.467.9

2009 2010 2011503 557 558

1,126.70 1,023.60 1,134.5048.6 48.2 47.572.9 71.9 73.7

91.1 89.7 90.7


% share of 51-100 % share of rest11 412 614 817 816 918 1215 918 1018 918 1017 915 817 9

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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20

30

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70

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% share of top 20 % share of 21-50 % share of 51-100 % share of rest

%

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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84 33101 47118 63141 62135 72150 98142 86168 91206 101182 106193 106175 93199 104

Table 1.6 Number of releases and median box office gross by number of sites at widest point of release, 2013Median box office (£) Minimum box office (£) Maximum box office (£)

15,276,000 1,941,000 47,475,0005,477,000 1,025,000 25,275,0002,122,000 483,000 8,757,000

887,000 203,000 3,524,000259,000 31,000 2,182,000194,000 4,000 2,711,000

37,000 1,000 406,0004,000 <1,000 94,000

38,000 <1,000 47,475,000

Figure 1.5 Median box office gross by number of sites at widest point of release for all films, UK films and UK independent films, 2013

million) million)

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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≥400 300 - 399 200 - 299 100 - 199 10-99 <100

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200 - 299 100 - 199 10-990.89 0.26 0.05

0.4 0.28 0.040.4 0.31 0.03

Box office gross (£ million) Box office share (%)839.2 72.7

76.6 6.6179.1 15.5255.6 22.2

35 316.1 1.4

7.9 0.71,153.70 100

2003 2004 200581.6 73.2 63.112.5 19.5 26.2

3.4 3.9 6.90.9 0.6 1.6

1 1.1 1.50.8 1.8 0.8

≥400 300 - 399 200 - 299 100 - 199 10-99 <100

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2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

102030405060708090

100

USA UK studio-backed UK independent Europe India Rest of the world

%

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

5

10

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%

2003 2004 200512.5 19.5 26.2

3.4 3.9 6.9

UK releasesNumber % releases

2 1.42 1.43 2.28 5.8

14 10.121 15.189 64

139 100

2008 2009Number % releases Number

3 2.7 20 0 12 1.8 06 5.4 6

17 15.3 1423 20.7 2160 54.1 70

111 100 114

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

5

10

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%

was a Welsh language film which has been included with the English language films in the Table as Welsh is a UK official language.

Year Admissions (million)1995 114.60 1996 123.50 1997 138.90 1998 135.20 1999 139.10 2000 142.50 2001 155.90 2002 175.90 2003 167.30 2004 171.30 2005 164.70 2006 156.60 2007 162.40 2008 164.20 2009 173.50 2010 169.20 2011 171.60 2012 172.50 2013 165.50

2012 2013647 698

1,182.40 1,153.7054.8 47.877.3 73.7

92.1 91


<10<0.01<0.01<0.01

2006 2007 200877.1 67.7 65.214.4 21.8 25.4

4.7 6.8 5.71.2 1.8 2.31.8 1.6 1.40.7 0.5 0.3

2006 2007 200814.4 21.8 25.4

4.7 6.8 5.7

2009 2010% releases Number % releases

1.8 2 1.70.9 1 0.8

0 6 55.3 3 2.5

12.3 10 8.418.4 20 16.861.4 77 64.7100 119 100

2009 2010 201181 71.8 60.6

8.5 18.6 22.68.2 5.4 13.11.2 2.1 1.7

1 1.3 1.00.2 0.8 1.0

2009 2010 20118.5 18.6 22.68.2 5.4 13.1

2011 2012Number % releases Number

4 3.1 23 2.4 34 3.1 36 4.7 7

16 12.6 1324 18.9 3270 55.1 102

127 100 162

2012 201361.3 72.722.8 15.5

9.3 6.84.8 31.2 1.40.6 0.7

2012 201322.8 15.5

9.3 6.6

2012 2013% releases Number % releases

1.2 2 1.41.9 2 1.41.9 3 2.24.3 8 5.8

8 14 10.119.8 21 15.1

63 89 64100 139 100

Chapter 2 Top films in 2013

Table 2.1 Box office results for the top 20 films released in the UK and Republic of Ireland, 2013Title Country of origin

1 Despicable Me 2* USA2 USA/NZ3 Les Misérables UK/USA4 Frozen* USA5 Iron Man 3 USA/China6 USA7 Gravity* UK/USA8 Monsters University* USA9 Man of Steel USA/Can10 The Croods* USA11 Star Trek Into Darkness USA12 Fast & Furious 6 UK/USA13 Wreck-It Ralph USA14 Thor: The Dark World* UK/USA15 The Hangover Part III USA16 Captain Phillips* UK/USA17 Django Unchained USA18 The Great Gatsby Aus/USA19 Oz: The Great and Powerful USA20 World War Z UK/USASource: Rentrak, BFI RSU analysisNotes:

Box office gross = cumulative total up to 23 February 2014. * Film still on release on 23 February 2014.

Table 2.2 Box office results for the top 20 UK qualifying films released in the UK and Republic of Ireland, 2013Title Country of origin

1 Les Misérables UK/USA2 Gravity* UK/USA3 Fast & Furious 6 UK/USA4 Thor: The Dark World* UK/USA5 World War Z UK/USA6 Philomena* UK7 Rush UK/Ger/USA8 The World's End UK/USA9 Quartet UK10 One Direction: This Is Us UK/USA11 About Time UK/USA 12 Jack the Giant Slayer UK/USA 13 I Give It a Year UK/Fra/Ger 14 Alan Partridge: Alpha Papa UK 15 Kick-Ass 2 UK/USA 16 Sunshine on Leith UK 17 Trance UK/USA

of Smaug*

Fire*



18 Filth UK/Ger/USA/Bel 19 47 Ronin UK/USA/Hun 20 Red 2 UK/USA Source: Rentrak, BFI RSU analysisNotes:

Box office gross = cumulative total up to 23 February 2014.* Film still on release on 23 February 2014.

Table 2.3 Box office results for the top 20 UK independent films released in the UK and Republic of Ireland, 2013Title Country of origin

1 Philomena* UK2 Rush UK/Ger/USA#3 Quartet UK4 I Give It a Year UK/Fra/Ger5 Alan Partridge: Alpha Papa UK6 Sunshine on Leith UK7 Filth UK/Ger/USA/Bel#8 Red 2 UK/USA#9 The Harry Hill Movie* UK10 All Stars UK/Ger11 One Chance UK12 Song for Marion UK13 Diana UK/Bel/Fra14 Moshi Monsters: The Movie* UK 15 Le Week-End* UK/Fra 16 Welcome to the Punch UK 17 Summer in February UK 18 UK19 How I Live Now UK20 The Look of Love UKSource: Rentrak, BFI RSU analysisNotes:Box office gross = cumulative total up to 23 February 2014.

* Film still on release on 23 February 2014.

Table 2.4 Top 20 3D releases in the UK and Republic of Ireland, 2013 (ranked by 3D gross)Title Total gross (£ million)

1 Gravity* 31.12 42.93 Iron Man 3 374 Despicable Me 2* 47.55 Man of Steel 306 Star Trek Into Darkness 25.87 The Croods* 26.88 Wreck-It Ralph 23.89 Frozen* 38.610 Oz the Great and Powerful 15.311 Thor: The Dark World* 20.112 Monsters University* 30.713 World War Z 14.614 One Direction: This Is Us 815 The Great Gatsby 15.716 The Wolverine 13.717 Epic 13.8

Stone

# Rush, Filth and Red 2 were made with independent (non-studio) US support.

of Smaug*

18 GI Joe: Retaliation 7.519 Walking with Dinosaurs* 620 Jack the Giant Slayer 7.5Source: RentrakNotes:Box office gross = cumulative total up to 23 February 2014.

* Film still on release on 23 February 2014.The 3D grosses do not include takings from IMAX screenings, but IMAX revenues contribute to the total gross.

Table 2.5 Top 20 3D films ranked by ratio of 3D site average box office to 2D site average box office, 2010-2013Title Year of release

1 Raaz 3: The Third Dimension 20122 Battle of Warsaw 1920 20113 Titanic 20124 Tron Legacy 20105 Gravity* 20136 Dredd 20127 Final Destination 5 20118 The Lion King 20119 Immortals 201110 Alice in Wonderland 201011 Monsters, Inc. 201312 201113 Life of Pi 201214 TT3D: Closer to the Edge 201115 201216 StreetDance 201017 Step Up 3 201018 Texas Chainsaw 3D 201319 Clash of the Titans 201020 2011Source: RentrakNotes:Box office gross = cumulative total up to 23 February 2014.

The 3D and 2D box office grosses are shown rounded to the nearest £1,000, but site averages and ratios of site averages are calculated from unrounded data.* Film still on release on 23 February 2014.The 3D grosses do not include takings from IMAX screenings.

Table 2.6 UK films at number one in the weekend box office charts, 2013Title First week at top Les Misérables 11/01/2013 8.1Gravity 08/11/2013 6.2Fast & Furious 6 17/05/2013 8.7Alan Partridge: Alpha Papa 09/08/2013 2.2Kick-Ass 2 16/08/2013 2.5One Direction: This Is Us 30/08/2013 3.5About Time 06/09/2013 1.8Rush 20/09/2013 1.3Thor: The Dark World* 01/11/2013 8.7Source: Rentrak, BFI RSU analysisNotes:

Box office gross = cumulative total up to 23 February 2014.* Film still on release on 23 February 2014.

Never

Vengeance

World in 4D

gross (£ million)

Table 2.1 Box office results for the top 20 films released in the UK and Republic of Ireland, 2013Box office gross (£ million) Distributor

47.5 534 14.8 Universal42.9 585 9.3 Warner Bros40.8 590 8.1 Universal38.6 507 4.7 Walt Disney

37 555 13.7 Walt Disney34.1 555 12.2 Lionsgate31.1 540 6.2 Warner Bros30.7 525 3.5 Walt Disney

30 573 11.2 Warner Bros26.8 524 5.4 20th Century Fox25.8 556 8.4 Paramount25.3 462 8.7 Universal23.8 501 4.5 Walt Disney20.1 522 8.7 Walt Disney19.3 473 6 Warner Bros16.1 536 3.5 Sony Pictures15.7 445 2.8 Sony Pictures15.7 524 4.1 Warner Bros15.3 530 3.7 Walt Disney14.6 488 4.5 Paramount

Table 2.2 Box office results for the top 20 UK qualifying films released in the UK and Republic of Ireland, 2013Box office gross (£ million) Distributor

40.8 Universal31.1 Warner Bros25.3 Universal20.1 Walt Disney14.6 Paramount11.1 Pathé10.1 StudioCanal

8.7 Universal8.6 eOne Films

8 Sony Pictures 7.7 Universal 7.5 Warner Bros 6.2 StudioCanal 6.2 StudioCanal 5.5 Universal 4.6 Entertainment 4.5 Pathé

weekend cinemas gross (£ million)



3.9 Lionsgate 3.2 Universal 2.9 eOne Films

Table 2.3 Box office results for the top 20 UK independent films released in the UK and Republic of Ireland, 2013Box office gross (£ million) Distributor

11.1 Pathé10.1 StudioCanal

8.6 eOne Films6.2 StudioCanal6.2 StudioCanal4.6 Entertainment3.9 Lionsgate2.9 eOne Films2.5 Entertainment2.5 Vertigo Films2.5 Entertainment2.1 eOne Films1.9 eOne Films1.7 Universal 1.5 Curzon Film World 1.2 eOne Films 0.5 Metrodome 0.5 Picturehouse 0.5 eOne Films 0.5 StudioCanal

Table 2.4 Top 20 3D releases in the UK and Republic of Ireland, 2013 (ranked by 3D gross)3D gross (£ million) 3D as % of total gross Number of 3D sites Distributor

24.5 79 486 Warner Bros16.9 39 488 Warner Bros16.5 45 485 Walt Disney12.1 25 456 Universal11.2 38 493 Warner Bros

10 39 488 Paramount9.8 37 434 20th Century Fox9.5 40 423 Walt Disney

9 23 452 Walt Disney8 52 467 Walt Disney

7.6 38 461 Walt Disney6.6 22 463 Walt Disney5.8 40 411 Paramount5.3 66 443 Sony Pictures5.2 33 448 Warner Bros

5 36 469 20th Century Fox4.8 35 456 20th Century Fox

4.1 56 389 Paramount4.1 69 411 20th Century Fox3.4 45 404 Warner Bros

Table 2.5 Top 20 3D films ranked by ratio of 3D site average box office to 2D site average box office, 2010-20133D gross (£ 000) 3D sites 3D site average (£) 2D gross (£ 000)

2,328 15 155,226 68181 21 8,605 6

10,021 393 25,500 1767,743 400 19,357 574

24,488 486 50,386 2,5014,238 362 11,708 1264,999 383 13,051 461

11,030 402 27,439 1,3925,325 376 14,162 919

32,155 337 95,414 8,3112,247 347 6,476 2052,027 357 5,678 291

23,952 422 56,759 5,8891,193 227 5,256 1472,823 349 8,090 62

11,035 345 31,984 6396,869 366 18,769 9461,922 252 7,626 73

15,648 339 46,161 4,5023,421 355 9,636 948

The 3D and 2D box office grosses are shown rounded to the nearest £1,000, but site averages and ratios of site averages are calculated from unrounded data.

Box office gross (£ million) Distributor40.8 Universal 431.1 Warner Bros 225.3 Universal 1

6.2 StudioCanal 15.5 Universal 1

8 Sony Pictures 17.7 Universal 1

10.1 StudioCanal 120.1 Walt Disney 1

number one

2D sites19 3,598 43.121 309 27.9

178 988 25.8232 2,474 7.8377 6,633 7.6

73 1,729 6.8237 1,947 6.7318 4,378 6.3326 2,819 5426 19,510 4.9138 1,485 4.4219 1,331 4.3437 13,477 4.2116 1,265 4.2

31 1,991 4.180 7,985 4

198 4,777 3.937 1,980 3.9

350 12,863 3.6349 2,716 3.5

(£) 2D site average

Chapter 3 Top films of all time at the UK box office

Table 3.1 Top 20 films at the UK box office, 1989-2013Title Country of origin

1 Skyfall UK/USA 102.92 Avatar USA 943 Titanic# USA 80.14 Toy Story 3 USA 745 UK/USA 73.16 Mamma Mia! UK/USA 68.57 Harry Potter and the Philosopher's Stone UK/USA 66.18 USA/NZ 639 USA/NZ 61.110 The Lord of the Rings: The Two Towers USA/NZ 57.611 USA 56.412 The Dark Knight Rises UK/USA 56.313 Casino Royale UK/USA/Czech 55.614 Harry Potter and the Chamber of Secrets UK/USA 54.815 USA 52.516 UK/USA 52.517 The Hobbit: An Unexpected Journey USA/NZ 52.318 The Full Monty UK/USA 52.219 Marvel Avengers Assemble USA 51.920 Quantum of Solace UK/USA 51.2Source: Rentrak, BFI RSU analysisNotes:

Figures have not been inflation adjusted. Box office gross = cumulative total up to 23 February 2014.

Title Country of origin1 Titanic# USA 107.42 Skyfall UK/USA 104.73 Avatar USA 102.34 Harry Potter and the Philosopher's Stone UK/USA 87.25 USA/NZ 83.16 Toy Story 3 USA 797 Mamma Mia! UK/USA 77.38 Jaws USA 76.29 UK/USA 76.110 USA/NZ 75.911 Jurassic Park USA 75.712 Star Wars Episode I: The Phantom Menace USA 75.2

(£ million)

2

RingKing

Star Wars Episode I: The Phantom Menace#

Pirates of the Caribbean: Dead Man's Chest 1

# The box office grosses for Titanic and Star Wars Episode I: The Phantom Menace include the grosses from their original releases plus the grosses from their 3D re-releases in 2012.

Table 3.2 Top 20 highest grossing films at the UK box office, 1975-2013 (inflation adjusted1)Table 3.2 Top 20 highest grossing films at the UK box office, 1975-2013 (inflation adjusted(2012/13 £ million)

Ring

2King



13 The Full Monty UK/USA 74.414 The Lord of the Rings: The Two Towers USA/NZ 73.715 Star Wars USA 71.616 Harry Potter and the Chamber of Secrets UK/USA 70.117 Grease USA 6618 Casino Royale UK/USA/Czech 63.919 Pirates of the Caribbean: Dead Man's Chest USA 60.320 E.T., The Extra-Terrestrial USA 60.3Source: Rentrak, BFI RSU analysisNotes:

Table 3.3 Top 20 UK qualifying films at the UK box office, 1989-2013Title Country of origin

1 Skyfall UK/USA 102.92 UK/USA 73.13 Mamma Mia! UK/USA 68.54 Harry Potter and the Philosopher's Stone UK/USA 66.15 The Dark Knight Rises UK/USA 56.36 Casino Royale UK/USA/Czech 55.67 Harry Potter and the Chamber of Secrets UK/USA 54.88 UK/USA 52.59 The Full Monty UK/USA 52.210 Quantum of Solace UK/USA 51.211 Harry Potter and the Half-Blood Prince UK/USA 50.712 Harry Potter and the Order of the Phoenix UK/USA 49.913 Harry Potter and the Goblet of Fire UK/USA 49.214 The Dark Knight UK/USA 49.115 Harry Potter and the Prisoner of Azkaban UK/USA 46.116 The King's Speech UK 45.717 The Inbetweeners Movie UK 4518 Bridget Jones's Diary UK/USA 4219 Les Misérables UK/USA 40.820 Charlie and the Chocolate Factory UK/USA 37.8Source: Rentrak, BFI RSU analysis

Notes: Figures have not been inflation adjusted. Box office gross = cumulative total up to 23 February 2014.

Table 3.4 Top 20 independent UK films at the UK box office, 1989-2013Title Country of origin

1 The King's Speech UK 45.72 The Inbetweeners Movie UK 453 Slumdog Millionaire UK 31.74 Four Weddings and a Funeral UK 27.85 The Woman in Black UK/USA/Swe# 21.36 The Best Exotic Marigold Hotel UK/USA/Ind# 20.47 Tinker, Tailor, Soldier, Spy UK/Fra/Ger 14.28 Trainspotting UK 12.4

1 The 2012/13 £ is calculated using the HMT UK GDP deflator (see link at end of chapter).# The box office grosses for Titanic and Star Wars Episode I: The Phantom Menace include the grosses from their original releases plus the grosses from their 3D re-releases in 2012.

(£ million)

2

1

(£ million)

9 St Trinian's UK 12.310 Gosford Park UK/USA# 12.311 StreetDance 3D UK/Ger/Ita 11.812 Kick-Ass UK/USA# 11.813 Bend it Like Beckham UK/Ger 11.614 Philomena* UK 11.115 Run, Fat Boy, Run UK/USA# 1116 Kevin and Perry Go Large UK 10.517 East is East UK 10.418 Rush UK/Ger/USA# 10.119 The Iron Lady UK 9.920 The Queen UK/Fra/Ita 9.4Source: Rentrak, BFI RSU analysisNotes: Figures have not been inflation adjusted. Box office gross = cumulative total up to 23 February 2014.

* Film still on release on 23 February 2014.# The Woman in Black, The Best Exotic Marigold Hotel, Gosford Park, Kick-Ass, Run, Fat Boy, Run and Rush were made with independent (non-studio) US support.

DistributorSony Pictures 2012

20th Century Fox 200920th Century Fox 1998/2012

Walt Disney 2010Warner Bros 2011

Universal 2008Warner Bros 2001

Entertainment 2001Entertainment 2003Entertainment 2002

20th Century Fox 1999/2012Warner Bros 2012

Sony Pictures 2006Warner Bros 2002Walt Disney 2006

Warner Bros 2010Warner Bros 2012

20th Century Fox 1997Walt Disney 2012

Sony Pictures 2008

Distributor20th Century Fox 1998/2012

Sony Pictures 201220th Century Fox 2009

Warner Bros 2001Entertainment 2001

Walt Disney 2010Universal 2008

UIP 1975Warner Bros 2011

Entertainment 2003UIP 1993

20th Century Fox 1999/2012

Release

include the grosses from their original releases plus the grosses from their 3D re-releases in 2012.

Table 3.2 Top 20 highest grossing films at the UK box office, 1975-2013 (inflation adjusted1)Table 3.2 Top 20 highest grossing films at the UK box office, 1975-2013 (inflation adjusted1)Release



20th Century Fox 1997Entertainment 2002

20th Century Fox 1977Warner Bros 2002

UIP 1978Sony Pictures 2006

Walt Disney 2006UIP 1982

DistributorSony Pictures 2012Warner Bros 2011

Universal 2008Warner Bros 2001Warner Bros 2012

Sony Pictures 2006Warner Bros 2002Warner Bros 2010

20th Century Fox 1997Sony Pictures 2008Warner Bros 2009Warner Bros 2007Warner Bros 2005Warner Bros 2008Warner Bros 2004Momentum 2011

Entertainment 2011UIP 2001

Universal 2013Warner Bros 2005

DistributorMomentum 2011

Entertainment 2011Pathé 2009

Carlton 1994Momentum 2012

20th Century Fox 2012StudioCanal 2011

PolyGram 1996

include the grosses from their original releases plus the grosses from their 3D re-releases in 2012.

Release

Release

Entertainment 2007Entertainment 2002

Vertigo Films 2010Universal 2010Lionsgate 2002

Pathé 2013Entertainment 2007

Icon 2000Film Four 1999

StudioCanal 2013Pathé 2012Pathé 2006

were made with independent (non-studio) US support.

Chapter 4 Genre and classification

Table 4.1 Films released in the UK and Republic of Ireland by genre, 2013 (ranked by gross box office)Genre Number of releases % of all releasesAnimation 33 4.7Action 47 6.7Comedy 153 21.9Sci-fi 9 1.3Drama 141 20.2Fantasy 9 1.3Adventure 8 1.1Horror 37 5.3Crime 33 4.7Music/dance 11 1.6Biopic 22 3.2Thriller 64 9.2Western 3 0.4Romance 34 4.9Documentary 89 12.8War 5 0.7Total 698 100Source: Rentrak, BBFC, IMDb, BFI RSU analysisNotes: Percentages may not sum to 100 due to rounding.

Figures as at 23 February 2014.

Table 4.2 Films released in the UK and Republic of Ireland by genre, 2013 (ranked by average widest point of release)Genre Number of releasesSci-fi 422 9Western 327 3Fantasy 280 9Animation 273 33Adventure 251 8Action 206 47Biopic 193 22Music/dance 168 11Horror 145 37Crime 132 33Comedy 102 153Thriller 89 64Romance 59 34Drama 45 141Documentary 20 89War 14 5All genres 108 698Source: Rentrak, BBFC, IMDb, BFI RSU analysisNote: Figures as at 23 February 2014.

release



Table 4.3 Films released in the UK and Republic of Ireland by genre, 2013 (ranked by average box office gross per site)

GenreAdventure 28,816 57.7Animation 27,383 246.6Music/dance 26,310 48.6Fantasy 23,639 59.5Sci-fi 23,024 87.4Action 22,239 215.4Western 20,732 20.4Crime 11,186 48.6Horror 10,708 57.5Comedy 10,103 158.2Drama 9,478 59.7Biopic 9,461 40.2Romance 6,895 13.9Documentary 6,052 10.7Thriller 5,127 29.1War 4,846 0.3All genres 15,325 1,153.70Source: Rentrak, BBFC, IMDb, BFI RSU analysisNotes:

Total sites = number of releases multiplied by average number of sites at widest point of release.Figures as at 23 February 2014.

Table 4.4 UK films released in the UK and Republic of Ireland by genre, 2013 (ranked by gross box office)

Genre Number of releases % of all releasesAction 9 6.5Music/dance 4 2.9Comedy 26 18.7Sci-fi 1 0.7Biopic 6 4.3Horror 7 5Documentary 33 23.7Crime 8 5.8Adventure 2 1.4Romance 3 2.2Thriller 17 12.2Fantasy 1 0.7Animation 5 3.6Drama 17 12.2Total 139 100Source: Rentrak, BBFC, IMDb, BFI RSU analysisNotes:

Percentages may not add to 100 due to rounding.Figures as at 23 February 2014.

Table 4.5 UK independent films released in the UK and Republic of Ireland by genre, 2013 (ranked by gross box office)Genre Number of releases % of all releasesComedy 24 19.5Biopic 6 4.9

Average box office per site

Gross box office (£ million)

Action 6 4.9Music/dance 3 2.4Romance 3 2.4Crime 7 5.7Thriller 14 11.4Animation 5 4.1Drama 17 13.8Documentary 31 25.2Adventure 1 0.8Horror 6 4.9Total 123 100Source: Rentrak, BBFC, IMDb, BFI RSU analysisNotes:

Percentages/figures may not sum to totals due to rounding.Figures as at 23 February 2014.

Figure 4.1 Proportion of box office by genre for all films, UK films and UK independent films, 2013

Genre All films UK filmsAction 18.7 25.1Adventure 5 3.1Animation 21.4 0.8Biopic 3.5 6.6Comedy 13.7 14.8Crime 4.2 3.5Documentary 0.9 3.7Drama 5.2 0.5Fantasy 5.2 1.3Horror 5 5.8Music/dance 4.2 18.8Romance 1.2 2.4Sci-fi 7.6 12.1Thriller 2.5 1.6War <0.1 -Western 1.8 -Source: Rentrak, BBFC, IMDb, BFI RSU analysis

Action

Adventure

Animati

onBiopic

Comedy

Crime

Documentar

yDram

a

Fantas

y

Horror

Music/d

ance

Romance

Sci-fi

Thrill

er War

Western

0

5

10

15

20

25

30


% o

f box

offi

ce

Figure 4.2 Proportion of releases by genre for all films, UK films and UK independent films, 2013

Genre All films UK filmsAction 6.7 6.5Adventure 1.1 1.4Animation 4.7 3.6Biopic 3.2 4.3Comedy 21.9 18.7Crime 4.7 5.8Documentary 12.8 23.7Drama 20.2 12.2Fantasy 1.3 0.7Horror 5.3 5Music/dance 1.6 2.9Romance 4.9 2.2Sci-fi 1.3 0.7Thriller 9.2 12.2War 0.7 -Western 0.4 -Source: Rentrak, BBFC, IMDb, BFI RSU analysis

Table 4.6 BBFC cinema film classificationsU (Universal) Suitable for all

PG (Parental Guidance)

12A15 No-one younger than 15 may see a ‘15’ film in a cinema18 No-one younger than 18 may see an ‘18’ film in a cinema Source: BBFC website.

Table 4.7 All releases in the UK and Republic of Ireland by BBFC film classification, 2013BBFC Classification Number of releases % of releases

General viewing, but some scenes may be unsuitable for young children

No-one younger than 12 may see a ‘12A’ film in a cinema unless accompanied by an adult

Action

Adventure

Animati

onBiopic

Comedy

Crime

Documentar

yDram

a

Fantas

y

Horror

Music/d

ance

Romance

Sci-fi

Thrill

er War

Western

0

5

10

15

20

25

30


% o

f rel

ease

s

U 45 6.4PG 79 11.312A 225 32.2

15 268 38.418 73 10.5

No classification 8 1.1Total 698 100Source: Rentrak, BBFC, BFI RSU analysis

Notes: ‘No classification’ means no classification issued for theatrical release. Some of these films have a classification for video release.Figures as at 23 February 2014.Percentages/figures may not sum to totals due to rounding.

Table 4.8 Releases of UK films in the UK and Republic of Ireland by BBFC film classification, 2013BBFC Classification Number of releases % of releasesU 10 7.2PG 15 10.812A 33 23.7

15 63 45.318 15 10.8

No classification 3 2.2Total 139 100Source: Rentrak, BBFC, BFI RSU analysis.Notes: ‘No classification’ means no classification issued for theatrical release. Some of these films have a classification for video release.Figures as at 23 February 2014.

Percentages may not add to 100 due to rounding.

Table 4.9 Releases of UK independent films in the UK and Republic of Ireland by BBFC film classification, 2013BBFC Classification Number of releases % of releasesU 9 7.3PG 14 11.412A 25 20.315 58 47.218 14 11.4No classification 3 2.4Total 123 100Source: Rentrak, BBFC, BFI RSU analysisNotes:

‘No classification’ means no classification issued for theatrical release. Some of these films have a classification for video release.Figures as at 23 February 2014.Percentages may not add to 100 due to rounding.

Figure 4.3 Percentage of gross box office by BBFC film classification for all films, UK films and UK independent films, 2013

U PG 12A 15 180

10

20

30

40

50

60

70


% o

f gro

ss b

ox o

ffice

Certificate All films UK filmsU 16.3 1.9PG 10.7 6.812A 45.5 6415 24.4 24.718 3 2.6Source: Rentrak, BBFC, BFI RSU analysisNotes:


Figure 4.4 Percentage of releases in the UK and Republic of Ireland by film classification, 2001-2013

Year of release U PG2001 7 192002 8 232003 5.2 16.12004 6 182005 6.2 17.12006 5.7 14.92007 5.2 15.92008 5.9 14.62009 4.8 14.32010 6.8 14.42011 8.8 13.12012 5.4 13.32013 6.4 11.3

Category ‘12A’ includes those films that were given the ‘12’ classification before 2003. The ‘12’ classification was superseded by ‘12A’ for films shown at the cinema in August 2002. The first film given a ‘12A’ rating was The Bourne Identity.

U PG 12A 15 180

10

20

30

40

50

60

70


% o

f gro

ss b

ox o

ffice

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

5

10

15

20

25

30

35

40

45

50

U PG 12A 15 18

% o

f rel

ease

s

Source: Rentrak, BBFC, BFI RSU analysis

Figure 4.5 Percentage of gross box office of releases in the UK and Republic of Ireland by film classification, 2001-2013

Year of release U PG2001 10.2 28.82002 13.4 22.42003 10.4 11.82004 16.6 23.32005 16.7 192006 13.9 15.22007 11.8 24.22008 8.4 21.42009 11.6 18.12010 17.8 18.32011 15.4 10.32012 10.3 13.72013 16.3 10.7Source: Rentrak, BBFC, BFI RSU analysisSee note to Figure 4.3.


Table 4.10 Top 10 ‘U’ classified films, 2013Title Country of originDespicable Me 2* USA 47.5Monsters University* USA 30.7The Croods* USA 26.8Epic USA 13.8Cloudy with a Chance of Meatba USA 12.5The Smurfs 2 USA 12.4Turbo* USA 11.9Planes USA 9Walking with Dinosaurs* USA/Ind 6Justin and the Knights of Valour Spa 3.2Source: Rentrak, BBFC, IMDb, BFI RSU analysis

million)

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

10

20

30

40

50

60

U PG 12A 15 18

% o

f gro

ss b

ox o

ffice

Note: Figures as at 23 February 2014.


Table 4.11 Top 10 ‘PG’ classified films, 2013Title Country of originFrozen* USA 38.6Wreck-It Ralph USA 23.8Oz the Great and Powerful USA 15.3One Direction: This Is Us UK/USA 8Percy Jackson: Sea of Monsters USA 7.3The Secret Life of Walter Mitty* USA 6.7Blue Jasmine* USA 5.2Sunshine on Leith UK 4.6Saving Mr. Banks* USA 4.4The Harry Hill Movie* UK 2.5Source: Rentrak, BBFC, IMDb, BFI RSU analysisNote: Figures as at 23 February 2014.* Film still on release on 23 February 2014.

Table 4.12 Top 10 ‘12A’ classified films, 2013Title Country of originThe Hobbit: The Desolation of USA/NZ 42.9Les Misérables UK/USA 40.8Iron Man 3 USA/China 37The Hunger Games: Catching Fir USA 34.1Gravity* UK/USA 31.1Man of Steel USA 30Star Trek Into Darkness USA 25.8Fast & Furious 6 UK/USA 25.3Thor: The Dark World* UK/USA 20.1Captain Phillips* UK/USA 16.1Source: Rentrak, BBFC, IMDb, BFI RSU analysis

Note: Figures as at 23 February 2014.* Film still on release on 23 February 2014.

Table 4.13 Top 10 ‘15’ classified films, 2013Title Country of originThe Hangover Part III USA 19.3World War Z UK/USA 14.6Anchorman 2: The Legend Cont USA 14.3American Hustle* USA 13.3The Conjuring USA 10.5Rush UK/Ger/USA 10.1Elysium USA 9.1The World's End UK/USA 8.7We're the Millers USA 8.6Prisoners USA 7.3Source: Rentrak, BBFC, IMDb, BFI RSU analysisNote: Figures as at 23 February 2014.


Table 4.14 Top 10 ‘18’ classified films, 2013Title Country of origin

million)

million)

million)

million)

Django Unchained USA 15.7Filth UK 3.9Evil Dead USA 3.4Texas Chainsaw 3D USA 2The Counsellor UK/USA 1.9Only God Forgives Fra/Thai/USA 1.3You're Next USA 1.2Stoker USA 0.9Spring Breakers USA 0.9Don Jon USA 0.8Source: Rentrak, BBFC, IMDb, BFI RSU analysisNote: Figures as at 23 February 2014.


Table 4.1 Films released in the UK and Republic of Ireland by genre, 2013 (ranked by gross box office)% of total box office Top performing title

246.6 21.4 Despicable Me 2215.4 18.7 Iron Man 3158.2 13.7 The Hangover Part III

87.4 7.6 Gravity59.7 5.2 The Great Gatsby59.5 5.2 The Hobbit: The Desolation of Smaug57.7 5 The Hunger Games: Catching Fire57.5 5 World War Z48.6 4.2 American Hustle48.6 4.2 Les Misérables40.2 3.5 Philomena29.1 2.5 Prisoners20.4 1.8 Django Unchained13.9 1.2 I Give It a Year10.7 0.9 One Direction: This Is Us

0.3 <0.1 Lore1,153.70 100

Table 4.2 Films released in the UK and Republic of Ireland by genre, 2013 (ranked by average widest point of release)

87.420.459.5

246.657.7

215.440.248.657.548.6

158.229.113.959.710.7

0.31,153.70

million)

million)



Table 4.3 Films released in the UK and Republic of Ireland by genre, 2013 (ranked by average box office gross per site)

Total sites2,0049,0041,8462,5163,7969,685

9824,3465,367

15,6636,2964,2522,0141,7765,667

7075,284

Table 4.4 UK films released in the UK and Republic of Ireland by genre, 2013 (ranked by gross box office)

% of total box office Top performing title64.1 25.1 Fast & Furious 647.9 18.8 Les Misérables37.9 14.8 The World's End31.1 12.1 Gravity16.8 6.6 Philomena14.8 5.8 World War Z

9.4 3.7 One Direction: This Is Us8.9 3.5 Trance

8 3.1 Jack the Giant Slayer6.2 2.4 I Give It a Year4.1 1.6 The Counsellor3.2 1.3 47 Ronin1.9 0.8 Moshi Monsters: The Movie1.3 0.5 Hyde Park on Hudson

255.6 100

Table 4.5 UK independent films released in the UK and Republic of Ireland by genre, 2013 (ranked by gross box office)% of total box office Top performing title

21.5 28.1 Quartet16.8 21.9 Philomena

Gross box office (£ million)

million)

13.2 17.3 Rush7.1 9.3 Sunshine on Leith6.2 8.1 I Give It a Year4.4 5.7 Filth2.1 2.7 Welcome to the Punch1.9 2.5 Moshi Monsters: The Movie1.3 1.7 Hyde Park on Hudson1.3 1.7 The Stone Roses: Made of Stone0.5 0.6 How I Live Now0.2 0.3 Citadel

76.6 100

Figure 4.1 Proportion of box office by genre for all films, UK films and UK independent films, 2013

17.30.62.5

21.928.1

5.71.71.7

-0.39.38.1

-2.7

--

films

Action

Adventure

Animati

onBiopic

Comedy

Crime

Documentar

yDram

a

Fantas

y

Horror

Music/d

ance

Romance

Sci-fi

Thrill

er War

Western

0

5

10

15

20

25

30


% o

f box

offi

ce

Figure 4.2 Proportion of releases by genre for all films, UK films and UK independent films, 2013

4.90.84.14.9

19.55.7

25.213.8

-4.92.42.4

-11.4

--

Suitable for all

No-one younger than 15 may see a ‘15’ film in a cinemaNo-one younger than 18 may see an ‘18’ film in a cinema

Table 4.7 All releases in the UK and Republic of Ireland by BBFC film classification, 2013% of gross box office Top performing title

films

General viewing, but some scenes may be unsuitable for young children

No-one younger than 12 may see a ‘12A’ film in a cinema unless accompanied by an adult

million)

Action

Adventure

Animati

onBiopic

Comedy

Crime

Documentar

yDram

a

Fantas

y

Horror

Music/d

ance

Romance

Sci-fi

Thrill

er War

Western

0

5

10

15

20

25

30


% o

f rel

ease

s

188.6 16.3 Despicable Me 2123 10.7 Frozen

525.4 45.5 The Hobbit: The Desolation of Smaug282 24.4 The Hangover Part III

34.8 3 Django Unchained<0.1 <0.1 The Invisible Lighthouse

1,153.70 100

‘No classification’ means no classification issued for theatrical release. Some of these films have a classification for video release.

Table 4.8 Releases of UK films in the UK and Republic of Ireland by BBFC film classification, 2013% of gross box office Top performing title

4.9 1.9 All Stars17.4 6.8 One Direction: This Is Us

163.6 64 Les Misérables63 24.7 World War Z

6.7 2.6 Filth<0.1 <0.1 The Invisible Lighthouse

255.6 100


Table 4.9 Releases of UK independent films in the UK and Republic of Ireland by BBFC film classification, 2013% of gross box office Top performing title

4.7 6.2 All Stars9.3 12.2 Sunshine on Leith

27.9 36.5 Philomena29.7 38.8 Rush

4.8 6.3 Filth<0.1 <0.1 The Invisible Lighthouse76.6 100


Figure 4.3 Percentage of gross box office by BBFC film classification for all films, UK films and UK independent films, 2013

million)

million)

U PG 12A 15 180

10

20

30

40

50

60

70


% o

f gro

ss b

ox o

ffice

6.212.236.538.8

6.3

Figure 4.4 Percentage of releases in the UK and Republic of Ireland by film classification, 2001-2013

12A 15 1818 40 1520 40 926 40.4 12.1

26.4 39 8.624.8 37.3 10.727.5 38.8 9.125.4 40.1 9.128.5 36.6 9.724.3 44.3 9.726.4 37.3 10.630.1 38 8.128.7 42.8 7.432.2 38.4 10.5

films

Category ‘12A’ includes those films that were given the ‘12’ classification before 2003. The ‘12’ classification was superseded by ‘12A’ for films shown at the cinema in August 2002. The first film given a ‘12A’ rating was The Bourne Identity.

U PG 12A 15 180

10

20

30

40

50

60

70


% o

f gro

ss b

ox o

ffice

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

5

10

15

20

25

30

35

40

45

50

U PG 12A 15 18

% o

f rel

ease

s

Figure 4.5 Percentage of gross box office of releases in the UK and Republic of Ireland by film classification, 2001-2013

12A 15 1830.3 23.5 7.339.8 21.1 3.642.4 29.2 6.328.2 26.6 5.240.4 19.9 3.843.9 21.2 5.734.7 23.7 5.544.8 20 5.441.6 22.1 6.537.7 22.7 3.444.7 27.8 1.851.8 22.3 1.945.5 24.4 3

Distributor GenreUniversal Animation

Walt Disney Animation20th Century Fox Animation20th Century Fox Animation

Sony Pictures AnimationSony Pictures Animation

20th Century Fox AnimationWalt Disney Animation

20th Century Fox AnimationeOne Films Animation

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

10

20

30

40

50

60

U PG 12A 15 18

% o

f gro

ss b

ox o

ffice

Distributor GenreWalt Disney AnimationWalt Disney AnimationWalt Disney Adventure

Sony Pictures Documentary20th Century Fox Fantasy20th Century Fox Comedy

Warner Bros DramaEntertainment Music/dance

Walt Disney BiopicEntertainment Comedy

Distributor GenreWarner Bros Fantasy

Universal Music/danceWalt Disney Action

Lionsgate AdventureWarner Bros Sci-fiWarner Bros Action

Paramount Sci-fiUniversal Action

Walt Disney ActionSony Pictures Action

Distributor GenreWarner Bros Comedy

Paramount HorrorParamount Comedy

Entertainment CrimeWarner Bros HorrorStudioCanal Action

Sony Pictures Sci-fiUniversal Comedy

Warner Bros ComedyeOne Films Thriller

Distributor Genre

Sony Pictures WesternLionsgate Crime

StudioCanal HorrorLionsgate Horror

20th Century Fox ThrillerLionsgate CrimeLionsgate Horror

20th Century Fox HorrorVertigo Films CrimeWarner Bros Comedy

Chapter 5 Specialised films

Table 5.1 Specialised films in the UK and Republic of Ireland, 2013Type Number of releases Share of releases (%)Documentary 89 12.8Foreign language 279 40Re-release 42 6Other specialised 70 10All specialised films* 446 63.9All films 698 100Source: BFI RSU analysis of Rentrak data

* Due to some overlap of categories (eg a film can be categorised as both foreign language and documentary) the total refers to the number of specialised films, not the sum total of the categories in the table.)

Figure 5.1 Specialised films, 2001-2013 (percentage of releases and market share)

Year 2001 200258.2 58

5.9 6.4Source: BFI RSU analysis of Rentrak data

Figure 5.2 Number of specialised releases, 2001-2013

total releasesfilms

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

10

20

30

40

50

60

70

80

Specialised films as % of total releases Market share of specialised films

%

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

100

200

300

400

500

600

Documentary Foreign language Re-release Other specialised



Year 2001 2002Documentary 4 8Foreign language 96 131Re-release 25 25Other specialised 80 58Source: BFI RSU analysis of Rentrak data

Figure 5.3 Box office gross of specialised films, 2001-2013

Year 2001 2002Documentary (£ million) 0.2 2.2Foreign language (£ million) 29.8 17.1Re-release (£ million) 2.3 1.4Other specialised (£ million) 12.2 32.7Source: BFI RSU analysis of Rentrak data

Table 5.2 Languages of films released, 2013

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

100

200

300

400

500

600


2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

50

100

150

200

250

Documentary (£ million) Foreign language (£ million) Re-release (£ million) Other specialised (£ million)

£ m

illio

n

Main language Number of releasesEnglish 360 917.1English with others* 58 211.8Hindi 42 13French 32 2.7Tamil 38 1.7Spanish 12 1.5Italian 10 1.2Punjabi 24 1.2German 15 0.7Turkish 21 0.5Japanese 9 0.5Arabic 3 0.4Polish 8 0.3Malayalam 19 0.2Danish 2 0.2Indonesian 1 0.1Hebrew 3 0.1Mandarin 1 0.1Swedish 3 0.1Romanian 2 0.1Dutch 3 0.1Russian 17 0.1Tagalog 1 <0.1Icelandic 1 <0.1North American Indian 1 <0.1Korean 5 <0.1Persian 1 <0.1Telugu 1 <0.1Finnish 1 <0.1Kurdish 1 <0.1Kannada 1 <0.1Welsh** 1 <0.1Portuguese 1 <0.1Total 698 1,153.70Source: Rentrak, BBFC, IMDb, BFI RSU analysis.

** Welsh is a UK official language.

Table 5.3 Foreign language films at the UK and Republic of Ireland box office, 2002-2013Number % of all releases

2002 131 35.52003 147 34.72004 169 37.52005 203 43.52006 171 33.92007 170 32.92008 188 35.72009 161 322010 199 35.72011 180 32.32012 230 35.52013 279 40Source: Rentrak, BBFC, IMDb, BFI RSU analysisNote: Figures as at 23 February 2014.

million)

* ‘English with others’ includes films whose main language was English but with extensive use of other languages, such as

Table 5.4 Language of releases in the UK and Republic of Ireland, 2013 (ranked by number of releases)Main language Number of releases % of releases

418 59.9108 15.5

South Asian subcontinent 125 17.9Other international 29 4.2Other Asian 18 2.6Total 698 100Source: Rentrak, BBFC, IMDb, BFI RSU analysisNotes:* See note to Table 5.2.** Includes Welsh.Figures as at 23 February 2014. Percentages may not sum to 100 due to rounding.

Table 5.5 Top 10 foreign language films (excluding Hindi*) released in the UK and Republic of Ireland, 2013Title Country of origin

1 The Great Beauty Italy2 In the House France3 I'm So Excited! Spain4 Blue Is the Warmest Colour France/Belgium/ Spain5 Wadjda Saudi Arabia/ Germany6 Populaire France7 No Chile/France/USA8 Vishwaroopam India9 Lore Germany/Australia/UK10 Sadda Haq IndiaSource: Rentrak BBFC, IMDb, BFI RSU analysisNotes: * For Hindi titles, see Table 5.6.Figures as at 23 February 2014.

Table 5.6 Top 10 Hindi language films released in the UK and Republic of Ireland, 2013Title Country of origin

1 Dhoom: 3 India2 Chennai Express India3 Yeh Jawaani Hai Deewani India4 Goliyon Ki Raasleela Ram-leela India5 Race 2 India6 Krrish 3 India7 Besharam India8 Boss India9 Bhaag Milkha Bhaag India10 Special 26 IndiaSource: Rentrak, BBFC, IMDb, BFI RSU analysisNote: Figures as at 23 February 2014.

Table 5.7 Top 10 non-English language films, 2001-2013Title Language

1 The Passion of the Christ Aramaic/Latin/Hebrew2 Crouching Tiger, Hidden Dragon Mandarin3 Amélie French/Russian4 Apocalypto Mayan

others*English**

5 Hero Mandarin6 House of Flying Daggers Mandarin7 Volver Spanish8 The Motorcycle Diaries Spanish9 Pan’s Labyrinth Spanish10 Dhoom: 3 HindiSource: Rentrak, BFI RSU analysis

Table 5.8 Top 20 non-concert feature documentaries at the UK box office, 2001-2013Title Country of origin

1 Fahrenheit 9/11 USA2 Senna UK3 March of the Penguins Fra4 Touching the Void UK5 Bowling for Columbine USA6 TT3D: Closer to the Edge UK7 The Imposter UK/USA8 Super Size Me USA9 Marley UK/Jam/USA10 An Inconvenient Truth USA11 Man on Wire UK/USA12 Être et Avoir Fra13 Pina Ger/Fra14 Cave of Forgotten Dreams UK/Can/Fra/Ger/USA15 Spellbound USA16 The September Issue USA17 Capturing the Friedmans USA18 Searching for Sugar Man UK19 Sicko USA20 Inside Job USASource: BFI RSU analysis of Rentrak dataNotes: The table does not include concert performance documentaries, IMAX-only documentaries and shorts.

Based on box office data for 2001-2013.

Table 5.9 Top 10 concert documentaries at the UK box office, 2008-2013Title Country of origin

1 Michael Jackson’s This Is It USA2 One Direction: This Is Us UK/USA3 Justin Bieber: Never Say Never USA4 Katy Perry: Part of Me USA5 USA6 U2 3D USA7 Glee: The 3D Concert Movie USA8 Shine a Light USA/UK9 JLS: Eyes Wide Open 3D UK10 The Stone Roses: Made of Stone UKSource: BFI RSU analysis of Rentrak data

Table 5.10 Top 20 re-releases at the UK box office, 2000-2013Title (year of original release) Country of origin

1 A Clockwork Orange (1972) UK2 E.T. (20th anniversary) (1982) USA

Fahrenheit 9/11 is regarded as the highest grossing feature documentary of all time because, even with price inflation, it is unlikely that any documentary films before 1989 will have earned more in nominal terms.

Both Worlds Concert

3 Back to the Future (1985) USA4 Alien: The Director’s Cut (1979) UK/USA5 Jurassic Park (1993) USA6 Apocalypse Now Redux (1979) USA7 Jaws (1975) USA8 The Leopard (1963) Ita/Fra9 It’s a Wonderful Life (1946) USA10 2001: A Space Odyssey (1968) UK/USA11 Breakfast at Tiffany’s (1961) USA12 The Shining (1980) UK/USA13 Chariots of Fire (1981) UK14 À bout de souffle (1960) Fra15 This is Spinal Tap (1984) USA16 Amadeus (Director’s Cut) (1984) USA17 Raiders of the Lost Ark (1981) USA18 Ghostbusters (1983) USA19 Metropolis (1927) Ger20 The Rocky Horror Picture Show (1975) UK/USASource: BFI RSU analysis of Rentrak data

10.7 0.9 2024.8 2.2 17

1.3 0.1 1973.5 6.4 121

109.7 9.5 351,153.70 100 108

* Due to some overlap of categories (eg a film can be categorised as both foreign language and documentary) the total refers to the number of specialised films, not the sum total of the categories in the table.)

2003 2004 2005 200650.5 55.4 55.7 58.8

5.1 9.8 6.5 8.5

million) (%) of release

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

10

20

30

40

50

60

70

80

Specialised films as % of total releases Market share of specialised films

%

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

100

200

300

400

500

600




2003 2004 2005 200618 23 27 34

147 169 203 17117 21 20 2536 47 20 73

2003 2004 2005 20065.3 9.3 4.8 4.6

20.4 38.1 26.9 29.81.3 0.6 0.3 1.2

14.5 33.2 23.3 37.4

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

100

200

300

400

500

600


2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

50

100

150

200

250

Documentary (£ million) Foreign language (£ million) Re-release (£ million) Other specialised (£ million)

£ m

illio

n

Box office share (%)79.518.4

1.10.20.10.10.10.10.1

<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1<0.1100

Box office (£ million) % of total gross box office 17.1 2.220.4 2.538.1 4.626.9 3.229.8 3.532.3 3.527.1 2.925.6 2.330.3 324.4 2.2

28 2.424.8 2.2

* ‘English with others’ includes films whose main language was English but with extensive use of other languages, such as Captain Phillips in English and Somali.

Table 5.4 Language of releases in the UK and Republic of Ireland, 2013 (ranked by number of releases)% of gross box office

1,128.90 97.8 1686.9 0.6 13

16.1 1.4 231.1 0.1 50.7 0.1 14

1,153.70 100 108

Table 5.5 Top 10 foreign language films (excluding Hindi*) released in the UK and Republic of Ireland, 2013Distributor Main language

0.96 Curzon Film World Italian0.85 eOne Films French0.85 Pathé Spanish0.67 Curzon Film World French

0.4 Soda Pictures Arabic0.35 eOne Films French0.35 Network Releasing Spanish0.31 Ayngaran Tamil

0.3 Curzon Film World German0.26 Five Rivers Promotions Punjabi

Distributor2.71 Yash Raj Films2.18 UTV Motion Pictures1.07 Eros International0.93 Eros International0.91 UTV Motion Pictures0.83 Eros International

0.4 Reliance Entertainment0.32 Tip Top Entertainment0.26 Reliance Entertainment0.24 Tip Top Entertainment

Distributor Year of release11.08 Icon 2004

9.37 Sony Pictures 20015.01 Momentum 20014.11 Icon 2007

million) release

million)

million)

million)

3.82 Walt Disney 20043.78 Pathé 20042.88 Pathé 20062.75 Pathé 20042.72 Optimum 20062.71 Yash Raj Films 2013

Year of release Box office gross (£ million) Distributor2004 6.55 200 Optimum2011 3.17 358 Universal2005 3.08 163 Warner Bros2003 2.64 50 Pathé2002 1.67 37 Momentum2011 1.26 125 CinemaNX2012 1.13 77 Picturehouse/Revolver2004 1.11 83 Tartan2012 0.99 333 Universal 2006 0.94 68 Paramount2008 0.88 43 Icon2003 0.71 15 Tartan2011 0.67 26 Artificial Eye2011 0.62 39 Picturehouse2003 0.48 17 Metrodome2009 0.43 18 Momentum2004 0.39 26 Tartan2012 0.38 43 StudioCanal2007 0.38 166 Optimum2011 0.32 24 Sony Pictures

Year of release Box office gross (£ million) Distributor2009 9.8 498 Sony Pictures2013 8.01 479 Sony Pictures2011 2.32 388 Paramount2012 1.17 326 Paramount2008 0.8 65 Walt Disney2008 0.73 67 Revolver2011 0.71 335 20th Century Fox2008 0.7 159 20th Century Fox2011 0.51 210 Omniverse2013 0.51 83

Year of re-release Box office gross (£) Distributor2000 2,067,302 328 Warner Bros2002 2,063,690 313 UIP

release (sites)

regarded as the highest grossing feature documentary of all time because, even with price inflation, it is unlikely that any documentary films before 1989 will have earned more in nominal terms.

release (sites)

Entertainment

release (sites)

2010 1,108,766 273 Universal 2003 545,782 134 20th Century Fox2011 511,258 277 Universal2001 455,335 22 Walt Disney2012 368,286 319 Universal 2003 346,807 5 BFI2007 329,891 33 Park Circus2001 326,496 4 Warner Bros2001 313,443 5 BFI2012 209,305 29 BFI2012 181,063 149 20th Century Fox2000 173,301 5 Optimum2000 166,203 22 Optimum2002 145,234 8 Warner Bros2012 131,625 15 Paramount2011 128,821 73 Park Circus2010 128,671 44 Eureka Entertainment2012 120,599 76 20th Century Fox

2007 2008 2009 201064.4 66.6 68.8 63.6

8 8.2 15.2 6.3

2007 2008 2009 201036 49 56 58

170 188 161 19929 26 25 28

109 97 117 88

2007 2008 2009 20101.6 4.1 12 1.9

32.3 27.1 25.6 30.31.7 1 0.7 1.7

39.7 45.1 133.1 30.5

2011 2012 201361.8 66.8 63.916.4 12.1 9.5

2011 2012 201368 86 89

180 230 27931 34 4288 100 70

2011 2012 201311.1 5.9 10.724.4 28 24.8

1.4 1.6 1.3150.2 108.1 73.5

Chapter 6 UK films internationally

Table 6.1 UK films global market share, 2002-2013Year2002 1.8 19.82003 1.4 20.12004 2.9 24.92005 3.6 23.12006 2.2 25.52007 3.3 26.32008 4.2 27.82009 2.0 29.42010 4.5 31.82011 5.6 32.62012 5.3 34.72013 4.1 35.7

* ‘Studio-backed’ means backed by one of the major US film studios.

Figure 6.1 UK films global market share, 2002-2013

Year UK/US studio share (%)2002 7.6 1.52003 5.5 1.52004 10.0 1.62005 13.4 2.22006 7.5 1.22007 10.6 1.92008 13.3 1.8

(US$ billion) market (US$ billion)

Source: BFI, Rentrak, MPAA, IHS

(%)

2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

2

4

6

8

10

12

14

16

UK/US studio share (%) UK independent share (%)

%



2009 4.4 2.42010 12.6 1.62011 14.4 2.82012 13.4 1.82013 9.8 1.6Source: BFI

Table 6.2 Top 10 UK qualifying films worldwide, 2013Title Country of origin

1 Fast & Furious 6 UK/USA2 Gravity UK/USA3 Thor: The Dark World UK/USA4 World War Z UK/USA5 Jack the Giant Slayer UK/USA6 Red 2 UK/USA7 Les Misérables UK/USA8 47 Ronin UK/USA/Hun9 Philomena UK10 Rush UK/Ger/USATotalSource: BFI RSUNotes:

Worldwide gross includes the UK and Republic of Ireland.Table based on gross box office revenue in the 2013 calendar year.Figures may not sum to total due to rounding.

Table 6.3 Top 10 UK independent films worldwide, 2013Title Country of origin

1 Red 2 UK/USA#2 Philomena UK3 Rush UK/Ger/USA#4 Quartet UK5 I Give It a Year UK/Fra/Ger6 UK/SA7 Diana UK/Bel/Fra8 Song for Marion UK9 Alan Partridge: Alpha Papa UK10 Sunshine on Leith UKTotalSource: BFI RSUNotes: Worldwide gross includes the UK and Republic of Ireland.Table based on gross box office revenue in the 2013 calendar year.

Figures may not sum to total due to rounding.

Table 6.4 Country of origin of films released in the USA and Canada, 2013Country of origin Number of releases % of releasesUK independent films 41 6UK studio-backed films* 14 2UK films total 55 8USA 396 60Rest of the world 213 32Total 664 100

Freedom

# Red 2 and Rush were made with independent (non-studio) US support.

Source: Rentrak, BFI RSU analysis

Notes:

Figures may not sum to totals/sub-totals due to rounding.* ‘Studio-backed’ means backed by one of the major US film studios.

Table 6.5 UK market share in North America, 2002-2013Year Total UK share %2002 7.2 6.62003 5.7 4.22004 11.0 9.72005 15.8 15.02006 9.2 7.62007 11.8 10.62008 16.3 14.52009 6.6 5.52010 14.2 12.42011 16.5 15.32012 16.2 14.62013 11.9 10.5Source: Rentrak, BFI RSU analysis

Table 6.6 Top 20 UK films at the USA and Canada box office (including co-productions), 2013Title Country of origin

1 Gravity UK/USA2 Fast & Furious 6 UK/USA3 Thor: The Dark World UK/USA4 World War Z UK/USA5 Jack the Giant Slayer UK/USA6 Red 2 UK/USA#7 47 Ronin UK/USA/Hun8 Philomena UK9 One Direction: This Is Us UK/USA10 Kick-Ass 2 UK/USA11 Rush UK/Ger/USA#12 The World’s End UK/USA13 Quartet UK14 The Counsellor UK/USA15 About Time UK/USA16 UK/SA17 Closed Circuit UK/USA18 Trance UK/USA19 The Christmas Candle UK/USA#20 Austenland UK/USA#Source: Rentrak, BFI RSU analysisNotes: Table lists the gross box office for films released in the USA and Canada in 2013 and includes 2014 earnings up to 16 February 2014.

Table 6.7 UK market share in selected European territories, 2013Territory UK share (%)Austria 14.8 11.9France 18.3m admissions 9.9Germany 95.0 9.6Italy 67.7 11.0

share %

Freedom

# Red 2, Rush, The Christmas Candle and Austenland were made with independent (non-studio) US support.

million)

Netherlands 24.6 11.0Portugal 10.7 15.7Russia 5,203m RUB 11.9Spain 61.6 12.2Source: Rentrak, BFI RSU analysis

Notes:* ‘Studio-backed’ means backed by one of the major US film studios.

Table 6.8 Top 20 UK films in other EU countries, 2013 Title Country of origin

1 Fast & Furious 6 UK/USA2 Gravity UK/USA3 World War Z UK/USA4 Thor: The Dark World UK/USA5 Rush UK/Ger/USA6 Les Misérables UK/USA7 Red 2 UK/USA8 Jack the Giant Slayer UK/USA9 I Give It a Year UK/Fra/Ger10 The Counsellor UK/USA11 Quartet UK12 Diana UK/Fra/Bel13 Kick-Ass 2 UK/USA14 Anna Karenina* UK/USA15 About Time UK/USA16 Skyfall* UK/USA17 One Direction: This Is Us UK/USA18 Philomena UK19 Trance UK/USA20 47 Ronin UK/USA/HunSource: European Audiovisual Observatory Lumière DatabaseNotes: Data based on admissions from EU countries (excluding the UK and Republic of Ireland) in the 2013 calendar year.

Table 6.9 UK market share in selected Latin American countries, 2013Territory UK share (%)Argentina 56.9 13.2Brazil 114.1 12.1Chile 17.2 14.4Colombia 24.9 14.1Mexico 137.3 14.7Venezuela 53.0 13.1Source: Rentrak, BFI RSU analysis* ‘Studio-backed’ means backed by one of the major US film studios.

Table 6.10 UK market share in China, Japan and South Korea, 2013Territory UK share (%)China 266.0 8.1Japan 115.7 5.7South Korea 143.4 11.0Source: Rentrak, BFI RSU analysis* ‘Studio-backed’ means backed by one of the major US film studios.

* Skyfall and Anna Karenina were released in 2012, the chart only covers admissions figures for 2013.

million)

million)

Table 6.11 UK market share in Australia and New Zealand, 2013Territory UK share (%)Australia 146.5 14.6New Zealand 22.0 18.3Source: Rentrak, BFI RSU analysis* ‘Studio-backed’ means backed by one of the major US film studios.

Figure 6.2 UK market share in 21 territories, 2013 (in order of market share of UK independent films)

Region/Country UK independent (%) UK studio-backed* (%)UK and ROI 6.6 15.5New Zealand 5.4 12.9Austria 3.9 8.1Australia 3.8 10.8Italy 3.8 7.3Portugal 2.6 13.0South Korea 1.8 9.2France 1.8 8.1Spain 1.7 10.4Germany 1.7 8.0Russia 1.6 10.3USA 1.4 10.5Netherlands 1.3 9.6Venezuela 1.1 12.0Japan 0.8 4.9Brazil 0.7 11.4Mexico 0.7 14.1Colombia 0.6 13.6Argentina 0.5 12.7China 0.4 7.8Chile 0.1 14.3Source: Rentrak, BFI RSU analysis* ‘Studio-backed’ means backed by one of the major US film studios.

million)

UK and ROI

New Ze

aland

Austria

Australia Ita

ly

Portugal

South Korea

France

Spain

German

yRussi

aUSA

Netherl

ands

Venezu

elaJap

anBraz

il

Mexico

Colombia

Argentina

ChinaChile

0.0

5.0

10.0

15.0

20.0

25.0

UK independent (%) UK studio-backed* (%)

UK share (%)9.1 7.6 1.56.9 5.5 1.5

11.6 10.0 1.615.5 13.4 2.2

8.6 7.5 1.212.5 10.6 1.915.1 13.3 1.8

6.8 4.4 2.414.2 12.6 1.617.2 14.4 2.815.3 13.4 1.811.4 9.8 1.6

share* (%) share (%)

2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

2

4

6

8

10

12

14

16

UK/US studio share (%) UK independent share (%)

%



788670632540198142

98948988

3,338

1428988582827221010

7483

Box office (US$ million) Box office share (%)150 1.4

1,143 10.51,292 11.99,354 86.1

212 2.010,859 100.0

million)

million)

0.61.51.30.81.61.21.81.11.81.21.51.4

Table 6.6 Top 20 UK films at the USA and Canada box office (including co-productions), 2013US distributor

268.2 Warner Bros238.7 Universal 205.5 Walt Disney202.4 Paramount

65.2 Warner Bros53.3 Summit Entertainment38.4 Universal 30.9 The Weinstein Company 28.9 Sony Pictures28.8 Universal 26.9 Universal 26.0 Focus Features18.4 The Weinstein Company17.0 20th Century Fox15.0 Universal

8.2 The Weinstein Company5.8 Focus Features2.3 Fox Searchlight2.3 EchoLight Studios2.2 Sony Pictures Classics

Table lists the gross box office for films released in the USA and Canada in 2013 and includes 2014 earnings up to 16 February 2014.

8.1 3.9 Rush8.1 1.8 Red 28.0 1.7 Rush7.3 3.8 Rush

share %

million)

share* (%) share (%) film

9.6 1.3 Red 213.0 2.6 Diana10.3 1.6 Red 210.4 1.7 Red 2

13,669,7879,255,3448,928,9087,585,0873,117,0582,716,7582,205,9251,685,5961,494,0781,475,7231,213,6331,084,5911,052,0281,026,367

992,576884,552750,553559,935430,485391,334

12.7 0.5 Quartet11.4 0.7 Red 214.3 0.1 Red 213.6 0.6 Red 214.1 0.7 Rush12.0 1.1 Saving Santa

UK studio-backed (%)7.8 0.4 Red 24.9 0.8 Red 29.2 1.8 Red 2

(million)


share (%) film

10.8 3.8 Philomena12.9 5.4 Philomena

Figure 6.2 UK market share in 21 territories, 2013 (in order of market share of UK independent films)

22.218.311.914.611.015.711.0

9.912.2

9.611.911.911.013.1

5.712.114.714.113.2

8.114.4


(%)

UK and ROI

New Ze

aland

Austria

Australia Ita

ly

Portugal

South Korea

France

Spain

German

yRussi

aUSA

Netherl

ands

Venezu

elaJap

anBraz

il

Mexico

Colombia

Argentina

ChinaChile

0.0

5.0

10.0

15.0

20.0

25.0

UK independent (%) UK studio-backed* (%)

Chapter 7 UK talent and awards

Table 7.1 Top 20 grossing films worldwide, 2001-2013

Rank Title1 Avatar2 Marvel Avengers Assemble3 Harry Potter and the Deathly Hallows: Part 24 Iron Man 35 Transformers: Dark of the Moon6 The Lord of the Rings: The Return of the King7 Skyfall8 The Dark Knight Rises9 Pirates of the Caribbean: Dead Man's Chest10 Toy Story 311 Pirates of the Caribbean: On Stranger Tides12 Alice in Wonderland13 The Hobbit: An Unexpected Journey14 The Dark Knight15 Harry Potter and the Philosopher's Stone16 Despicable Me 217 Pirates of the Caribbean: At World's End18 Frozen19 Harry Potter and the Deathly Hallows: Part 120 Harry Potter and the Order of the PhoenixSource: BFI RSU

Table 7.2 Top 20 grossing films worldwide based on stories and characters created by UK writers, 2001-2013Rank Title1 Harry Potter and the Deathly Hallows: Part 22 The Lord of the Rings: The Return of the King3 Skyfall4 Alice in Wonderland5 The Hobbit: An Unexpected Journey6 Harry Potter and the Philosopher’s Stone7 Harry Potter and the Deathly Hallows: Part 18 Harry Potter and the Order of the Phoenix9 Harry Potter and the Half-Blood Prince10 The Lord of the Rings: The Two Towers11 Harry Potter and the Goblet of Fire12 Harry Potter and the Chamber of Secrets13 The Lord of the Rings: The Fellowship of the Ring14 The Hobbit: The Desolation of Smaug



15 Inception16 Harry Potter and the Prisoner of Azkaban1718 Mamma Mia!19 Casino Royale20 The War of the WorldsSource: BFI RSU

Figure 7.1 Origin of UK story material in the top 200 films at the international box office, 2001-2013

Source Share of Market (%)Novel 88Original screenplay 6Comic book/graphic novel 3Musical 3Source: BFI RSU

Figure 7.2 Top 12 UK actors featured in the top 200 films at the worldwide box office, 2001-2013 (number of appearances)

Wardrobe

Novel Original screenplay Comic book/graphic novel Musical

Daniel

Radcliff

e/

Emma W

atson/

Rupert Grin

t (8)

Helena B

onham Cart

er (10)

Richard

Griffiths (

7)

Orlando Bloom (7

)

Ian M

cKellen

(8)

Ralph Fie

nnes (6)

Julie W

alters

(6)

Alan Rick

man (5

)

Christopher

Lee (7

)

Gary O

ldman (5

)0

1

2

3

4

5

6

7

8

9

US$

billi

on

Gross box office (US$ billion)

7.69Helena Bonham Carter (10) 7.24Richard Griffiths (7) 6.91Orlando Bloom (7) 6.09Ian McKellen (8) 5.93Ralph Fiennes (6) 5.72Julie Walters (6) 5.67Alan Rickman (5) 5.18Christopher Lee (7) 5.15Gary Oldman (5) 4.16Source: BFI RSU

Notes:

Includes actors who have made four or more appearances in the top 200 films, either in lead/title role or supporting role (not including voices in animated films).

Figure 7.3 Top 10 UK directors based on top 200 grossing films at the global box office, 2001-2013 (number of films)

Director (number of films) Worldwide gross from films in top 200 (US$ million)David Yates (4) 4,156Christopher Nolan (4) 3,280Mike Newell (2) 1,228Sam Mendes (1) 1,108Ridley Scott (3) 1,074

appearances)

Daniel Radcliffe/Emma Watson/Rupert Grint (8)

Daniel

Radcliff

e/

Emma W

atson/

Rupert Grin

t (8)

Helena B

onham Cart

er (10)

Richard

Griffiths (

7)

Orlando Bloom (7

)

Ian M

cKellen

(8)

Ralph Fie

nnes (6)

Julie W

alters

(6)

Alan Rick

man (5

)

Christopher

Lee (7

)

Gary O

ldman (5

)0

1

2

3

4

5

6

7

8

9

US$

billi

on

David Ya

tes (4

)

Christopher

Nolan (4

)

Mike New

ell (2

)

Sam M

endes

(1)

Ridley Sc

ott (3)

Guy Ritc

hie (2)

Tom Hooper

(2)

Phyllida L

loyd (1

)

Rupert W

yatt (1

)

Kenneth

Branagh

(1)

0

500

1,000

1,500

2,000

2,500

3,000

3,500

4,000

4,500

US$

mill

ion

Guy Ritchie (2) 1,068Tom Hooper (2) 856Phyllida Lloyd (1) 602Rupert Wyatt (1) 483Kenneth Branagh (1) 448Source: BFI RSU

Table 7.3 UK directors from the top 200 films at the global box office and their films, 2001-2013Director Film(s)David Yates Harry Potter and the Deathly Hallows: Part 2

Harry Potter and the Deathly Hallows: Part 1 Harry Potter and the Order of the Phoenix Harry Potter and the Half-Blood Prince

Christopher Nolan The Dark Knight Rises The Dark Knight Inception Batman Begins

Mike Newell Harry Potter and the Goblet of Fire Prince of Persia: The Sands of Time

Sam Mendes Skyfall Ridley Scott Prometheus

Hannibal Robin Hood

Guy Ritchie Sherlock Holmes: A Game of Shadows Sherlock Holmes

Tom Hooper Les Misérables The King's Speech

Phyllida Lloyd Mamma Mia! Rupert Wyatt Rise of the Planet of the Apes Kenneth Branagh Thor Paul Greengrass The Bourne Ultimatum Michael Apted The Chronicles of Narnia: The Voyage of the Dawn TreaderRupert Sanders Snow White and the Huntsman Danny Boyle Slumdog Millionaire Matthew Vaughn X-Men: First Class Source: BFI RSU

Table 7.4 Numbers of films written by writers of UK independent films, release years 2003-2013Number of writers

1 9852 933 434 75 36 4Total 1,135Source: Rentrak, BFI RSU analysis.Note: Percentages may not sum to 100 due to rounding.

Table 7.5 Numbers of films directed by filmmakers of UK independent films, release years 2003-2013

co-written

Number of directors1 7212 1133 224 115 66 18 19 1Total 876Source: Rentrak, BFI RSU analysis.

Table 7.6 Numbers of UK award winners, 2001-2013/14Year Number of UK award winners2001 252002 242003 222004 222005 232006 252007 322008 322009 362010 242011 302012 232013 26Total (to end of 2013) 3442013/14 award cycle 26Source: BFI

Table 7.7 UK award winners, 2013/14Award ceremony/festival Award

Special Jury Prize – World Cinema: Documentary

Cinematography Award – World Cinema: DocumentaryAudience Award – World Cinema: Dramatic

Editing Award – World Cinema: DocumentaryEuropa Cinemas Label – Best European Film

Best Screenplay

People’s Choice Award

Adapted Screenplay

British Short Animation

or co-directed

Sundance Film Festival 17-27 January 2013

Cannes Film Festival 15-26 May 2013

Venice Film Festival 28 August-7 September 2013

Toronto Film Festival 5-15 September 2013BAFTA Film Awards 16 February 2014

British Short Film

EE Rising StarFellowshipFilm

Leading ActorOriginal MusicOutstanding British Contribution to CinemaOutstanding British Film

Outstanding Debut by a British Writer, Director or ProducerSound

Special Visual Effects

Best Picture

Sound EditingSound MixingVisual Effects

Music (Original Score)Film Editing

Source: BFI

BAFTA Film Awards 16 February 2014

Academy Awards® 02 March 2014

Country of origin US distributorUSA 2,782 20th Century FoxUSA 1,518 Walt Disney

UK/USA 1,328 Warner BrosUSA/China 1,215 Walt Disney

USA 1,123 ParamountUSA/NZ 1,119 New LineUK/USA 1,108 MGM/Columbia/SonyUK/USA 1,081 Warner Bros

USA 1,065 Buena VistaUSA 1,064 Walt Disney

UK/USA 1,044 Walt DisneyUSA 1,024 Walt Disney

USA/NZ 1,019 Warner BrosUK/USA 1,002 Warner BrosUK/USA 974 Warner Bros

USA 970 Universal PicturesUSA 961 Walt DisneyUSA 956 Walt Disney

UK/USA 955 Warner BrosUK/USA 939 Warner Bros

Table 7.2 Top 20 grossing films worldwide based on stories and characters created by UK writers, 2001-2013Country of origin US distributor

UK/USA 1,328 Warner BrosUSA/NZ 1,119 New LineUK/USA 1,108 MGM/Columbia/Sony

USA 1,024 Walt DisneyUSA/NZ 1,019 Warner BrosUK/USA 974 Warner BrosUK/USA 955 Warner BrosUK/USA 939 Warner BrosUK/USA 934 Warner BrosUSA/NZ 923 New LineUK/USA 893 Warner BrosUK/USA 877 Warner Bros USA/NZ 868 New LineUSA/NZ 859 Warner Bros

Gross box office (US$ million)

million)



UK/USA 826 Warner BrosUK/USA 789 Warner BrosUSA/NZ 745 Walt DisneyUK/USA 602 Universal

UK/USA/Cze 600 Columbia/Sony USA 596 Paramount

Figure 7.1 Origin of UK story material in the top 200 films at the international box office, 2001-2013

Figure 7.2 Top 12 UK actors featured in the top 200 films at the worldwide box office, 2001-2013 (number of appearances)

Novel Original screenplay Comic book/graphic novel Musical

Daniel

Radcliff

e/

Emma W

atson/

Rupert Grin

t (8)

Helena B

onham Cart

er (10)

Richard

Griffiths (

7)

Orlando Bloom (7

)

Ian M

cKellen

(8)

Ralph Fie

nnes (6)

Julie W

alters

(6)

Alan Rick

man (5

)

Christopher

Lee (7

)

Gary O

ldman (5

)0

1

2

3

4

5

6

7

8

9

US$

billi

on

Includes actors who have made four or more appearances in the top 200 films, either in lead/title role or supporting role (not including voices in animated films).

Figure 7.3 Top 10 UK directors based on top 200 grossing films at the global box office, 2001-2013 (number of films)

Daniel

Radcliff

e/

Emma W

atson/

Rupert Grin

t (8)

Helena B

onham Cart

er (10)

Richard

Griffiths (

7)

Orlando Bloom (7

)

Ian M

cKellen

(8)

Ralph Fie

nnes (6)

Julie W

alters

(6)

Alan Rick

man (5

)

Christopher

Lee (7

)

Gary O

ldman (5

)0

1

2

3

4

5

6

7

8

9

US$

billi

on

David Ya

tes (4

)

Christopher

Nolan (4

)

Mike New

ell (2

)

Sam M

endes

(1)

Ridley Sc

ott (3)

Guy Ritc

hie (2)

Tom Hooper

(2)

Phyllida L

loyd (1

)

Rupert W

yatt (1

)

Kenneth

Branagh

(1)

0

500

1,000

1,500

2,000

2,500

3,000

3,500

4,000

4,500

US$

mill

ion

Table 7.3 UK directors from the top 200 films at the global box office and their films, 2001-2013Total gross box office (US$ million)

4,156

3,280

1,228

1,1081,074

1,068

856

602483448443416397377353

Table 7.4 Numbers of films written by writers of UK independent films, release years 2003-2013% of writers

86.88.23.80.60.30.4

100

Table 7.5 Numbers of films directed by filmmakers of UK independent films, release years 2003-2013

% of directors82.312.9

2.51.30.70.10.10.1

100

UK share %141513131414151517121514151515

Recipient TitleFilm

Marc Silver (with Pau Esteve Birba) Who is Dayani Cristal?Film Metro ManilaAward presented to Sean EllisBen Stark The SummitFilm The Selfish GiantAward presented to Clio BarnardSteve Coogan and Jeff Pope Philomena

Film 12 Years a SlaveAward presented to Steve McQueenSteve Coogan and Jeff Pope Philomena

Film Sleeping with the Fishes

Pussy Riot: A Punk PrayerAward presented to Mike Lerner and

Award presented to James Walker,

Film Room 8

Will PoulterDame Helen MirrenFilm 12 Years a Slave

Chiwetel Ejiofor 12 Years a SlaveSteven Price GravityPeter GreenawayFilm Gravity

Kieran Evans (Director and Writer) Kelly + VictorGravity

Gravity

Film 12 Years a Slave

Glenn Freemantle GravityGravityGravity

Steven Price GravityMark Sanger (with Alfonso Cuarón) Gravity

Award presented to James W. Griffiths

Award presented to Anthony Katagas,

Award presented to Alfonso Cuarón,

Glenn Freemantle, Christopher Benstead and Chris Munro (with Skip Lievsay and Niv Adiri)

Tim Webber, Chris Lawrence, Neil Corbould and Nikki Penny (with David Shirk)Award presented to Brad Pitt, Dede

Christopher Benstead and Chris Munro Tim Webber, Chris Lawrence and Neil Corbould (with David Shirk)

UK story material (writer)

Novel by JK Rowling

Novel by JRR Tolkien

Novel by Lewis CarrollNovel by JRR Tolkien

Novel by JK Rowling

Novel by JK RowlingNovel by JK Rowling

UK story material (writer)Novel by JK Rowling

Novel by JRR Tolkien

Novel by Lewis CarrollNovel by JRR TolkienNovel by JK RowlingNovel by JK RowlingNovel by JK RowlingNovel by JK Rowling

Novel by JRR TolkienNovel by JK RowlingNovel by JK Rowling

Novel by JRR TolkienNovel by JRR Tolkein

Fleming

Fleming

Novel by JK RowlingNovel by CS Lewis

Novel by Ian FlemingNovel by HG Wells

Christopher Nolan

Johnson

Chapter 8 Theatrical release history and comparative performance of independent domestic UK films

Table 8.1 Release rates of independent domestic UK films in the UK and Republic of Ireland, by budget, production years 2003-2011

Budget band (£ million)<0.5 973 1130.5 – 2 348 1322 – 5 157 935 – 10 56 4010+ 12 10Total 1,546 388Source: Rentrak, BFINotes:

Release rates subject to two-year release limit (see section 8.1).

A film is considered to be released theatrically if it was recorded as such by Rentrak.

Table 8.2 Box office performance of independent domestic UK films released in the UK and Republic of Ireland by budget, production years 2003-2011Budget band (£ million) Number of films released<0.5 113.0 5.00.5 – 2 132.0 30.02 – 5 93.0 270.05+ 50.0 1,178.0Total 388.0 53.0Source: Rentrak, BFI

Notes: Figures shown are of independent domestic UK films released in the UK and Republic of Ireland within two years of principal photography (see section 8.1). Box office figures valid to February 2014.

The median (the value at which equal numbers of films have higher and lower box office values) is a better representation of the ‘middle’ of the distribution of box office revenues than the mean which tends to have an upward skew due to a small number of high grossing films. Means are also shown in the table for reference.

Table 8.3 International release rates of independent domestic UK films by budget, production years 2003-2011Budget band (£ million)<0.5 973.0 122.00.5 – 2 348.0 142.02 – 5 157.0 104.05 – 10 56.0 43.010+ 12.0 11.0Total 1,546.0 422.0Source: Rentrak, BFINotes:

Release rates are calculated two years after principal photography (see section 8.1). A film is ‘internationally released’ if it was recorded as such in any one of the 19 Rentrak territories monitored (see section 8.1 for the list).

Number of films produced

Number released within two years of principal

photography

Median box office

produced photography



Figure 8.1 Local and overseas share of independent domestic UK film box office by budget, production years 2003-2011

Budget band Overseas<£0.5 million 53.4 46.6£0.5 - £2 million 44.4 55.6£2 - £5 million 53.7 46.3£5+ million 24.2 75.8Source: Rentrak, BFI

Notes: Release rates subject to limit of two years from principal photography (see section 8.1). Box office figures valid to February 2014.

Table 8.5 Share of 19 territory international box office of independent domestic UK films by grouped territories, production years 2003-2011TerritoriesUK and Republic of Ireland 32USA and Canada 28

22Australia, New Zealand 9Japan, South Korea 4

4Total of Rentrak multi-territory box 100Source: Rentrak, BFI

Notes: Release rates subject to two-year release limit (see section 8.1).Box office figures valid to February 2014.Percentages may not sum to 100 due to rounding.

Figure 8.2 Share of 19 territory international box office of independent domestic UK films by grouped territories and budget, production years 2003-2011

Ireland

box office (%)

the Netherlands, Portugal, Spain

Argentina, Brazil, Chile, Colombia, Mexico, Venezuela

<£0.5 million £0.5 - £2 million £2 - £5 million £5+ million0%

10%20%30%40%50%60%70%80%90%

100%

UK and ROI USA and Canada Other EUAustralia/New Zealand Japan/South Korea Central and South America

% sh

are


10%

20%

30%

40%

50%

60%

70%

80%

90%

100%

UK and Republic of Ireland Overseas

% sh

are

Region <£0.5 million £0.5 - £2 millionUK and ROI 53.4 44.4USA and Canada 11.7 16.8Other EU 20.1 24.8Australia/New Zealand 13.5 8.7Japan/South Korea - 1.0Central and South America 1.2 4.3Source: Rentrak, BFISee notes to Table 8.5.

Table 8.6 Percentage of independent domestic UK films achieving multi-territory box office to budget ratio of 2 or above by budget, production years 2003-2011Budget band (£ million)<0.5 122 40.5 – 2 142 72 – 5 104 95+ 54 8Total 422 28Source: Rentrak, BFINotes:

Release rates subject to two-year release limit (see section 8.1). Box office figures valid to February 2014.

Table 8.7 Outcome of projects by budget for independent domestic UK films which have not been released theatrically, production years 2003-2011Budget

Outcome <£0.5 million £0.5 - £2 millionShown/available 284 99In production/post-production 30 10No information 92 57Total 406 166Source BFI RSUNote: Films which had limited releases that were not tracked by Rentrak are considered to be not released.

Figure 8.3 Percentages of ‘non-released’ independent domestic UK films falling into each of three basic outcome categories by budget, production years 2003-2011

principal photography ratio of 2 or above

<£0.5 million £0.5 - £2 million £2+ million0

10

20

30

40

50

60

70

80

90

100

Shown/available In production/post-production No information

% o

f film

s


10%20%30%40%50%60%70%80%90%

100%


% sh

are

Outcome <£0.5 million £0.5 - £2 millionShown/available 70.0 59.6In production/post-production 7.4 6.0No information 22.7 34.3Source: BFI RSUNotes:

Films which had limited releases that were not tracked by Rentrak are considered to be not released.Percentages may not sum to 100 due to rounding.

Figure 8.4 Percentages of total budget for ‘non-released’ independent domestic UK films falling into each of three basic outcome categories by budget, production years 2003-2011

Budget band <£0.5 million £0.5 - £2 millionShown/available 74.7 62.7In production/post-production 7.3 5.1No information 18.0 32.3Source: BFI RSU


10

20

30

40

50

60

70

80

90

100


% o

f tot

al b

udge

t


10

20

30

40

50

60

70

80

90

100


% o

f film

s

Notes:

Films which had limited releases that were not tracked by Rentrak are considered to be not released.

Percentages may not sum to 100 due to rounding.

Table 8.8 Numbers of ‘non-released’ independent domestic UK films shown or available by budget, production years 2003-2011Outcome <£0.5 million £0.5 - £2 millionAvailable on physical video 111 47Available online 15 6Shown on television 16 11Limited UK theatrical release 65 13International release 10 5Shown at film festival and other 146 47Shown at film festival only 94 24Total 284 99Source: BFI RSU

Notes: Categories may sum to more than the totals as some films are included in more than one category. Films which had limited releases that were not tracked by Rentrak are considered to be not released.

Figure 8.5 Percentages of ‘non-released’ independent domestic UK films in each shown or availability category by budget, production years 2003-2011

Outcome <£0.5 million £0.5 - £2 millionAvailable on video 39.1 47.5Available online 5.3 6.1Shown on television 5.6 11.1Limited UK theatrical release 22.9 13.1International release 3.5 5.1Shown at film festival and other 51.4 47.5Shown at film festival only 33.1 24.2Source: BFI RSUNotes:

Percentages over categories add to more than 100 as some films are included in more than one category.

<£0.5 million £0.5 - £2 million £2+ million0.0

10.0

20.0

30.0

40.0

50.0

60.0

70.0

Available on video Available online Shown on televisionLimited UK theatrical release International release Shown at film festival and otherShown at film festival only

%

Films which had limited releases that were not tracked by Rentrak are considered to be not released.

Chapter 8 Theatrical release history and comparative performance of independent domestic UK films

Table 8.1 Release rates of independent domestic UK films in the UK and Republic of Ireland, by budget, production years 2003-2011

% released11.6 0.237.9 1.059.2 2.771.4 6.583.3 12.025.1 1.1

Table 8.2 Box office performance of independent domestic UK films released in the UK and Republic of Ireland by budget, production years 2003-2011

33.0216.0

1,510.03,777.0

932.0

Figures shown are of independent domestic UK films released in the UK and Republic of Ireland within two years of principal photography (see section 8.1).


Table 8.3 International release rates of independent domestic UK films by budget, production years 2003-2011% released

12.5 0.240.8 1.066.2 2.776.8 6.591.7 12.327.3 1.1

A film is ‘internationally released’ if it was recorded as such in any one of the 19 Rentrak territories monitored (see section 8.1 for the list).

Median budget of released films (£

million)

000)

million)



Figure 8.1 Local and overseas share of independent domestic UK film box office by budget, production years 2003-2011

Table 8.5 Share of 19 territory international box office of independent domestic UK films by grouped territories, production years 2003-2011

Figure 8.2 Share of 19 territory international box office of independent domestic UK films by grouped territories and budget, production years 2003-2011


10%20%30%40%50%60%70%80%90%

100%


% sh

are


10%

20%

30%

40%

50%

60%

70%

80%

90%

100%

UK and Republic of Ireland Overseas

% sh

are

£2 - £5 million £5+ million53.7 24.214.8 32.918.4 23.5

8.8 9.72.2 5.12.1 4.6

Table 8.6 Percentage of independent domestic UK films achieving multi-territory box office to budget ratio of 2 or above by budget, production years 2003-2011

3.34.98.7

14.86.6

Table 8.7 Outcome of projects by budget for independent domestic UK films which have not been released theatrically, production years 2003-2011Budget

£2+ million Total31 414

4 4413 16248 620

Figure 8.3 Percentages of ‘non-released’ independent domestic UK films falling into each of three basic outcome categories by budget, production years 2003-2011

ratio of 2 or above


10

20

30

40

50

60

70

80

90

100


% o

f film

s


10%20%30%40%50%60%70%80%90%

100%


% sh

are

£2+ million64.6

8.327.1

Figure 8.4 Percentages of total budget for ‘non-released’ independent domestic UK films falling into each of three basic outcome categories by budget, production years 2003-2011

£2+ million63.9

7.928.2


10

20

30

40

50

60

70

80

90

100


% o

f tot

al b

udge

t


10

20

30

40

50

60

70

80

90

100


% o

f film

s

Table 8.8 Numbers of ‘non-released’ independent domestic UK films shown or available by budget, production years 2003-2011£2+ million

18-

1121

115

31

Figure 8.5 Percentages of ‘non-released’ independent domestic UK films in each shown or availability category by budget, production years 2003-2011

£2+ million58.1

-35.5

6.53.2

35.516.1

<£0.5 million £0.5 - £2 million £2+ million0.0

10.0

20.0

30.0

40.0

50.0

60.0

70.0

Available on video Available online Shown on televisionLimited UK theatrical release International release Shown at film festival and otherShown at film festival only

%

Chapter 9 Distribution

Table 9.1 Distributor share of box office, UK and Republic of Ireland, 2013Distributor Market share (%)Warner Bros 17.2 24Walt Disney 15.2 30Universal 15.1 3120th Century Fox 13.1 35eOne Films 9 50Sony Pictures 8.7 27Paramount 7.8 16Lionsgate 4.7 32StudioCanal 2.8 48Entertainment 1.9 17Sub total 95.5 310Others (117 distributors) 4.5 511Total 100 821Source: RentrakNotes:

The total number of films on release differs from Table 9.6 as it includes all films on release in 2013, including titles first released in 2012. Box office gross = cumulative box office total for all films handled by the distributor in the period 1 January 2013 to 31 December 2013.

Table 9.2 Distributor market share as percentage of box office gross, 2004-2013Distributor 2004 2005Warner Bros 14.7 18.2Walt Disney 14.5 13.1Universal – –20th Century Fox 10.7 14.3eOne Films – –Sony Pictures 10 6.8Paramount – –Lionsgate 1 0.3Optimum/StudioCanal* – –Entertainment 7.9 9.4Momentum** 2.2 1.9Pathé 2.8 3.4UIP*** 29.8 29.1Top 10 total**** 96.1 97.3Others 3.9 2.7Total 100 100Source: RentrakNotes: Percentages may not add to sub-totals due to rounding.

* Optimum Releasing, the UK subsidiary of StudioCanal, was rebranded as StudioCanal in September 2011.** Momentum was taken over by eOne Films in January 2013.*** Until 2006 Paramount and Universal distributed jointly as UIP.**** Top 10 total refers to the top 10 distributors of that particular year. The table is ranked by top 10 distributors in 2013.

2013



Table 9.3 Top 10 distributors of specialised films in the UK and Republic of Ireland, 2013 (ranked by box office gross)DistributoreOne Films 9 19720th Century Fox 8 193Pathé 4 168Lionsgate 11 116StudioCanal 33 26Curzon Film World* 24 26Warner Bros 2 155Universal 4 193Eros International 19 39UTV Motion Pictures 7 66Source: Rentrak, BFI RSU analysisNotes: The list includes distributors releasing two or more specialised films in 2013.

*Artificial Eye Film Releasing was rebranded as Curzon Film World in April 2013.

Table 9.4 Top 10 distributors of foreign language films in the UK and Republic of Ireland, 2013 (ranked by box office gross)DistributorEros International 19 39UTV Motion Pictures 7 66Yash Raj Films 4 49Curzon Film World* 12 20Ayngaran 22 13eOne Films 2 79Tip Top Entertainment 7 27Pathé 3 36Soda Pictures 12 15Reliance Entertainment 4 50Source: Rentrak, BFI RSU analysisNotes: The list includes distributors releasing two or more foreign language titles in 2013.

* See note to Table 9.3.

Table 9.5 Top 10 distributors of UK independent films in the UK and Republic of Ireland, 2013 (ranked by box office gross)DistributorStudioCanal 9 200eOne Films 9 272Entertainment 3 388Lionsgate 4 202Vertigo Films 6 97Universal 2 286Curzon Film World* 4 54Metrodome 6 20Picturehouse 3 47Dogwoof 3 34Source: Rentrak, BFI RSU analysisNotes: The list includes distributors releasing two or more UK independent films in 2013.

* See note to Table 9.3.

Figure 9.1 Numbers of releases by widest point of release, 2007-2013

released in 2013 of release



2007 2008 2009 2010 2011 2012 20130

50

100

150

200

250

300

>=500 400 – 499 300 – 399 200 – 299 100 – 199 50 – 99 10 – 49 <10

Num

ber o

f rel

ease

s

2007 2008 >=500 9 9 400 – 499 35 34 300 – 399 44 60

41 3140 2543 43

10 – 49 134 119 <10 171 206Source: Rentrak, BFI RSU analysis

Table 9.7 Box office percentage share by weekday/weekend, 2004-20132004 2005

Friday 15.3 18Saturday 24.5 27Sunday 19.9 19Weekend 59.7 64Monday 9.7 8Tuesday 10.1 8Wednesday 10.7 10Thursday 9.8 10Weekday 40.3 36Total 100 100Source: RentrakNote: Percentages may not add to weekend/weekday sub-totals due to rounding.

Table 9.8 Opening weekend as percentage of total box office, 2007-2013 (% of total in opening weekend)Range of box office (£ million) 2007 2008>30 35.8 21.720 – 30 30.2 3110 – 19.9 20 29.25 – 9.9 25.4 27.61 – 4.9 28.1 27.40.2 – 0.9 31.9 34.1<0.2 34.1 34.8All films 28.5 27.3

200 – 299 100 – 199 50 – 99

2007 2008 2009 2010 2011 2012 20130

50

100

150

200

250

300

>=500 400 – 499 300 – 399 200 – 299 100 – 199 50 – 99 10 – 49 <10

Num

ber o

f rel

ease

s

Source: Rentrak, BFI RSU analysis

Note: Opening weekends include preview figures. For films with a limited initial opening, the wider release figure is included in the analysis.

Table 9.9 Estimated advertising spend, 2003 and 2007-2013 (£ million)Medium 2003 2007TV 61.2 74.1Outdoor 46.6 65.3Press 30.1 27Radio 9.7 8.4Internet - 4.7Total 147.6 179.5Source: Nielsen Media ResearchNote: Figures may not sum to totals due to rounding.

Figure 9.2 Percentage share of advertising spend by medium, 2007-2013

2007 2008TV 41.3 46.1Outdoor 36.4 32.7Press 15 13.1Radio 4.7 5.5Internet 2.6 2.6Source: Nielsen Media Research

Table 9.10 Estimated release cost by width of release, 2008-2013Average release costs (£ million)

2008 2009500+ 3.95 3.4400 – 499 2.21 2.05300 – 399 1.39 1.32200 – 299 0.9 0.84100 – 199 0.43 0.5150 – 99 0.18 0.2110 – 49 0.08 0.06<10 0.01 0.01

Number of sites at widest point of release

2007 2008 2009 2010 2011 2012 20130

5

10

15

20

25

30

35

40

45

50

TV Outdoor Press Radio Internet

%

Source: Nielsen Media Research, Rentrak, BFI RSU analysis

Note: The print costs calculations assume print costs for a combination of digital and analogue distribution are the same as for analogue distribution.

Table 9.11 Estimated release cost by budget for UK films, 2013Budget (£ million) Number of films£10+ 20 2.23£5 – £9.9 9 0.85£2 – £4.9 21 0.67£0.5 – £1.9 33 0.07<£0.5 41 0.03All films 124 0.56Source: Nielsen Media Research, BFI RSU analysisNote: The print costs calculations assume print costs for a combination of digital and analogue distribution are the same as for analogue distribution.

(£ million)

204.1180.4178.7155.4106.8103.3

92.255.333.223.1

1,132.5053.2

1,185.70

The total number of films on release differs from Table 9.6 as it includes all films on release in 2013, including titles first released in 2012. Box office gross = cumulative box office total for all films handled by the distributor in the period 1 January 2013 to 31 December 2013.

2006 2007 2008 20098.2 15.6 11 11.2

15.7 10.7 9.9 12.4– 13.9 18.5 10.5

20.9 13.9 9.4 16.6– – – 4.9

16.1 8.2 12.5 11.3– 14.7 16.9 10.8

2.4 2.3 2.5 2.9– – – –

7.9 9.5 8 8.62.3 3.4 3.5 –3.2 1.3 2.1 2.9

18.9 – – –96.4 94.5 94.5 92.2

3.6 5.5 5.5 7.8100 100 100 100

**** Top 10 total refers to the top 10 distributors of that particular year. The table is ranked by top 10 distributors in 2013.

million)



Table 9.3 Top 10 distributors of specialised films in the UK and Republic of Ireland, 2013 (ranked by box office gross)

1612.5

126.65.65.45.24.54.23.9

Table 9.4 Top 10 distributors of foreign language films in the UK and Republic of Ireland, 2013 (ranked by box office gross)

4.23.92.92.41.31.2

10.90.80.7

Table 9.5 Top 10 distributors of UK independent films in the UK and Republic of Ireland, 2013 (ranked by box office gross)

23.517.2

9.64.62.72.21.90.70.60.3

million)

million)

million)

2007 2008 2009 2010 2011 2012 20130

50

100

150

200

250

300

>=500 400 – 499 300 – 399 200 – 299 100 – 199 50 – 99 10 – 49 <10

Num

ber o

f rel

ease

s

2009 2010 2011 20129 13 19 26

46 51 57 4353 48 44 5130 28 26 2432 37 41 3631 36 41 56

105 129 138 166197 215 192 245

2006 2007 2008 200916.5 16.4 16.7 16.425.1 27.8 24.4 2418.7 19.3 18.3 17.860.3 63.5 59.4 58.2

9.5 7.2 9.4 9.29.5 9 9.5 9.5

10.9 11.6 11.9 13.79.7 8.7 9.9 9.5

39.7 36.5 40.7 41.8100 100 100 100

Table 9.8 Opening weekend as percentage of total box office, 2007-2013 (% of total in opening weekend)2009 2010 2011 201218.8 27.4 29.4 27

23 35.8 22.6 22.432.2 26.1 27.6 24.626.1 26.7 26.2 26.130.3 30.4 32.2 31.835.5 31.9 35.5 37.736.5 34.8 38.5 37.826.1 28.6 28.1 26.8

2007 2008 2009 2010 2011 2012 20130

50

100

150

200

250

300

>=500 400 – 499 300 – 399 200 – 299 100 – 199 50 – 99 10 – 49 <10

Num

ber o

f rel

ease

s

Note: Opening weekends include preview figures. For films with a limited initial opening, the wider release figure is included in the analysis.

2008 2009 2010 201179.3 74.3 76 90.856.2 57 61 69.122.6 19.9 19.9 22

9.4 10.7 7.6 6.84.5 6.4 6.1 8.5

172 168.3 170.6 197.2

2009 2010 2011 201244.1 44.5 46 47.233.9 35.8 35 35.611.8 11.7 11.2 11.4

6.4 4.5 3.4 3.63.8 3.6 4.3 2.1

Average release costs (£ million)2010 2011 2012 20132.65 3.14 3.13 3.042.09 2.17 1.99 2.041.24 1.38 1.28 1.150.77 0.82 0.83 0.760.33 0.31 0.36 0.3

0.2 0.16 0.12 0.130.04 0.05 0.04 0.030.01 0.01 0.01 0.01

2007 2008 2009 2010 2011 2012 20130

5

10

15

20

25

30

35

40

45

50

TV Outdoor Press Radio Internet

%

2010 2011 2012 201318.3 18.2 12.9 17.2

14 8.7 10.2 15.210.2 11.8 10.7 15.115.9 12.1 16.1 14.1

5.5 5.1 6.7 96.9 7.2 18 8.7

14.8 16.3 7.7 7.83.5 – 5.7 4.72.2 3.8 – 2.82.5 6.7 3.1 1.9

– 4.6 4.3 –– – –– – –

93.7 94.4 95.4 96.56.3 5.6 4.6 3.5

100 100 100 100

2013315342193664

210243

2010 2011 2012 201316 16.6 16.4 15.8

24.1 23.8 24.1 24.918.5 17.6 17.6 18.258.6 57.9 58.1 58.9

9.5 9.2 9.3 8.99.3 9.1 9.3 9.4

13.2 13.9 13.4 12.69.3 9.8 9.8 10.2

41.4 42.1 41.9 41.1100 100 100 100

201324

30.927.628.432.1

3738.328.4

2012 201389.1 89.267.2 71.221.5 20.7

6.8 5.94 2.5

188.6 189.4

201347.137.610.9

3.11.3

Chapter 10 Exhibition

Figure 10.1 UK cinema sites by type of site, 2002-2013

Year Multiplex Total sites2002 229 439 6682003 234 444 6782004 238 406 6442005 242 417 6592006 249 448 6972007 258 469 7272008 269 457 7262009 275 448 7232010 278 438 7162011 285 460 7452012 288 481 7692013 295 461 756Source: Dodona Research, BFI RSU analysis

Notes: Data on cinema sites before 2002 are not available. Multiplexes are defined as purpose-built cinema complexes with five or more screens while excluding those that were converted from traditional cinema sites.

Figure 10.2 UK cinema screens by type of cinema, 1999-2013

mixed use

2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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Multiplex Traditional and mixed use

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Year Multiplex Total1999 1,624 1,134 2,7582000 1,874 1,080 2,9542001 2,115 1,049 3,1642002 2,299 959 3,2582003 2,362 956 3,3182004 2,426 916 3,3422005 2,453 904 3,3572006 2,512 928 3,4402007 2,578 936 3,5142008 2,689 921 3,6102009 2,735 916 3,6512010 2,767 904 3,6712011 2,833 934 3,7672012 2,851 966 3,8172013 2,915 952 3,867Source: Dodona Research, BFI RSU analysisSee note to Figure 10.1.

Table 10.1 Screens by location, 2003-2013Location 2003 2004 2005Town/city centre 1,470 1,502 1,495Out of town 1,234 1,243 1,250Edge of centre 464 465 479Suburban 33 33 38Rural 117 99 95Total 3,318 3,342 3,357Source: Dodona Research, BFI RSU analysis

Table 10.2 Admissions per person in major film territories, 2003-2013Year USA Australia France2003 4.8 4.5 3.02004 4.6 4.5 3.4

mixed use

1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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2005 4.3 4.0 3.02006 4.3 4.0 3.22007 4.3 4.0 3.02008 4.1 3.9 3.22009 4.2 4.1 3.42010 4.0 4.1 3.52011 3.8 3.8 3.62012 3.9 3.7 3.42013 3.8 3.7 3.2Source: IHS

Table 10.3 Screens and admissions by ISBA TV region, 2013 (ranked by screens per 100,000 people)ISBA TV region Screens % of total screens Sites Northern Ireland 200 5.2 28Central Scotland 247 6.4 39London 860 22.2 158Wales and West 317 8.2 74South West 117 3.0 38Lancashire 444 11.5 64Northern Scotland 80 2.1 20Southern 340 8.8 80Border 35 0.9 18Midlands 558 14.4 104Yorkshire 314 8.1 56East of England 221 5.7 50North East 134 3.5 27Total 3,867 100.0 756Source: Dodona Research, Beacon Dodsworth, Cinema Advertising Association (CAA), BFI RSU analysisNotes:

* Beacon Dodsworth population estimates based on Census data 2011. Figures may not sum to totals due to rounding.

Table 10.4 Screens and population in the nations and regions, 2013 (ranked by screens per 100,000 people)Nation/region Screens % of total screens SitesNorthern Ireland 200 5.2 28London 619 16.0 112South West 343 8.9 89South East 559 14.5 123Scotland 338 8.7 66Wales 195 5.0 49North West 447 11.6 67West Midlands 304 7.9 53Yorkshire and The Humber 270 7.0 48North East 129 3.3 24East Midlands 213 5.5 43East of England 233 6.0 50Others** 17 0.4 4Total 3,867 100.0 756Source: Dodona Research, Office for National Statistics (ONS), BFI RSU analysisNotes:

* ONS Mid-year population estimates 2012.

** Others include the Channel Islands and the Isle of Man.

n/a = not available.

Figures may not sum to totals due to rounding.

Table 10.5 Cinema screens by type by nation or region, 2013 (ranked by percentage multiplex)Nation/region Multiplex % multiplex North West 397 88.8 50North East 110 85.3 19Northern Ireland 170 85.0 30Yorkshire and The Humber 221 81.9 49East Midlands 167 78.4 46Wales 151 77.4 44West Midlands 234 77.0 70Scotland 257 76.0 81East of England 172 73.8 61South East 410 73.3 149London 418 67.5 201South West 198 57.7 145Others* 10 58.8 7Total 2,915 75.4 952Source: Dodona Research, BFI RSU analysisNote:

* Others include the Channel Islands and the Isle of Man.

Table 10.6 Sites and screens by programme, 2005-2013

Programme Sites2005 2006 2007

South Asian 5 5 4Specialised 132 157 177Mainstream 522 535 546Source: Dodona Research, BFI RSU analysis

Table 10.7 Percentages of screens by location and programme, 2013Location Mainstream Specialised South AsianTown/city centre 45.6 84.2 50.0Out of town 36.7 2.6 -Edge of centre 14.7 1.5 -Suburban 0.4 3.0 50.0Rural 2.5 8.7 -Total 100.0 100.0 100.0Source: Dodona Research, BFI RSU analysisNote: Percentages may not sum to totals due to rounding.

Table 10.8 Geographical spread of specialised screens, 2013Nation/region Specialised screens %London 76 28.7South East 38 14.3South West 29 10.9Scotland 27 10.2

mixed use

Yorkshire and The Humber 19 7.2East of England 17 6.4East Midlands 16 6.0West Midlands 14 5.3North West 11 4.2Wales 9 3.4North East 7 2.6Northern Ireland 2 0.8Total 265 100.0Source: Dodona Research, BFI RSU analysis

Figure 10.3 Location of specialised screens, 2013

Source: Dofona Research, BFI RSU analysis

Table 10.9 Cinema screens by exhibitors with 20+ screens, 2013Exhibitor Sites Screens % of total screensOdeon 115 881 22.8Cineworld 81 807 20.9Vue 82 776 20.1National Amusements 20 264 6.8Empire Cinemas 16 155 4.0Omniplex (Anderson) 11 89 2.3Reel Cinemas 15 62 1.6

Cineworld/Picturehouse 22 61 1.6Movie House Cinemas 5 39 1.0Merlin Cinemas 11 35 0.9Others (21 major exhibitors 378 698 18.1Total 756 3,867 100.0Source: Dodona ResearchNotes: Figures correct as at January 2014.

Percentages may not sum to 100 due to rounding.The Odeon chain was owned by Terra Firma Capital Partners, a European private equity firm.Cineworld was the only publicly-quoted exhibitor in the UK. It was formed in 1995 and acquired the former Cine-UK and UGC chains in 2004. It also acquired Picturehouse in 2012.Vue, which acquired Warner Village cinemas in 2003 and the Apollo cinema chain in 2012, was sold to Canadian investors Omers Private Equity and Alberta Investment Management in 2013.

National Amusements was owned by the family of Sumner Redstone, chairman of US media giant Viacom.

Table 10.10 Exhibitor share of box office in the UK, 2013Exhibitor Market share (%)Cineworld 25.5 299.2Odeon 23.9 281.3Vue 22.2 261.2National Amusements 5.8 68.6Empire Cinemas 3.8 45.0Sub-total 81.3 955.3Others 18.7 220.2Total 100.0 1,175.6Source: Dodona Research and RentrakNote: Figures/percentages may not sum to totals/sub-totals due to rounding.

Figure 10.4 Percentage of digital screens, 2005-2013

Year Digital Analogue2005 1.1 98.92006 4.1 95.9

million)

2005 2006 2007 2008 2009 2010 2011 2012 20130.0

10.0

20.0

30.0

40.0

50.0

60.0

70.0

80.0

90.0

100.0

Digital Analogue

%

2007 8.2 91.82008 8.5 91.52009 17.4 82.62010 37.8 62.22011 71.0 29.02012 91.7 8.32013 98.4 1.6Source: IHS

Table 10.11 3D digital screens in the UK, 2006-2013Year2006 5 148 3.42007 47 296 15.92008 69 310 22.32009 449 642 69.92010 1,067 1,415 75.42011 1,475 2,714 54.32012 1,564 3,538 44.22013 1,655 3,868 42.8Source: IHS, Rentrak, BFI RSU analysisNotes: 3D digital screens are capable of screening content made in stereoscopic 3D format.

Top performing digital 3D titles in the UK and Republic of Ireland are based on takings from 3D and IMAX 3D screenings

Table 10.12 Numbers and box office takings of events screened in UK cinemas by type of event, 2013Type of event Number of events % of eventsTheatre 14 12.6 7.2Opera 44 39.6 4.8Film/documentary 10 9.0 2.2Ballet 17 15.3 2.1Exhibition 6 5.4 0.9Classical concert 8 7.2 0.9Popular music concert 8 7.2 0.5Comedy 4 3.6 <0.1Total 111 100.0 18.7Source: RentrakNote: Figures/percentages may not sum to totals due to rounding

Figure 10.5 Events screened in UK cinemas by type of event, 2007-2012

screens screens screens

million)

Ballet Classical music Film/documentary Opera Popular music/concert Theatre Other0

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Type of event 2007 2008 2009Ballet - - 3Classical music - - 2Film/documentary 7 6 11Opera 8 39 34Popular music/concert 11 9 2Theatre 0 6 2Other 5 7 4Source: IHSNotes:

Figures include live and recorded events. ‘Film’ includes film screenings followed by a live ‘question and answer’ session.

Figure 10.6 Revenues from alternative content events screened in UK cinemas, 2006-2012 (£ million)

Year Revenue £ million2006 0.22007 0.82008 3.12009 4.72010 7.52011 10.52012 12.5Source: IHS

2006 2007 2008 2009 2010 2011 20120.0

2.0

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nBallet Classical music Film/documentary Opera Popular music/concert Theatre Other

0

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Figure 10.7 Number of film society/community cinema screenings by type, 2012/13

Type of film Number screeningsBritish 428Foreign language 626Documentary 107Shorts 298Archive films 50Films made before 2000 346BFFS booking scheme title* 158Alternative content events 32Source: BFFSNotes:

* The booking scheme provides BFFS members with access to a catalogue of over 700 non-mainstream films.Figures include both film societies and community cinemas.

Figure 10.8 Share of film society/community cinema admissions by nation and region, 2012/13

South East South West East of England North WestEast Midlands Scotland Yorkshire and The Humber LondonWales North East

British

Forei

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Documentar

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Archive

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Region %South East 50South West 21East of England 6North West 4East Midlands 4Scotland 4Yorkshire and The Humber 4London 3Wales 2North East 1West Midlands n/aNorthern Ireland n/aSource: BFFS


% multiplex sites343537373635373839383739

Multiplexes are defined as purpose-built cinema complexes with five or more screens while excluding those that were converted from traditional cinema sites.

2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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% multiplex screens58.963.466.870.671.272.673.173.073.474.574.975.475.274.775.4

2006 2007 2008 20091,555 1,616 1,683 1,7321,262 1,284 1,303 1,297

478 486 499 49840 30 30 27

105 98 95 973,440 3,514 3,610 3,651

UK Spain Italy Germany2.8 3.2 1.5 1.82.9 3.3 1.7 1.9

1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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2.7 2.9 1.5 1.52.6 2.7 1.6 1.72.7 2.6 1.7 1.52.7 2.3 1.7 1.62.8 2.4 1.6 1.82.7 2.2 1.8 1.52.7 2.1 1.7 1.62.7 2.0 1.5 1.72.6 1.7 1.6 1.6

Table 10.3 Screens and admissions by ISBA TV region, 2013 (ranked by screens per 100,000 people)Population (000)* Admissions (000)

1,798 11.1 5,838 29,1903,626 6.8 11,476 46,460

12,898 6.7 42,201 49,0714,876 6.5 11,542 36,4111,836 6.4 4,033 34,4737,151 6.2 16,400 36,9381,296 6.2 3,849 48,1145,629 6.0 15,550 45,736

610 5.7 1,267 36,20410,133 5.5 22,467 40,263

5,980 5.3 13,426 42,7594,299 5.1 11,144 50,4242,913 4.6 6,346 47,355

63,044 6.1 165,540 42,808

Table 10.4 Screens and population in the nations and regions, 2013 (ranked by screens per 100,000 people)Population (in 000)*

1,824 11.0 7.18,308 7.5 5.55,340 6.4 3.98,725 6.4 4.55,314 6.4 5.13,074 6.3 4.07,084 6.3 6.75,643 5.4 5.75,317 5.1 5.62,602 5.0 5.44,568 4.7 5.05,907 3.9 4.7

n/a n/a 4.363,705 6.1 5.1

100,000 people screen

100,000 people per site

Table 10.5 Cinema screens by type by nation or region, 2013 (ranked by percentage multiplex)Total

447129200270213195304338233559619343

173,867

Sites2008 2009 2010 2011

4 4 3 3168 168 163 171554 551 550 571

Total48.334.313.8

0.72.9

100.0

Cineworld was the only publicly-quoted exhibitor in the UK. It was formed in 1995 and acquired the former Cine-UK and UGC chains in 2004. It also acquired Picturehouse in 2012.Vue, which acquired Warner Village cinemas in 2003 and the Apollo cinema chain in 2012, was sold to Canadian investors Omers Private Equity and Alberta Investment Management in 2013.

2005 2006 2007 2008 2009 2010 2011 2012 20130.0

10.0

20.0

30.0

40.0

50.0

60.0

70.0

80.0

90.0

100.0

Digital Analogue

%

BeowulfFly Me to the Moon

AvatarToy Story 3

Harry Potter and the Deathly Hallows: Part 2The Hobbit: An Unexpected Journey

Gravity

Table 10.12 Numbers and box office takings of events screened in UK cinemas by type of event, 2013% box office Average WPR

38.3 19825.7 9311.7 10111.3 100

5.0 1354.9 832.9 1160.2 78

100.0 111

and Republic of Ireland Christmas 3-D


10

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2010 2011 20121 17 151 6 18

16 12 824 43 52

4 15 145 7 93 9 15

Figure 10.6 Revenues from alternative content events screened in UK cinemas, 2006-2012 (£ million)

2006 2007 2008 2009 2010 2011 20120.0

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Figure 10.8 Share of film society/community cinema admissions by nation and region, 2012/13


British

Forei

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2010 2011 2012 2013 % change 2011-20121,726 1,785 1,848 1,866 1.01,311 1,335 1,310 1,328 1.4

506 518 523 534 2.128 28 27 26 -3.7

100 101 109 113 3.73,671 3,767 3,817 3,867 1.3

3.23.23.32.42.22.33.02.82.12.22.22.62.22.6

person

Sites Screens2012 2013 2005 2006 2007

3 2 18 18 10177 168 206 231 255589 586 3,133 3,191 3,249

4.09.89.11.91.45.1

per site

Screens2008 2009 2010 2011 2012

10 10 7 7 7250 253 248 259 268

3,350 3,388 3,416 3,501 3,542

Screens2013

4265

3,598

Chapter 11 Film on physical video

Figure 11.1 Retail video sales (all categories), 1999-2013

Year Volume (million) Value (£ million)1999 96 8782000 114 1,1012001 135 1,4172002 169 1,8962003 208 2,2452004 234 2,4782005 222 2,3092006 228 2,2192007 249 2,2462008 257 2,2372009 243 1,9752010 223 1,8392011 207 1,7492012 179 1,5432013 162 1,438Source: BVA, IHS

Note: Data in this table include all categories of retail video, not only film.

Figure 11.2 Film on video retail sales, 1999-2013

1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

500

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Volume (million) Value (£ million)

Mill

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Year Volume (million) Value (£ million)1999 61 4512000 76 6012001 96 8212002 128 1,1752003 158 1,3922004 180 1,5572005 164 1,3992006 165 1,3022007 188 1,4402008 196 1,4542009 180 1,3112010 160 1,2672011 152 1,1652012 127 9682013 119 940Source: BFI RSU analysis of Official Charts Company and BVA dataNote: Includes some feature films which would be classified as ‘children’s’ videos in the BVA Yearbook.

Figure 11.3 Average retail price of film per unit, 1999-2013

Year Price (£)

1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

200

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Mill

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1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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(£)

1999 7.462000 7.872001 8.562002 9.152003 8.82004 8.642005 8.522006 7.892007 7.682008 7.422009 7.292010 7.92011 7.642012 7.622013 7.93Source: BFI RSU analysis of Official Charts Company and BVA data

Table 11.1 Top 10 best selling films on physical video formats, 2013Title Country of origin

1 Skyfall UK/USA2 The Hobbit: An Unexpected Journey USA/NZ3 Les Misérables UK/USA4 The Twilight Saga: Breaking Dawn – Part 2 USA5 Star Trek Into Darkness USA6 Django Unchained USA7 Taken 2 Fra8 Life of Pi USA/Can9 Iron Man 3 USA/China10 Man of Steel USA/CanSource: Official Charts Company, BVA

Figure 11.4 Sales breakdown by film genre, 2013

Genre %24.6

Comedy 22.0adventure

Action/ adventure Comedy Drama Family Thriller Sci-fi HorrorWar Musical Western Documentary Anime Adult

Drama 16.1Family 9.8Thriller 8.3Sci-fi 7.8Horror 5.4War 2.4Musical 2.1Western 0.7Documentary 0.6Anime 0.2Adult 0.1Source: Official Charts Company, BVA

Note: These genres are assigned by the BVA and the categories are not the same as those from Chapter 4.

Table 11.2 Top 10 best selling UK qualifying films on physical video formats, 2013Title Country of origin

1 Skyfall UK/USA2 Les Misérables UK/USA3 Fast & Furious 6 UK/USA4 World War Z UK/USA5 Dredd UK/USA/SA6 The Class of ‘92 UK/USA7 The Best Exotic Marigold Hotel UK/USA/Ind8 The Sweeney UK9 Quartet UK10 The World’s End UK/USASource: BFI RSU analysis of Official Charts Company data

Table 11.3 Top 10 best selling UK independent films on physical video formats, 2013Title Country of origin

1 Dredd UK/USA/SA#2 The Class of ’92 UK/USA#3 The Best Exotic Marigold Hotel UK/USA/Ind#4 The Sweeney UK5 Quartet UK6 Alan Partridge: Alpha Papa UK7 Red 2 UK/USA#8 Nativity 2: Danger in the Manger! UK9 Salmon Fishing in the Yemen UK10 The Woman in Black UK/USA/Swe#Source: BFI RSU analysis of Official Charts Company data

Table 11.4 Top 10 best selling documentary films on physical video formats, 2013Title Country of origin

1 The Class of ‘92 UK/USA2 Senna UK/USA3 The Imposter UK/USA4 Fastest USA5 TT3D: Closer to the Edge UK6 African Cats UK/USA7 Blackfish USA8 The Spirit of ‘45 UK9 Catfish USA

# Dredd, The Class of ’92, The Best Exotic Marigold Hotel, Red 2 and The Woman in Black were made with independent (non-studio) US support.

10 Hooligan UKSource: BFI RSU analysis of Official Charts Company data

Note: Recordings of music concerts are not included.

Table 11.5 Top 10 best selling foreign language films on physical video formats, 2013Title Country of origin

1 The Raid Indonesia/USA2 Untouchable Fra3 The Girl Who Kicked the Hornets’ Nest Swe/Den/Ger4 The Girl Who Played with Fire Swe/Den/Ger5 Rust and Bone Fra/Bel6 Amour Aut/Fra/Ger7 Headhunters Nor/Ger8 The Girl with the Dragon Tattoo Swe/Den/Ger9 Troll Hunter Nor10 Amélie Fra/GerSource: BFI RSU analysis of Official Charts Company data

Figure 11.5 Film on video rental market, 2001-2013

Year Transactions (million) Value (£ million)2001 198 4942002 183 4942003 160 4622004 159 4762005 133 3892006 110 3272007 92 2802008 88 2652009 89 2632010 84 2532011 86 2462012 78 2292013 53 166Source: IHS, BVA

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

100

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400

500

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Transactions (million) Value (£ million)

Mill

ion

Figure 11.6 Film on video rental share by genre, 2013

%Action 20.2Comedy 19.1Drama 16.9Thriller 12.4Children's 11.2Horror 9.0Sci-fi 6.7Other 4.5Source: BVA, Kantar WorldpanelNote: These genres are assigned by Kantar Worldpanel and the categories are not the same as those from Chapter 4.

Table 11.6 Top 10 online film on video rentals*, 2013Title Country of origin

1 Looper USA/China2 Ted USA3 Jack Reacher USA4 Taken 2 Fra5 Total Recall UK/USA/Can6 Django Unchained USA7 Flight USA8 Lawless USA9 Silver Linings Playbook USA10 Olympus Has Fallen USASource: BVA, Kantar Worldpanel

* ‘Online rental’ refers to online ordering with postal delivery. See Glossary.

Table 11.7 Top 10 over-the-counter film on video rentals, 2013Title Country of origin

1 Skyfall UK/USA2 Looper USA/China3 The Hobbit: An Unexpected Journey USA/NZ4 Taken 2 Fra

Action Comedy Drama Thriller Children's Horror Sci-fi Other

5 Jack Reacher USA6 Oblivion USA7 Silver Linings Playbook USA8 Total Recall UK/USA/Can9 Argo USA10 Olympus Has Fallen USASource: BVA, Kantar Worldpanel

1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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1

2

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Prcie

(£)

Distributor20th Century Fox

Warner BrosUniversal

eOne FilmsParamount

Sony Pictures20th Century Fox20th Century Fox

Walt DisneyWarner Bros

Action/ adventure Comedy Drama Family Thriller Sci-fi HorrorWar Musical Western Documentary Anime Adult


UniversalUniversal

Paramount

Universal20th Century Fox

eOne FilmseOne Films

Universal

Distributor

Universal20th Century Fox



eOne Films

DistributorUniversalUniversal

Channel 4 DVDUniversal

eOne FilmsWalt Disney

DogwoofDogwoof

eOne Films

Video

Video

Elevation Sales

Sales

were made with independent (non-studio) US support.

eOne Films

DistributoreOne Films


Elevation SalesArtificial Eye

eOne FilmseOne FilmseOne FilmseOne Films

Video

2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

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Transactions (million) Value (£ million)

Mill

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DistributoreOne Films

UniversalParamount

20th Century Fox

Sony PicturesParamounteOne Films


eOne FilmsWarner Bros

20th Century Fox

Elevation Sales

Video Sales

Action Comedy Drama Thriller Children's Horror Sci-fi Other

ParamountUniversal

Warner Bros

VideoElevation Sales

Sales

Chapter 12 Video on demand

Figure 12.1 Estimated value of the film on VoD market in the UK, 2002-2013

2002 2003Television-based VoD 62.6 67.6Online VoD - -Total value of VoD market 62.6 67.6Source: IHS

Figure 12.2 Online VoD film revenue by type of service, 2013 (%)

2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

50

100

150

200

250

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350

Television-based VoD Online VoD

£ m

illio

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Subscription Digital retail Digital rental Advertising



£ million %Subscription 92.8 48.1Digital retail 55.5 28.8Digital rental 41.9 21.7Advertising 2.6 1.3Source: IHS

Table 12.1 Top transactional and subscription television and film VoD providers in the UK, 2013 (ranked by revenue)1

Rank Company1 Apple USA2 BSkyB UK/USA3 Netflix USA4 Virgin Media UK/USA5 LOVEFiLM USA6 Microsoft USA7 BT Vision UK8 Now TV UK/USASource: IHS1 Revenue figures are not disclosed as these are confidential.

Figure 12.3 VoD providers used in the UK for downloading and streaming by online film viewers aged 12+

Country of Ownership


YouTube LOVEFiLM* Netflix iTunes Amazon Sky Go0

5

10

15

20

25

30

35

40

45

2012 2013

%

Provider 2012 2013YouTube 41.5 39.5LOVEFiLM* 22.8 25.4Netflix 19.2 24.3iTunes 13.3 9.6Amazon 12.1 9.7Sky Go 7.9 9.9

* The LOVEFiLM brand is now used only for video rental, LOVEFiLM Instant is now part of Amazon Prime Instant Video.

Table 12.2 Accessing online film content among internet users aged 12+

Method April-June 2012% of viewers Median volume

Download 9 3Stream or access 16 3Share 2 4

19 2Download, stream/access, or share 19 -

Table 12.3 Proportion who paid to consume film content or did so for free

Payment group April-June 2012

100% paid 32 6Mix of paid and free 17 3100% free 50 9Any paid 49 9Any free 68 9

Figure 12.4 Claimed consumption of audiovisual content by online viewers aged 15+

Source: Ofcom Online Copyright Infringement Tracker Waves 1 and 4, Kantar Media

consumed


consumed film users



5

10

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2012 2013

%

Video cli

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servi

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TV an

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lix/LO

VEFiLM

0102030405060

% of online viewers

%

% of online viewers534016

downloadedor downloadedNetflix/LOVEFiLMSource: Ofcom Market Communications Report 2013

Video cli

ps eith

er str

eamed

or download

ed

Catch up TV

servi

ces eit

her str

eamed

or download

ed

TV an

d film se

rvices

eg Netf

lix/LO

VEFiLM

0102030405060

% of online viewers

%

2004 2005 2006 200772.7 73.5 67.2 74.4

- - 0.2 0.672.7 73.5 67.4 75

2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

50

100

150

200

250

300

350

Television-based VoD Online VoD

£ m

illio

n




Table 12.1 Top transactional and subscription television and film VoD providers in the UK, 2013 (ranked by revenue)1

Figure 12.3 VoD providers used in the UK for downloading and streaming by online film viewers aged 12+



5

10

15

20

25

30

35

40

45

2012 2013

%

* The LOVEFiLM brand is now used only for video rental, LOVEFiLM Instant is now part of Amazon Prime Instant Video.

March-May 2013% of viewers Median volume

8 316 4

2 218 519 -

March-May 2013% of 12+ internet users

28 514 358 1172 1442 8

Figure 12.4 Claimed consumption of audiovisual content by online viewers aged 15+

consumed film


5

10

15

20

25

30

35

40

45

2012 2013

%

Video cli

ps eith

er str

eamed

or download

ed

Catch up TV

servi

ces eit

her str

eamed

or download

ed

TV an

d film se

rvices

eg Netf

lix/LO

VEFiLM

0102030405060

% of online viewers

%

Video cli

ps eith

er str

eamed

or download

ed

Catch up TV

servi

ces eit

her str

eamed

or download

ed

TV an

d film se

rvices

eg Netf

lix/LO

VEFiLM

0102030405060

% of online viewers

%

2008 2009 2010 201195.2 97.3 90.3 95.8

6.2 22.3 39.5 54.6101.4 119.6 129.8 150.4

2012 2013111.9 129.9

124 192.9235.9 322.8

Chapter 13 Film on UK television

Table 13.1 Feature films broadcast on terrestrial television, 2013Channel Number of films broadcastBBC One 272 61 BBC Two 458 158 ITV 244 81 Channel 4 584 148 Channel 5 432 66 Total 1,990 514 Source: Attentional, BFI RSU analysis

ChannelBBC One 14 5BBC Two 34 19ITV 5 1Channel 4 126 30Channel 5 34 2Total 213 57Source: Attentional, BARB, BFI RSU analysis

Figure 13.1 Feature film premieres and repeat broadcasts on terrestrial channels, 2013 (%)

Channel BBC One BBC TwoPremiere 5.15 7.422nd broadcast 13.24 11.793rd broadcast 11.76 7.64

broadcast

1 A recent film is one which has been theatrically released, or intended for theatrical release, in the UK since 2005.

Table 13.2 Premiere feature films broadcast on terrestrial television, 2013broadcast films broadcast

BBC One BBC Two ITV Channel 4 Channel 50%

10%

20%

30%

40%

50%

60%

70%

80%

90%

100%

Premiere 2nd broadcast 3rd broadcast 4th broadcast 5th or more broadcast



4th broadcast 16.91 4.805th or more broadcast 52.94 68.34

Table 13.3 Top 10 film premieres on terrestrial television, 2013Title Channel

1 Up BBC One2 BBC One3 ITV4 Despicable Me ITV5 Red Channel 46 The Princess and the Frog BBC One7 Unknown Channel 48 Paul Channel 49 Robin Hood Channel 410 The Karate Kid Channel 4Source: Attentional, BARB, BFI RSU analysis

Table 13.4 Foreign language films broadcast on terrestrial television, 2013ChannelBBC One - -BBC Two 8 2.0ITV - -Channel 4 39 6.7Channel 5 - -Total 47 2.4Source: Attentional, BARB, BFI RSU analysis

Title Channel1 Channel 42 Pan's Labyrinth Channel 43 BBC Two4 I've Loved You So Long BBC Two5 Funny Games Channel 46 Hero Channel 47 BBC Two8 The Last Mitterand Channel 49 Charulata Channel 410 2 Days in Paris BBC TwoSource: Attentional, BFI RSU analysis

Figure 13.2 Number of foreign language films broadcast on terrestrial television, 2004-2013

Stranger TidesBang

films broadcast output

1 Total audience for all transmissions for the foreign language film, on the terrestrial channel listed.

Table 13.5 Top 10 foreign language films1 on terrestrial television, 2013

[Rec]2

Complex

Butterfly

1 Foreign language films with the highest audience figure for an individual transmission.

2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

10

20

30

40

50

60

70

80

BBC One BBC Two ITV Channel 4 Channel 5

2004 2005BBC One 7 1BBC Two 18 12ITV - 2Channel 4 32 43Channel 5 3 3Total 60 61Source: Attentional, BFI RSU analysis

Figure 13.3 Film as a percentage of peak time programming hours by channel, 2002-2013

2002 2003BBC One 7.00 9.10BBC Two 5.00 4.47ITV 6.00 5.43Channel 4 9.00 9.52Channel 5 25.00 13.36Source: Attentional

Figure 13.4 Average audience for peak time film, 2002-2013

2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

10

20

30

40

50

60

70

80


2002 2003BBC One 4,156 3,760BBC Two 1,836 2,028ITV 4,671 4,684Channel 4 2,031 1,886Channel 5 1,594 1,722Source: Attentional, BARB

Title Channel1 Up BBC One2 BBC One3 ITV4 ITV5 ITV6 ITV7 ITV8 BBC One9 Finding Nemo BBC One10 Quantum of Solace ITVSource: Attentional, BARB

Title Channel1 BBC One2 ITV3 ITV4 ITV5 ITV6 ITV7 Quantum of Solace ITV8 ITV9 ITV10 ITVSource: Attentional, BARB

Table 13.6 Top 10 films1 on terrestrial television, 2013

Stranger TidesBlood Princeof the Phoenixof FireBlood PrinceBangKingdom of the Crystal Skull

1 Films with the highest audience figure for an individual transmission.

Table 13.7 Top 10 UK originated films1 on terrestrial television, 2013

Stranger TidesBlood Princeof the Phoenixof FireBlood PrinceBang

of the PhoenixChamber of Secretsof Fire

1 UK originated films with the highest audience figure for an individual transmission.

Table 13.8 Top 10 independent UK films1 on terrestrial television, 2013

Title Channel1 The King's Speech Channel 42 The Iron Lady Channel 43 The Inbetweeners Movie Channel 44 The Inbetweeners Movie Channel 45 Made in Dagenham BBC Two6 Santa Claus: The Movie ITV7 Jane Eyre BBC Two8 The Eagle Channel 49 Kick-Ass Channel 510 The Young Victoria BBC TwoSource: Attentional, BARB

Notes:

Table 13.9 Feature films on selected digital channels, 2013Channel Average audience (000)Turner Classics Movies 1-2 4,226 18Film4 2,810 210Star Gold, Star Plus and Life OK 1,715 6ITV 2-4 1,520 303More 4, 4Seven and E4 656 239Sahara One 596 4Rishtey 581 155 USA 411 1895* 409 172Horror Channel 409 17Syfy 289 47

274 10Movies 24 and Movies 24+ 278 6Sunrise TV 224 3

213 107200 514

Viva 157 39Sky 1-2 94 115Source: Attentional, BARB

Table 13.10 Top 10 feature films on free-to-air digital multi-channel television, 2013Title Channel

1 The Bourne Supremacy ITV22 Johnny English ITV23 Mr Bean’s Holiday ITV2/CITV4 Peter Pan ITV2/CITV5 Shaun of the Dead ITV26 Hot Fuzz ITV27 Iron Man Film4/E48 The Shawshank Redemption ITV29 Mamma Mia! ITV210 RED Film4Source: Attentional, BARB

Table 13.11 Feature films on pay TV film channels, 2013

1 UK independent films with the highest audience figure for an individual transmission.# Santa Claus: The Movie, The Eagle and Kick-Ass were made with independent (non-studio) US support.

transmissions

Drama and True Movies 1-2

Drama, Alibi and YesterdayHD

1 Total audience figure for all transmissions across all free-to-air and paid (non-film subscription) digital multi-channels

Channel Average film audienceDisney Cinemagic 408 17,891MGM HD 1,576 1,069Sky Movies 39,162 10,963Source: Attentional, BARB

Title Channel1 Skyfall Sky Movies2 Brave Sky Movies3 Ice Age Sky Movies4 Sky Movies5 Battleship Sky Movies6 The Amazing Spider-Man Sky Movies7 Rise of the Guardians Sky Movies8 Sky Movies9 We Bought a Zoo Sky Movies10 John Carter Sky MoviesSource: Attentional, BARB

Figure 13.5 Total audience for feature film on television (except pay-per-view), 2000-2013

2000 2001Terrestrial 2,901 2,929Pay TV film channels 647 673Other digital multi-channelTotal 3,548 3,602Source: BFI RSU, Attentional, BARB

Figure 13.6 Total number of film transmissions on all television channels (except pay-per-view), 2000-2013

transmissions

1 Film with the highest audience figure for an individual transmission.

Table 13.12 Top 10 feature films1 on pay TV film channels, 2013

Most Wanted

with Scientists

1 Films with the highest total audience for all transmissions across all subscription film channels.

2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

500

1,000

1,500

2,000

2,500

3,000

3,500

4,000

4,500

Terrestrial Pay TV film channels Other digital multi-channel Total

Mill

ion

2,000 2,001 2,002 2,003 2,004 2,005 2,006 2,007 2,008 2,009 2,010 2,011 2,012 2,0130

10,000

20,000

30,000

40,000

50,000

60,000

70,000

80,000


2,000 2,001Terrestrial 2,318 2,405Pay TV film channels 36,547 40,277Other digital multi-channelTotal 38,865 42,682Source: BFI RSU, Attentional

Note: 2012 figures have been revised since publication of the 2013 Statistical Yearbook.

2,000 2,001 2,002 2,003 2,004 2,005 2,006 2,007 2,008 2,009 2,010 2,011 2,012 2,0130

10,000

20,000

30,000

40,000

50,000

60,000

70,000

80,000


UK films as % of total 22 37 1435 58 1333 35 1425 53 915 12 326 195 10

Average audience (million) Top premiere36 1.9 Up56 0.6 Made in Dagenham20 2.624 0.8 Red

6 1.0 Angels & Demons27 0.9

Figure 13.1 Feature film premieres and repeat broadcasts on terrestrial channels, 2013 (%)

ITV Channel 4 Channel 52.05 21.58 7.873.69 14.38 6.71

11.89 6.68 4.86

broadcast1 films broadcast1

total premiere films

Bang

BBC One BBC Two ITV Channel 4 Channel 50%

10%

20%

30%

40%

50%

60%

70%

80%

90%

100%

Premiere 2nd broadcast 3rd broadcast 4th broadcast 5th or more broadcast



12.70 4.11 4.8669.67 53.25 75.69

Country of origin Year of theatrical release Audience (million)USA 2009 7.9

UK/USA 2011 5.9UK/USA 2010 5.0

USA 2010 4.7USA 2010 3.9USA 2010 3.5

USA/Ger/Fra/Can/Jap 2011 3.4UK/USA 2011 3.4UK/USA 2010 3.4

USA/China 2010 3.0

Average audience (million) Top foreign language film - - -

0.20 0.19 - - -

0.07 0.22 - - -

0.08

Country of origin Year of theatrical release Audience Spain 2010 219,700

USA/Spa/Mex 2006 200,700Germany 2008 189,600

France 2008 171,800Austria 1998 154,700

China/Hong Kong 2004 150,100USA/Fra 2008 148,100

France 2005 120,000India 1964 113,600

Fra/Ger 2007 105,400

Figure 13.2 Number of foreign language films broadcast on terrestrial television, 2004-2013

(million)

Complex

[Rec]2

2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

10

20

30

40

50

60

70

80


2006 2007 20082 5 62 9 17- - 1

35 46 462 3 3

41 63 73

Figure 13.3 Film as a percentage of peak time programming hours by channel, 2002-2013

2004 2005 20068.30 7.80 19.876.11 3.20 9.546.58 6.80 7.44

11.75 10.70 20.8929.22 22.40 27.22

2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

10

20

30

40

50

60

70

80


2004 2005 20063,112 2,964 1,3831,547 1,417 9173,290 3,253 2,4001,931 1,997 1,5951,650 1,593 1,190

Country of origin Year of theatrical releases Audience (million)USA 2009 7.9

UK/USA 2011 5.9UK/USA 2009 5.6UK/USA 2007 5.3UK/USA 2005 5.2UK/USA 2009 5.2UK/USA 2010 5.0

USA 2008 5.0USA 2003 5.0

UK/USA 2008 4.7

Country of origin Year of theatrical releases Audience (million)UK/USA 2011 5.9UK/USA 2009 5.6UK/USA 2007 5.3UK/USA 2005 5.2UK/USA 2009 5.2UK/USA 2010 5.0UK/USA 2008 4.7UK/USA 2007 4.5

UK/USA/Ger 2002 3.9UK/USA 2005 3.7

Country of origin Year of theatrical releases Audience (million)UK 2011 2.9UK 2012 2.7UK 2011 2.6UK 2011 2.5UK 2010 2.4

1985 2.2UK 2011 2.0

2011 1.92010 1.8

UK 2009 1.7

Audience for top film (000)The Rundown 127

Red 2,107Singham 81

1,8141,169

Dil Vil Pyar Vyar 45Khiladi 786 115

The Expendables 784The Book of Eli 533

Quatermass and the Pit (UK) 127Jaws 193

I'll Be Home for Christmas 152Chloe 43

Benaam Badsha 22365

Raiders of the Lost Ark 1,590White Chicks 153

Independence Day 349

Number of transmissions Country of origin Year of theatrical release10 USA/Ger 2004

9 UK/USA 200313 UK/USA 200712 USA 200310 UK/USA 2004

8 UK/USA 20078 USA 20086 USA 19948 UK/USA 20084 USA 2010

UK/USA#

UK/USA#

UK/USA#

Top film1

Revenge of the Sith(UK)

Habit

Total audience figure for all transmissions across all free-to-air and paid (non-film subscription) digital multi-channels.

Audience for top filmCars 2 111,300

Tank Girl 40,000Wreck-It Ralph 558,600

Number of transmissions Country of origin Year of theatrical release93 UK/USA 201296 USA 2012

102 USA 200273 USA 2012

111 USA 2012105 USA 2012

79 USA 2012124 UK/USA 2012

92 USA 2012151 UK/USA 2012

Figure 13.5 Total audience for feature film on television (except pay-per-view), 2000-2013

2002 2003 20042,601 2,833 2,579

741 820 73475 268 305

3,417 3,921 3,618

Figure 13.6 Total number of film transmissions on all television channels (except pay-per-view), 2000-2013

Top Film1

2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

500

1,000

1,500

2,000

2,500

3,000

3,500

4,000

4,500


Mill

ion

2,000 2,001 2,002 2,003 2,004 2,005 2,006 2,007 2,008 2,009 2,010 2,011 2,012 2,0130

10,000

20,000

30,000

40,000

50,000

60,000

70,000

80,000


2,002 2,003 2,0042,275 2,355 2,234

46,720 52,552 47,4994,573 7,900 8,821

53,568 62,807 58,554

2,000 2,001 2,002 2,003 2,004 2,005 2,006 2,007 2,008 2,009 2,010 2,011 2,012 2,0130

10,000

20,000

30,000

40,000

50,000

60,000

70,000

80,000


7.92.45.03.92.3

premiere (million)

2009 2010 2011 20121 - 1 -

25 7 8 193 2 - 2

42 50 51 505 - - -

76 59 60 71

2007 2008 2009 201012.67 18.61 18.75 4.19

5.98 7.41 4.57 3.258.86 8.91 19.10 16.16

15.05 15.79 14.92 12.9818.77 16.79 20.57 22.24

2007 2008 2009 20101,250 1,056 1,088 1,5741,324 1,081 830 1,1462,201 2,112 1,161 1,2831,388 1,306 1,001 1,3061,099 1,094 1,009 1,135

6.36.26.05.95.95.35.25.25.25.1

(million)

4.94.84.54.44.23.93.73.63.43.3

2005 2006 2007 20082,350 1,949 1,827 1,808

671 634 490 489374 722 796 969

3,395 3,305 3,113 3,266

(million)

2,005 2,006 2,007 2,0082,326 2,011 2,182 2,221

47,698 44,346 34,737 40,01413,144 17,998 20,765 20,27463,168 64,355 57,684 62,509

2013-8-

39-

47

2011 2012 20132.30 2.11 2.203.80 3.67 4.34

16.30 13.48 11.1914.80 13.56 14.4020.70 20.24 18.75

2011 2012 20133,371 2,463 2,7991,232 1,000 7731,157 1,057 1,2811,655 1,460 1,3901,017 973 891

2009 2010 2011 20121,725 1,633 1,674 1,531

559 558 596 5601,118 1,477 1,632 1,7713,402 3,668 3,902 3,862

2,009 2,010 2,011 2,0122,218 2,075 2,221 2,141

45,015 50,756 47,889 48,18422,359 20,174 18,622 19,54169,592 73,005 68,732 69,866

20131,301

4381,6583,397

2,0131,990

41,14616,35259,542

Chapter 14 The UK film market as a whole

Table 14.1 UK filmed entertainment market, 2012 and 20132012

Theatrical 1,099 377Video rental (physical) 229 53Video retail (physical) 968 223Pay TV 671 133Terrestrial TV 205 45Other digital multi-channel 615 126VoD 236 52Total 4,024 1,009Source: Rentrak, BVA, Official Charts Company, Attentional, IHS, BFI RSU analysisNotes:

‘Theatrical’ is the total gross UK theatrical revenues (including VAT) in the calendar years 2012 and 2013 for all films exhibited in the UK. See Chapter 1.‘Video rental (physical)’ is the total revenue from physical video rental (DVD, Blu-ray, etc) transactions in the calendar years 2012 and 2013. See Chapter 11. ‘Video retail (physical)’ is the total revenue from physical video retail transactions in the calendar years 2012 and 2013. See Chapter 11. The television values are retail equivalent values calculated from the dataset of films shown on UK television. Values are estimated by multiplying the film share of the total channel time by the total revenue applicable to that channel (licence fee, subscription or advertising revenue). Television values cover terrestrial, pay TV and other digital multi-channel. See Chapter 12.

The above values are gross values and include distributor and exhibitor margins, VAT, prints and advertising costs, DVD/video retail margins, broadcaster and multi-channel television operator margins in addition to net returns to the film production sector and film investors.The revenues shown here are revenues earned by film in the UK market, whether UK or foreign films. The table does not include export revenues for the UK film industry. See Chapter 21 for UK film export revenues.


Figure 14.1 Gross film revenues, all platforms, 1998-2013

million) (£ million)

Video on Demand revenues are derived from IHS estimates of the combined size of the television and online markets. UK share is based on an estimate derived from knowledge of UK film share in the pay TV and video markets. 2012 figures revised since 2013 Yearbook. See Chapter 13.

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

500

1,000

1,500

2,000

2,500

3,000

3,500

4,000

4,500

Theatrical Rental video (physical) Retail video (physical) Film on television Film on VoD

£ m

illio

n



Year Theatrical Rental video (physical)1998 547 4371999 563 4082000 583 4442001 645 4942002 755 4942003 742 4622004 770 4762005 770 3892006 762 3272007 821 2802008 850 2652009 944 2632010 988 2532011 1,040 2462012 1,099 2292013 1,083 166Source: Rentrak, BVA, Official Charts Company, Attentional, IHS, BFI RSU analysis

Notes: ‘Film on television’ covers terrestrial, pay TV and other multi-channel. Television-based VoD is included within the VoD total.2008-2012 figures for film on VoD revised since the 2013 Yearbook.Platform revenues may not sum to Total due to rounding.

Figure 14.2 Gross inflation-adjusted film revenues, all platforms, 1998-2013 (expressed in 2013 pounds)

Theatrical Rental video (physical)1998 754 6021999 763 5532000 785 5982001 843 6462002 959 6272003 922 574

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

1,000

2,000

3,000

4,000

5,000

6,000


2013

£ m

illio

n

2004 935 5782005 918 4642006 883 3792007 930 3172008 930 2902009 1,001 2792010 1,027 2632011 1,067 2522012 1,117 2332013 1,083 166

Notes:

Actual revenues deflated by the UK GDP deflator.‘Film on television’ covers terrestrial, pay TV and other digital multi-channel. Television-based VoD is included in the VoD total.Figures may not sum to totals due to rounding.

Table 14.2 Filmed entertainment revenues by country/region, 2013Country/region £ million %USA 20,133 35.3Japan 4,364 7.6UK 3,939 6.9Other Western Europe 3,376 5.9France 2,466 4.3China 2,464 4.3Germany 2,457 4.3Canada 2,120 3.7Australia 1,974 3.5South Korea 1,920 3.4Other Asia Pacific 1,516 2.7Brazil 1,396 2.4India 1,148 2.0Other Central and Eastern Europe 1,126 2.0Russia 1,055 1.8Mexico 1,003 1.8Spain 897 1.6Other Latin Pacific 853 1.5Italy 843 1.5Taiwan 830 1.5Middle East and Africa 663 1.2Malaysia 569 1.0Total 57,112 100.0

Notes:

‘Filmed entertainment revenue’ comprises both cinema revenue (including box office and advertising) na dhome video revenue (including both physical and digital home video and TV programming, and including sell-through, rental and subscription). This revenue is both digital and non-digital, and includes both consumer and advertising spending.Figures may not sum to totals due to rounding.Other Western Europe comprises Austria, Belgium, Denmark, Finland, Greece, Republic of Ireland, Netherlands, Norway, Portugal, Sweden and Switzerland.

Other Asia Pacific comprises Hong Kong, Indonesia, New Zealand, Pakistan, Philippines, Singapore, Thailand and Vietnam.Other Central and Eastern Europe comprises Czech Republic, Hungary, Israel, Poland, Romania and Turkey.Middle East and Africa comprises Algeria, Bahrain, Egypt, Jordan, Kenya, Kuwait, Lebanon, Morocco, Nigeria, Oman, Qatar, Saudi Arabia, South Africa and the United Arab Emirates.Other Latin America comprises Argentina, Chile, Colombia and Venezuela.

Source: Rentrak, BVA, Official Charts Company, Attentional, ONS, IHS, BFI RSU analysis

Source: PricewaterhouseCoopers, Global entertainment and media outlook 2014-2018, June 2014

Some information contained in this table was taken from the filmed entertainment segments of the Global entertainmetn and Media outlook 2014-2018, www.pwc.com/outlook however, some calculations and categorisation or regions are our own.

Table 14.3 Filmed entertainment revenues by country/region, forecast for 2018Country/region £ million % USA 25,336 35.6UK 4,649 6.5China 4,547 6.4Japan 4,494 6.3Other Western Europe 3,725 5.2France 3,216 4.5Germany 2,896 4.1Canada 2,316 3.3Australia 2,236 3.1South Korea 2,084 2.9Brazil 1,934 2.7India 1,904 2.7Other Asia Pacific 1,750 2.5Russia 1,745 2.5Other Central and Eastern Europe 1,527 2.1Other Latin America 1,370 1.9Mexico 1,265 1.8Italy 990 1.4Spain 978 1.4Middle East and Africa 938 1.3Taiwan 798 1.1Malaysia 531 0.7Total 71,230 100.0

Notes:


See Notes to Table 14.2

Source: PricewaterhouseCoopers, Global Entertainment and Media Outlook 2014-2018, June 2014


2012 2013

34 1,083 256 2423 166 40 2423 940 225 2420 596 121 2022 241 69 2921 720 111 1522 323 73 2325 4,069 895 22

‘Theatrical’ is the total gross UK theatrical revenues (including VAT) in the calendar years 2012 and 2013 for all films exhibited in the UK. See Chapter 1.‘Video rental (physical)’ is the total revenue from physical video rental (DVD, Blu-ray, etc) transactions in the calendar years 2012 and 2013. See Chapter 11. ‘Video retail (physical)’ is the total revenue from physical video retail transactions in the calendar years 2012 and 2013. See Chapter 11. The television values are retail equivalent values calculated from the dataset of films shown on UK television. Values are estimated by multiplying the film share of the total channel time by the total revenue applicable to that channel (licence fee, subscription or advertising revenue). Television values cover terrestrial, pay TV and other digital multi-channel. See Chapter 12.

The above values are gross values and include distributor and exhibitor margins, VAT, prints and advertising costs, DVD/video retail margins, broadcaster and multi-channel television operator margins in addition to net returns to the film production sector and film investors.The revenues shown here are revenues earned by film in the UK market, whether UK or foreign films. The table does not include export revenues for the UK film industry. See Chapter 21 for UK film export revenues.

gross million) (£ million) gross

estimates of the combined size of the television and online markets. UK share is based on an estimate derived from knowledge of UK film share in the pay TV and video markets. 2012 figures revised since 2013 Yearbook. See Chapter 13.

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

500

1,000

1,500

2,000

2,500

3,000

3,500

4,000

4,500


£ m

illio

n



Retail video (physical) Film on television Film on VoD Total453 726 33 2,196451 755 40 2,217601 826 50 2,504821 954 65 2,979

1,175 1,066 63 3,5531,392 1,182 68 3,8461,557 1,119 73 3,9951,399 1,089 74 3,7211,302 1,066 67 3,5241,440 994 75 3,6101,454 1,067 101 3,7371,311 1,108 127 3,7531,267 1,173 145 3,8261,165 1,398 162 4,011

968 1,491 236 4,024940 1,557 323 4,069

‘Film on television’ covers terrestrial, pay TV and other multi-channel. Television-based VoD is included within the VoD total.

Figure 14.2 Gross inflation-adjusted film revenues, all platforms, 1998-2013 (expressed in 2013 pounds)

Retail video (physical) Film on television Film on VoD Total624 1,000 45 3,026612 1,023 54 3,006810 1,113 67 3,374

1,074 1,247 85 3,8951,493 1,354 80 4,5131,730 1,470 85 4,781

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

1,000

2,000

3,000

4,000

5,000

6,000


2013

£ m

illio

n

1,890 1,358 89 4,8481,669 1,299 88 4,4381,508 1,235 78 4,0821,632 1,126 85 4,0901,592 1,168 111 4,0911,391 1,175 135 3,9821,317 1,219 151 3,9761,195 1,435 166 4,116

984 1,516 240 4,089940 1,557 323 4,069

‘Film on television’ covers terrestrial, pay TV and other digital multi-channel. Television-based VoD is included in the VoD total.

‘Filmed entertainment revenue’ comprises both cinema revenue (including box office and advertising) na dhome video revenue (including both physical and digital home video and TV programming, and including sell-through, rental and subscription). This revenue is both digital and non-digital, and includes both consumer and advertising spending.

Other Western Europe comprises Austria, Belgium, Denmark, Finland, Greece, Republic of Ireland, Netherlands, Norway, Portugal, Sweden and Switzerland.

Other Asia Pacific comprises Hong Kong, Indonesia, New Zealand, Pakistan, Philippines, Singapore, Thailand and Vietnam.

Middle East and Africa comprises Algeria, Bahrain, Egypt, Jordan, Kenya, Kuwait, Lebanon, Morocco, Nigeria, Oman, Qatar, Saudi Arabia, South Africa and the United Arab Emirates.


The television values are retail equivalent values calculated from the dataset of films shown on UK television. Values are estimated by multiplying the film share of the total channel time by the total revenue applicable to that channel (licence fee, subscription or advertising revenue). Television values cover terrestrial, pay TV and other digital multi-channel. See Chapter 12.

The above values are gross values and include distributor and exhibitor margins, VAT, prints and advertising costs, DVD/video retail margins, broadcaster and multi-channel television operator margins in addition to net returns to the film production sector and film investors.estimates of the combined size of the television and online markets. UK share is based on an estimate derived from knowledge of UK film share in the pay TV and video markets. 2012 figures revised since 2013 Yearbook. See Chapter 13.

‘Filmed entertainment revenue’ comprises both cinema revenue (including box office and advertising) na dhome video revenue (including both physical and digital home video and TV programming, and including sell-through, rental and subscription). This revenue is both digital and non-digital, and includes both consumer and advertising spending.

Chapter 15 Audiences

Figure 15.1 Age distribution of admissions, 2003-2013

Age Group 2003 20047-14 12.39 17.8315-24 30.17 26.0425-34 21.70 20.0735-44 14.95 18.1745+ 20.79 17.88Source: CAA, Film Monitor

TitleOne Direction: This Is Us (UK) 49Wreck-It Ralph 35Despicable Me 2 34Monsters University 33The Croods 32Frozen 29Oz the Great and Powerful 29Jack the Giant Slayer (UK) 26

1513

Source: CAA Film Monitor

Table 15.1 Films with a significant above-average audience in the 7-14 age group, 2013 top 20 films and top UK filmstotal audience

audience (%)(%)

2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

5

10

15

20

25

30

35

40

7-14 15-24 25-34 35-44 45+

%



Notes:

Audience data were only available for 23 of the 35 of the top 20 films and top UK films released in 2013.

‘Audience’ in this table and throughout this chapter refers to film-going occasions. That is, if a person went to the cinema to see 10 films in 2013, that person would have contributed 10 film-going occasions to the audience figures above, unless otherwise stated. Repeat visits to the same films are not recorded in Cinema Advertising Association (CAA) Film Monitor. CAA Film Monitor included 102 film titles (mostly mainstream) of the 698 theatrical releases in 2013. The Film Monitor survey is carried out via a fortnightly omnibus survey of over 1,000 adults and children aged 7+, of those who had been to the cinema in the last three months. Films are also age-filtered based on the film certificate.

Table 15.2 Films with a significant above-average audience in the 15-24 age group, 2013 top 20 films and top UK filmsTitleThe Hangover Part III 60Kick-Ass 2 (UK) 58Fast & Furious 6 (UK) 50The World's End (UK) 49World War Z (UK) 47The Hunger Games: Catching Fire 46Thor: The Dark World (UK) 36Man of Steel 36Django Unchained 36Iron Man 3 35

3229

Source: CAA Film MonitorNotes:Audience data were only available for 34 of the 35 top 20 films and top UK films released in 2013.

See notes in Table 15.1.

Table 15.3 Films with a significant above-average audience in the 25-34 age group, 2013 top 20 films and top UK filmsTitleDjango Unchained 26Fast & Furious 6 (UK) 26Rush (UK) 26Trance (UK) 25Captain Phillips (UK) 25The Hangover Part III 24Man of Steel 24Kick-Ass 2 (UK) 23World War Z (UK) 23Thor: The Dark World (UK) 23

1719


See notes to Table 15.2.

Table 15.4 Films with an above-average audience in the 35-44 age group, 2013 top 20 films and top UK filmsTitleFrozen 27The Croods 25Jack the Giant Slayer (UK) 24Gravity (UK) 21Filth (UK) 20

1616

total audience

audience (%)(%)

total audience

audience (%)(%)

total audience

audience (%)(%)


Notes:

See notes to Tables 15.2.Films in italics do not have statistically significant above-average audiences but are included to give a fuller impression of preferred films in this age group.

Table 15.5 Films with a statistically above-average audience in the 45-54 age group, 2013 top 20 films and top UK filmsTitleSunshine on Leith (UK) 21Rush (UK) 18Filth (UK) 17Trance (UK) 16Philomena (UK) 15Red 2 (UK) 15I Give It a Year (UK) 15Star Trek Into Darkness 14Thor: The Dark World (UK) 13Les Misérables (UK) 12

99

Source: CAA Film MonitorSee notes to Tables 15.2.

Table 15.6 Films with a statistically above-average audience in the 55+ age group, 2013 top 20 films and top UK filmsTitleQuartet (UK) 87Philomena (UK) 64Sunshine on Leith (UK) 49Les Misérables (UK) 43The Great Gatsby 36Captain Phillips (UK) 28About Time (UK) 18

1210

Source: CAA Film Monitor.See notes to Tables 15.2.

Table 15.7 Audience gender split, 2013 top 20 films and top UK filmsSignificant greater male audience share Male % Female %Captain Phillips (UK) 69 31Star Trek Into Darkness 69 31Alan Partridge: Alpha Papa (UK) 69 31Man of Steel 68 32Django Unchained 68 32Kick-Ass 2 (UK) 67 33

Significant greater female audience share Male % Female %One Direction: This Is Us (UK) 15 85About Time (UK) 27 73Frozen 34 66Sunshine on Leith (UK) 35 65Les Misérables (UK) 39 61

total audience

audience (%)(%)

total audience

audience (%)(%)

Philomena (UK) 39 61

Gender difference not significant Male % Female %61 39

Rush (UK) 59 41Trance (UK) 52 48Wreck-It Ralph 49 51The Hunger Games: Catching Fire 48 52Jack the Giant Slayer (UK) 47 53Source: CAA Film Monitor

Table 15.8 Films with significant above-average AB audience share, 2013 top 20 films and top UK filmsTitleQuartet (UK) 51The Great Gatsby 50Philomena (UK) 49Les Misérables (UK) 43Alan Partridge: Alpha Papa (UK) 43Sunshine on Leith (UK) 43

31AB in total survey population (%) 29Source: CAA Film MonitorSee notes to Table 15.2.

Table 15.9 Films with significant above-average C1 audience share, 2013 top 20 films and top UK filmsTitleRush (UK) 53Captain Phillips (UK) 47Gravity (UK) 43Filth (UK) 42About Time (UK) 42

33C1 in total survey population (%) 33Source: CAA Film Monitor.


Table 15.10 Films with significant above-average C2 audience share, 2013 top 20 films and top UK filmsTitleOz the Great and Powerful 29Fast & Furious 6 (UK) 27Despicable Me 2 24

22C2 in total survey population (%) 21Source: CAA Film Monitor

See notes to Table 15.2

Table 15.11 Films with significant above-average DE audience share, 2013 top 20 films and top UK filmsTitleFast & Furious 6 (UK) 23

Filth (UK)1

Filth does not have significant gender appeal due to the low number of people captured in the Film Monitor survey.

audience

(%)

audience

(%)

audience

(%)

audience

World War Z (UK) 23Red 2 (UK) 22Despicable Me 2 19

17DE in total survey population (%) 15Source: CAA Film MonitorSee notes to Table 15.2.

Table 15.12 Films with significant above-average West and South West audience share, 2013 top 20 films and top UK filmsTitleAbout Time (UK) 6The World's End (UK) 5Despicable Me 2 4Monsters University 4The Croods 4

22

Source: CAA Film Monitor.

West and South West corresponds to the ISBA TSW region.See notes to Table 15.3.

Table 15.13 Films with significant above-average London and the home counties audience share, 2013 top 20 films and top UK filmsTitleDjango Unchained 31Fast & Furious 6 (UK) 30Gravity (UK) 28I Give It a Year (UK) 27

2123

Source: CAA Film MonitorLondon and the home counties region corresponds to the ISBA LWT Carlton region.See notes to Table 15.3.

Table 15.14 Films with significant above-average Yorkshire and The Humber audience share, 2013 top 20 films and top UK filmsTitleCaptain Phillips (UK) 17Jack the Giant Slayer (UK) 16Philomena (UK) 15

1010

Source: CAA Film MonitorYorkshire and The Humber region corresponds to ISBA “Yorkshire” region.See notes to Table 15.3.

Table 15.15 Films with significant above-average North East audience share, 2013 top 20 films and top UK filmsTitleOne Direction: This Is Us (UK) 12Despicable Me 2 10Frozen 8

5

(%)

film's total audience

top UK audience (%)population (%)

audience

and top UK audience (%)population (%)

% of film's total audience

and top UK audience (%)population (%)

audience

audience (%)

North East in total survey population (%) 5Source: CAA Film Monitor

North East region corresponds with the ISBA Tyne Tees’ region.See notes to Table 15.2.

Table 15.16 Films with significant above-average Wales audience share, 2013 top 20 films and top UK filmsTitleFrozen 12Monsters University 12

8Wales in total survey population (%) 7Source: CAA Film MonitorWales corresponds with the ISBA HTV region.See notes to Table 15.3.

Table 15.17 Films with significant above-average Scotland audience share, 2013 top 20 films and top UK filmsTitleSunshine on Leith (UK) 32Filth (UK) 32Star Trek Into Darkness 14

9Scotland in total survey population (%) 9Source: CAA Film MonitorScotland corresponds with the ISBA ‘Border, STV and Grampian’ regions.See notes to Table 15.3.

Table 15.18 Ethnicity of audiences aged 13+ for cinema, rental and retail video and digital, 2013White %

Population aged 13+ 7.4 92.67.0 93.0

Cinema-goers 9.4 90.6Video buyers 4.6 95.4Video renters 9.3 90.7Digital buyers and renters 8.2 91.8Source: Kantar WorldpanelNotes: Field work took place in November 2013. Purchased data for 52 weeks ending 19 January 2014.

Video includes all physical video formats, including DVD, Universal Media Disc, high-definition DVD and Blu-ray. Digital includes subscription VoD services.

Table 15.19 Disabled audiences aged 13+ for cinema, retail and rental video and digital, 2013Disabled % Not disabled %

Population aged 13+ 16.5 83.514.9 85.1

Cinema-goers 11.3 88.7Video buyers 16.8 83.2Video renters 12.6 87.4Digital buyers and renters 12.6 87.4

audience

audience (%)

audience

audience (%)

Mixed and Other %

digital film

digital film

Source: Kantar Worldpanel


2005 2006 2007 2008 200915.10 17.18 18.07 15.81 17.8526.46 31.63 29.58 31.70 30.7219.92 19.03 17.05 18.48 18.9917.42 15.97 17.03 15.58 16.0521.10 16.10 18.31 18.42 16.38

Table 15.1 Films with a significant above-average audience in the 7-14 age group, 2013 top 20 films and top UK films1

2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

5

10

15

20

25

30

35

40

7-14 15-24 25-34 35-44 45+

%




Table 15.2 Films with a significant above-average audience in the 15-24 age group, 2013 top 20 films and top UK films

Table 15.3 Films with a significant above-average audience in the 25-34 age group, 2013 top 20 films and top UK films

Table 15.4 Films with an above-average audience in the 35-44 age group, 2013 top 20 films and top UK films

Films in italics do not have statistically significant above-average audiences but are included to give a fuller impression of preferred films in this age group.

Table 15.5 Films with a statistically above-average audience in the 45-54 age group, 2013 top 20 films and top UK films

Table 15.6 Films with a statistically above-average audience in the 55+ age group, 2013 top 20 films and top UK films

Table 15.8 Films with significant above-average AB audience share, 2013 top 20 films and top UK films

Table 15.9 Films with significant above-average C1 audience share, 2013 top 20 films and top UK films

Table 15.10 Films with significant above-average C2 audience share, 2013 top 20 films and top UK films

Table 15.11 Films with significant above-average DE audience share, 2013 top 20 films and top UK films

Table 15.12 Films with significant above-average West and South West audience share, 2013 top 20 films and top UK films

Table 15.13 Films with significant above-average London and the home counties audience share, 2013 top 20 films and top UK films

Table 15.14 Films with significant above-average Yorkshire and The Humber audience share, 2013 top 20 films and top UK films

Table 15.15 Films with significant above-average North East audience share, 2013 top 20 films and top UK films

Table 15.16 Films with significant above-average Wales audience share, 2013 top 20 films and top UK films

Table 15.17 Films with significant above-average Scotland audience share, 2013 top 20 films and top UK films

2010 2011 2012 201313.56 14.62 14.43 14.1331.78 34.77 33.50 32.9223.33 19.30 18.08 19.1613.99 14.75 15.84 16.0117.35 16.29 18.16 17.78

Chapter 16 Film education

Figure 16.1 National/regional distribution of FILMCLUB schools, 2012/13

2012/13Nation/regionEngland 6,465 91.9

North West 929 13.2London 917 13.0South East 877 12.5East Midlands 742 10.5South West 698 9.9East of England 641 9.1Yorkshire and The Humber 641 9.1West Midlands 606 8.6North East 394 5.6

Isle of Man 20 0.3Wales 334 4.7Northern Ireland 229 3.3Scotland 9 0.1No nation/region stated - -Total 7,037 100.0Source: FILMCLUB, Into Film

schools schools



Table 16.1 Attendances at National Schools Film Week and the National Youth Film Festival2002 2003

National Schools Film Week 75,490 105,392National Youth Film Festival - - Source: Film Education, Into Film

2004/05 2005/06England 42,483 54,126Wales 2,415 2,615Northern Ireland 785 780Total 45,683 57,521All GCSE entries 5,875,373 5,736,505Source: Joint Council for Qualifications

Table 16.3 Entries for Scottish Intermediate media studies, 2009-2013 Number of media studies entries 2009 2010Intermediate Level 1 entries 493 528Intermediate Level 2 entries 781 906Total 1,274 1,434Intermediate Level 1 all entries 65,735 69,834Intermediate Level 2 all entries 122,463 130,497Total all entries 188,198 200,331Source: Scottish Qualifications AuthorityNote: These numbers, published in August 2013, are provisional and do not include the results from any appeals, declines or late cash-ins.

Table 16.4 Entries for GCE A Level media/film/TV studies in England, Wales and Northern Ireland, 2004-20132004/05 2005/06

England 26,633 29,123Wales 1,160 1,239Northern Ireland 468 602Total 28,261 30,964All GCE A Level entries 783,878 805,698Source: Joint Council for Qualifications (JCQ)


Table 16.5 Entries for Scottish Higher media studies, 2004-20132004 2005

Number of media studies entries 827 814All Higher entries 165,575 164,142Source: Scottish Qualifications Authority

Note: These numbers, published in August 2013, are provisional and do not include the results from any appeals, declines or late cash-ins.

Table 16.6 Higher education students in the subject area media studies, 2003-20132003/04 2004/05

Media studies 20,215 20,200Film studies 1,490 1,840Film production 135 165All media studies related courses 26,135 26,495Source: HESA Notes:

Copyright Higher Education Statistics Agency (HESA) Limited 2013. HESA cannot accept responsibility for any inferences or conclusions derived from the data by third parties.

Table 16.2 Entries for GCSE media/film/TV studies in England, Wales and Northernentries

entries

Figures have been rounded to the nearest multiple of 5.

Includes first degree, post-graduate and other degrees.

Media studies related courses include media, film, television, radio, electronic and print-based media studies courses.

Table 16.7 BFI Film Academy participants, 2012/13 and 2013/14Nation/region 2012/13 2013/14England 425 552

North East 34 42Yorkshire and The Humber 27 31North West 49 57West Midlands 28 30East Midlands 34 36East of England 49 66London 95 146South East 52 74South West 57 70

Wales - 49Scotland - 56Northern Ireland - 63Total 425 720Source BFI

Table 16.8 BFI education activities, 2004-20122004/05 2005/06

19,625 15,1495,451 4,881

BFI Reuben Library visits - 12,331BFI information service enquiries - 27,044

- -Source: BFI

admissionsadmissions

requests

Figure 16.2 National/regional distribution of Into Film schools, 2013/14

2013/14% of Into Film schools

6,905 85.7961 11.9

1,023 12.7896 11.1770 9.6719 8.9738 9.2694 8.6631 7.8473 5.9

20 0.2392 4.9530 6.6195 2.4

34 0.48,056 100.0

schools



Table 16.1 Attendances at National Schools Film Week and the National Youth Film Festival2004 2005 2006 2007

125,761 213,794 259,964 298,586 - - - -

2006/07 2007/08 2008/09 2009/1062,683 65,693 63,685 63,134

2,874 3,288 3,438 3,705868 842 849 925

66,425 69,823 67,972 67,7645,752,152 5,827,319 5,669,077 5,469,260

2011 2012 2013 % change 2012-2013617 671 636 -5.2756 758 895 18.1

1,373 1,429 1,531 7.172,324 74,383 69,605 -6.4

134,573 140,145 144,382 3.0206,897 214,528 213,987 -0.3


Table 16.4 Entries for GCE A Level media/film/TV studies in England, Wales and Northern Ireland, 2004-20132006/07 2007/08 2008/09 2009/10

30,036 30,651 31,618 31,0321,252 1,353 1,307 1,380

654 745 897 96331,942 32,749 33,822 33,375

805,657 827,737 846,977 853,933

2006 2007 2008 2009843 819 797 765

159,140 161,081 162,576 167,792


Table 16.6 Higher education students in the subject area media studies, 2003-20132005/06 2006/07 2007/08 2008/09

19,785 18,995 17,860 17,5952,155 2,540 3,610 3,815

420 545 520 53026,665 27,010 28,085 28,245

Copyright Higher Education Statistics Agency (HESA) Limited 2013. HESA cannot accept responsibility for any inferences or conclusions derived from the data by third parties.

Table 16.2 Entries for GCSE media/film/TV studies in England, Wales and Northern Ireland, 2004-2013

Media studies related courses include media, film, television, radio, electronic and print-based media studies courses.

2006/07 2007/08 2008/09 2009/1012,648 33,945 30,999 32,954

4,106 3,733 5,698 5,61511,919 11,905 12,024 10,96925,655 25,711 19,539 29,341

- - 172,142 115,194

Figure 16.2 National/regional distribution of Into Film schools, 2013/14

2008 2009 2010 2011335,733 392,452 473,000 469,000

- - - -

2010/11 2011/12 2012/1362,915 57,451 55,005 -4.3

3,357 2,905 2,659 -8.51,161 1,324 1,450 9.5

67,433 61,680 59,114 -4.25,151,970 5,225,288 5,445,324 4.2

% change 2009-201329.014.620.2

5.917.913.7

2010/11 2011/12 2012/1331,400 29,682 26,848 -9.5

1,403 1,288 1,191 -7.51,052 1,141 1,073 -6.0

33,855 32,111 29,112 -9.3867,317 861,819 850,752 -1.3

2010 2011 2012 2013803 870 927 977

175,614 178,925 181,699 183,489

2009/10 2010/11 2011/12 2012/1319,190 19,690 19,745 15,780

4,250 4,500 4,600 4,570680 675 930 1,040

30,815 31,480 31,860 28,260

2012/13

2012/13

2010/11 2011/12 2012/1338,707 37,000 38,473 4

4,825 5,000 4,890 -2.210,983 11,900 62,000 42118,444 3,971 1,743 -56.192,020 80,000 49,853 -37.7

2012/13

2012 2013541,744 -

- 246,434

% change 2004-201329.510.184.729.4-7.3

% change 2004-20130.82.7

129.33.08.5

% change 2012-2013 % change 2004-20135.4 18.11.0 10.8

-20.1 -21.9-0.7 206.711.8 670.4

-11.3 8.1

2012/13 2012/13

Chapter 17 Film, high-end television and animation production in 2013

Figure 17.1 UK spend of feature films produced in the UK, 1994-2013, £ million

1994 1995Inward Investment 182.7 216.5Domestic UK Features 59.5 94.0Co-production Total 242.2 310.5Source: BFI

Notes:Data are rounded to the nearest £0.1m so may not sum exactly to the totals shown.Films are allocated to the calendar year in which principal photography commenced.Films with budgets under £500,000 are included in this analysis after 2008.

Numbers have been revised on the basis of new information received since publication of the 2013 Statistical Yearbook.Inward investment feature films include inward co-production and VFX-only films.MeasurementThe above numbers include only the UK spend associated with productions shot or post-produced in whole or in part in the UK.

Spend is allocated to the year in which principal photography started or to the year in which the visual effects were undertaken in the case of VFX-only films.

Table 17.1 Value of UK spend of UK/USA studio and independent films, 2003-2013 (£ million)2004 2005

UK/USA studio films 558.4 236.2UK independent films 314.0 356.7Non-UK films 6.2 4.8Total 878.6 597.7% UK independent film spend 35.7 59.7Source: BFISee notes to Figure 17.1

1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130.0

200.0

400.0

600.0

800.0

1,000.0

1,200.0

1,400.0

Inward Investment Domestic UK Features Co-production Total

£ m

illio

n



Figure 17.2 Number of feature films produced in the UK, 1994-2013

1994 1995Inward 13 14Domestic UK Features 33 34

Of which budget ≥ £500,000 – –Of which budget < £500,000 – –

Co-productions – –– –

Of which minority co-production – –Total 46 48Source: BFI RSUNotes:

Inward features include inward investment co-productions from 2002 and a small number of visual effects (VFX) only titles from 2007.UK co-productions not available by shoot date prior to 2002.Data for 2003-2012 updated since publication of the 2013 Statistical Yearbook.

Inward investment includes a spike in the number of non-USA (mainly Indian) inward investment films in 2005.Includes both official and unofficial co-productions.Majority co-production means a co-production in which the UK investment is the largest single national investment (not necessarily an absolute majority).Parity co-production means a co-production in which the UK and at least one other country contributed equal largest investments.

Minority co-production means a co-production in which at least one other country made a larger investment than the UK.

Table 17.2 Numbers of UK/USA studio and independent films, 2003-2013Country of origin 2004 2005UK/USA studio films 14 15UK independent films 177 199Non-UK films 5 6Total 196 220% UK independent film spend 90.3 90.5Source: BFI

Note: Data for 2004-2012 updated since publication of the 2013 Statistical Yearbook.

Table 17.3 Genre of production in the UK, 2011-2013

Of which majority and parity co-production

1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

50

100

150

200

250

300

350

400

Inward Domestic UK Features Co-productions

Num

ber o

f fea

ture

s

Genre Number of films % of total filmsAction 48 5.3Fantasy 13 1.4Comedy 136 14.9Drama 169 18.5Thriller 126 13.8Sci-fi 26 2.9Horror 81 8.9Adventure 14 1.5Music/Dance 8 0.9Biopic 17 1.9Documentary 172 18.9War 8 0.9Family 6 0.7Romance 27 3.0Crime 41 4.5Animation 7 0.8Western 4 0.4Mystery 9 1.0Total 912 100.0Source: BFINotes: The data have been presented for a three-year period to show as many genres as possible without disclosing the budgets of individual films.

These figures do not include VFX-only films.

Figure 17.3 Genre of production of UK films 2011-2013 (% of films)

Genre %Documentary 18.9Drama 18.5Comedy 14.9Thriller 13.8Horror 8.9Action 5.3Crime 4.5Romance 3.0Sci-fi 2.9

Documentary Drama Comedy Thriller HorrorAction Crime Romance Sci-fi Other

Other 9.4Source: BFI

Table 17.4 Independent UK productions by genre, 2010-2013Number of films % of total films

Comedy 128 15.4Thriller 117 14.1Action 32 3.9Drama 163 19.6Biopic 16 1.9Documentary 163 19.6Romance 25 3.0Horror 74 8.9Sci fi 22 2.7Crime 40 4.8Family 4 0.5Music/Dance 6 0.7Adventure 10 1.2Fantasy 6 0.7Western 4 0.5Animation 6 0.7War 5 0.6Total 830 100.0Source: BFINote: Figures/percentages may not sum to totals due to rounding.

Table 17.5 Median feature film budgets, £ million, 2008-20132008 2009

Inward investment films 17.20 18.40Domestic UK films 0.20 0.20Co-productions 1.40 1.30Source: BFI

Notes:Median budget is the middle value of budgets when ordered lowest to highest (ie there are equal numbers of films above and below the median). The median in this case is a better measure of central tendency than the average as it avoids the upward skew of a small number of high budget productions.Includes films with budgets of less than £500,000.

Data for 2008-2012 updated since publication of the 2013 Statistical Yearbook.Data for domestic UK films are shown to two decimal places to gain a clearer picture of change over the time period.

Table 17.6 Size distribution of budgets, inward investment features, 2013Budget band Number>£30 million 16 1164.4£10 – £29.9 million 5 79.4£5 – £9.9 million 5 43.5

11 12.2Total 37 1299.4Source: BFINotes: Figures/percentages may not sum to totals due to rounding.Does not include VFX-only titles.

Table 17.7 Size distribution of budgets, domestic UK features, 2013Budget band Number

>£5 million 8 72.9

(£ million)

<£5 million

(£ million)

£2 – £4.9 million 15 43.7£0.5 – £1.9 million 40 41.2

104 15.0Total 167 172.8Source: BFI

Table 17.8 Size distribution of budgets, co-productions, 2013Budget band Number

>£5 million 9 73.7£2 – £4.9 million 11 33.0£0.5 – £1.9 million 10 10.8

7 1.4Total 37 118.9Source: BFIPercentages may not sum to 100 due to rounding.

Table 17.9 Big budget films’ contribution to UK spend, 2008-20132008 2009

13 16410.8 748.9

Total UK spend (£ million) 722.1 1115.4Big budget film % of UK spend 56.9 67.1Source: BFINote: Data for 2008-2012 updated since publication of the 2013 Statistical Yearbook.

Table 17.10 UK spend as percentage of total production budget, 2008-2013Production category 2008 2009Inward investment films 46.9 50.9UK domestic films 77.0 81.4Co-productions 43.5 37.2Source: BFI

Notes:Data for 2008-2012 updated since publication of the 2013 Statistical Yearbook.VFX-only films are not included in ‘inward investment films’.

Figure 17.4 Percentage of productions and UK spend by category of UK spend, 2013

<£0.5 million

(£ million)

<£0.5 million

>£30 millionmillion)

>£30 million £10 – £29.9 million £5 – £9.9 million £2 – £4.9 million £0.5 – £2 million <£0.5 million0

10

20

30

40

50

60

70

80

% of productions % of UK spend

%

UK spend category % of productions % of UK spend>£30 million 7 72£10 – £29.9 million 4 8£5 – £9.9 million 8 9£2 – £4.9 million 11 6£0.5 – £2 million 23 4<£0.5 million 48 1Souce: BFI

Table 17.11 UK domestic productions by territory of shoot, 2013Shooting in… Number of films Budget (£ million)UK only 126 103.2UK and other/ wholly outside the U 41 69.5Total UK domestic films 167 172.8Source: BFI

Note: Figures may not sum to totals due to rounding.

Table 17.12 UK domestic productions, shoots by territory or region, 2013Territory of shoot Number of shootsUK 156USA 11Germany 4Spain 4France 3Poland 2Republic of Ireland 2Italy 2Other Europe 6Middle East 5Africa 4Central Asia 5South Asia 2East Asia 2Argentina 2Turkey 2Other 2Total shoots 214Source: BFI

Table 17.13 Co-productions by territory of shoot, 2013Shooting in… Number of films Budget (£ million)UK only 5 13.5UK and other 12 53.7Other only 20 51.7Total co-productions 37 118.9Source: BFI

Note: Includes both official and unofficial co-productions.Percentages calculated on unrounded data

Table 17.14 Co-productions, shoots by territory or region, 2013


10

20

30

40

50

60

70

80


%

Country Number of shootsUK 17Republic of Ireland 5USA 3South Africa 3Italy 3Brazil 2Hungary 2France 2Germany 2New Zealand 2East and South Asia 4Other Europe 7Other 4Total shoots 56Source: BFI

Table 17.15 Film production company activity, 2013Number of features per company6 15 04 43 52 181 392Total 420Source: BFI RSUNote: Includes all production categories.

Table 17.16 UK spend and number of high-end television productions produced in the UK, April 2013-March 2014Production CategoryInward investment 224.7 13Domestic UK

170.027

Co-production 3Total 394.8 43Source: BFINotes: * A high-end television production can be a single programme or a television series.Figures may not sum to totals due to rounding.

Table 17.17 Genre of high-end television production*, April 2013-March 2014Genre % of totalDrama 18 41.9Crime 6 14.0Comedy 4 9.3Thriller 4 9.3Other 11 25.6Total 43 100.0Source: BFI RSU

Notes * A high-end television production can be a single programme or a television series.The data in this table show the primary genre assigned by the BFI Research and Statistics Unit.Percentages may not sum to totals due to rounding.

companies

UK spend productions*

productions

Table 17.18 UK spend and number of animation programmes produced in the UK, April 2013-March 2014Production categoryInward investment 7.8 4.0Domestic UK

43.919.0

Co-production 2.0Total 51.7 25.0Source: BFI

* An animation production can be a single programme or a television series.

UK spend productions*

Chapter 17 Film, high-end television and animation production in 2013

1996 1997 1998 1999387.1 261.9 214.2 336.4172.2 202.9 175.0 170.3

559.3 464.8 389.2 506.7

Numbers have been revised on the basis of new information received since publication of the 2013 Statistical Yearbook.

The above numbers include only the UK spend associated with productions shot or post-produced in whole or in part in the UK.

Spend is allocated to the year in which principal photography started or to the year in which the visual effects were undertaken in the case of VFX-only films.

Table 17.1 Value of UK spend of UK/USA studio and independent films, 2003-2013 (£ million)2006 2007 2008 2009

587.6 566.3 409.6 772.1233.9 266.4 288.2 295.6

15.4 18.2 24.3 47.7836.9 850.9 722.1 1,115.4

27.9 31.3 39.9 26.5

1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130.0

200.0

400.0

600.0

800.0

1,000.0

1,200.0

1,400.0

Inward Investment Domestic UK Features Co-production Total

£ m

illio

n



1996 1997 1998 199925 20 16 2273 84 67 70

– – – –– – – –– – – –– – – –– – – –

98 104 83 92

Inward features include inward investment co-productions from 2002 and a small number of visual effects (VFX) only titles from 2007.

Majority co-production means a co-production in which the UK investment is the largest single national investment (not necessarily an absolute majority).Parity co-production means a co-production in which the UK and at least one other country contributed equal largest investments.

Minority co-production means a co-production in which at least one other country made a larger investment than the UK.

2006 2007 2008 200921 17 14 14

179 212 263 2947 12 16 25

207 241 293 33386.5 88.0 89.8 88.3

1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

50

100

150

200

250

300

350

400

Inward Domestic UK Features Co-productions

Num

ber o

f fea

ture

s

Budget (£ million) % of total budget % of total UK spend1611.4 30.7 941.4 27.8

678.2 12.9 472.3 14.0432.2 8.2 346.3 10.2517.7 9.8 294.2 8.7452.2 8.6 283.3 8.4312.5 5.9 265.2 7.8295.8 5.6 203.2 6.0242.0 4.6 122.2 3.6113.6 2.2 100.8 3.0141.1 2.7 94.1 2.8102.4 1.9 65.1 1.9106.0 2.0 57.9 1.7

75.4 1.4 45.4 1.366.7 1.3 36.8 1.139.1 0.7 34.8 1.054.5 1.0 13.8 0.413.3 0.3 4.4 0.1

2.6 0.0 2.6 0.15256.7 100.0 3383.8 100.0

The data have been presented for a three-year period to show as many genres as possible without disclosing the budgets of individual films.

UK spend

Documentary Drama Comedy Thriller HorrorAction Crime Romance Sci-fi Other

Budget (£ million) % of total budget % of total UK spend249.3 19.4 192.4 21.4214.1 16.7 136.3 15.2202.3 15.7 126.8 14.1169.9 13.2 118.6 13.2129.4 10.1 91.6 10.2

82.7 6.4 53.2 5.952.7 4.1 33.7 3.835.0 2.7 30.8 3.435.5 2.8 28.9 3.228.0 2.2 24.3 2.713.1 1.0 13.1 1.514.9 1.2 12.1 13.615.7 1.2 11.5 1.312.0 0.9 9.4 1.013.3 1.0 4.4 0.5

9.5 0.7 3.8 0.45.3 0.4 3.7 0.4

1285.4 100.0 897.2 112.0

2010 2011 2012 201316.60 18.80 3.80 13.70

0.13 0.16 0.14 0.142.70 1.30 1.10 2.00

Median budget is the middle value of budgets when ordered lowest to highest (ie there are equal numbers of films above and below the median). The median in this case is a better measure of central tendency than the average as it avoids the upward skew of a small number of high budget productions.

Data for domestic UK films are shown to two decimal places to gain a clearer picture of change over the time period.

% of total budget89.6

6.13.30.9

100.0

% of total budget42.2

UK spend

25.323.8

8.7100.0

% of total budget62.027.7

9.11.1

100.0

2010 2011 2012 201313 17 10 16

960.6 1009.8 644.1 769.81289.5 1321.0 994.3 1068.6

74.5 76.4 64.8 72.0

2010 2011 2012 201371.7 55.9 71.8 66.288.9 86.7 89.9 89.141.7 35.8 47.5 45.6

Figure 17.4 Percentage of productions and UK spend by category of UK spend, 2013


10

20

30

40

50

60

70

80


%

0.4 0.418.4 26.618.9 10.9

2.3 16.928.8 53.733.5 64.964.7 54.4

Non-UK spend total budget

Non-UK spend total budget


10

20

30

40

50

60

70

80


%

Table 17.16 UK spend and number of high-end television productions produced in the UK, April 2013-March 2014

Budget (£ million) % of total % of total181.2 40.0 160.3 40.6

65.4 14.4 53.1 13.413.3 2.9 12.4 3.166.7 14.7 54.9 13.9

126.7 28.0 114.1 28.9453.3 100.0 394.8 100.0

UK spend

Table 17.18 UK spend and number of animation programmes produced in the UK, April 2013-March 2014

2000 2001 2002 2003 2004366.6 198.5 265.9 733.0 583.8211.7 180.1 156.4 235.7 125.7

128.2 158.3 169.2578.3 378.6 550.5 1,127.0 878.6

2010 2011 2012 2013983.4 1,007.3 672.8 751.5284.2 270.3 313.4 313.4

21.9 43.3 8.0 3.71,289.5 1,321.0 994.3 1,068.6

22.0 20.5 31.5 29.3

2000 2001 2002 2003 200428 23 16 46 2852 51 37 62 63

– – – 48 40– – – 14 23– – 66 106 105– – – 21 22– – – 85 83

80 74 119 214 196

2010 2011 2012 201316 13 17 19

346 312 302 2167 20 7 6

369 345 326 24193.8 90.4 92.6 89.6

Median budget is the middle value of budgets when ordered lowest to highest (ie there are equal numbers of films above and below the median). The median in this case is a better measure of central tendency than the average as it avoids the upward skew of a small number of high budget productions.

2005 2006 2007 2008 2009307.3 558.9 604.2 434.4 834.6191.5 167.4 168.2 236.0 242.1

98.9 110.6 78.5 51.7 38.7597.7 836.9 850.9 722.1 1,115.4

2005 2006 2007 2008 200951 29 33 32 37

101 125 175 231 25855 57 72 83 8946 68 103 148 16968 53 33 30 3814 20 16 15 1354 33 17 15 25

220 207 241 293 333

2010 2011 2012 20131,012.1 1,071.0 671.2 860.4

201.2 198.0 248.2 153.976.2 52.0 74.9 54.3

1,289.5 1,321.0 994.3 1,068.6

2010 2011 2012 201330 36 39 37

303 264 242 16778 86 65 63

225 178 177 10436 45 45 3725 24 24 2011 21 21 17

369 345 326 241

Chapter 18 Film, high-end television and animation productions certified as british

Table 18.1 Film cultural test certifications, 2012 and 2013

Type of certification2012 2013

Number NumberInterim approval 154 1,342.5 190Final certification 187 1,169.7 182Source: DCMS, BFI

Table 18.2 Film co-production certifications, 2012 and 2013

Type of certification2012 2013

Number NumberInterim approval 18 138.7 19Final certification 13 73.4 17Source: DCMS, BFI.

Figure 18.1 Number of films with final certification, 1998-2013

1998 1999 200040 68 108

Co-production 16 13 22Total 56 81 130Source: DCMS, BFI

Figure 18.2 Total production budget of films with final certification, 1998-2013

Budget

Budget

test

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

50

100

150

200

250

Cultural test/ production costs test Co-production

Num

ber o

f fina

l cer

tifica

tions

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

500

1,000

1,500

2,000

2,500


Tota

l pro

ducti

on b

udge

t (£

mill

ion)



1998 1999 2000232 408 361

Co-production 60 66 96Total 292 474 457Source: DCMS, BFI

Notes: Total production budget is the sum of production activity in the UK and production activity outside the UK for cultural test/production costs test films and total investment for co-productions. Figures may not sum to totals due to rounding.

Figure 18.3 UK spend of films with final certification, 1998-2013

1998 1999 2000151 269 292

Co-production 23 22 38Total 174 291 330Source: DCMS, BFINotes ‘UK spend’ is the ‘value of the production activities in the UK’ for cultural test/production costs test films and ‘UK expenditure’ for co-productions (bilateral and European Convention). UK spend for co-productions may include some expenditure on UK goods and services which took place outside the UK.


test

test

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

500

1,000

1,500

2,000

2,500


Tota

l pro

ducti

on b

udge

t (£

mill

ion)

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

200

400

600

800

1,000

1,200

1,400

1,600

1,800

Cultural test/production costs test Co-production

Table 18.3 UK spend as % of total film production budget for British film, 1998-20131998 1999 2000

65 66 81Co-production 39 33 40Total 60 61 72Source: BFI

Figure 18.4 Median budgets of films with final certification, 1998-2013

1998 1999 20003.1 2.8 2.8

Co-production 2.5 3.5 3.3Source: BFINote: The median is the middle value, i.e. there are equal numbers of films above and below the median.

Figure 18.5 Final cultural test/production costs test certifications by budget band, 1998-2013

test

test

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

1

2

3

4

5

6

7


Med

ian

budg

et (£

mill

ion)

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

20

40

60

80

100

120

≥30 10 – 29.9 5 – 9.9 2 – 4.9 0.5 – 1.9 <0.5

Num

ber o

f film

s

Budget band (£ million) 1998 1999 2000≥30 2 3 110 – 29.9 2 3 35 – 9.9 5 12 142 – 4.9 20 26 430.5 – 1.9 9 22 39<0.5 2 2 8Total 40 68 108Source: DCMS, BFI

Table 18.4 Final cultural test certifications, budget distribution by budget band, 2007-2013Budget band (£ million) Number % number≥30 53 5,694.2 5.010 – 29.9 48 763.3 4.55 – 9.9 72 512.5 6.72 – 4.9 130 408.0 12.20.5 – 1.9 273 280.4 25.6<0.5 491 86.0 46.0Total 1,067 7,744.4 100.0Source: DCMS, BFI

Figure 18.6 Final co-production certifications for film by budget band, 1998-2013

Budget band 1998 1999 2000≥30 - - -10 – 29.9 0 2 25 – 9.9 5 2 42 – 4.9 6 6 130.5 – 1.9 5 3 3<0.5 - - -Total 16 13 22Source: DCMS, BFI

million)

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

20

40

60

80

100

120

≥30 10 – 29.9 5 – 9.9 2 – 4.9 0.5 – 1.9 <0.5

Num

ber o

f film

s

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

5

10

15

20

25

30

35

40

45

≥30 10 – 29.9 5 – 9.9 2 – 4.9 0.5 – 1.9 <0.5

Num

ber o

f film

s

Table 18.7 Final co-production certifications for film budget distribution by budget band, 2007-2013Budget band (£ million) Number % number≥30 4 150.3 3.010 – 29.9 21 315.8 15.65 – 9.9 30 221.7 22.22 – 4.9 54 184.2 40.00.5 – 1.9 22 31.9 16.3<0.5 4 1.0 3.0Total 135 904.8 100.0Source: DCMS, BFI

Note: Figures/percentages may not sum to totals due to rounding.

Table 18.8 High-end television programme certifications, 2013/14Type of certification NumberInterim (cultural test) 29 252.4 281.4Interim (co-production) 3 19.0 26.7Total interim 32 271.4 308.1Final (cultural test) 13 63.8 63.8Source: DCMS, BFI

Type of certification NumberInterim 27 57.9 67.2Final 3 0.9 0.9Source: DCMS, BFI

Total budget (£ million)

UK spend million)

Table 18.9: Animation programme cultural test certifications, 2013/14million) million)

Chapter 18 Film, high-end television and animation productions certified as british

2013

1,730.81,353.3

2013

116.6112.7

2001 2002 2003 2004 200575 77 76 72 6641 56 84 99 106

116 133 160 171 172

Budget

Budget

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

50

100

150

200

250


Num

ber o

f fina

l cer

tifica

tions

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

500

1,000

1,500

2,000

2,500


Tota

l pro

ducti

on b

udge

t (£

mill

ion)



2001 2002 2003 2004 2005539 585 330 644 758278 462 428 1,178 877816 1,048 758 1,822 1,635

Total production budget is the sum of production activity in the UK and production activity outside the UK for cultural test/production costs test films and total investment for co-productions.

2001 2002 2003 2004 2005459 523 293 560 685

88 132 127 443 337548 655 421 1,003 1,023

‘UK spend’ is the ‘value of the production activities in the UK’ for cultural test/production costs test films and ‘UK expenditure’ for co-productions (bilateral and European Convention). UK spend for co-productions may include some expenditure on UK goods and services which took place outside the UK.

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

500

1,000

1,500

2,000

2,500


Tota

l pro

ducti

on b

udge

t (£

mill

ion)

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

200

400

600

800

1,000

1,200

1,400

1,600

1,800


2001 2002 2003 2004 200585 89 89 87 9132 29 30 38 3967 63 56 55 63

2001 2002 2003 2004 20052.9 2.0 1.8 3.2 3.53.4 4.7 3.6 4.3 4.9

Figure 18.5 Final cultural test/production costs test certifications by budget band, 1998-2013

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

1

2

3

4

5

6

7


Med

ian

budg

et (£

mill

ion)

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

20

40

60

80

100

120

≥30 10 – 29.9 5 – 9.9 2 – 4.9 0.5 – 1.9 <0.5

Num

ber o

f film

s

2001 2002 2003 2004 20053 2 2 5 5

10 13 3 7 97 10 5 13 7

24 13 25 23 2530 27 32 19 16

1 12 9 5 475 77 76 72 66

Table 18.4 Final cultural test certifications, budget distribution by budget band, 2007-2013% budget

73.59.96.65.33.61.1

100.0

2001 2002 2003 2004 20051 1 - 8 47 14 11 20 158 12 18 14 32

19 21 39 40 396 8 14 17 16 - - 2 - -

41 56 84 99 106

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

20

40

60

80

100

120

≥30 10 – 29.9 5 – 9.9 2 – 4.9 0.5 – 1.9 <0.5

Num

ber o

f film

s

1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 20130

5

10

15

20

25

30

35

40

45

≥30 10 – 29.9 5 – 9.9 2 – 4.9 0.5 – 1.9 <0.5

Num

ber o

f film

s

Table 18.7 Final co-production certifications for film budget distribution by budget band, 2007-2013% budget

16.634.924.520.4

3.50.1

100.0

89.771.188.1

100.0

86.1100.0

budget

total budget

2006 2007 2008 2009 201074 98 97 144 17068 56 8 8 19

142 154 105 152 189

2006 2007 2008 2009 2010402 561 935 605 1,002460 357 45 48 137862 918 980 653 1,139

2006 2007 2008 2009 2010341 442 589 423 854183 123 34 22 51524 566 623 445 905

‘UK spend’ is the ‘value of the production activities in the UK’ for cultural test/production costs test films and ‘UK expenditure’ for co-productions (bilateral and European Convention). UK spend for co-productions may include some expenditure on UK goods and services which took place outside the UK.

2006 2007 2008 2009 201085 79 63 70 8540 35 75 45 3761 62 64 68 80

2006 2007 2008 2009 20102.0 1.2 1.0 1.0 0.44.4 4.4 3.8 6.3 4.4

2006 2007 2008 2009 20102 3 9 4 67 7 6 7 99 9 11 8 10

21 18 9 24 1623 36 24 49 4112 25 38 52 8874 98 97 144 170

2006 2007 2008 2009 20102 2 - - -5 7 2 1 3

20 13 1 4 528 25 4 1 713 9 1 2 3

- - - - 168 56 8 8 19

2011 2012 2013189 187 182

14 13 17203 200 199

2011 2012 20132,118 1,170 1,353

131 74 1132,250 1,243 1,466

2011 2012 20131,479 834 1,041

55 44 651,534 879 1,107

2011 2012 201370 71 7742 60 5868 71 76

2011 2012 20130.5 0.4 0.43.8 2.8 3.7

2011 2012 201313 9 9

7 5 715 7 1220 21 2240 44 3994 101 93

189 187 182

2011 2012 20131 - 13 2 31 2 48 5 41 3 3 - 1 2

14 13 17

Chapter 19 Public Investment in film in the UK

Table 19.1 Public funding for film in the UK by source, 2012/13Source £ millionNational Lottery Distribution Fund 65.4DCMS grant-in-aid to the BFI and NFTS 27.9

18.112.7

National and Regional Development Agencies 9.45.64.3

Welsh Assembly Government 2.2Northern Ireland Executive 2.1Scottish Government 2.1

1.6Other EU 1.1Foreign and Commonwealth Office 1.1The Office of Communications (Ofcom) 1.1Department for Business, Innovation & Skills 0.8Skills Investment Fund training levy 0.8

0.3UK Trade & Investment 0.2Other public sector <0.1

157.4206.0

Total public sector selective and automatic fun 363.4Notes:1. Film4/Channel 4 investments in the calendar year 2013.2. BBC Films/BBC investments in the calendar year 2013.

3. Investment for the MEDIA Programme is for awards made from 1 April 2012 to 31 March 2013.4. ACE total does not include other National Portfolio Organisation investments as detailed breakdowns into film and other artforms are not available.5. Includes the HEFC for England, Wales and Scotland, support and subsidy from higher education institutions.6. This does not include payments from educational funding councils to film courses (eg film studies) in higher or further education.

7. Does not include local authority direct spending for example on city film offices, support for arts centre cinemas or youth film projects. Only English local authorities reported any funding for film.8. Does not include transfers to or from reserves or funds carried over from the previous year.9. Film Tax Relief Monitoring Summary, HMRC, July 2013.

Figure 19.1 Public funding for UK film by source, 2012/13

Film4/Channel 41

BBC Films/BBC2

EU MEDIA Programme3 EU MEDIA Programme3 England (ACE) 4

Higher Education Funding Councils (HEFC)5

Local government7Local government7

public sector selective investment8 UK film production tax relief (HMRC)9

UK film production tax relief National Lottery Distribution Fund Film4/Channel 4 and BBC Films/BBCDCMS grant-in-aid to the BFI and NFTS Other



%UK film production tax relief 56.7National Lottery Distribution Fund 18.0Film4/Channel 4 and BBC Films/BBC 8.5DCMS grant-in-aid to the BFI and NFTS 7.7Other 9.1Source: BFI

Table 19.2 Net film spend by agency, 2012/13¹Source £ millionHMRC 206.0BFI 92.6

17.9Northern Ireland Screen 15.2

12.0NFTS 7.8

6.9EU MEDIA Programme 5.5Creative England 5.2Film London 3.9

3.9Creative Skillset 3.6

3.3FILMCLUB 3.2

2.1First Light 1.4British Council 1.1

0.7Heritage Lottery Fund <0.1

392.6Notes:1. Net spend means spend after deducting grants and awards to other organisations in this table. Figures are presented net to avoid double counting.2. Investment for the calendar year 2013.3. Investment for the calendar year 2013.

4. Includes film expenditure on the part of Creative Scotland and the Scottish Screen Archive (part of the National Library of Scotland).5. Includes ACE National Lottery investments (for example from Grants for the Arts) into moving image projects, plus the National Portfolio Organisation (NPO) investment in FLAMIN/Film London. Does not include other NPO investments as detailed breakdowns into film and other artforms are not available.6. Welsh agencies means Film Agency for Wales, direct spend from the Welsh Assembly Government, and the National Screen and Sound Archive of Wales (part of the National Library of Wales).

7. Includes East Anglian Film Archive, Media Archive for Central England (MACE), North East Film Archive, North West Film Archive, Screen Archive South East, South West Film and Television Archive and Yorkshire Film Archive.8. Includes Northern Film and Media and Screen Yorkshire.9. The spending tabulated above includes net transfers to and from reserves and spending financed by commercial income (eg from film rights) earned by agencies. For these reasons the total spending by agencies (£392.6 million) is higher than total public funding for film in the 2012/13 year (£363.4 million, Table 19.1). Figures and percentages may not sum to totals due to rounding.

Table 19.3 Activities supported by public spend on film, 2012/13Activity £ million

268.732.3

Film4/Channel 42Film4/Channel 42

BBC Films/BBC3BBC Films/BBC3

Scottish agencies4Scottish agencies4

Arts Council England5Arts Council England5

Welsh agencies6Welsh agencies6

English regional film archives7

Other English agencies8

Total public sector9

Production1Production1

learning2Education, young people and lifelong learning2


Distribution and exhibition 28.119.5

Administration and services to the public 14.213.5

Development 10.93.81.6

392.6Source: BFINotes1. Non-tax relief production spend in 2012/13 was £61.6 million.2. FILMCLUB, First Light, education and lifelong learning projects funded and delivered by Creative Scotland, Film Agency Wales, Northern Ireland Screen and ACE. BFI investment in the 5-19 Education Scheme and in its own in-house education activities.

3. BFI National Archive, National/Regional Screen Archives, Heritage Lottery Fund investments.4. Creative Skillset Skills Investment Fund, National/Regional training investment, Creative Skillset film/craft and technical skills academies.5. British Film Commission, British Council, locations services in the nations and regions.6. National/Regional Screen Agency investment: primary beneficiaries are independent production companies.

7. 2012/13 total expenditure (£392.6 million) was greater than total public funding (£363.4 million, Table 19.1) as expenditure was supplemented by earned/self-generated income, grants from trusts and foundations and transfers from reserves.

Figure 19.2 Activities supported by public spending on film

%Production 68.4Education, young people and lifelong learning 8.2Distribution and exhibition 7.1Film archives and heritage 5.0Administration and services to the public 3.6Training and skills 3.4Development 2.8Export and inward investment promotion 1.0Business support 0.4Source: BFI

Film archives and heritage3Film archives and heritage3

Training and skills4Training and skills4

and inward investment promotion5

Business support6Business support6

expenditure7

Production Education, young people and lifelong learning Distribution and exhibitionFilm archives and heritage Administration and services to the public Training and skillsDevelopment Export and inward investment promotion Business support

Table 19.4 BFI Lottery awards, 2013Source Number of awardsFilm Fund – production 52Film Fund – development 163Film Fund – completion 7Film Fund – pilots 1Film Fund – short film 3Distribution – Exhibition Fund 28Partnerships Lottery

Audience Fund 67Film Academy 37

International Fund 6Unlocking Film Heritage 11Film Export Fund 24Total awards 399Source: BFI

Note: BFI awards data are for calendar year 2013.

Table 19.5 Large awards (£250,000+) made by BFI, 2013Source Project (total = 21)Film Fund Bill

Get SantaJimmy’s HallPrideSlow WestSuffragette (aka The Fury)X Plus YOur Robot OverlordsThe Riot Club (aka Posh)The FallingThe Duke of BurgundyElectricitySecond ComingDark HorseQueen and CountryHyena

The Legend of ShortyDistribution Fund All Stars

Le Week-EndSpike Island

Source: BFINote: BFI awards data are for calendar year 2013.

Table 19.6 Leading public investors in British film production, 2011-2013Public funder NumberBFI/UK Film Council 92BBC Films/BBC 66Film4/Channel 4 59

33Scottish agencies 25Irish Film Board 22Northern Ireland Screen 15Welsh agencies 12

Serial Killer

European agencies(1)European agencies(1)

Northern Film & Media 9Screen Yorkshire 8

5Film London 5ACE 4Source: BFI production tracking

Notes:In some cases more than one public agency contributed funding to the same film, so there is double counting of budgets and hence no total budget row.1 Examples of European film funding agencies include the Nordic Film and TV Fund, the German Federal Film Fund, CNC, Swissimage2 EM Media ceased trading in February 2013.

EM Media (2)EM Media (2)

% of total18

7.75

3.52.61.51.20.60.60.60.50.30.30.30.20.20.10.1

<0.143.356.7100

4. ACE total does not include other National Portfolio Organisation investments as detailed breakdowns into film and other artforms are not available.

6. This does not include payments from educational funding councils to film courses (eg film studies) in higher or further education.

7. Does not include local authority direct spending for example on city film offices, support for arts centre cinemas or youth film projects. Only English local authorities reported any funding for film.




%52.523.6

4.63.93.12.01.81.41.31.01.00.90.80.80.50.40.30.2

<0.1100

1. Net spend means spend after deducting grants and awards to other organisations in this table. Figures are presented net to avoid double counting.

4. Includes film expenditure on the part of Creative Scotland and the Scottish Screen Archive (part of the National Library of Scotland).5. Includes ACE National Lottery investments (for example from Grants for the Arts) into moving image projects, plus the National Portfolio Organisation (NPO) investment in FLAMIN/Film London. Does not include other NPO investments as detailed breakdowns into film and other artforms are not available.6. Welsh agencies means Film Agency for Wales, direct spend from the Welsh Assembly Government, and the National Screen and Sound Archive of Wales (part of the National Library of Wales).

7. Includes East Anglian Film Archive, Media Archive for Central England (MACE), North East Film Archive, North West Film Archive, Screen Archive South East, South West Film and Television Archive and Yorkshire Film Archive.

9. The spending tabulated above includes net transfers to and from reserves and spending financed by commercial income (eg from film rights) earned by agencies. For these reasons the total spending by agencies (£392.6 million) is higher than total public funding for film in the 2012/13 year (£363.4 million, Table 19.1). Figures and percentages may not sum to totals due to rounding.

% of total68.4

8.2


7.15.03.63.42.81.00.4

100.0

2. FILMCLUB, First Light, education and lifelong learning projects funded and delivered by Creative Scotland, Film Agency Wales, Northern Ireland Screen and ACE. BFI investment in the 5-19 Education Scheme and in its own in-house education activities.

4. Creative Skillset Skills Investment Fund, National/Regional training investment, Creative Skillset film/craft and technical skills academies.



Total value (£ million)13.2

3.80.80.00.03.3

9.51.60.40.40.2

33.3

Amount of award (£)1,015,0001,000,0001,000,0001,000,0001,000,0001,000,000

900,000820,000800,000750,000500,000450,000350,000325,000320,000305,420300,000250,000300,000300,000300,000

280238180215

45502910

Estimated budget

915

20.50.4

In some cases more than one public agency contributed funding to the same film, so there is double counting of budgets and hence no total budget row.1 Examples of European film funding agencies include the Nordic Film and TV Fund, the German Federal Film Fund, CNC, Swissimage

Notes

Awards to the BFI and NFTSIncludes Film4’s production investment and Channel 4 investment in NFTS Includes BBC Films’ production investment and BBC investment in the NFTS and film archivesContributions to Screen Agencies from Development Agencies throughout the UK

Includes spend from all Welsh government agencies into strategic bodies/projectsIncludes spend from all Northern Ireland government agencies into strategic bodies/projectsIncludes spend from all Scottish government agencies into strategic bodies/projects

European Social Fund, European Regional Development Fund

Contribution to the costs of BFI archiving of off-air broadcastsIncludes direct investment in the NFTS

Funding for export supportVery small awards (under £10,000) from a range of public sector agenciesNational Lottery and grant-in-aid from all sources as aboveCost of film tax relief in 2012/13Sum of all of the above

7. Does not include local authority direct spending for example on city film offices, support for arts centre cinemas or youth film projects. Only English local authorities reported any funding for film.

Northern Ireland Screen, plus Heritage Lottery Fund

image projects, plus the National Portfolio Organisation investment in FLAMIN/Film London

strategic agencies6

country’ events (outside of the UK)

public funding, collected and re-distributed by Creative SkillsetRegional Screen Agencies


5. Includes ACE National Lottery investments (for example from Grants for the Arts) into moving image projects, plus the National Portfolio Organisation (NPO) investment in FLAMIN/Film London. Does not include other NPO investments as detailed breakdowns into film and other artforms are not available.6. Welsh agencies means Film Agency for Wales, direct spend from the Welsh Assembly Government, and the National Screen and Sound Archive of Wales (part of the National Library of Wales).

7. Includes East Anglian Film Archive, Media Archive for Central England (MACE), North East Film Archive, North West Film Archive, Screen Archive South East, South West Film and Television Archive and Yorkshire Film Archive.



2. FILMCLUB, First Light, education and lifelong learning projects funded and delivered by Creative Scotland, Film Agency Wales, Northern Ireland Screen and ACE. BFI investment in the 5-19 Education Scheme and in its own in-house education activities.



Examples

A Most Wanted Man, Big Game, I Anna, The SalvationLore, The Railway Man, Starred Up

Byzantium, Calvary, Shadow DancerMiss Julie, Our Robot Overlords, Whole Lotta Sole

Bypass, The Machine, The Silent Storm

Selfish GiantFrançaise

Trance

I Am Nasrine, The Liability, Song for MarionCatch Me Daddy, Death & Supermarkets, Pulp: A Film About Life, Residue

Entity, Jadoo, The Great Hip Hop HoaxBorrowed Time, Lilting

On Languard Point, The Man Whose Mind Exploded

In some cases more than one public agency contributed funding to the same film, so there is double counting of budgets and hence no total budget row.

5. Includes ACE National Lottery investments (for example from Grants for the Arts) into moving image projects, plus the National Portfolio Organisation (NPO) investment in FLAMIN/Film London. Does not include other NPO investments as detailed breakdowns into film and other artforms are not available.


Chapter 20 Film industry companies

Table 20.1 Number of companies by industry group, 1996-2013Year Film and video production1996 1,745 3551997 2,460 3601998 3,065 3701999 3,460 3802000 3,900 4252001 4,185 4852002 4,605 5152003 5,065 5302004 5,275 4552005 5,785 4452006 6,210 4152007 6,575 4002008 7,970 4352009 7,965 4602010 8,015 4402011 8,215 4652012 8,865 4752013 9,595 470Growth 1996-2013 (%) 449.9 32.4Source: Office for National StatisticsNotes: From 1996 to 2007, data include only companies registered for VAT.

For 2008-2013, data include in addition companies registered for PAYE but not registered for VAT, so give improved coverage of the company population.Standard Industrial Classifications (SICs) are used to classify businesses according to the type of their economic activity. The classifications were last revised in 2003 and in 2007. For 1996-2008 data are for 2003 Standard Industrial Classifications (SICs) 9211 (film and video production), 9212 (film and video distribution) and 9213 (film exhibition).For 2009-2013, film and video production is the sum of 2007 SICs 59111 (film production), 59112 (video production) and 5912 (film, video and TV post-production), film and video distribution is the sum of 59131 (film distribution) and 59132 (video distribution) and film exhibition is 5914 (film exhibition).

Table 20.2 Number of film and video companies by sub-sector, 2013Sub-sector Number of companies % of totalFilm production 5,450 53.0Video production 1,905 18.5

2,240 21.8Film distribution 395 3.8Video distribution 75 0.7Film exhibition 215 2.1Total 10,280 100.0Source: Office for National StatisticsNotes:Data as at March 2013.* Companies in the post-production sector usually work on films, commercials, videos and television programmes, and therefore have a combined statistical classification.


distribution

production*



Table 20.3 Turnover of film and video companies by sub-sector, 2013Sub-sector Turnover (£ 000) % of totalFilm production 2,760,227 36.9Video production 263,009 3.5

1,434,894 19.2Film distribution 1,579,168 21.1Video distribution 180,001 2.4Film exhibition 1,261,656 16.9Total 7,478,955 100.0Source: Office for National Statistics

Notes:Data as at March 2013.* Companies in the post-production sector usually work on films, commercials, videos and television programmes, and therefore have a combined statistical classification.

Table 20.4 Size distribution of film production companies, 2013Number %

5,000+ 95 1.71,000 – 4,999 350 6.4500 – 999 255 4.7250 – 499 410 7.5100 – 249 1,355 24.950 – 99 1,490 27.30 – 49 1,495 27.4Total 5,450 100.0Source: Office for National StatisticsNotes: Data as at March 2013.

‘c’ indicates the data have been made confidential by the Office for National Statistics to avoid disclosing details of individual companies.Percentages may not sum to 100 due to rounding.

Table 20.5 Size distribution of post-production companies, 2013Number %

5,000+ 50 2.21,000 – 4,999 110 4.9500 – 999 90 4.0250 – 499 150 6.7100 – 249 525 23.450 – 99 675 30.10 – 49 640 28.6Total 2,240 100.0Source: Office for National Statistics

Notes: Data as at March 2013.Percentages may not sum to 100 due to rounding.

Table 20.6 Size distribution of film distribution companies, 2013Number %

5,000+ 30 7.6

production*

Turnover size band

Turnover size band

Turnover size band

1,000 – 4,999 45 11.4500 – 999 40 10.1250 – 499 45 11.4100 – 249 70 17.750 – 99 75 19.00 – 49 90 22.8Total 395 100.0Source: Office for National Statistics

Notes: Data as at March 2013. ‘c’ indicates the data have been made confidential by the Office for National Statistics to avoid disclosing details of individual companies.

Table 20.7 Size distribution of film exhibition companies, 2013Number %

5,000+ 10 4.71,000 – 4,999 35 16.3500 – 999 30 14.0250 – 499 40 18.6100 – 249 50 23.350 – 99 25 11.60 – 49 25 11.6Total 215 100.0Source: Office for National StatisticsNotes: Data as at March 2013.Percentages may not sum to 100 due to rounding.

Table 20.8 National/regional distribution of film companies, 2013Film productionNumber %

London 3,100 56.9South East 825 15.1East of England 330 6.1South West 275 5.0North West 180 3.3Scotland 165 3.0Yorkshire and The Humber 155 2.8West Midlands 120 2.2Wales 100 1.8East Midlands 90 1.7North East 55 1.0Northern Ireland 55 1.0UK 5,450 100.0Source: Office for National StatisticsNotes: Data as at March 2013.


Table 20.9 National/regional distribution of film company turnover, 2013Film production

Turnover size band

Turnover (£ 000) %London 2,129,819 77.2South East 186,668 6.8East of England 94,385 3.4South West 89,823 3.3North West 57,472 2.1Wales 47,984 1.7Scotland 42,189 1.5Yorkshire and The Humber 41,364 1.5East Midlands 22,485 0.8Northern Ireland 21,238 0.8West Midlands 17,018 0.6North East 9,782 0.4UK 2,760,227 100.0Source: Office for National StatisticsNotes:

Data as at March 2013.‘c’ indicates the data have been made confidential by the Office for National Statistics to avoid disclosing details of individual companies.The geographic distribution of turnover is given by the location of the company, not its local units, so a London concentration may be overstated for companies such as cinema chains that have local units around the UK.

The overall total differs from that in Table 20.3 as it excludes figures for video production and distribution.Percentages may not sum to 100 due to rounding.

Table 20.10 Top 20 production companies involved in UK production, ranked by number of films, 2011-2013Production company Number of filmsWorking Title Films 13 249Press On Features 13 12Vertigo Films 11 26Revolution Films 9 55Met Film Production 9 1Passion Pictures 8 10Scott Free Films 7 273Templeheart Films 7 1Matador Pictures 6 29The Fyzz Facility 6 8

6 6Black & Blue Films 6 2New Black Films 6 2Pulse Films 6 2Chata Pictures 6 1Big Talk Productions 5 37Fulwell 73 5 28Baby Cow Films 5 20Sixteen Films 5 11Source: BFI

Notes:Companies ranked by number of films produced, then by estimated combined budget.‘Estimated combined budget’ is the sum of the estimated budgets of all the films associated with the named company. It is not a measure of that company’s contribution to the budget. Most films had a number of production companies associated with them and funding came from a variety of sources including National Lottery funding, UK film tax relief, equity investment, US studio investment, distributor minimum guarantees and television pre-sales.

The table includes companies associated with five or more films over the three-year period. This cut off point omits a number of other major production companies behind well-known UK films, including DJ Films, Heyday Films, Number 9 Films and Potboiler Productions.

budget (£ million)

Entertainment

Film exhibition UK all industries155 1,380,695160 1,547,175160 1,573,935165 1,595,705165 1,616,835190 1,623,025195 1,619,195205 1,623,715200 1,611,535200 1,631,540200 1,646,280200 1,673,835230 2,161,555225 2,152,400225 2,100,370210 2,080,860205 2,149,190215 2,167,580

38.7 57.0

For 2008-2013, data include in addition companies registered for PAYE but not registered for VAT, so give improved coverage of the company population.Standard Industrial Classifications (SICs) are used to classify businesses according to the type of their economic activity. The classifications were last revised in 2003 and in 2007. For 1996-2008 data are for 2003 Standard Industrial Classifications (SICs) 9211 (film and video production), 9212 (film and video distribution) and 9213 (film exhibition).For 2009-2013, film and video production is the sum of 2007 SICs 59111 (film production), 59112 (video production) and 5912 (film, video and TV post-production), film and video distribution is the sum of 59131 (film distribution) and 59132 (video distribution) and film exhibition is 5914 (film exhibition).

* Companies in the post-production sector usually work on films, commercials, videos and television programmes, and therefore have a combined statistical classification.



* Companies in the post-production sector usually work on films, commercials, videos and television programmes, and therefore have a combined statistical classification.

Turnover (£ 000) %c c

700,625 25.4162,623 5.9138,939 5.0199,330 7.2106,577 3.9

c c2,760,227 100.0

‘c’ indicates the data have been made confidential by the Office for National Statistics to avoid disclosing details of individual companies.

Turnover %953,947 66.5228,553 15.9

60,552 4.253,397 3.774,632 5.248,034 3.315,779 1.1

1,434,894 100.0

Turnover %c c

c cc cc c

10,111 0.65,400 0.31,856 0.1

1,579,168 100.0

‘c’ indicates the data have been made confidential by the Office for National Statistics to avoid disclosing details of individual companies.

Turnover %1,136,544 90.1

78,299 6.223,170 1.812,722 1.0

8,241 0.71,996 0.2

684 0.11,261,656 100.0

Post-productionNumber %

1,130 50.4440 19.6150 6.7140 6.3

95 4.260 2.745 2.060 2.735 1.640 1.825 1.120 0.9

2,240 100.0

Post-production

Turnover (£ 000) %1,201,071 83.7

101,156 7.031,568 2.230,524 2.1

c cc cc cc cc cc c

7,186 0.52,148 0.1

1,434,894 100.0

‘c’ indicates the data have been made confidential by the Office for National Statistics to avoid disclosing details of individual companies.The geographic distribution of turnover is given by the location of the company, not its local units, so a London concentration may be overstated for companies such as cinema chains that have local units around the UK.

Table 20.10 Top 20 production companies involved in UK production, ranked by number of films, 2011-2013Selected titles

Essex Boys Retribution, Riot, The WarningAll Stars, Pusher, StreetDance 2, The Sweeney360, Good Vibrations, The Look of Love, Rush

How I Live Now, Manhunt, Searching for Sugar ManThe Counsellor, Springsteen & I, Welcome to the Punch

All Is by My Side, Flying Blind, The Numbers Station

Cuban Fury, Sightseers, The World's End

Alan Partridge: Alpha Papa, The Look of Love, PhilomenaThe Angels' Share, Jimmy's Hall, The Spirit of '45

‘Estimated combined budget’ is the sum of the estimated budgets of all the films associated with the named company. It is not a measure of that company’s contribution to the budget. Most films had a number of production companies associated with them and funding came from a variety of sources including National Lottery funding, UK film tax relief, equity investment, US studio investment, distributor minimum guarantees and television pre-sales.


Misérables

the World, Town of Runners

The Zombie King

of the DragonGoltzius and the Pelican Company

WerewolvesRoom

Earth, Shut Up and Play the HitsEngland Away, Vendetta

Is Us

Standard Industrial Classifications (SICs) are used to classify businesses according to the type of their economic activity. The classifications were last revised in 2003 and in 2007. For 1996-2008 data are for 2003 Standard Industrial Classifications (SICs) 9211 (film and video production), 9212 (film and video distribution) and 9213 (film exhibition).For 2009-2013, film and video production is the sum of 2007 SICs 59111 (film production), 59112 (video production) and 5912 (film, video and TV post-production), film and video distribution is the sum of 59131 (film distribution) and 59132 (video distribution) and film exhibition is 5914 (film exhibition).

Film distribution Film exhibitionNumber % Number %

240 60.8 60 27.970 17.7 25 11.625 6.3 30 14.015 3.8 20 9.315 3.8 15 7.0

5 1.3 15 7.05 1.3 15 7.0

10 2.5 5 2.35 1.3 10 4.75 1.3 10 4.70 0.0 0 0.00 0.0 10 4.7

395 100.0 215 100.0

Film distribution Film exhibition

Turnover (£ 000) % Turnover (£ 000) %1,486,443 94.1 735,000 58.3

c c 6,259 0.533,951 2.1 24,188 1.9

c c 17,892 1.45,562 0.4 c c

c c c cc c 10,125 0.8c c 9,188 0.7c c c c0 0.0 32,739 2.6

4,079 0.3 c cc c c c

1,579,168 100.0 1,261,656 100.0



Total UK filmNumber %

4,530 54.61,360 16.4

535 6.4450 5.4305 3.7245 3.0220 2.7195 2.3150 1.8145 1.7

80 1.085 1.0

8,300 100.0

Total UK film

Turnover (£ 000) %5,552,333 78.9

c c184,092 2.6

c cc cc c

62,036 0.9c c

131,280 1.9c cc c

14,306 0.27,035,945 100.0


Chapter 21 The UK film economy

Figure 21.1 Total turnover of UK film industry by sector, 1995-2012

Sub-sector 1995 1996829 1,514

Film and video distribution 895 1,385Film exhibition 329 420Total 2,053 3,319Source: Office for National Statistics Annual Business Inquiry and Annual Business Survey

Notes:‘Total turnover’ is expressed in current values, ie not adjusted for inflation.Standard Industrial Classifications (SICs) are used to classify businesses according to the type of their economic activity. The classifications were last revised in 2003 and in 2007.For 1995-2007 data are for 2003 SICs 9211 (film and video production), 9212 (film and video distribution) and 9213 (film exhibition).

For 2008 onwards, we define film and video production as the sum of 2007 SICs 59111 (film production), 59112 (video production) and 5912 (film, video and TV post-production), film and video distribution is the sum of 59131 (film distribution) and 59132 (video distribution) and film exhibition is 5914 (film exhibition).For 2008 both film distribution and video distribution are suppressed by the ONS as confidential. The figure shown for the sum of the two is the 4-digit class total (5913) minus TV distribution (59133).For 2009, 2011 and 2012, only film is included in the distribution sector as the data for video distribution are confidential.The figures for 2011 have been revised since publication of the 2013 edition of the Yearbook.

Table 21.1 Total turnover of UK film industry by sub-sector, 2012Sub-sector Turnover (£ million) % of totalFilm production 2,260 31Video production 293 4Film, video and TV post-production 1,587 21.8Film distribution 1,833 25.1

(including post-production)

1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 20120

1,000

2,000

3,000

4,000

5,000

6,000

7,000

8,000

Film and video production (including post-production) Film and video distributionFilm exhibition



Video distribution c cFilm exhibition 1,322 18.1

7,295 100Source: Office for National Statistics Annual Business SurveyNotes:

Companies in the post-production sector usually work on films, commercials, videos and television programmes, and therefore have a combined statistical classification.‘c’ indicates the data have been made confidential by the Office for National Statistics to avoid disclosing details of individual companies.

Figure 21.2 Total turnover of film sub-sectors, 2008-2012

Year Film production Post-production2008 1,393 1,0652009 1,778 9962010 1,520 8852011 1,010 1,4212012 2,260 1,587Source: Office for National Statistics Annual Business Survey


Figure 21.3 Inflation-adjusted turnover of UK film industry by sector, 1995-2012

distribution)

Sub-sector 1995 19961,220 2,174

Film and video distribution 1,318 1,989Film exhibition 484 603Total 3,022 4,767Source: Office for National Statistics Annual Business Inquiry and Annual Business Survey, HM TreasuryNotes:The deflator used to calculate real values is the UK whole economy deflator.

Values expressed in constant 2012 pounds.For sector classifications, see notes to Figure 21.1.For 2008 both film distribution and video distribution are suppressed by the ONS as confidential. The figure shown for the sum of the two is the 4-digit class total (5913) minus TV distribution (59133).

For 2009, 2011 and 2012, only film is included in the distribution sector as the data for video distribution are confidential.

Figure 21.4 UK film industry gross value added, 1995-2012

Sub-sector 1995 1996299 663

Film and video distribution 522 829Film exhibition 135 208Total 956 1,700Source: Office for National Statistics Annual Business Inquiry and Annual Business SurveyNotes: ‘Gross value added’ is expressed in actual values, ie not adjusted for inflation.For 2008 both film distribution and video distribution are suppressed by the ONS as confidential. The figure shown for the sum of the two is the 4-digit class total (5913) minus TV distribution (59133).




The figures for 2008, 2010 and 2011 have been revised since publication of the 2013 Yearbook.

Table 21.2 UK film industry gross value added, 2012Sub-sector GVA (£ million) % of totalFilm production 797 27.8Video production 151 5.3Film, video and TV post-production 927 32.3Film distribution 425 14.8Video distribution c cFilm exhibition 570 19.9

2,870 100.0Source: Office for National Statistics Annual Business SurveyNotes: Companies in the post-production sector usually work on films, commercials, videos and television programmes, and therefore have a combined statistical classification.‘c’ indicates the GVA of video distribution is suppressed to avoid disclosing confidential data.


Figure 21.5 Gross value added of film sub-sectors, 2008-2012

Year Film production Post-production2008 486 7162009 631 5722010 621 3672011 585 8062012 797 927Source: Office for National Statistics Annual Business Survey


Figure 21.6 UK film industry real gross value added, 1995-2012

distribution)

Sub-sector 1995 1996440 952

Film and video distribution 768 1,191Film exhibition 199 299Total 1,407 2,442Source: Office for National Statistics Annual Business Inquiry, HM TreasuryNotes: The deflator used to calculate real values is the UK whole economy deflator.

Values expressed in constant 2012 pounds.For 2008 both film distribution and video distribution are suppressed by the ONS as confidential. The figure shown for the sum of the two is the 4-digit class total (5913) minus TV distribution (59133).For 2009, 2011 and 2012, only film is included in the distribution sector as the data for video distribution are confidential.

Figure 21.7 UK film industry exports, 1995-2012


Exports 1995 1996Royalties 560 686Film production services 227 202Total film company exports 787 888Source: Office for National Statistics

Notes: Data for 2013 are expected to be available at the end of January 2015.The export data to 2008 are derived from the Office for National Statistics (ONS) Film and Television Survey which was a sample survey with a high response rate (87%) of companies in the Inter-Departmental Business Register in the Standard Industrial Classification codes relating to film and television. This survey was discontinued and film and television data for 2009 and later were collected in the ONS Annual Survey of International Trade in Services. This chart shows the results for film companies only.

Figure 21.8 UK film industry imports, 1995-2012

Imports 1995 1996Royalties 489 507Film production services 192 145Total film company imports 681 652Source: Office for National StatisticsSee notes to Figure 21.5.

Figure 21.9 Trade surplus of UK film industry, 1995-2012

Year Balance1995 1061996 2361997 1251998 1441999 2782000 872001 2452002 1862003 952004 912005 1632006 1282007 2312008 4952009 9292010 1,5642011 1,0002012 789Source: Office for National StatisticsNote: ‘Trade surplus’ equals exports minus imports. Where a company (eg the UK subsidiary of a US major) receives income from another country on behalf of its parent company and subsequently passes it on to its parent company, this is recorded both as a receipt and a payment, leaving the measure of the trade surplus unaffected.

Region/nation %EU 40.8Other Europe 6.8USA 40.9

Figure 21.10 Destination of UK film exports as percentage of the total, 2008-2012

Asia 5.8Rest of the world 5.8Source: Office for National StatisticsNote: ‘Rest of the world’ cannot be disaggregated due to sampling variation and disclosive data.

Figure 21.11 UK export shares, 2008-2012, compared with the ex-UK global market for filmed entertainment, 2013

Region/nationEU 40.8 18.8Other Europe 6.8 4.2USA 40.9 37.9Asia 5.8 27.8Rest of the world 5.8 11.3Total 100.0 100.0Sources: Office for National Statistics, PricewaterhouseCoopersNote: Percentages may not sum to 100 due to rounding.

Table 21.3 International transactions of the UK film industry by geographical area, annual average, 2008-2012Region/nation Exports (£ million) Imports (£ million)EU 652.4 233.2Other Europe 108.4 42.0USA 654.6 161.8Asia 92.8 32.4Rest of the world 92.6 176.4Total 1,600.8 645.8Source: Office for National StatisticsNote: Figures may not sum to totals due to rounding.

exports entertainment market

EU Other Europe USA Asia Rest of the world0

5

10

15

20

25

30

35

40

45

% of total UK film exports % of total global filmed entertainment market

% sh

are

1997 1998 1999 20001,612 1,306 1,589 2,3341,328 1,521 1,555 1,494

527 485 485 5193,467 3,312 3,629 4,347

Standard Industrial Classifications (SICs) are used to classify businesses according to the type of their economic activity. The classifications were last revised in 2003 and in 2007.For 1995-2007 data are for 2003 SICs 9211 (film and video production), 9212 (film and video distribution) and 9213 (film exhibition).

For 2008 onwards, we define film and video production as the sum of 2007 SICs 59111 (film production), 59112 (video production) and 5912 (film, video and TV post-production), film and video distribution is the sum of 59131 (film distribution) and 59132 (video distribution) and film exhibition is 5914 (film exhibition).For 2008 both film distribution and video distribution are suppressed by the ONS as confidential. The figure shown for the sum of the two is the 4-digit class total (5913) minus TV distribution (59133).For 2009, 2011 and 2012, only film is included in the distribution sector as the data for video distribution are confidential.

1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 20120

1,000

2,000

3,000

4,000

5,000

6,000

7,000

8,000

Film and video production (including post-production) Film and video distributionFilm exhibition



Companies in the post-production sector usually work on films, commercials, videos and television programmes, and therefore have a combined statistical classification.‘c’ indicates the data have been made confidential by the Office for National Statistics to avoid disclosing details of individual companies.

Film distribution Film exhibitionc 1,141

2,710 1,1762,805 1,2572,592 1,2641,833 1,322

1997 1998 1999 20002,253 1,793 2,140 3,0831,856 2,088 2,094 1,973

736 666 653 6864,845 4,546 4,888 5,742

For 2008 both film distribution and video distribution are suppressed by the ONS as confidential. The figure shown for the sum of the two is the 4-digit class total (5913) minus TV distribution (59133).


1997 1998 1999 2000758 525 805 1,032638 784 716 582264 260 266 250

1,660 1,569 1,787 1,864

For 2008 both film distribution and video distribution are suppressed by the ONS as confidential. The figure shown for the sum of the two is the 4-digit class total (5913) minus TV distribution (59133).


Companies in the post-production sector usually work on films, commercials, videos and television programmes, and therefore have a combined statistical classification.

Film distribution Film exhibitionc 415

1,517 4661,588 4831,442 500

425 570

1997 1998 1999 20001,059 721 1,084 1,363

892 1,076 964 769369 357 358 330

2,320 2,154 2,407 2,462

For 2008 both film distribution and video distribution are suppressed by the ONS as confidential. The figure shown for the sum of the two is the 4-digit class total (5913) minus TV distribution (59133).For 2009, 2011 and 2012, only film is included in the distribution sector as the data for video distribution are confidential.

1997 1998 1999 2000438 427 508 487212 154 145 210650 581 653 697

The export data to 2008 are derived from the Office for National Statistics (ONS) Film and Television Survey which was a sample survey with a high response rate (87%) of companies in the Inter-Departmental Business Register in the Standard Industrial Classification codes relating to film and television. This survey was discontinued and film and television data for 2009 and later were collected in the ONS Annual Survey of International Trade in Services. This chart shows the results for film companies only.

1997 1998 1999 2000419 374 317 497106 63 58 113525 437 375 610

Note: ‘Trade surplus’ equals exports minus imports. Where a company (eg the UK subsidiary of a US major) receives income from another country on behalf of its parent company and subsequently passes it on to its parent company, this is recorded both as a receipt and a payment, leaving the measure of the trade surplus unaffected.

Figure 21.11 UK export shares, 2008-2012, compared with the ex-UK global market for filmed entertainment, 2013

Table 21.3 International transactions of the UK film industry by geographical area, annual average, 2008-2012Balance (£ million) % balance

419.2 43.966.4 7.0

492.8 51.660.4 6.3

-83.8 -8.8955.0 100.0

EU Other Europe USA Asia Rest of the world0

5

10

15

20

25

30

35

40

45

% of total UK film exports % of total global filmed entertainment market

% sh

are

2001 2002 2003 20041,402 1,389 2,119 2,2811,271 1,721 1,718 2,030

828 871 987 1,0653,501 3,981 4,824 5,376

For 2008 onwards, we define film and video production as the sum of 2007 SICs 59111 (film production), 59112 (video production) and 5912 (film, video and TV post-production), film and video distribution is the sum of 59131 (film distribution) and 59132 (video distribution) and film exhibition is 5914 (film exhibition).

2001 2002 2003 20041,839 1,773 2,644 2,7921,667 2,197 2,144 2,4851,086 1,112 1,232 1,3044,592 5,083 6,019 6,581

2001 2002 2003 2004514 562 983 1,032689 760 520 841354 504 592 592

1,557 1,826 2,095 2,465

2001 2002 2003 2004674 718 1,227 1,263904 970 649 1,029464 644 739 725

2,042 2,331 2,614 3,017

2001 2002 2003 2004468 434 400 399232 222 233 444700 656 633 843


2001 2002 2003 2004405 403 430 616

50 67 108 136455 470 538 752

Note: ‘Trade surplus’ equals exports minus imports. Where a company (eg the UK subsidiary of a US major) receives income from another country on behalf of its parent company and subsequently passes it on to its parent company, this is recorded both as a receipt and a payment, leaving the measure of the trade surplus unaffected.

2005 2006 2007 20082,280 3,693 2,830 2,7172,450 2,125 2,105 2,5241,065 976 1,022 1,1415,795 6,794 5,957 6,382

2005 2006 2007 20082,716 4,320 3,218 3,0142,918 2,486 2,394 2,8001,269 1,142 1,162 1,2666,903 7,948 6,774 7,079

2005 2006 2007 20081,035 1,957 1,170 1,3421,072 1,232 964 1,317

600 407 403 4152,707 3,596 2,537 3,074

2005 2006 2007 20081,233 2,289 1,330 1,4891,277 1,441 1,096 1,461

715 476 458 4603,225 4,207 2,885 3,410

2005 2006 2007 2008660 582 646 792307 330 403 549967 912 1,049 1,341


2005 2006 2007 2008704 698 573 510100 86 245 336804 784 818 846

2009 2010 2011 20122,889 2,596 2,620 4,1402,710 2,950 2,592 1,8331,176 1,257 1,264 1,3226,775 6,803 6,476 7,295

2009 2010 2011 20123,117 2,726 2,681 4,1402,924 3,097 2,652 1,8331,269 1,320 1,293 1,3227,309 7,143 6,627 7,295

2009 2010 2011 20121,275 1,071 1,497 1,8751,517 1,706 1,442 425

466 483 500 5703,258 3,260 3,439 2,870

2009 2010 2011 20121,375 1,125 1,532 1,8751,637 1,791 1,476 425

503 507 512 5703,515 3,423 3,519 2,870

2009 2010 2011 2012936 1,565 1,199 792541 541 540 550

1,476 2,106 1,739 1,342

2009 2010 2011 2012498 463 642 445

49 80 98 108547 543 740 553

% change 1995-2012399.4104.8301.8255.3

% change 1995-2012239.2

39.1172.9141.4

% change 1995-2012527.1-18.6322.2200.2

% change 1995-2012326-45187

103.9

Chapter 22 Employment in the film industry

Table 22.1 Film industry workforce, 2013Sector Number in employmentFilm and video production 42,000Film and video distribution 6,000Film exhibition 18,000Total 66,000Source: Office for National Statistics Annual Population SurveyNotes: Numbers in employment are taken from the Annual Population Survey for the period October 2012 to September 2013.

Figures are shown to the nearest 1,000.People in employment include individuals aged 16 or over who undertook paid work (as an employee or self-employed), those who had a job that they were temporarily away from, those on government-supported training and employment programmes, and those doing unpaid family work.

Figure 22.1 Size of the film workforce, 2007-2013

2007 2008Film and video production 23,797 23,535Film and video distribution 4,514 2,752Film exhibition 13,032 12,361Source: Office for National Statistics Labour Force Survey and Annual Population SurveyNote: The employment figures are from the Labour Force Surveys and Annual Population Surveys covering the period October to September so, for example, the data labelled 2013 refer to the period October 2012 to September 2013.

Table 22.2 Film and video production workforce, 2007-2013

2007 2008 2009 2010 2011 2012 20130

10,000

20,000

30,000

40,000

50,000

60,000

Film and video production Film and video distribution Film exhibition



Total in employment Self-employed2007 24,000 11,0002008 24,000 12,0002009 26,000 15,0002010 37,000 23,0002011 51,000 31,0002012 46,000 21,0002013 42,000 19,000Source: Office for National Statistics Labour Force Survey and Annual Population SurveyNotes: Year means the year ending September. See note to Figure 22.1.Numbers in employment are shown to the nearest 1,000 but percentages are based on unrounded numbers.

Figure 22.2 Self-employed workers as proportion of total film and video production workforce, 2007-2013

2007 46.32008 50.02009 59.82010 61.92011 61.32012 45.72013 45.4Source: Office for National Statistics Labour Force Survey and Annual Population SurveyNotes:

Year means the year ending September. See note to Figure 22.1.

Table 22.3 Gender of writers of UK films released in the UK, 2007-20132007 2008

108 111169 168

Year

total

UKthese films

2007 2008 2009 2010 2011 2012 20130.0

10.0

20.0

30.0

40.0

50.0

60.0

70.0

% o

f tot

al in

em

ploy

men

t

Number of male writers 149 139Number of female writers 20 29% male 88.2 82.7% female 11.8 17.3Source: BFI

Table 22.4 Gender of directors of UK films released in the UK, 2007-20132007 2008

108 111117 113

Number of male directors 110 100Number of female directors 7 13% male 94.0 88.5% female 6.0 11.5Source: BFI

Table 22.5 London and South East employment as percentage of total, 2013Sector Total UK employment UK all industries 29,000,000 8,000,000Film and video production 42,000 28,000Source: Office for National Statistics Annual Population Survey

Notes: The South East region wraps around London so includes the major studios to the west of the city. Totals shown in this table are for the period October 2012 to September 2013. Numbers in employment in the film industry are shown to the nearest 1,000 and for all UK industries are shown to the nearest 1,000,000 but percentages are based on unrounded numbers.

Figure 22.3 London and South East percentage share of the film and video production and total workforce, 2007-2013

UK all industries2007 73.8 27.62008 78.8 27.9

UKwith these films

East employment

production

2007 2008 2009 2010 2011 2012 20130

10

20

30

40

50

60

70

80

90

Film and video production UK all industries

%

2009 73.2 28.12010 66.7 28.12011 76.0 28.22012 68.9 28.32013 67.1 28.2Source: Office for National Statistics Labour Force Survey and Annual Population SurveyNotes: Year means the year to September.

See note to Figure 22.1.

Table 22.6 Numbers of employees in film and video production by size of workplace for the UK, 2013Workplace size band % of total workplaces50+ 65 0.811 – 49 315 4.01 – 10 7,485 95.2Total 7,865 100.0Source: Office for National Statistics Inter-Departmental Business RegisterNote: Percentages may not sum to 100 due to rounding.

Table 22.7 Numbers of employees in film and video distribution by size of workplace for the UK, 2013Workplace size band % of total workplaces50+ 10 2.511 – 49 55 13.61 – 10 340 84.0Total 405 100.0Source: Office for National Statistics Inter-Departmental Business RegisterNote: Percentages may not sum to 100 due to rounding.

Workplace size band % of total workplaces50+ 130 22.011 – 49 305 51.71 – 10 155 26.3Total 590 100.0Source: Office for National Statistics Inter-Departmental Business Register

Figure 22.4 Film and video production employees by workplace size band, percentage of total, 2009-2013

in band

in band

Table 22.8 Numbers of employees in film exhibition by size of workplace for the UK,in band

2009 2010 2011 2012 20130

10

20

30

40

50

60

50+ employees 1-10 employees

% o

f sec

tor w

orkf

orce

50+ employees 1-10 employees 2009 24.5 52.02010 31.0 47.22011 32.2 47.72012 32.6 45.62013 31.0 46.2Source: Office for National Statistics Inter-Departmental Business Register

Figure 22.5 Film exhibition employees by workplace size band, percentage of total, 2009-2013

50+ employees 11-49 employees 2009 52.4 44.82010 56.3 41.02011 53.9 43.52012 51.1 46.02013 49.8 46.9Source: Office for National Statistics Inter-Departmental Business Register

2009 2010 2011 2012 20130

10

20

30

40

50

60

50+ employees 1-10 employees %

of s

ecto

r wor

kfor

ce

2009 2010 2011 2012 20130

10

20

30

40

50

60


% o

f sec

tor w

orkf

orce

Numbers in employment are taken from the Annual Population Survey for the period October 2012 to September 2013.

People in employment include individuals aged 16 or over who undertook paid work (as an employee or self-employed), those who had a job that they were temporarily away from, those on government-supported training and employment programmes, and those doing unpaid family work.

2009 2010 2011 201225,556 37,107 51,418 46,246

2,951 7,463 6,749 6,78614,036 11,643 17,734 17,407

Note: The employment figures are from the Labour Force Surveys and Annual Population Surveys covering the period October to September so, for example, the data labelled 2013 refer to the period October 2012 to September 2013.

2007 2008 2009 2010 2011 2012 20130

10,000

20,000

30,000

40,000

50,000

60,000

Film and video production Film and video distribution Film exhibition



46.350.059.861.961.345.745.4

Figure 22.2 Self-employed workers as proportion of total film and video production workforce, 2007-2013

2009 2010 2011 2012113 122 127 162139 144 159 187

total

2007 2008 2009 2010 2011 2012 20130.0

10.0

20.0

30.0

40.0

50.0

60.0

70.0

% o

f tot

al in

em

ploy

men

t

116 127 129 16223 17 30 25

83.5 88.2 81.1 86.616.5 11.8 18.9 13.4

2009 2010 2011 2012113 122 127 162122 136 140 179101 119 119 165

21 17 21 1482.8 87.5 85.0 92.217.2 12.5 15.0 7.8

28.267.0

Numbers in employment in the film industry are shown to the nearest 1,000 and for all UK industries are shown to the nearest 1,000,000 but percentages are based on unrounded numbers.

Figure 22.3 London and South East percentage share of the film and video production and total workforce, 2007-2013

as % of UK total

2007 2008 2009 2010 2011 2012 20130

10

20

30

40

50

60

70

80

90

Film and video production UK all industries

%

Table 22.6 Numbers of employees in film and video production by size of workplace for the UK, 2013% of total employees

8,789 31.06,483 22.9

13,089 46.228,361 100.0

Table 22.7 Numbers of employees in film and video distribution by size of workplace for the UK, 2013% of total employees

1,609 44.71,153 32.1

835 23.23,597 100.0

% of total employees9,381 49.88,848 46.9

624 3.318,853 100.0

Figure 22.4 Film and video production employees by workplace size band, percentage of total, 2009-2013

in band

in band

Table 22.8 Numbers of employees in film exhibition by size of workplace for the UK, 2013in band

2009 2010 2011 2012 20130

10

20

30

40

50

60


% o

f sec

tor w

orkf

orce

Figure 22.5 Film exhibition employees by workplace size band, percentage of total, 2009-2013

2009 2010 2011 2012 20130

10

20

30

40

50

60


% o

f sec

tor w

orkf

orce

2009 2010 2011 2012 20130

10

20

30

40

50

60


% o

f sec

tor w

orkf

orce

People in employment include individuals aged 16 or over who undertook paid work (as an employee or self-employed), those who had a job that they were temporarily away from, those on government-supported training and employment programmes, and those doing unpaid family work.

201342,097

6,28917,744

2013139155

13322

85.814.2

2013138149128

2185.914.1

Sources

Chapters 1 to 10: Box office, top films, genre and classification, specialised films, UK films internationally, UK talent and awards, release history of UK films, distribution and exhibitionBeacon Dodsworth, UK population data by ISBA TV regionBFI cinema attendance statisticsBFI Collections and Information DatabaseBFI Film Certification Unit, British film certification dataBFI Film FundBritish Board of Film Classification (BBFC), database of film classifications

Cinema Advertising Association, cinema admissions by ISBA TV regionCinema Advertising Association, cinema admissions by monthDepartment for Culture, Media and Sport, British film certification data

European Audiovisual Observatory, Lumière databaseHM Treasury, GDP deflators

IMDbIndependent Cinema Office Motion Picture Association of America, theatrical market statisticsNielsen Media Research, monthly media spend reportsOffice for National Statistics, UK population data by nation and English region

Rentrak, weekly UK and international box office reportsYourLocalCinema.com

Chapters 11 to 15: Film on video, VoD and television, the film market as a whole and audiencesSources from previous chapters, plus:Attentional, database of film on UK television, 2012

Kantar WorldpanelOfcom Communciations Market Report, 2013

Ofcom Technology Survey, Wave 3, 2013Official Charts Company, video charts

Chapters 16 to 22: film education, British film certification, film production, public investment in film in the UK, film companies, the UK film economy and employment.Sources from previous chapters, plus:BFI Certification UnitBFI Research and Statistics Unit production trackingBFI, education event statisticsCreative SkillsetDepartment for Culture, Media and Sport (DCMS)Department for Education (DfE)

Film Education

British Federation of Film Societies, Cinema for All survey

Dodona Research, Cinema industry research: UK and Ireland, March 2014

IHS, Cinema Intelligence

Rentrak, International Box Office Essentials database

British Video Association, BVA Yearbook 2014Broadcasters’ Audience Research Board, Television Audience Measurement ServiceCinema Advertising Association, 2013 Film MonitorIHS Screen Digest, Global Media Intelligence (monthly), Online Movie Strategies (report), TV Intelligence

Ofcom Online Copyright Infringement Tracker Wave 1-4, Kantar Media 2012

PricewaterhouseCoopers, Global entertainment and media outlook 2013-2017, June 2014

European Audiovisual Observatory, 2012 YearbookEuropean Audiovisual Observatory, 2012 Yearbook

FILMCLUB First Light HESA Student Record 2002/03 – 2011/12, Higher Education Statistics Agency Limited

Joint Council for Qualifications (JCQ), National Results 2002-2012National Screen Agencies

Scottish Qualifications Authority, Pre-Appeals Data 2002-2012

HM Revenue and Customs (HMRC), Film Tax Relief Summary of Tax Credit Claims: 2006-07 to 2011-12HM Revenue and Customs (HMRC), Film Tax Relief Summary of Tax Credit Claims: 2006-07 to 2011-12

Office for National Statistics, Annual Business InquiryOffice for National Statistics, Annual Business SurveyOffice for National Statistics, Annual Population Survey, 2013Office for National Statistics, Inter Departmental Business RegisterOffice for National Statistics, International Trade in Services Office for National Statistics, International transactions of the UK film and television industries Office for National Statistics, Labour Force Survey, Quarterly to September 2012Office for National Statistics, Size Analysis of UK Businesses (VAT and PAYE data), 2011

Chapters 1 to 10: Box office, top films, genre and classification, specialised films, UK films internationally, UK talent and awards, release history of UK films, distribution and exhibition

Chapters 11 to 15: Film on video, VoD and television, the film market as a whole and audiences

Chapters 16 to 22: film education, British film certification, film production, public investment in film in the UK, film companies, the UK film economy and employment.

(report), TV Intelligence, Video Intelligence and Broadband Media Intelligence, 2013

European Audiovisual Observatory, 2012 Yearbook

Film Tax Relief Summary of Tax Credit Claims: 2006-07 to 2011-12HM Revenue and Customs (HMRC), Film Tax Relief Summary of Tax Credit Claims: 2006-07 to 2011-12

International transactions of the UK film and television industries

Film Tax Relief Summary of Tax Credit Claims: 2006-07 to 2011-12HM Revenue and Customs (HMRC), Film Tax Relief Summary of Tax Credit Claims: 2006-07 to 2011-12

bfi statistical yearbook 2014 tabels and charts€¦ · xls file · web view · 2015-01-08ch12...

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