BENJAMIN BRITTEN

WAR REQUIEMOp. 66

April 22, 2009MusicAl Arts center

music.indiana.edu

One Thousand One Hundred Twenty-Sixth Program of the 2008-09 Season

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Oratorio ChorusPhilharmonic Orchestra

Indiana University Children’s Choir

Benjamin Britten’s

War RequiemOp. 66

“My subject is War, and the pity of War.The Poetry is pity.

All a poet can do is to warn.”— Wilfred Owen

Words from the Missa pro Defunctisand the poems of Wilfred Owen

Robert Porco, Conductor

Lisa Yozviak, Children’s Choir Conductor

Meghan Dewald, Soprano

Mark Van Arsdale, Tenor

Scott Harrison Hogsed, Baritone

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Musical Arts Center Wednesday Evening April Twenty-Second Eight O’Clock

I. Requiem aeternamChorusRequiem aeternam dona eis, Domine;et lux perpetua luceat eis.

Lord, grant them eternal rest;and let the perpetual light shine apon them.

Children’s ChoirTe decet hymnus, Deus in Sion:et tibi reddetur votum in Jerusalem;exaudi orationem meam,ad te omnis caro veniet.

Thou shalt have praise in Zion, of God:and homage shall be paid to thee in Jerusalem;hear my prayer,all flesh shall come before Thee.

ChorusRequiem aeternam dona eis, Domine;et lux perpetua luceat eis.

Lord, grant them eternal rest;and let the perpetual light shine apon them.

Tenor Solo What passing bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles’ rapid rattle Can patter out their hasty orisons No mockeries for them from prayers or bells, Nor any voice of mourning save the choirs, -- The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires.

What candles may be held to speed them at all? Not in the hands of boys, but in their eyes Shall shine the holy glimmers of good-byes. The pallor of girls’ brows shall be their pall; Their flowers the tenderness of silent minds, And each slow dusk a drawing-down of blinds.ChorusKyrie eleisonChriste eleisonKyrie eleison

Lord, have mercy apon themChrist, have mercy apon themLord, have mercy apon them

II. Dies iraeChorusDies irae, dies illa,Solvet saeclum in favilla:Teste David cum Sibylla.

Quantus tremor est futurus,Quando Judex est venturus,Cuncta stricte discussurus!

Tuba mirum spargens sonumPer sepulchra regionumCoget omnes ante thronum.

This day, this day of wrathShall consume the world in ashes,As foretold by David and Sibyl.

What trembling there shall beWhen the judge shall comeTo weigh everything strictly.

The trumpet, scattering its awful soundAcross the graves of all landsSummons all before the throne.

Mors stupebit et natura,Cum resurget creatura,Judicanti responsura.

Death and nature shall be stunnedWhen mankind arisesTo render account before the judge.

Baritone Bugles sang, saddening the evening air; And bugles answered, sorrowful to hear. Voices of boys were by the river-side. Sleep mothered them; and left the twilight sad. The shadow of the morrow weighed on men. Voices of old despondency resigned, Bowed by the shadow of the morrow, slept.SopranoLiber scriptus proferetur,In quo totum continetur,Unde mundus judicetur.Judex ergo cum sedebitQuidquid latet, apparebut:Nil inultum remanebit.

The written book shall be broughtIn which all is containedWhereby the world shall be judged.When the judge takes his seatAll that is hidden shall appear:Nothing will remain unavenged.

ChorusQuid sum miser tunc dicturus?Quem patronem rogaturus,Cum vix justus sit securus?

What shall I, a wretch, say then?To which protector shall I appealWhen even the just man is barely safe?

Soprano and ChorusRex tremendae majestatis,Qui salvandos salvas gratis,Salva me, fons pietatis.

King of awful majesty,Who freely savest those worthy of salvation,Save me, fount of pity.

Tenor and Baritone Out there, we’ve walked quite friendly up to Death: Sat down and eaten with him, cool and bland,- Pardoned his spilling mess-tins in our hand. We’ve sniffed the green thick odour of his breath,- Our eyes wept, but our courage didn’t writhe. He’s spat at us with bullets and he’s coughed Shrapnel. We chorused when he sang aloft; We whistled while he shaved us with his scythe.

Oh, Death was never enemy of ours! We laughed at him, we leagued with him, old chum. No soldier’s paid to kick against his powers. We laughed, knowing that better men would come, And greater wars; when each proud fighter brags He wars on Death - for Life; not men - for flags.

ChorusRecordare Jesu pie,Quod sum causa tuae viae:Ne me perdas illa die.

Quarens me, sedisti lassus:Redemisti crucem passus:Tantus labor non sit cassus:

Ingemisco, tamquam reus:Culpa rubet vultus meus:Supplicanti parce Deus.

Qui Mariam absolvisti,Et latronem exaudisti,Mihi quoque spem dedisti.

Inter oves locum praesta,Et ab haedis me sequestra,Statuens in parte dextra.

Confutatis maledictis,Flammis acribus addictis,Voca me cum benedictis.

Oro supplex et acclinisCor contritum quasi cinisGere curam mei finis.

Remember, gentle Jesus,That I am the reason for Thy time on earth,Do not cast me out on that day.

Seeking me, Thou didst sink down wearily,Thou hast saved me by enduring the cross,Such travail must not be in vain.

I groan, like the sinner that I am,Guilt reddens my face,Oh God spare the supplicant.

Thou, who pardoned MaryAnd heeded the thief,Hast given me hope as well.

Give me a place among the sheepAnd separate me from the goats,Let me stand at Thy right hand.

When the damned are cast awayAnd consigned to the searing flames,Call me to be with the blessed.

Bowed down in supplication I beg Thee,My heart as though ground to ashes:Help me in my last hour.

Baritone Be slowly lifted up, thou long black arm, Great gun towering toward Heaven, about to curse; Reach at that arrogance which needs thy harm, And beat it down before its sins grow worse; But when thy spell be cast complete and whole, May God curse thee, and cut thee from our soul!

ChorusDies irae, dies illa,Solvet saeclum in favilla:Teste David cum Sibylla.

Quantus tremor est futurus,Quando Judex est venturus,Cuncta stricte discussurus!

This day, this day of wrathShall consume the world in ashes,As foretold by David and Sibyl.

What trembling there shall beWhen the judge shall comeTo weigh everything strictly.

Soprano and ChorusLacrimosa dies illa,Qua resurget ex favilla,Judicandus homo reus:Huic ergo parce Deus.

Oh this day full of tearsWhen from the ashes arisesGuilty man, to be judged:Oh Lord, have mercy upon him.

Tenor Move him into the sun - Gently its touch awoke him once, At home, whispering of fields unsown. Always it woke him, even in France, Until this morning and this snow. If anything might rouse him now The kind old sun will know.

Soprano and ChorusLacrimosa dies illa... Oh this day full of tears...

Tenor Think how it wakes the seeds - Woke, once, the clays of a cold star. Are limbs, so dear-acheived, are sides, Full-nerved - still warm - too hard to stir? Was it for this the clay grew tall?

Soprano and Chorus...Qua resurget ex favilla... ...When from the ashes arises...

Tenor Was it for this the clay grew tall?

Soprano and Chorus...Judicandus homo reus. ...Guilty man, to be judged.

Tenor - O what made fatuous sunbeams toil To break earth’s sleep at all?

ChorusPie Jesu Domine, dona eis requiem.Amen.

Gentle Lord Jesus, grant them rest.Amen.

III. OffertoriumChildren’s ChoirDomine Jesu Christe, Rex gloriae,libera animas omnium fideliumdefunctorum de poenis inferni,et de profundo lacu:libera eas de ore leonis, ne absorbeat eastartarus, ne cadant in obscurum.

Lord Jesus Christ, King of glory,deliver the souls of the faithfuldeparted from the pains of hell,and the bottomless pit:deliver them from the jaw of the lion, lest hellengulf them, lest they be plunged into darkness.

ChorusSed signifer sanctus Michaelrepraesentet eas in lucem sanctam:Quam olim Abrahae promisisti,et semini ejus.

But let the holy standard-bearer Michaellead them into the holy lightas Thou didst promise Abrahamand his seed.

Tenor and Baritone So Abram rose, and clave the wood, and went, And took the fire with him, and a knife. And as they sojourned both of them together, Isaac the first-born spake and said, My Father, Behold the preparations, fire and iron, But where the lamb for this burnt-offering? Then Abram bound the youth with belts and straps, And builded parapets and trenched there, And streched forth the knife to slay his son.

When lo! and angel called him out of heaven, Saying, Lay not thy hand upon the lad, Neither do anything to him. Behold, A ram, caught in a thicket by its horns; Offer the Ram of Pride instead of him. But the old man would not so, but slew his son, - And half the seed of Europe, one by one.

Children’ s ChoirHostias et preced tibi Dominelaudis offerimus; tu suscipe pro animabus illis, quarum hodie memoriam facimus: fac eas, Domine, de morte transire ad vitam.Quam olim Abrahae promisistien semini ejus.

Lord, in praise we offer to Theesacrifices and prayers, do Thou receive themfor the souls of those whom we rememberthis day: Lord, make them passfrom death to life.As Thou didst promise Abrahamand his seed.

Chorus...Quam olim Abrahae promisistiet semini ejus.

...As Thou didst promise Abrahamand his seed.

IV. SanctusSoprano and ChorusSanctus, sanctus, sanctusDominus Deus Saboath.Pleni sunt ceoli et terra gloria tua,Hosanna in excelsis.Sanctus.Benedictus qui venit in nomine Domini.Hosanna in excelsis.Sanctus.

Holy, holy, holyLord God of hosts.Heaven and earth are full of Thy glory.Hosanna in the highest.Holy.Blessed is he who cometh in the name of the Lord.Hosanna in the highest.Holy.

Baritone After the blast of lighning from the East, The flourish of loud clouds, the Chariot Throne; After the drums of time have rolled and ceased, And by the bronze west long retreat is blown, Shall life renew these bodies? Of a truth All death will He annul, all tears assuage? - Fill the void veins of Life again with youth, And wash, with an immortal water, Age? When I do ask white Age he saith not so: “My head hangs weighed with snow.” And when I hearken to the Earth, she saith: “My fiery heart shrinks, aching. It is death. Mine ancient scars shalls not be glorified, Nor my titanic tears, the sea, be dried.”

V. Agnus Dei Tenor One ever hangs where shelled roads part. In this war He too lost a limb, But His disciples hide apart; And now the Soldiers bear with Him.

ChorusAgnus Dei, qui tollis peccata mundi,dona eis requiem.

Lamb of God, that takest away the sins of the world,grant them rest.

Tenor Near Golgatha strolls many a priest, And in their faces there is pride That they were flesh-marked by the Beast By whom the gentle Christ’s denied.

ChorusAgnus Dei, qui tollis peccata mundi,dona eis requiem.

Lamb of God, that takest away the sins of the world,grant them rest.

Tenor The scribes on all the people shove and bawl allegiance to the state,

ChorusAgnus Dei, qui tollis peccata mundi... Lamb of God, that takest away the sins of the world...

Tenor But they who love the greater love Lay down their life; they do not hate.

Chorus...Dona eis requiem. ...Grant them rest.

Tenor Dona nobis pacem. (Grant us peace.)

VI. Libera meChorusLibera me, Domine, de morte aeterna,in die illa tremenda:Quando coeli movendi sunt et terra:Dum veneris judicare saeculum per ignem.

Deliver me, O Lord, from eternal deathin that awful daywhen the heavens and earth shall be shakenwhen Thou shalt come to judge the world by fire.

Soprano and ChorusTremens factus sum ego, et timeodum discussio venerit, atque ventura ira.Libera me, Domine, de morte aeterna.Quando coeli movendi sunt i terra.Dies illa, dies irae, calamitatiset miseriae, dies magna et amara valde.Libera me, Domine.

I am seized with fear and trembling,until the trial shall be at hand and the wrath to come.Deliver me, O Lord, from eternal death.When the heavens and earth shall be shaken.That day, that day of wrath, of calamityand misery, a great day and exceeding bitter.Deliver me, O Lord.

Tenor It seems that out of battle I escaped Down some profound dull tunnel, long since scooped Through granites which titanic wars had groined. Yet also there encumbered sleepers groaned, Too fast in thought or death to be bestirred. Then, as I probed them, one sprang up, and stared With piteous recognition in fixed eyes, Lifting distressful hands as if to bless. And no guns thumped, or down the flues made moan. “Strange friend,” I said, “here is no cause to mourn.” Baritone “None”, said the other, “save the undone years, The hopelessness. Whatever hope is yours, Was my life also; I went hunting wild After the wildest beauty in the world,

For by my glee might many men have laughed, And of my weeping something had been left, Which must die now. I mean the truth untold, The pity of war, the pity war distilled. Now men will go content with what we spoiled. Or, discontent, boil boldly, and be spilled. They will be swift with swiftness of the tigress, None will break ranks, though nations trek from progress. Miss we the march of this retreating world Into vain citadels that are not walled. Then, when much blood had clogged their chariot-wheels I would go up and wash them from sweet wells, Even from wells we sunk too deep for war, Even from the sweetest wells that ever were.

I am the enemy you killed, my friend. I knew you in this dark; for so you frowned Yesterday through me as you jabbed and killed. I parried; but my hands were loath and cold. Let us sleep now...”

Children’s Choir, then Chorus, then SopranoIn paridisum deducant te Angeli;in tuo adventu suscipiant te Martyres,et perducant te in civitatem sanctam Jerusalem.

Chorus Angelorum te suscipiat,et cum Lazaro quondam paupere aeternamhabeas requiem.

Into Paradise may the Angels lead thee:at thy coming may the Martyrs receive thee,and bring thee into the holy city Jerusalem.

May the Choir of Angels receive theeand with Lazarus, once poor,may thou have eternal rest.

Children’s ChoirRequiem aeternam dona eis, Domine:et lux perpetua luceat eis.

Lord, grant them eternal rest,and let the perpetual light shine upon them.

ChorusIn paradisum deducant etc. Into Paradise, etc.

SopranoChorus Angeloru, te suscipiat etc. May the Choir of Angels, etc.

Tenor and Baritone Let us sleep now.

ChorusRequiescant in pace. Amen. Let them rest in peace. Amen.

Robert Porco became director of choruses for The Cleveland Orchestra in 1998 following, in a line of distinguished Cleveland choral leaders that has included Boris Goldovsky, Robert Shaw, Margaret Hillis, Robert Page, and Gareth Morrell. Each year, he conducts the orchestra’s annual series of Christmas concerts at Severance Hall, featuring the Chorus and Children’s Chorus. Recent seasons have also featured performances of Handel’s Messiah.

Throughout his career, Porco has been active as a conductor of opera and of choral and orchestral works. He is a regular guest conductor and the director of choruses for the Cincinnati May Festival, and has guest conducted the Cincinnati Symphony Orchestra, Indianapolis Chamber Orchestra and other orchestras in the United States and Europe. Porco has prepared choruses for such prominent conductors as Pierre Boulez, James Conlon, Andrew Davis, Christoph von Dohnányi, Raymond Leppard, James Levine, Jesús López-Cobos, Zubin Mehta, André Previn, Kurt Sanderling, Robert Shaw, Leonard Slatkin, and Franz Welser-Möst, among others.

Highlights of Porco’s Cleveland tenure in recent seasons have included preparing the Cleveland Orchestra Chorus (or members selected from it) for Severance Hall concert performances of Verdi’s Don Carlo (2003), Richard Strauss’s Elektra (2004), Verdi’s Falstaff (2006), and Richard Strauss’s Der Rosenkavalier (2007), all under the direction of Franz Welser-Möst. Porco prepared the Cleveland Orchestra Chorus for January 2007 performances of Beethoven’s Symphony No. 9, also conducted by Welser-Möst, that were recorded and released on compact disc by Deutsche Grammophon. During the 2007-08 season, he prepared choruses for performances of Grieg’s Peer Gynt, Mahler’s Symphony No. 2 (“Resurrection”), Haydn’s “Lord Nelson” Mass, Bernstein’s Chichester Psalms, Vaughan Williams’ A Sea Symphony, and Dvorák’s Rusalka.

Ohio native Porco served as chairman of the Choral Department at Indiana University from 1980 to 1998 and as artistic director and conductor of the Indianapolis Symphonic Choir from 1989 to 1998. He has directed the Cincinnati May Festival Chorus since 1989.

Meghan Dewald, soprano, is a second-year Master of Music student studying with Costanza Cuccaro. She recently performed the role of Cleopatra in IU Opera Theater’s production of Giulio Cesare. Other roles include Camelia la Tejana in the world premiére of Gabriela Ortiz’s “videopera” ¡Únicamente la Verdad! at the IU Jacobs School of Music, Diana in William Bolcom’s A Wedding with IU Opera Theater, and Margarita Xirgu in the collegiate premiére of Osvaldo Golijov’s Ainadamar at the Jacobs School. Dewald’s operatic credits include the roles of Juliette in Roméo et Juliette (OperaWorks tour) and Berta in Il baribere di Siviglia with Kentucky Opera; First Lady in Die Zauberflöte and Suor Dolcina in Suor Angelica at Northwestern University. She has been the recipient of several awards, including Second Place Regional Finalist and District Winner in the Metropolitan Opera National Council Auditions, Indianapolis Matinee Musicale Competition, and Friends of Music scholarship at Indiana University. She has participated in master classes with Gianna Rolandi, David Gately and Elizabeth Upchurch. Dewald is a native of Reading, Pa. and completed her Bachelor of Music degree magna cum laude at Northwestern University.

Mark Van Arsdale, tenor, is a master’s student in voice studying with Robert Harrison. He was a National Semi-Finalist of the 2009 Metropolitan Opera National Council Auditions. He will return to the Tanglewood Music Festival in Massachusetts in the summer of 2009 as a vocal fellow, singing the role of Don Ottavio in Mozart’s Don Giovanni conducted by James Levine. As a 2008 Tanglewood Fellow, he participated in master classes with James Levine and Dawn Upshaw, covered the lead role of Jimmy in Mahagonny (Weill), performed in Sondheim’s A Little Night Music with the Boston Pops as well as Brahms’ Liebeslieder-Walzer with the Mark Morris Dance Group, and sang recitals of Rachmaninoff and Brahms. IU Opera Theater credits include Truffaldino in The Love for Three Oranges, Sam in Susannah, Donato in the collegiate première of A Wedding (Bolcom), and Herman in The Most Happy Fella. Other operatic roles include the Second Dandy in The Ballad of Baby Doe as a 2006 young artist with Central City Opera, and Ferrando in Così fan tutte at Northwestern University, where he graduated magna cum laude. Further vocal studies were held with Giovanna Canetti and Ubaldo Fabbri while living in Milan, Italy. Oratorio credits include J. S. Bach’s Magnificat and Handel’s Messiah with the Cheyenne Symphony Orchestra, the St. John Passion with the Lafayette Bach Chorale, and Handel’s Solomon and Rossini’s Stabat Mater with Northwestern University. He received the 2008 IU Performer’s Certificate for Excellence in Voice for his all-French Master’s recital and has won awards from the Orpheus Competition, Opera Birmingham, the National Society of Arts and Letters, and the Singers’ Club of Cleveland.

Most recently, baritone and Atlanta native Scott Harrison Hogsed was seen as Germont in Indiana University’s production of La traviata. He began his professional training with the San Francisco Opera Merola program, singing the title role in Don Giovanni for the Western Opera Theater National Tour and covering Guglielmo for the Merola production of Così fan tutte. While attending the Oberlin Conservatory of Music, he sang Theseus in A Midsummer Night’s Dream, Sam in Trouble in Tahiti, and Count Almaviva in Le nozze di Figaro. During his five seasons at New York City Opera as a company baritone, he was responsible for singing the roles of Dancairo and Morales in Carmen, Fritz in Die tote Stadt, Peter in Hansel and Gretel, Antonio in Il viaggio a Reims, Fiorello in Il barbiere di Siviglia, and many more. On the concert stage, Hogsed has appeared under the baton of Robert Spano with the Brooklyn Philharmonic in the title role of Sibelius’ Kullervo, Messiah soloist with Orchestra Atlanta, and the baritone solos in J. S. Bach’s Mass in B Minor and St. John Passion with the Atlanta Bach Choir and the Choral Guild of Atlanta. Hogsed received two Richard F. Gold Career Grants and two Tanglewood Voice Fellowships. He is a student of Costanza Cuccaro.

Oratorio ChorusRobert Porco, Conductor

SopranoJennifer AlbertMegan BeusEmily BlairMeredith BonkLoralee CulbertAarthi DevanathanShina EllingsonRachel ErieSarah FoxSharon HarmsJennifer HarringtonAndrea HimselSierra Hsieh

Vivian IpHannah KennedyJenny KimRebecca LauerEun-Hye LeeSoo Bin LeeShan-Hui LinSusan MalooleyElizabeth McKinneyNatasha NelsonShin-Yeong NohMin-Gyung OhSoohyun OhChristine Papania

Nancy RichardsonValerie SabaAriel SeemanCaitlin Andrews ShirleyEmily StokesBeverly ThompsonStephanie TokarzAudrey TornblomRuth UmthunLaura WatersVirginia WhealtonAmanda WoodburyHeather Youngquist

Mezzo-SopranoLindsay AmmannMonica ArmstrongLaura BooneAmanda BrownVine’ecia BuchananJennifer CarpenterAbigail CarterSun Min ChoiLaura DallmanStephanie DanaElizabeth DavidsonNicole DiPaoloCatherine ElliotLaura GibsonKelly GlyptisAsha GoingsCarrie Hendrickson

Jennifer JakobEileen JenningsShareese JohnsonAmanda KasemMegan KellerJisoo KimLindsey KuperKrista LaskowskiJessica MarcrumAlyssa MartinRachel MilliganAbigail MitchellSarah MostovMargaret MusickClara NiemanElizabeth OgonekJee Hee Oh

Charis PedenEmily PoulsenJoyce RorabaughGail RosenbaumLisa RunionAmanda RussoAlisa SanabriaAnn SauderAbigail ShupeJulia SnowdenYekaterina SyrochkinaBernadette WagnerLauren WalkerWenjing WangMegan WatsonLaura ZahnKendall Zini-Jones

TenorJosh BrodbeckRyan ChaseChris CheungMason CopelandDiego CuberoMichael CummingsBrian DarsieNicholas DrabikJohn Gavin DuffyMicah FlemingLawrence GaleraGregory GeehernBenjamin Geier

Donald GilbertBlake KendallLawrence Chappell KingslandBlake KonessJohn LeonardTrevor LeslieAndreas LimChris LudwaChristopher LynchJames MartinezYesong NaAndrew NasonNikhil Navkal

Christopher NelsonNicholas NesbittAndy NgChris SerenaJonathan ShieldsBenjamin SmithThomas StoffelAsitha TennekoonJason ThomasEvan ThompsonAnthony WebbTyler WebbJacob Wooden

Baritone/Bass:Eric AlbrechtAubrey AllicockErik AnstineJoseph BeutelNicholas BrozackIgnasi CambraNoah CotlerCurtis CraftonThomas Lee CravensBenjamyn EllerinJames EstesMilner FullerCliff GagliardoDerek GouldLevi GraftJoshua Groffman

Benjamin GulickJonathan HarveyEric HermannGreg HoytAdam JohnsonJeremy JohnsonCarl KanowskyAndrew KroesJin Uk LeeChih Chiang LinWesley LovellJesse MalgieriDaniel MayoEric MoweryKevin NecciaiKevin Neel

Alexander NelsonDouglas OlsonJohn OrduñaChris RenkMitchell RorickSteven RoudebushBrian SchkeeperDaniel ScofieldJacob ShrumJacek SkryzalinGregory SmithBrent StameyMichael SweeneyRyan TibbettsRyan YoungJohn Zadlo

Indiana University Children’s ChoirBrent Gault, Indiana University Chilren’s Choir Director

Lisa Yozviak, Conductor

Sam AdamsonMadie AllenderDevyn AndersonGarrett AnkneyEleanor Baude-Phillips Solomon Brown-RobinsonJoseph BurkhartRebekah BurkhartMirada ChristAmy CohnLena Cramer Danielle DingmanHaley DobbinsOctober DrenthJoanna George

Hannah Hanscom Julia HerrmannSusanna HerrmannMadison HoffVictoria HolleMorgan HuntingtonLily JennessBen Johnson Davis JosephDenis JosephKeziah LeeCorah Lydy Zoe McAfeeCarly McClelland Arielle Moir

Hikari NakagawaAllison Neal Wesley OliverKristin RichardsHannah RobersonLaura SchneiderAbigail SelfCarrie SharpElsa SheltonSarah Jo Smith Kathryn TafoyaCeCe UnderwoodLauren WardMichelle Watson-JonesAnna Weinberg

Philharmonic OrchestraViolin IAlexander MartinAnn FinkPyunghwa ChoiNiccolo MutiChao Kai LinAlexander BoissonnaultMaile TildenNathan BartleyJames ChoiSophie BirdWon Hee LeeYordan TenevAmy Schlicher

Violin IIDmitriy MelkumovMallory HammShari MasonSteffen ZeichnerPaul CaseyMarie-Madeleine Orban Delyana LazarovaRena KimuraJason ChenAlexander LeighSarah DrakeColleen WangAzusa Chapman

ViolaJohannes EvaLinsey RogersLee AndersonSylvia ChoiVictoria WitmerForrest WuEmily WilliamsEunje KimDashiel NesbittLeah Kovach

CelloEdward PrevostSusan MillarElizabeth HowseMiyoung WooCatherine LukitsZachary MansellMaya NojiriMaxwell Frank

Cello cont’dMaxfield Wollam-FisherRebecca BarteltJulia StewartDongso Kim

BassDanielle MeierTimothy WeddleBrian LoebJames SullivanDi WangDavid SchollMichael PriesterBenjamin BeggsJoseph McFadden

FluteSung-eun KimShailey DeVitoGeoffrey Crowley, Piccolo

Oboe Keith SorrelsKristen PerryRachel Edwards, English Horn

Clarinet Cody GrabbeJ.J. KohAshley Creighton, E-Flat/Bass

Bassoon Allen HamrickKelley RobertsZachary Hague, Contra

Horn Everett BurnsZachary GlavanMary Garza Robert FantJessica RichersAaron Kibbler

Trumpet Doug ReneauAlex NoppeWilliam GerlachMark Woodring

Trombone Patrick PfisterDerrick WallaceJacob Carlisle, Bass

TubaJames Saliers

Timpani Derek Dreier

Percussion Nicholas StoneJ.J. PearseRoss EricksonChia-hsin DaiBrian Blume

PianoJohann Wiese

HarmoniumAlice Baldwin

OrganWilliam Jon Gray

Chamber EnsembleRachel Patrick, Violin ISeul Lee, Violin IIOlivia Chew, ViolaAlan Ohkubo, CelloAllison Cook, BassAlan Tomasetti, Flute/PiccoloJennifer Berg, Oboe/English HornKrista Weiss, ClarinetSarah Wildey, BassoonStanley Spinola, HornWilliam Reno, PercussionEmily Granger, Harp

Orchestra ManagerMicah FlemingAlan Tomasetti, ass’t.

Orchestra Set-UpDi WangAlexander BoissonnaultDanielle Meier

LibrarianMariel Johnson