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Issue Table of ContentsCallaloo, Vol. 14, No. 1 (Winter, 1991), pp. 1-289Front Matter [pp.37-189]In Memoriam: George Houston Bass 1938-1990In Memoriam: Michael George Cooke 1934-1990Louisiana: For Michael Cooke [pp.1-3]City Flesh and Country Manners [pp.4-8]Signing to The Blind [pp.9-11]Enough Rides [pp.12-19]From Idlewild and Other Seasons [pp.20-36]Audre Lorde: A Special Section[Photograph]: Audre Lorde [p.38]To The Poet Who Happens to Be Black and The Black Poet Who Happens to Be a Woman [pp.39-40]Making Love to Concrete [pp.41-42]This Urn Contains Earth From German Concentration Camps: Plotzensee Memorial, West Berlin, 1984 [pp.43-44]The Politics of Addiction [pp.45-46]Dear Joe [pp.47-48]Blackstudies [pp.49-53]Women on Trains [pp.54-56]Fishing the White Water [pp.57-58]Out to The Hard Road [p.59]Jessehelms [pp.60-61]A Poem for Women in Rage [pp.62-64]What Is at Stake in Lesbian and Gay Publishing Today: The Bill Whitehead Memorial Award Ceremony-1990 (ABA-Las Vegas) [pp.65-66]Showing Our True Colors [pp.67-71]Of Generators and Survival-Hugo Letter [pp.72-82]Above The Wind: An Interview With Audre Lorde [pp.83-95]

Noble McDaniel's Dambalah [pp.96-103]Alison Saar: American Artist[Photograph]: Scar Song (1989)[Photograph]: Lazarus (1988)[Photograph]: Dying Slave (1989)[Photograph]: CrossroadsDown to The Crossroads: The Art of Alison Saar [pp.107-123]

From Lorraine Hansberry to August Wilson: An Interview With Lloyd Richards [pp.124-135]Three Notes Toward a Cultural Definition of The Harlem Renaissance [pp.136-149]Cultural Revolution and The Literary Canon [pp.150-156]The Delights of Memory, II: Doss [pp.157-180]When The World Was October [pp.181-188]An Interview With Modjeska Simkins [pp.191-210]Studies in African Literatures: An Annual Annotated Bibliography, 1989 [pp.211-286]Back Matter [pp.287-289]