audio guide to hear the boulevard's

2
Conversation with Katie Holten Jennifer McGregor (Senior Curator, Wave Hill): Trees have featured prominently in your work. One of the trees that you (re)created is Excavated Tree, a life-sized Flowering Dog- wood made from cardboard, newspaper, PVC, wire, and duct tape, at the Contemporary Art Museum St. Louis. This sculpture clearly describes the relationship between the tree’s visible branches and its invisible roots. When you were selected as a finalist for this project to celebrate the ecology of the Grand Concourse, one approach would have been to re-establish a sculptural tree, how did you come upon the idea of a “museum” as the format to engage the public? Katie Holten: The sculptural trees that I’ve made have all been for  interior spaces. My outdoor works tend to be more “invisible” as I’m  interested in the fabric of public space. From day one I’ve looked at  the whole Concourse as a community, a living system. Over the months  I learned more and more about the neighborhoods, I met more and more  people, and I realized that what I was dealing with was on the scale  of a “museum” with historical facts, artifacts and personal stories—  a lot of stories.  JM: You began this project photographing trees and then creating elegant tree drawings as an entry pathway that connects to your ongoing work. When did you get hooked on the Concourse, and what about the environs made the project click for you? KH: In November 2007, I was walking the Concourse almost every day,  trying to get a feel for the street and understand how to engage with  the place. At 174th Street, where the Concourse crosses over the  Cross Bronx Expressway, I suddenly pictured the place as it might  have been 100 years ago. So different: no buildings, no sidewalks, no  asphalt, and no cars. But there were trees originally—it was built as  a tree-lined boulevard for promenading. I saw the trees as a starting  point for examining the entire ecosystem. Maybe it’s because I grew  up in the countryside, but I’ve always seen nature interconnected  with the man-made: trees’ roots grow down into the soil, which  is surrounded by utilities and subway infrastructure. The trees’  roots also push up and crack the sidewalks that people walk along.  Rain falls into the cracks and is diverted into watersheds, which  eventually reach kitchen and bathroom taps along the Concourse. JM: Immersing yourself in a place is key to your working process and in fact over the last year your studio has been based here, first at the Bronx Museum and then at the Andrew Freedman Home. In developing the tree  museum, you’ve met hundreds of people, local residents and workers, and nature enthusiasts. What has been surprising about peoples’ impressions of trees and of the Grand Concourse? KH: The main thing that’s blown me away has been the excitement and  positive energy. Almost every single person that I’ve reached out  to has been very happy to talk about the Concourse. People are very  proud of the street, of their building, of their block. JM: You’ve become a bit of an expert on the trees of the Grand Concourse. What do you want people to take away from the experience? KH: If nothing else, I hope that people will realize that trees are  alive, they grow and they have names: like people. They aren’t   just sticks coming out of the ground. I also want visitors to the  tree museum to see the Grand Concourse from another perspective,   even if only for a minute. If one person slows down, listens to the  audio guide, and hears something that moves him or her to look at   the street, the community, in a different way—that’s all I want.   And I would like for people to think about the notion of a museum in  a new way, not only without walls but without boundaries. Another  very simple element of the  tree museum is getting people outdoors to  walk. One hundred years ago the Concourse was built for people to  stroll along, under the shade of the trees, and in 2009 it takes  quite an effort to get people out for a walk—but hopefully we’ll   get them strolling! 100 trees give voice to 100 perspectives. Irish artist Katie Holten created this project to celebrate the communities and ecosystems along the 100-year-old Grand Concourse. Listen to the audio guide to hear the boulevard’s stories and the intimate lives of trees as told by current and former residents; from beekeepers to rappers, historians to gardeners, school kids to politicians. Left: Katie Holten, Excavated Tree, 2007, Contemporary Art Museum St. Louis, mixed media. Photo: Mike Schuh Right: Katie Holten, Grand Concourse street trees (149th - 150th Street), 2008, ink on paper, 30” x 22”. Photo: Martin Seck “As a teenager the Grand Concourse was my iconic street, a street of extraordinary trees—a boulevard that I could only dream of.” —Daniel Libeskind, 2009 97 “On a hot, sunny day those trees that lined 162nd Street formed a canopy and you could go in and cool off— it was just beautiful!” —Joyce Hogi, 2009 31 “You don’t have to leave your neighborhood to live in a better one, and trees are an important part of making that happen!” —Majora Carter, 2009 6 Leaves in the sky Roots in the earth Trunk in between Concourse Haiku, E.J. McAdams, 2008 64 “I think that I shall never see A poem lovely as a tree” Trees, Joyce Kilmer, 1913 24 Above left: Tree Museum Conversation, 2008. Photo: Jaclyn Tobia; Above right: Katie Holten, Grand Concourse street tree (Bronx general post office), 2008, ink on paper, 30” x 22”. Photo: Martin Seck Visitor Information Open: June 21–October 12, 2009 Admission: Free Directions: Getting to the tree  museum is easy! Walk, bike or take public transportation. Subway: 2 4 5 B D Bus: Bx1 / Bx2 run along the Grand Concourse. A public art project by Katie Holten Grand Concourse, Bronx, NY June 21–October 12, 2009 Wave Hill June 21–October 12, 2009 The Bronx Museum of the Arts August 2–October 25, 2009 The tree museum is a collaborative project organized by The Bronx Museum of the Arts and Wave Hill, with the NYC Department of Parks and Recreation, cooperation from the NYC Department of Transportation and support from The Greenwall Foundation’s Oscar M. Ruebhausen Commission. Katie Holten, who represented Ireland at the 50th Venice Biennale in 2003, grew up in the Irish countryside and studied at the National College of Art and Design in Dublin and the Hochschule der Kunste in Berlin. Through drawing, installation, and sculpture she focuses on the relationship between the individual and the environment. She has exhibited in museums and galleries worldwide including solo shows at the Nevada Museum of Art (2008-2009), Villa Merkel, Esslingen (2008) and the Contemporary Art Museum St. Louis (2007). Katie Holten would like to thank everyone who supported the tree museum, with particular thanks to the Bronx residents who were so welcoming and supportive, and the Andrew Freedman Home and Mid Bronx Council for hosting the tree museum office. Artist: Katie Holten; Design: Inger-Lise McMillan; Map: George Colbert; Photographs: all photographs are by Katie Holten except where stated otherwise; Studio Assistants: Jamie Davis, Rachel Steinberg; Technical assistants: Patrick Farrelly, David Grandison, Shaun Krupa; Advisors: Sergio Bessa, Dillon Cohen, Meg Duguid, Jennifer McGregor, Clare Weiss.; © Katie Holten, 2009 Tree Museum Walk, 2009. L-R: Katie Holten, Uli Lorimer, E.J. McAdams, Joyce Hogi. Photographer: unknown Public Programs On opening day, Sunday, June 21, at 5pm, the percussion group BombaYo leads a parade from The Bronx Museum of the Arts at 165th Street to the Lorelei Fountain in Joyce Kilmer Park at 161st Street for the opening ceremony. Public Programs include Haiku Hikes led by E.J. McAdams, Grand Concourse Tree Scrawl with Amanda Matles, Tree Walks and more! Visit www.treemuseum.org for more info. From top: Northern Red Oaks, trees 80 81 at Poe cottage, Poe Park; Tree Museum Haiku Hike, with Mr. Brunelle Grif- fith’s freshman honors class, All Hallows High School, Joyce Kilmer Park, 2009 Right: Northern Red Oak, tree 53 at E. Tremont Avenue FPO

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Page 1: Audio Guide To Hear The Boulevard's

    Conversation with Katie Holten

Jennifer McGregor (Senior Curator, Wave Hill): Trees have featured prominently in your

work. One of the trees that you (re)created is Excavated Tree, a life-sized Flowering Dog-

wood made from cardboard, newspaper, PVC, wire, and duct tape, at the Contemporary

Art Museum St. Louis. This sculpture clearly describes the relationship between the tree’s

visible branches and its invisible roots. When you were selected as a finalist for this project to

celebrate the ecology of the Grand Concourse, one approach would have been to re-establish

a sculptural tree, how did you come upon the idea of a “museum” as the format to engage

the public?

Katie Holten: The sculptural trees that I’ve made have all been for 

interior spaces. My outdoor works tend to be more “invisible” as I’m 

interested in the fabric of public space. From day one I’ve looked at 

the whole Concourse as a community, a living system. Over the months 

I learned more and more about the neighborhoods, I met more and more 

people, and I realized that what I was dealing with was on the scale 

of a “museum” with historical facts, artifacts and personal stories— 

a lot of stories. 

JM: You began this project photographing trees and then creating elegant tree drawings

as an entry pathway that connects to your ongoing work. When did you get hooked on the

Concourse, and what about the environs made the project click for you?

KH: In November 2007, I was walking the Concourse almost every day, 

trying to get a feel for the street and understand how to engage with 

the place. At 174th Street, where the Concourse crosses over the 

Cross Bronx Expressway, I suddenly pictured the place as it might 

have been 100 years ago. So different: no buildings, no sidewalks, no 

asphalt, and no cars. But there were trees originally—it was built as 

a tree-lined boulevard for promenading. I saw the trees as a starting 

point for examining the entire ecosystem. Maybe it’s because I grew 

up in the countryside, but I’ve always seen nature interconnected 

with the man-made: trees’ roots grow down into the soil, which 

is surrounded by utilities and subway infrastructure. The trees’ 

roots also push up and crack the sidewalks that people walk along. 

Rain falls into the cracks and is diverted into watersheds, which 

eventually reach kitchen and bathroom taps along the Concourse.

JM: Immersing yourself in a place is key to your working process and in fact over the last

year your studio has been based here, first at the Bronx Museum and then at the Andrew

Freedman Home. In developing the tree museum, you’ve met hundreds of people, local

residents and workers, and nature enthusiasts. What has been surprising about peoples’

impressions of trees and of the Grand Concourse?

KH: The main thing that’s blown me away has been the excitement and 

positive energy. Almost every single person that I’ve reached out 

to has been very happy to talk about the Concourse. People are very 

proud of the street, of their building, of their block.

JM: You’ve become a bit of an expert on the trees of the Grand Concourse. What do you want

people to take away from the experience?

KH: If nothing else, I hope that people will realize that trees are 

alive, they grow and they have names: like people. They aren’t  

just sticks coming out of the ground. I also want visitors to the 

tree museum to see the Grand Concourse from another perspective,  

even if only for a minute. If one person slows down, listens to the 

audio guide, and hears something that moves him or her to look at  

the street, the community, in a different way—that’s all I want.  

And I would like for people to think about the notion of a museum in 

a new way, not only without walls but without boundaries. Another 

very simple element of the tree museum is getting people outdoors to 

walk. One hundred years ago the Concourse was built for people to 

stroll along, under the shade of the trees, and in 2009 it takes 

quite an effort to get people out for a walk—but hopefully we’ll  

get them strolling!

100 trees give voice to 100 perspectives.

Irish artist Katie Holten created this project to

celebrate the communities and ecosystems along

the 100-year-old Grand Concourse. Listen to the

audio guide to hear the boulevard’s stories and

the intimate lives of trees as told by current and

former residents; from beekeepers to rappers,

historians to gardeners, school kids to politicians.

Left: Katie Holten, Excavated Tree, 2007, Contemporary Art Museum St. Louis, mixed media. Photo: Mike Schuh Right: Katie Holten, Grand Concourse street trees (149th - 150th Street), 2008, ink on paper, 30” x 22”. Photo: Martin Seck

“As a teenager the Grand Concourse was my iconic street, a street of extraordinary trees—a boulevard that I could only dream of.”

—Daniel Libeskind, 2009 97

“On a hot, sunny day those trees that lined 162nd Street formed a canopy and you could go in and cool off— it was just beautiful!”

—Joyce Hogi, 2009 31

“You don’t have to leave your neighborhood to live in a better one, and trees are an important part of making that happen!”

—Majora Carter, 2009 6

Leaves in the sky Roots in the earth Trunk in between

—Concourse Haiku, E.J. McAdams, 2008 64

“I think that I shall never see A poem lovely as a tree”

—Trees, Joyce Kilmer, 1913 24

Above left: Tree Museum Conversation, 2008. Photo: Jaclyn Tobia; Above right: Katie Holten, Grand Concourse street tree (Bronx general post office), 2008, ink on paper, 30” x 22”. Photo: Martin Seck

    Visitor Information

Open: June 21–October 12, 2009

Admission: Free

Directions: Getting to the tree museum

is easy! Walk, bike or take public transportation.

Subway: 2 4 5 B D

Bus: Bx1 / Bx2 run along the Grand Concourse.

A public art project by Katie Holten

Grand Concourse, Bronx, NYJune 21–October 12, 2009

Wave Hill June 21–October 12, 2009

The Bronx Museum of the Arts August 2–October 25, 2009

The tree museum is a collaborative project

organized by The Bronx Museum of the Arts and

Wave Hill, with the NYC Department of Parks and

Recreation, cooperation from the NYC Department

of Transportation and support from The Greenwall

Foundation’s Oscar M. Ruebhausen Commission.

Katie Holten, who represented Ireland at the 50th

Venice Biennale in 2003, grew up in the Irish

countryside and studied at the National College of

Art and Design in Dublin and the Hochschule der

Kunste in Berlin. Through drawing, installation,

and sculpture she focuses on the relationship

between the individual and the environment. She

has exhibited in museums and galleries worldwide

including solo shows at the Nevada Museum of Art

(2008-2009), Villa Merkel, Esslingen (2008) and

the Contemporary Art Museum St. Louis (2007).

Katie Holten would like to thank everyone who

supported the tree museum, with particular

thanks to the Bronx residents who were so

welcoming and supportive, and the Andrew

Freedman Home and Mid Bronx Council for

hosting the tree museum office.

Artist: Katie Holten; Design: Inger-Lise McMillan;

Map: George Colbert; Photographs: all photographs

are by Katie Holten except where stated otherwise;

Studio Assistants: Jamie Davis, Rachel Steinberg;

Technical assistants: Patrick Farrelly, David

Grandison, Shaun Krupa; Advisors: Sergio Bessa,

Dillon Cohen, Meg Duguid, Jennifer McGregor,

Clare Weiss.; © Katie Holten, 2009

Tree Museum Walk, 2009. L-R: Katie Holten, Uli Lorimer,

E.J. McAdams, Joyce Hogi. Photographer: unknown

    Public Programs

On opening day, Sunday, June 21, at 5pm, the

percussion group BombaYo leads a parade from

The Bronx Museum of the Arts at 165th Street to

the Lorelei Fountain in Joyce Kilmer Park at 161st

Street for the opening ceremony.

Public Programs include Haiku Hikes led by E.J.

McAdams, Grand Concourse Tree Scrawl with

Amanda Matles, Tree Walks and more!

Visit www.treemuseum.org for more info.

From top: Northern Red Oaks, trees 80 81 at Poe cottage, Poe Park; Tree Museum Haiku Hike, with Mr. Brunelle Grif-fith’s freshman honors class, All Hallows High School, Joyce Kilmer Park, 2009

Right: Northern Red Oak, tree 53 at E. Tremont Avenue

FPO

Page 2: Audio Guide To Hear The Boulevard's

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BotanicalGarden tree museum is a public art project by Katie

Holten. The ‘museum-without-walls’ runs the length of the Grand Concourse in the Bronx, from 138th Street to Mosholu Parkway.

Visitors can start their visit to the tree museum at any point on the Grand Concourse. Look for the sidewalk markers that identify trees with stories.

Tree index

Ailanthus / Ailanto, árbol del cielo

Ailanthus altissima 3

Amur Corktree / Árbol de amur

Phellodendron amurense 30

Green Ash / Fresno rojo

Fraxinus pennsylvanica 91

Cottonwood / Álamo

Populus 100

Crab Apple / Manzana Silvestre

Malus 11

Kwanzan Cherry / Cerezo japonés

Prunus serrulata ‘Kwanzan’ 21

American Elm / Olmo americano

Ulmus americana 9 13 17 56 58

Chinese Elm / Olmo chino

Ulmus parvifolia 66

Ginkgo / Árbol de los 40 escudos

Ginkgo biloba 14 20 73 74

Hackberry / Almez americano

Celtis occidentales 24 67

Hawthorn / Espino

Crataegus 97

Kentucky Coffeetree / Raigón del Canadá

Gymnocladus dioica 54

Little Leaf Linden / Tilo de hoja pequeña

Tilia cordata 41 42 43 44 45

Honey Locust / Acacia negra

Gleditsia triacanthos

5 6 7 19 28 31 32 39 47 50 52 55

60 61 64 88 89 90 94

London Plane / Plátano de sombra

Platanus x hispanica

1 8 12 18 48 49 57 65 75 76 92

Norway Maple / Arce real

Acer platanoides

10 15 16 25 26 27 29 33 77 78 95 98

Red Maple / Arce rojo

Acer rubrum 68

Northern Red Oak / Roble americano

Quercus rubra

40 53 63 69 70 71 72 80 81 82

Pin Oak / Roble palustre

Quercus palustris 2 38 62 79 84

Willow Oak / Roble de sauce

Quercus phellos 36 37

Callery Pear / Pera Callery

Pyrus calleryana 22 23 35 51 59

White Pine / Pino blanco

Pinus strobus 34

Sophora / Sófora

Sophora japonica 83

Zelkova / Keyaki

Zelkova serrata 4 46 85 86 87 93 96 99

Getting around by Subway

Take B D to any stop between 161st Street/Yankee Stadium and Bedford Park Boulevard. Take 4 to any stop between 138th Street/Grand Concourse and Mosholu Parkway. Take 5 to 138th Street/Grand Concourse or 149th Street/Grand Concourse. Take 2 to 149th Street/Grand Concourse.

Call 718-408-2501 to access the audio guide,

followed by a tree’s

extension number and #

“More than 60 species of trees are currently

growing along the Grand Concourse. This is

more than 70 percent of the species we plant

citywide, making the Concourse not only grand,

but also diverse”

—Jonathan Pywell, Bronx Senior Forester,

NYC Dept. of Parks & Recreation 3

Featured speakers on audio guide

Omowale Adewale, Barbara Barnes, Adrian Bejan, Cheryl Blaylock, Holly Block, China Blue, Lurry Boyd, New Settlement’s Bronx Helpers, Harry Bubbins, Valerie Capers, Majora Carter, William Casari, Peter Derrick, FeSS, Omar Freilla, Mark Hill, Sam Goodman, Jennifer Greenfeld, Anthony Greene, Damian Griffin, Helen Ho, Joyce Hogi, Sid Horenstein, Walter Hous-ton, Jazzy Jay, Mitchell Joachim, James Kane, Michael Kugler, Amilcar Laboy, Klaus Lackner, Juanita Lanzo, Carlos Lazarte, Adrian LeBlanc, Daniel Libeskind, Bill Logan, Uli Lorimer, E.J. McAdams, Kim McLeveighn, Francis Morrone, Debra Myers, Tom Navin, Jose Ortiz (BombaYo), Glenn Phillips, Andrea Polli, Jonathan Pywell, Roger Repohl, John Riley, Maria Rodriguez, Eric Sanderson, Kate Shackford, Laurie Spiegel, TATS CRU, Fernando Tirado, Lloyd Ultan, Karen Washington, Dart Westphal, Eleanore Wurtzel.

Getting around by Bus

Bx1 runs the length of the Grand Concourse. Bx2 runs from 149th Street to Mosholu Parkway. Get off at any stop to create your self-guided walking tour, or stay on the bus and dial the corresponding extension numbers for trees as you move north, or south, along the Concourse.

sidewalk marker