artists portfolios

8/12/2019 Artists Portfolios

1/18

Artists' Portfolios (Color Plates)Author(s): Hank Willis Thomas, Fred Wilson and Christopher CozierSource: Representations, Vol. 113, No. 1 (Winter 2011), p. 72Published by: University of California PressStable URL: http://www.jstor.org/stable/10.1525/rep.2011.113.1.72.

Accessed: 29/03/2014 09:41

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at.

http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of

content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms

of scholarship. For more information about JSTOR, please contact [email protected].

.

University of California Pressis collaborating with JSTOR to digitize, preserve and extend access to

Representations.

http://www.jstor.org

This content downloaded from 182.185.206.108 on Sat, 29 Mar 2014 09:41:22 AMAll use subject to JSTOR Terms and Conditions
http://www.jstor.org/action/showPublisher?publisherCode=ucalhttp://www.jstor.org/stable/10.1525/rep.2011.113.1.72?origin=JSTOR-pdfhttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/stable/10.1525/rep.2011.113.1.72?origin=JSTOR-pdfhttp://www.jstor.org/action/showPublisher?publisherCode=ucal


2/18

Representations72

ARTISTS PORTFOLIOS

Hank Willis ThomasFred Wilson

Christopher Cozier

REP113_04.indd 72 1/5/11 2:06:49 PM

http://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsp


3/18

plate 1. Hank Willis Thomas, Absolut No Return, 2008. Lightjet print, 30 20 in.Courtesy of the artist and Jack Shainman Gallery, New York.

REP113_Color_Plate.indd 1 1/18/11 6:06:35 PM

http://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/action/showImage?doi=10.1525/rep.2011.113.1.72&iName=master.img-000.jpg&w=240&h=411


4/18

plate 2. Hank Willis Thomas, Absolut Power, 2003. Inkjet on canvas, variable size.Courtesy of the artist and Jack Shainman Gallery, New York.




5/18

plate 3. Hank Willis Thomas (left to right), Ode to the CMB: Folks Say, Take ThatChain Off Boy Ya Blindin Me; Ode to the CMB: Am I Not a Man anda Brother?and Ode to the CMB: Lucy is a Slave with Diamonds, 2006/2007.24K gold and cubic zirconia, 5 3 in. Courtesy of the artist and JackShainman Gallery, New York.




6/18

plate 4. Hank Willis Thomas, Hang Time(Circa 1923), 2008. Inkjet on canvas,variable size. Courtesy of the artist and Jack Shainman Gallery, New York.




7/18


8/18

plate 6. Wilson, An Account of a Voyage to the Island Jamaica with the Un-NaturalHistory of That Place(installation view). Mixed media, dimensions

variable. Photography courtesy Donnette Zacca.




9/18






10/18






11/18






12/18

plate

10. Wilson, An Account of a Voyage to the Island Jamaica with the Un-NaturalHistory of That Place(installation view). Mixed media, dimensionsvariable. Photography courtesy Donnette Zacca.




13/18






14/18






15/18

plate 13. Christopher Cozier, Cross Currents, 2001 (installation view). Wood andpaper, dimensions variable. TENT, Centrum Beeldende Kunst,Rotterdam. Courtesy of the artist.




16/18

plate 14. Christopher Cozier, Key and forms from the Terra Storiesproject, shownin the exhibition The New Internationalism, Nikolaj Udstillingsbygning,Copenhagen, 2002.




17/18

plate 15. Christopher Cozier, Notebook page/preparatory drawing from TerraStories, 2002. Courtesy of the artist.




18/18

plate 16. Christopher Cozier, And to think you had me believing that all this time. . . ,2002 (installation view). Mixed-media construction from Terra Stories.Courtesy of the artist.

http://www.jstor.org/action/showImage?doi=10.1525/rep.2011.113.1.72&iName=master.img-015.jpg&w=239&h=369

artists portfolios

Documents