A New Independent Magazine For Young ArtistsArt Woo

No. 06 - Nov-Dec 2014

Special

Dave Bown ProjectsCgp LondonInternational Print Center New YorkStigmartCall For Performance ArtistsOn BeautyNonhumanFine Art IntensiveOpenart Biennal 2015CurrentsMid Atlantic Arts Foundation GrandLocws International Bare Hill PublishingPilchuck Glass School1St Parse BiennialNew York Arts PracticumThe School Of Sound

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Dave Bown ProjectsCgp LondonInternational Print Center New YorkStigmartCall For Performance ArtistsOn BeautyNonhumanFine Art IntensiveOpenart Biennal 2015CurrentsMid Atlantic Arts Foundation GrandLocws International Bare Hill PublishingPilchuck Glass School1St Parse BiennialNew York Arts PracticumThe School Of Sound

Around the Globe& b l o g a r o u n d

Dave Bown Projects9Th Semiannual Competition

Dave Bown Projects The initiatives of the privately held U.S. company focus on advancing the field of visual arts by conducting research, buying works of art for the Collection of Dave Bown Projects, and providing unrestricted monetary awards to visual artists. Prizes $10,000 USD (1 artist will receive $5,000 USD and 5 artists will each receive $1,000 USD). In addition to the cash prizes listed above; Dave Bown Projects will be buying works of art from artists as submissions are received. What our past prize recipients are saying "receiving an unrestricted monetary award is extra money, and extra money is art money. i didn't spend it slowly. i spent it immediately. i bought two things that i needed: 5 days in a darkroom and a roll of 40" photographic paper. the large photographs that i've created recently have become some of my most successful work thus far."— Liz Nielsen "Receiving an unrestricted monetary award from Dave Bown Projects was a very pleasant surprise for me. It afforded me the opportunity to be able to buy additional supplies I needed, in particular, larger panels to paint on. Also, the recognition on their web site gained me more web site traffic and I got the opportunity to work with a new gallery as a direct result of the recognition from the award." — Brenda Hope Zappitell

COMPETITION

NOV - DEC 2014

InfoDavebownprojects.Com Deadline Dec 6, 2014

COMPETITION

NOV - DEC 2014

Eligibility This competition is open to all visual artists who are 18 years of age or older. All styles and mediums are eligible. During the previous competition, we received submissions from over 40 countries. Note: Artists that have been exhibited by the jurors are not eligible. Artists that have worked with the jurors are not eligible. Employees of Contemporary Arts Center, Cincinnati; Memphis Brooks Museum of Art; Rhode Island School of Design; and RISD Museum are not eligible. Selection Process Early entries are encouraged. Previewing will occur on a daily and weekly basis by Dave Bown Projects as submissions are received. Selection will be based on merit (your skills and abilities, via images of your work). All images will be considered and viewed by Dave Bown Projects. Dave Bown Projects reserves the right to reject a submission (images of work) at any time and for any reason. The jurors will only have access to the images of your work and a document that list a reference number, medium, and dimensions per image. We will change the file names of each of your images (e.g., c-9_0123.jpg) so that the jurors will not have access to your name, gender, ethnicity, or any impermissible criterion or circumstance. The jurors are interested in viewing images of work from emerging artists from all styles and mediums.

Cgp London2014 Annual Open

EXHIIBITION

NOV - DEC 2014

EXHIIBITION

NOV - DEC 2014

The legendary unselected exhibition, unbelievably now in it's 30th year, has led the field in 'hang the lot' aesthetics since 1984. Hundreds of small works at attractive prices, the Cafe Gallery Open Exhibition, representing all artists, consolidates it's position as the Open Exhibition! Submissions: Saturday, 15 and Sunday, 16 November 2014 11am to 4pm. Preview: Sunday, 23 November 2014 from 2 – 4pm. This year the 'best in exhibition' prize of £100 will be selected by Robin Klassnik, Director, Matt's Gallery. Most importantly, there are no advance application forms. Works must be delivered directly to Cafe Gallery. Another person can deliver your work provided that they have your written permission for the works to be entered and they have the correct information to complete the Entry Form (Artist's name, address, Title(s) of the work, number of copies if it is an edition, artist's contact details, sale price inclusive of 33% gallery commission and explanation of whether the price includes the frame. Entry fees can only be paid in cash or by cheque. Up to 3 two-dimensional works can be submitted. Two-dimensional work must be no larger than 635 mm (25 inches) in width, length or depth (including frame). Works must be ready to hang with wire or mirror plates (we cannot accept clip frames). In keeping with the size limit, works from an individual artist will not be hung together. This means that works submitted as diptychs, triptychs, etc will not be hung together. You must indicate if the price includes the frame (overwhelmingly this is the preference of purchasers) and whether the work is part of an edition. One three-dimensional work can be submitted. Three-dimensional work must be no larger than 635mm (25 inches) in width, length or depth (including plinth if supplied). In addition to one three-dimensional work artists can also submit an additional 2 two-dimensional works (all rules pertaining to two-dimensional works still apply).

EXHIIBITION

NOV - DEC 2014

Moving image works can be supplied on a 14 inch combo unit (14 inch TV with built in DVD player), iPad or media player with small screen (both must be supplied with a suitable safety enclosure that does not exceed the size limit). Work(s) must be supplied to automatically loop and all works with sound must be supplied with headphones). Only ONE combo unit, iPad or media player with small screen can be supplied by each artist. The limit of 3 works still pertains (i.e A maximum of three moving image works can be looped onto one device). Each work submitted must be labelled with Name, Address, Title, Date, E-mail address, contact telephone number and Price (inclusive of 33% gallery commission). Every year hundreds of artworks are submitted to the Open Exhibition and this involves considerable handling of a large number of artworks. Although CGP London will take all reasonable care handling works in all circumstances, submitting artists should be aware that it is possible that occasional damage to works may occur. CGP London shall have no liability whatsoever for any loss, damage, destruction, deterioration or wear, including damage to frames, caused to a work submitted to the Open Exhibition. The submission fees must be paid at the time of submission by cash or cheque. Cheques should be made payable to The Bermondsey Artists' Group.

Infowww.cgplondon.org/ Deadline Nov 16, 2014

EXHIIBITION

NOV - DEC 2014

International Print Center New York

In keeping with our mission to promote the greater appreciation and understanding of the fine art print, IPCNY presents a selection of new prints several times per year. New Prints 2015/Winter will be IPCNY's 50th New Prints Exhibition and the opening exhibition of our 15th anniversary year. Criteria for selection: Only original fine art (limited edition and unique) prints are eligible; reproductions of other artwork such as drawings or paintings are not acceptable. Videos and other media made from prints are acceptable. Selections should represent a broad diversity of sources, geographical and otherwise. Prints must have been completed within a year prior to the submission deadline. There Is No Entry Fee. Independent artists, workshops, publishers and dealers are all welcome to submit recently completed print projects. Please refer to the Submission Guidelines below. All artists whose work has been selected will be notified by phone or email. If you have not received word, check the "what's new" section of IPCNY's website for the list of artists included. Artists and publishers whose work has been selected will be responsible for the framing and delivery of work to IPCNY by January 8, 2015. IPCNY will cover the return cost of delivery within reason. Due to the increased number of international submissions being selected, IPCNY can contribute only $100 dollars on return shipments overseas.

InfoHttp://Www.Ipcny.Org Deadline Dec 1, 2014

FILM & VIDEO

NOV - DEC 2014

Stigmart10Th Videofocus Biennale

FILM & VIDEO

NOV - DEC 2014

Whether it falls under the heading of art film or independent movie, you are invited to submit your work to the 10th Edition of VIDEOFOCUS, our special Stigmart issue focused on video. There are 4 categories to submit your work to: video art, independent cinema, documentary, fashion film. A special section of our next issue will be dedicated to cinematographers: it is possible to send you reel too. Since its foundation, Stigmart10 has encouraged a conception of art based on a dynamic dialogue between artists and audience which reflects the interactive nature of the creation process itself. Due to the advent of technologies like DSLR and micro budget cinecameras, in the last decade it came a true revolution in the video field. The fusion of different worlds, like video art, experimental cinema, and even fashion video and corageus documentary is attested by the increasing number of video artists cooperating with filmmakers in the last decade, though this synergy is not limited to the improvement of the overall quality in mainstream cinema terms, but shows the great potential of a new generation of artists able to renew the cinematographic language itself from the inside. HOW TO SUBMIT You can use this form to submit your film/video for consideration for the 10th Biennial Video focus Edition. The selection will be proceeded by our team and will cover worldwide productions and various formats and media.

Infowww.jotformeu.com Deadline Dec 12, 2014

PERFORMANCE ART

NOV - DEC 2014

Call For Performance Artists

PERFORMANCE ART

NOV - DEC 2014

Rufus Stone's Project 2.0.1.5. is seeking two, three or more London-based performance artists to perform and document up to six pieces in London in 2015. Must have ideas, the ability to document (photography, video and editing skills and own equipment such as cameras and lap-top with editing software), time to meet to plan performances, and time to be involved in the six performances. The project has no budget as such-- will be based on our willingness to be generous, work together and support each other, resulting in a set of well documented pieces. We will most likely perform in public places in London. Open to artists at any stage of their careers. If interested, please email: rufusstoneprojects@gmail.com Include your website, a contact number, and a line or two about your ideas for short or durational public performances. Attach your CV.

Infowww.rufus-stone.org/ Deadline Dec 15, 2014

PHOTOGRAPHY

NOV - DEC 2014

On BeautyINTERNATIONAL PHOTOGRAPHIC CALL

FOR ENTRIES at C4FAP

PHOTOGRAPHY

NOV - DEC 2014

THEME | On Beauty Who or what is considered beautiful varies from person to person and culture to culture. Explore the variety of ways that beauty and it's interpretations exist in the world. We welcome all artist interpretations on this theme. All capture types and photographic processes are eligible to submit. JUROR | Kathleen Clark Kathleen Clark is the Director and Partner in SPOT Photo Works, in Los Angeles. Her varied background includes partnership in the former Clark | Oshin Gallery in Los Angeles. She was the longtime Photo Director of Los Angeles Magazine and LA Weekly where she received multiple awards for editorial photography. She has an MFA degree in studio art and photography, and served as faculty at Art Center College of Design and at the University of Southern California. She reviews portfolios for Photo Lucida, Review Santa Fe, FotoFest Houston, and Palm Springs Photo Festival among others. HONORS | AWARDS With selection for this exhibition, the artists are invited to join C4FAP on the reception weekend for review with the juror, Kathleen Clark, and the Executive Director, Hamidah Glasgow. There will also be a group portfolio share and an artists’ lunch at C4FAP. An international audience of collectors, curators, art consultants and other advocates of fine art photography will view the chosen artist’s work throughout the exhibition. Each participant is included in the Center’s Main Gallery exhibition in Fort Collins, Colorado and Online Gallery exhibition. In order to be included in the online gallery or to receive an award, you must provide a professionally printed and framed/mounted image for gallery exhibition. Juror’s Selection: $500.00 Director’s Selection: $250.00 Two LiveBooks Website Awards: Valued at $399 from liveBooks Honorable Mention Awards: 2 year membership and image submission to a Call for Entry at C4FAP.

PERFORMANCE ART

NOV - DEC 2014

ABOUT C4FAP Founded in 2004 by photographers, The Center for Fine Art Photography is a nonprofit 501(C)(3) photography organization. We provide support to photographic artists through exhibition, solo exhibition, promotion, portfolio reviews, publication, education and connection to a large community of other artists, curators, gallery owners and photographic professionals. Open Tues-Sat, Free, Public Welcome. Please visit c4fap.org for more information and additional calls for entries. SUBMISSION | ENTRY FEE MEMBERS | $24 for the first five images. NON-MEMBERS | $38 for the first five images. ADDITIONAL IMAGES may be submitted for $8 each for members and $10 each for non-members. There is no limit to the number of images that may be submitted. Applicants signing up for membership at the time they submit will receive the automatic discounted entry fee. Note: Images selected by jurors for exhibition at the Center in the previous 12 months are NOT eligible. Images previously submitted but not yet selected for exhibition may be resubmitted. IMAGE UPLOAD GUIDELINES All images are submitted online on our website. To submit images visit our home page, create an account or Login to your existing account to begin. Further instructions are available in the Calls for Entry Section of our website. IMPORTANT DATES Entries Due | November 19, 2014 Notice Of Acceptance | December 5th 2015 Exhibition Dates | March 6th-April 17th, 2015 Public + Artists’ Reception | March 6th, 6-8 pm

PROPOSAL

NOV - DEC 2014

Nonhuman Subjectivities

PROPOSAL

NOV - DEC 2014

Four to five hundred years ago Copernicus and Galileo 'removed' the Earth (and humanity) from the centre of the universe. In Western Philiosophy this coincides with the 'epistemological turn' away from cosmology. Western civilization through the enlightenment and into the modern age has continued to place the human experience at the center of existence. Postmodernism, for example, has revealed in human subjectivity, almost to the point of denying all else. In response to recent cultural and scientific developments Art Laboratory Berlin is initiating an open call for art works, texts and cooperative works with artists, scholars and scientists on the general theme of non-human subjectivities. Recent philosophical works by i.a. Graham Harman, Quentin Meillasoux, Isabelle Stengers and John Gray have questioned the solely human role of subjectivity that has formed the core of 'humanism' over the past five centuries. We suggest a new multiplicity of viewpoints and an exploration of non-human intelligence, agency and subjectivity, that make up our planet (and beyond). Possible topics could include - Perspectives under threat - non-human viewpoints during the great species die off. - Bacterial viewpoints - how microbes communicate, interact and experience the world. - Non-human perspectives - intelligence and agency in animals, plants, bacteria. - Re-definition of intelligence, agency and sentience in ways that are not anthropomorphic. - What do some of these perspectives make of Homo sapiens? e.g.- 90% of the cells in our body do not have human DNA -we are a mere host, a topography, for billions of bacteria and fungi. - How about agency (and even intelligence) beyond life - virii or crystals for instance.

PROPOSAL

NOV - DEC 2014

- Are complex data systems, algorithms, artificial intelligence beginning to have points of view, and forms of agency that are beyond human comprehension? Art Laboratory Berlin is seeking submissions and proposals predominantly for exhibitions, performances and workshops, but is also interested in cooperation with scholars and scientists for the production of a series of lectures, texts and a symposium The deadline for entries is 15 December, 2014. Chosen proposals will form part of our 2016-17 programme. P l e a s e s u b m i t y o u r p r o p o s a l b y e m a i l t o : nonhumanisms(at)artlaboratory-berlin.org The application should include a proposal (not longer than 5 pages), a CV and work portfolio (not longer than 10 pages). We ask that you keep the size of attachments altogether under 5MB. For video or other large files we encourage the use of links. In rare exceptions proposals may be accepted by post, if a request is first sent by email. Please title the subject line: POST RQST.

Infoartlaboratory-berlin.org Deadline Dec 15, 2014

TOUR

NOV - DEC 2014

Fine Art Intensive2015 Russia

This ten day intensive gives artists an opportunity to paint/sketch on location and learn from graduate level lectures inside of Russia's finest museums. We will visit Moscow and St. Petersburg, where you will see both Russian and European art. This program includes sketching and painting on location within these two cities as well as a day in the countryside. Graduate professor Cathy Locke will lecture in the museums giving you the background on the artists, the art movements, painting techniques and color theory. There will be group discussions that will allow you to learn from other artists. This program includes: Location painting/sketching in Moscow and St. Petersburg Location painting/sketching near the grounds of Catherine's Summer Palace and Peterhof Museums visits and lectures: Tretyakov Gallery, Pushkin Museum, Hermitage Museum and the Russian Museum Artists discussions Dates: July 2 to 12, 2015 Early Bird Sign-Up: March 2, 2015

Infowww.russianarttour.com Deadline March 02, 2015

BIENNAL

NOV - DEC 2014

Openart Biennal 2015Sweden

BIENNAL

NOV - DEC 2014

Örebro OpenART is an international urban biennial that takes place in Örebro, Sweden. For almost three summer months the city centre is filled with unexpected contemporary art that makes people feel happy, disturbed, provoked, or in other words, more open for surprises. Turning the city upside down OpenART is a unique event that turns the city upside down with unconventional art, celebrating bold ideas and promoting unusual expressions. We welcome artists in all stages of their career and in various disciplines. Reach outside the city limits We offer an exciting showcasing platform, that enjoys international media exposure. The Telegraph, Huffington Post and Scandinavia’s national TV broadcasters have covered OpenART and not just once. You, as an artist, have a great opportunity to show your work for a large audience in a city which is temporarily transformed into a huge outdoors art scene. We are looking for great art & ideas A panel of art experts will invite 40 artists to exhibit at OpenART 2015. Selected artists will receive an artist fee o f €1000 / each and assistance creating and/or installing the art on site, as well as transport, travel and accommodation support. The selection criteria is simple – we are looking for great ideas and great works which can radically transform the city centre. Do you have one?

Infowww.openart Deadline Nov 30, 2014

FESTIVAL

NOV - DEC 2014

Currents Festival

CURRENTS is an annual, citywide event. The Festival brings together the work of established and emerging New Media artists, from New Mexico, the US and the world, for events showcasing interactive and fine art video installations, multimedia performances, single channel video, animation, digital dome programs, experimental documentary and web based/app art forms. This year we have added architectural mapping, the oculus rift, robotics and 3D printing to our call for entries.

Infocurrentsnewmedia.org Deadline Dec 01, 2014

FESTIVAL

NOV - DEC 2014

GRAND

NOV - DEC 2014

Mid Atlantic Arts Foundation$15,000 Grants for International

Festival participation

Administered by the Mid Atlantic Arts Foundation, with support from the National Endowment for the Arts and the Andrew W. Mellon Foundation, the USArtists International program is committed to ensuring that the impressive range of performing arts in the United States is represented abroad, and that American artists can enhance their creative and professional development through participation at international festivals. Grants of up to $15,000 will be awarded to American dance, music, and theater ensembles and solo performers that have been invited to perform at international festivals and/or for performance engagements that represent extraordinary career opportunities abroad. Applicants must be professional dance, music, or theater ensembles or solo artists, including practitioners of folk and traditional forms, or be a nonprofit 501(c)(3) organization or have a U.S.-based fiscal sponsor that has nonprofit 501(c)(3) status. If an ensemble, the applicant must have a majority of its members be U.S. citizens or permanent residents (whether a U.S.-based ensemble or a collaborative project with artists in the host country); and, if a solo performer, be invited to perform as a soloist without accompaniment and be a U.S. citizen or permanent resident. Complete program guidelines and the application form are available at the Mid Atlantic Arts Foundation website.

Infowww.midatlanticarts.org Deadline Dec 05, 2014

PUBLIC ART

NOV - DEC 2014

Locws International 2nd Annual Public Art

Locws International is pleased to announce its 2nd annual Public Art Open Submission competition for UK and international artists interested in working in the public realm. Artists are invited to submit their work for consideration for a temporary public artwork to be realised in the city of Swansea, Wales, UK, as part of Locws International’s Art Across The City programme in 2015, which will be our 15th anniversary year. The two selected artists will receive a £1,000 fee and a budget up to £2,500 to cover design, production, materials and installation, plus agreed expenses. Ten artists from the Open Submission process will be shortlisted with two being selected by the judging panel to develop and deliver their proposal. All shortlisted artists will be considered for future Locws International events and commissions.

Infolocwsinternational.com Deadline Dec 01, 2014

OPEN CALL

NOV - DEC 2014

Bare Hill PublishingInstallation & Site Specific #2

Call to installation and site-specific artists. An opportunity to get your work published. The history of site-specific art is complex and is linked to the development of installation art, land art and the evolution of the idea of 'public art.' But one of the main aspects is the movement out of the gallery and museum into other sites for the purpose of exhibiting art. This Art Book seeks to showcase some of the current artists who are exploring 'location' as the main theme for their art. The State of Art, art books are designed to capture a snapshot of current contemporary art practice. Installation and Site Specific is just one title in a series of six books published biannually. Entry cost £12 per artist and you can enter up to 6 artworks per book.

Infobarehillpublishing.com Deadline Jan 31, 2015

RESIDENCY

NOV - DEC 2014

Pilchuck Glass SchoolEmerging Artists In Residence 2015

The EAiR program supports artists who are making a transition in their professional lives. Whether moving from academia to a professional studio practice, taking up a new medium, or beginning a new body of work, artists find this independent residency ideal for contemplation, research, and experimentation. The program provides artists with a place and the time to develop an idea or project in glass, with the potential for realizing a new body of work.The residency requires a project proposal and supports kiln working, cold working, printmaking, and use of mixed media but not hot glassworking. The EAiR program is an independent artist’s residency, so no instruction is available and some glassmaking experience is required. Residents have access to many Pilchuck studios, including the glass-plate printmaking (vitreography) studio; plaster studio; fusing, slumping, and casting kilns; flameworking torch; and cold working equipment. No hot glass working is available. The residency requires full-time participation by six artists. Residents should expect to partake in communal studio clean-ups and be available to visitors, among other activities. Included in the residency award is a stipend of US$1,000 per artist, open studio space, shared cooking facilities, and a private room in a cottage with shared bath. Materials, instruction, food, and travel reimbursement are not provided.

Infowww.pilchuck.com Deadline Jan 07, 2015

BIENNIAL

NOV - DEC 2014

1St Parse Biennial

The first Biennial PARSE conference at the Faculty of Fine, Applied and Performing Arts, University of Gothenburg, Sweden takes as its point of departure the question of time. Time arguably has always been at the center of the research initiatives of the natural sciences, of philosophy and of the many different practices of history and social criticism. However, time also occupies a central place for the curiosity and attention of artist researchers across all the arts. The intensification of the question of time has, in recent years, prompted some to speak of a "temporal turn" across the disciplines. This conference seeks to bring together a range of researchers, drawn mainly from the artistic fields but also inviting researchers from across all disciplines to consider questions with respect to the practices, processes and perturbations of time.

RESIDENCY

NOV - DEC 2014

Possible topics include, but are not limited to: constructions of contemporaneity; time and the aesthetic; time and affect; gendered time; queer times; chronophobia; chronopolitics; chronotopes; durational practices; public time; network time; the temporal regime of the gift; globalization, instantaneity and temporal collapse; the nostalgia of capital; the temporal imaginaries of sustainability and ecological practices; the time of the political; labour time and forms of life; the time of the poem; after narrative time; empire time; revolutionary time dead-time, end-time, out-of-time, behind-the-times and again next time… Contributions are invited in the form of papers, presentations, artistic interventions, readings, panels, performances, public actions, screenings and workshops. We are especially interested in contributions that critically reflect upon, and/or in some way work to modify the familiar conventions of the academic paper, the panel discussion and the artist's talk. Rolling submission of proposals The deadline for proposals is March 1, however, we recommend early submission. Proposals should be sent to parse@konst.gu.se. Please include: – an abstract/summary description of the proposed contribution (300 words) – a recent CV of participant(s) – an indication of technical or other requirements for the contribution/presentation. Note: For performances, screenings or workshop events it is especially important to have a clear sense of any technical or spatial requirements.

Infowww.parsejournal.com/ Deadline March 01, 2015

COURSE

NOV - DEC 2014

New York Arts PracticumCall For Applications, Summer 2015

Applications are being accepted for the 2015 New York Arts Practicum, a summer arts institute where participants experientially learn to bridge their lives as art students into lives as artists in the world. The program is structured around apprenticeships with mentor artists, a critique seminar where participants produce work without access to their institutional facilities, and site visits to artist workspaces, galleries, and museums.

Infowww.artspracticum.org Deadline March 22, 2015

SYMPOSIUM

NOV - DEC 2014

The School Of Sound International Symposium

A Unique Series Of Masterclasses Exploring The Art Of Sound In Film, The Arts And Media

What is the School of Sound? The School of Sound is a biennial symposium created to encourage a cross-disciplinary approach to using sound in the arts and media. We explore what sound does, how audiences listen. It is a place where you can raise your awareness of how audio production works, how it conveys information and emotion, how you can work with it. For four days you'll be immersed in a world of imagination, invention and innovation. Listening to presentations from a diversity of incredible talents, you will be able to disconnect from your day-to-day work, taken out of your comfort zone, to reflect on sound as something that is profoundly complex, entertaining and important.

Why attend the School of Sound? The SOS is not an academic conference and it is not about how to get a job. It is a rare opportunity to hear and meet 20 creatives working at the highest levels of the arts and media speaking in detail about how they think and work.The SOS is not about just one area of sound production. The programme covers film, theatre, dance, opera, games, installation, music and radio - expanding your thinking and increasing your ability to work across diverse genres and forms of production. At the SOS you will mix with hundreds of like-minded people - professional practitioners, educators, artists and students - with whom you can network, exchange ideas and create collaborations. The SOS is delighted to announce the first details of the 2015 programme. Speakers include Choreographer SIOBHAN DAVIES in conversation with composer/performer MATTEO FARGION Opera and theatre director PETER SELLARS Sound artist and Foley specialist NICOLAS BECKER Artist, filmmaker and writer JOHN AKOMFRAH Installation artist IMOGEN STIDWORTHY Radio producer PIERS PLOWRIGHT Performance artist DICKIE BEAU Sound/music composer GERHARD ECKEL Filmmaker and composer NADIM MISHLAWI Sound designer RANA EID Interactive g a m e s s o u n d d e s i g n e r s M A RT I N S T I G ANDERSEN, JOANNA ORLAND and JOHN BROOMHALL and yoiker ÁNDE SOMBY ... with more participants to be announced in the coming weeks.

Infoschoolofsound.co.uk Deadline April 08-11, 2015

Alexandros Vasmoulakis n e x t i s s u e

This January

art woo m a g a z i n e

Edited and Designed byHaris Periorellis

ColumnistsLouiza Vradi

Calliope ChalouvaMarigo Kara

Virginia KomninakidouJohn Lesses

Titika Stamouli

External ContributorsNina Vore

Marian SomeOlga Konstantopoulou

Special Thanks toSotiris Bekas

Presspad Team

NOV-DEC 2014