architecture portfolio 2013

A M A N D A K R A C Z K O W S K Y

ARCHITECTURE PORTFOLIO

vivacious 1. full of spirit and animation; lively or vital2. having or displaying tenacity of life

(adj)

In order to engage the senses of the user, architecture must be vivacious. The animated spirit of the form and the composition of the structure must be visually captivating for those who immerse themselves within the space. The transitions throughout a building should be a harmonious marriage of functionality and stimulating spatial progression.

Vivaciousness also refers to the ability of a being to endure and survive within an environment. The greatest architectural works exude an understanding of their surroundings and are adaptive to the changing needs of their users. To ensure future growth and sustainability, we now must address not only the needs of people

endurable structure within our natural environment while still main-taining a practical application of spatial integrity and program.

In the past few years I have come to understand duality of archi-tecture both in its artistic expression and its functional foundations. A building should not only speak to its users in structure and shape but it should speak of its vernacular. I have come to appreciate the natural environment not only as a source of inspiration for a building but as a driver for the entirety of the design. The vivacity which nature exudes in its rejuvenation, growth and development must be the driving force behind creating lasting, captivating and sustainable architecture.

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1. full of spirit and animation; lively or vital2. having or displaying tenacity of life projects

architectural studios & relevant workstudio VII (graduate): the pride of liberty country a renewal of the fabric of Hinesville, Georgia (fall 2012)

studio V/VI: jacksonville ecological museum an ecological museum showcasing sustainable materiality in Jacksonville, Florida (winter&spring 2012)

studio IV: park. shop. live. create. an artist’s community, parking, retail and residential structure in Austin, Texas (fall 2011)

studio III: oasis urbaine (urban oasis) a multi-modal transportation hub in the Rive Gauche district of Paris, France (spring 2011)

studio II: bywater community center

studio I: greenovation an improved and futuristic look at student housing in Savannah, Georgia (fall 2010)

fundamentals III: residence and spa at 215 w. broughton st. a three-story residential townhouse above a retail space in Savannah, Georgia (spring 2010)

fundamentals II: factor’s walk climbing gym

fundamentals I: le sommet ski resort an exploration of the structure and tectonics of the built form (fall 2009)

construction technology ii. AAA architecture construction documents (winter 2011)

additonal artistic explorations

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studio vii project location: Hinesville, Georgia program: urban planning & redevelopment

a place whose livelyhood began in the 1700’s, the ciy of HInesville, Georgia has become dwarfed by the population of its neighboring army base, Fort Stewart, and has become physically discon-nected with the social needs of its people. by redesigning the zoning and layout of its major trans-portation artery, memorial drive, the city would regain its colonial presence in a modern community. by reexamining the existing zoning of the area, proposing major commercial zoning along memorial drive and creating a central park, a memorial lake/park, a newly renovated library, a boutique hotel and a memorial to its neighboring soldiers and veterans, the city of Hinesville would become a major place of interest for its patrons and vsitors alike.

collaborative studio project: student partners in graduate architecture design studio vii

amanda kraczkowsky : main board composition & presentation layouts, leading designer on photo-shop work, all hand rendering, collaborative work on site design, building design and urban zoning

of proposed urban cityscape, collaborative work on site design, building design and urban zoning

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project location: Hinesville, Georgia program: urban planning & redevelopment

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downtown hinesvillememorial drive

usa georgia liberty county hinesville

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government facilities

locally operated businesses

shopping centers | strip mall plazas

hotels | hospitality centers

churches | places of worship

educational facilities | school buildings

registered city addresses

special permit parcels

city divisioned property lines

memorial drive redevelopment focus area

existing residential & commercial structures

existing roadways

the city of hinesville is sporatic in its current nature; buildings are built on large lots with large setbacks and the majority of structures located along the heart of the town center are residential, not commercial. by rezoning memorial drive to include mainly commercial structures, the city becomes a destination for residents and visitors in the surrounding area. the existing

utilizing existing infrastructure in urban development

surrounding context

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although hinesville boasts numerous governmental, religious and municipal buildings, the lack of social interaction with the town’s structures is highly noticable. in order to usher more patrons into the city, there must be various catalysts in the form of commercial and social development. by integration of a farmers market and urban farm, two major parks, a major reno-vation to an existing library and educational facility and the creation of a local hotel, the town will become a destination.

creating a sense of place

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existing structures memorial development focus areas

existing zoning | vacant lotsexisting roadways | property lines | vacant lots

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new zoning of memorial drive structures impacted along memorial drive

new roads & pedestrian walkways memorial drive vegetated corridor

memorial development focus areas

existing zoning | vacant lots

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master plan

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memorial parklibrary

hotel & dining

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central park memorial park

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veterans memorial

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memorial lake park

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commercial area section

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central park

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studio v/vi project location: Jacksonville, Florida program: ecological museum

plagued by a blighted industrial sector in the eastern half of the city, the area on the north bank of the John’s river in Jacksonville boasts a large quantity of barren land and underutilized cityscape.

northern Floridian coast would serve as a destination to inspire growth and interaction with the riv-erscape. the use of sustainable materials such as recycled wood, green walls with native Florida vegetation and recycled water via a vegetated bioswale would serve as a catalyst for growth and beauty within an over-industrialized and stark built environment

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project location: Jacksonville, Florida program: ecological museum

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global duval county &downtown jacksonvilleusa duvall county jacksonville

st. johns river

east bay street

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the site sits on a heavily travelled artery of jacksonville’s east bay street, a route intersecting the major downtown metropolitan area and the underutilized industrial area of the eastern bank. the area is in need of a major connective element to establish a presence and identity for the district. to balance the more lively jacksonville landings on the western side of the city, a struc-ture promoting gathering and community usage must be established within this enormous, barren site. the program, a mu-

the blight of jacksonville

easy access to/from marsh streetline of sight continued along bay street

spatial buffer between surroundingcontext and museum site

line of sight continued along river walk

line of sight along main street bridge not blocked by other structures

line of sight continued from I-95 and jacksonville jaguars stadium

spatial buffer between water treatment facility and museum site

dock access at two major sites and water access for marine patrons

possible additional stop for existing jacksonville water taxi service

prospective site

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upon arriving at the site, it was suggested that the creation of an implied feeling or emotion would serve as a strong basis for the conceptualization of the structure. based on personal site observa-tions and interaction with the site, the inspirational words were translated into conceptual modeliing

creating the emotional response

intrigue playfulness inspiration destination

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energy

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introduction of four-way intersection @ Marsh St.main vehicular entrywaybioswalebay street trolley stop & waiting areaaccessible parking (2)designated employee parking

loading dock & access laneexterior perforated shading canopy

river ferry waiting areaground level outdoor amphitheaterinteractive water fountain

passive riverwalk pathwayactive riverwalk pathway

river ferry docking areamarina parking & accessible ramps

st. johns river

e. bay street

Maxwell House Coffee Factory

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time of use

bioswale

auditoriumgalleries

lobby

cafemuseum shop

hike & bike active/passive trailoutdoor amphitheater

12” deep swale

6” check dam3:1 slope

18” bioretention soil mix with8” gravel drainage layer

8” perforated drain pipe

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connection details & structural section

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site & transverse museum section

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lobby

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lobby gallery

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studio iv project location: Austin, Texas program: multipurpose, parking, retail, residential

park. shop. live. create. was inspired by the local culture of the artistic community in Austin, Texas. the vibrant citygoers of live music capitol of the world, home to the austin city limits concert and austin art festival, fueled the playful, colorful design of this multifunctional building. amentities of the structural program include 750 parking spaces, 11 individual street level retail spaces, 35 residential apartments and 22 leasable artist gallery studios.

park. shop. live. create.creating an artist’s mecca in Austin, TX

Mandy KraczkowskyArchitecture Design Studio IV

Professor Amy WynneFall Quarter 2011

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the beginning developmental concept by which this studio was orchestrated began with the under-standing of systematic parking decks. through exploration of circulation and by understanding ve-hicular and pedestrian movement, the structures became foundations for explorative interventions.

the importance of parking

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parking garage studiessingle-threaded helix circulation model

intervention 1

single-threadedtwo-way traf c system

original model intervention

parking garage studiesdouble-threaded helix circulation modelintervention 1

double-helixone-way traf c system

intervention original model

parking garage studiessplit-level circuation model

intervention 1

split-leveltwo-way traf c system


parking garage studiesmulti-bay circulation modelintervention 1

multi-baymulti-way traf c system


parking garage studiessingle-threaded helix circulation model

intervention 1

single-threadedtwo-way traf c system


parking garage studiesmulti-bay circulation modelintervention 1

multi-baymulti-way traf c system


parking garage studiessplit-level circuation model

intervention 1

split-leveltwo-way traf c system


parking garage studiesdouble-threaded helix circulation modelintervention 1

double-helixone-way traf c system


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the congress street district of austin boasts a variety of locally owned and operated retail and perfor-mance venues. this local atmosphere inspired by the “keep austin weird” movement, an emphatic

independent business sector. other notable landmarks in this district on the north side of the colo-rado river include new high-rise residential landmarks and a hike & bike trail which utilizes the natural shape of the river to provide an outdoor park within an urban environment.

site analysis

site analysisproject location

site analysisproject location

site analysisaustin city grid

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application of programmassing model study 1 &2

application of programmidterm massing model @ 1/128”

application of programmidterm massing model @ 1/128”

experiential perspectives

view from a distance

approaching car entry

entering garage leaving garage

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driving through garage level parking and leaving car

appraching circulation tower circulation tower gallery


walking to housing component & south gallery walking to retail component (north side)

entry park for hike & bike trail & circulation paths above returning to circulation tower (northeast corner)


walking to housing component & south gallery walking to retail component (north side)

entry park for hike & bike trail & circulation paths above returning to circulation tower (northeast corner)









design development

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nal designtypical oor plannorth gallery

circulation tower

walkway

south gallery

residences

two-waycirculation ramp

skyways fromgarage togalleries andapartments

pedestrian pathway

solar photovoltaic skin

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circulation plan

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24” x 24” square precast concrete columns

16rb32 rectangular concrete columns

8’-0” x 20” double-tee beams

safety guard rails

w 30 x 99 columns anchored to concrete slab (skin frame)

photovoltaic solar panels anchored to w 30 x 99columns with spacing for ventilation

curtain wall panelspolycarbonate plastic sun shadingretail signage

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approach arrive connect

enter circulate park

enter explore shop

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studio iii project location: Rive Gauche, Paris, Franceprogram: multipurpose, tram/bus station & market

oasis urbaine (urban oasis) utilized a prime location at the end of the Avenue du France in Paris’s up-and-coming Rive Gauche district to provide a multi-modal train, tram and bus station for the young neighborhood. inspired by the idea of movement and the post modern green buildings set to be constructed in the area by 2020, oasis urbaine included a naturally growing skin for sustainability as well as an outdoor open-air market for users to openly interact with their community members.

collaborative studio project: architectural studio iii, fundamentals iii, interior design studio iv

studio iii (amanda kraczkowsky): main revit model & structural grid, all photoshop work and board composition, renderings, sections, elevations, skin design

fundamentals iii (matthew spinner): structural detailing, assisting skin composition, process book work

interior design studio iv (michelle kuvinka): kiosk design and functional detailing

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the Rive Gauche district of Paris, France is located in the southeast corner of the city, balancing the equally modern district of La Defense in the northwest corner. the highly developed and popular sector of La Defense boasts what the Rive Gauche sector currently lacks; a connection to the hu-man scale regardless of the monumentality of the structures. the Rive Gauche is an impressive ex-ample of juxtaposition between the classic historic sector of Paris and a modern atmosphere, yet a connection to the human scale and natural environment would prove crucial in the design.

site analysis

greater paris

13th arrondissement (district)

site location, roadways, railways

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vegetation private green space public green space

the rive gauche contains an adequate amount of vegetation, yet does not provide any true in-teractive green space or usable parks for visitors and residents to utilize. the area also lacks a major staple of french life, the outdoor air market or ‘marche.’ in order to maximize the func-tionality of the twin sites, the larger trapezoidal site became home to a multi-modal train de-pot with a connecting bridge to the open air marche and park located on the smaller site.

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deck constructionthe site is located on a manufactured deck above existing rail lines. the deck incorporates new rail lines as well as a road-way system. during the time of site analysis, the upper deck was still under construction, therefore the majority of site anal-ysis information stemmed from urban planning scale models designed by SEMAPA, the leading organization in charge of the massive development.

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design development

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studio ii project location: Bywater, New Orleans, Louisiana program: community center

collaborative studio project: architectural studio ii, graduate interior design studio ii

-ment and changes, hand rendering perspectives and sections

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Bywater Community Center Promoting Community Spirit in New Orleans, Louisiana

The ClientThe Bywater Neighborhood Association is in need of a place to hold community activities and local events.

Design TheoryThe design is based on the Japanese principle ‘shakkei’, de!ned as borrowed scenery or landscape. The original agricultural land division of New Orleans plantations is known as the Arpent System.

Design ConceptThe musical keywords used to in"uence the design are octave, rhythm, and dynamic. Their relationship to water and its "uid qualities are the basis for the overall design.

Design IntentThe intention is to create a highly dynamic, functional program. A modern building intervention, representative of the "uidity of water and the sound of music, will provide a connection within the two separate halves of the Bywater community.

C o n c e p t

S i t e A n a l y s i s

O c t a v e R h y t h m D y n a m i c I n t e g r a t i o n G r o w t h F l o w C o n s t a n t Va r i a b l e s I n t e r a c t i n g F l u c t u a t i o n

D e s i g n

Mandy Kraczkowsky & Rand GharaibehARCH 302 & INDS 714 Winter 2011

Professors Montgomery & Whitney

G. Intersection of North Rampart St & Poland Avenue

H. Community Room

I. Day care CenterC. North Cafe Entrance from Poland Avenue, Accessible Parking, Outdoor Amphitheater

New Orleans, LouisianaLocated at the mouth of the Mississippi River and on the Gulf of Mexico, New Orleans, Louisiana has a rich history of trade, shipping, music and culture. Sedimentary silt shapes the landscape of the city and creates di#erences in topography of 40 feet above and 15 feet below sea level.

BywaterBywater is located in the Upper Ninth ward of the city grid. Bywater sits three feet above sea level and is bordered by the Industrial Canal to the East and the Mississippi River to the South.

Site1000 Poland Avenue consists of a narrow stable building and an adjacent green space. The location is on the corner of Poland Avenue and North Rampart Street.

Scope of ProjectThe design will include the renovation of the existing stables building and adding new space through a secondary structure and a redesign of the outdoor area.

Mississippi RiverArpent System

Land Division Purity, Harmony, Re"ectivity

DynamicGrowth

Interacting

Fluctuation Rhythm

Interacting FlowConstant

Fluctuation

Live Jazz Night Clubs The Mississippi River Mirliton Festival Southside Bywater Jazz Musicians Mardi Gras

Street Section: North to South

0 Elevation Line

1.5’

3’

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A. West Facade from North Rampart St. and Rear Entry

B. Poland Avenue, Accessible Parking and Entryway

C. Lobby & Existing Building Renovation

D. Main Entry and Lobby

E. Cafe and Secondary Entry

F. Main Entrance: Poland Avenue

A l t e r n a t i v e Fu r n i t u r e P l a n s B a s e d o n S p a t i a l U s a g e

Cafe

Women’s Rest room

Men’s Rest roomJanitor ClosetShower

Rentable O$ceMeeting O$ce

Liaison O$ceMain Lobby

Coat Closet Rest room

Classroom

Nap Room

Mechanical Room

Storage

Library

Community Room

Day Care & Play Space

Interior Courtyard

Cafe Counter

E a s t E l e v a t i o n S o u t h E l e v a t i o n We s t E l e v a t i o n N o r t h E l e v a t i o n

A

S i t e P l a n : 1 0 0 0 Po l a n d A v e n u e

Accessible Parking

Cafe Entry

Main Entry

Rear Entry

Outdoor Amphitheater

Pola

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North Rampart Street

Water Collection Cisterns

Readapted Use ofExisting StructureNew Building Addition

Outdoor Urban Garden

Interior Courtyard

Fire Station

Neighborhood Residences

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site analysis

new orleans parish

new orleans

bywater

mississippi river

SCHEMATIC DESIGN

C O M M U N I T Y C E N T E R a t B Y W A T E R

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CONCEPTUAL AND PRELIMINARY DESIGN


CONCEPTUAL AND PRELIMINARY DESIGN

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SCHEMATIC DESIGN


schematic design development

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SCHEMATIC DESIGN


SCHEMATIC DESIGN


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mechanical room

storage

library

interiorcourtyard

communityroom

restroomshowe r

janitor closet

restroom

main lobby

coat closet

daycare

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outdoor amphitheater

water collection cisterns

new building addition

outdoor urban garden

accessible

readapted

structure

main entrance

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FINAL DESIGN


E a s t E l e v a t i o n

We s t E l e v a t i o n

We s t t o E a s t S e c t i o n N e w B u i l d i n g

E a s t t o We s t S e c t i o n N e w B u i l d i n g

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FINAL DESIGN


E a s t E l e v a t i o n

We s t E l e v a t i o n

FINAL DESIGN


We s t t o E a s t S e c t i o n E x i s t i n g B u i l d i n g

E a s t t o We s t S e c t i o n E x i s t i n g B u i l d i n g

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FINAL DESIGN


Po l a n d A v e n u e a n d E n t r y w a y I n t e r s e c t i o n o f N o r t h R a m p a r t S t . & Po l a n d A v e n u e

We s t Fa c a d e a n d R e a r E n t r y

FINAL DESIGN




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N o r t h C a f e E n t r a n c e f r o m Po l a n d A v e n u e , A c c e s s i b l e Pa r k i n g , O u t d o o r A m p h i t h e a t e r

M a i n E n t r a n c e : Po l a n d A v e n u e

N o r t h C a f e E n t r a n c e f r o m Po l a n d A v e n u e , A c c e s s i b l e Pa r k i n g , O u t d o o r A m p h i t h e a t e r

M a i n E n t r a n c e : Po l a n d A v e n u e

FINAL DESIGN


M a i n E n t r y a n d L o b b y C o m m u n i t y R o o m

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FINAL DESIGN


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studio i project location: downtown Savannah, Georgia program: student housing renovation

following the concept of human proportioning and accessibility, the renovation of SCAD’s Ogletho-rpe House dormitory became a relavent concept to explore when designing student housing in rela-tion to comfort and needs of the student population. the existing structure, a 1960’s motel adorned with wrought iron and art deco detailing, provided the bones beneath a total exterior transforma-

traditional double rooms, a new lobby and adjacent green space and a green skin composed of ventilated louver systems for natural ventilation.

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grounded knowledge of the existing cultural context of Savannah. the analysis of the site included the student’s perspective on housing, which became crucial consideration in a practical design. the input of student clients in conjunction with our own knowledge of existing dormitory conditions in savannah became the driving force in addressing the necessary programmatic components for a dormitory renovation.

site analysis

oglethorpe house

J.O.’s cafe

club SCAD

parking

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transition from urban to natural environment within structure

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transition from urban bustle to private green space

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fund. iii project location: downtown Savannah, Georgia

utilizing the existing historical context of Savannah’s downtown commercial center, the residence

openings was based on the desires of the client and overall exterior design remained dependent on matching the surrounding downtown facade syles and materiality.

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proposed structure

215 w. broughton st

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load bearing masonry wall

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fund. ii project location: downtown Savannah, Georgia program: rock climbing gym

the climbing gym on factor’s walk and its accompanying programmatic requirements became the -

project I had explored. programmatic elements included a three-story rock climbing wall, party and

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fund. i project location and program theoretical

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formed. steps to complete this project included the study of primary, secondary and tertiary spaces, application of entryways and circulation, application of a tower to achieve monumentality and the construction of a base to ensure a secure connection within a theoretical site.

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studies of primary, secondary and tertiarty spatial conditions led to structural grid development and entryway studies

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c.t. ii project location: downtown Savannah, Georgia

in order to fully understand the concept of structural assembly and the stringency of building codes, in groups of three we planned for a commercial building on broughton street. design developments included site location and accompanying elevations, universal accessibility requirements for spac-ing, structural sections and layout and subsequent structural detailing.

amanda kraczkowsky: primary coding and zoning, elevation design, main steel structural system design, accompanying door jamb detailing

anna gosselin: coding and zoning, elevations, main universal accessibility design, site cast concrete system, accompanying mullion connection detail

arielle villardo: coding and zoning, elevation design, main site location analysis, precast concrete system, accompanying door head connection detail

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SHEET INDEXA- 101 COVER SHEETA- 102 FLOOR PLANS AND ELEVATIONSA- 103 EGRESS AND ACCESSIBILITY DETAILSA- 104 WALL SECTIONSA- 105 WALL DETAILSS- 101 SITECAST CONCRETE STRUCTURAL DETAILSS- 102 STEEL ASSEMBLY STRUCTURAL DETAILSS- 103 PRECAST CONCRETE STRUCTURAL DETAILS

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Project Partners:

Anna GosselinMandy KraczkowskyArielle Vilardo

ARCHITECTURE

SCADConstruction

Tech II

Site, Roof Plan, andDrawing Index

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01. 13.11

DesignSubmiss ion

02. 02.11

Init ialRevision

AG02. 26.11

ContextInput

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UP

UP

UP

UP UP

UPELEV.

6' - 0" 3' - 0"

EXIS

TIN

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UIL

DIN

G

EXIS

TIN

G B

UIL

DIN

G

STAIR #1

RESTROOM

MERCANTILEOPEN FLOOR PLAN

90' - 0"

6' - 10"

7' - 7"

4' - 4"

6' - 0"

3' - 0"

3' - 0"

9' - 4"

3' - 8" 3' - 0" 5' - 9" 3' - 4" 3' - 0" 4' - 0" 3' - 0" 9' - 7" 8' - 5" 3' - 0" 4' - 1"

60' - 0"

23' - 0"

8' - 9"

18' - 8 3/4" 16' - 3 1/4" 6' - 0" 17' - 1 1/2"

----

----

----

ELEVATOR

STAIR #1

RESTROOM

OFFICE SPACE/ BUSINESS AREAOPEN FLOOR PLAN

EXIS

TIN

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UIL

DIN

G

EXIS

TIN

G B

UIL

DIN

G

UP

90' - 0"

19' - 9"

7' - 7"

8' - 4"

4' - 4"

6' - 8"

3' - 0"

70' - 0"

9' - 4"

3' - 0"

23' - 0"

12' - 4 1/2"

3' - 0" 5' - 1" 3' - 0" 7' - 0" 3' - 0" 4' - 0" 3' - 0" 13' - 0" 3' - 0" 5' - 0" 3' - 0" 4' - 1"

60' - 0"

4' - 6" 3' - 0" 5' - 0 3/4" 3' - 0" 7' - 0" 3' - 0" 4' - 0" 3' - 0" 4' - 0" 3' - 0" 5' - 11 1/4" 3' - 0" 5' - 0" 3' - 0" 4' - 2"

3' - 0"

ELEVATOR


STAIR # 1

RESTROOM

EXIS

TIN

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UIL

DIN

G

EXIS

TIN

G B

UIL

DIN

G

8' - 4"

4' - 4"

6' - 8"

3' - 0" 5' - 1" 3' - 0" 7' - 0" 3' - 0" 4' - 0" 3' - 0" 13' - 3" 3' - 0" 5' - 0" 3' - 0" 3' - 10"

9' - 4"

3' - 0"

23' - 0"

8' - 9"

3' - 0"

3' - 0"

3' - 0" 5' - 0 3/4" 3' - 0" 7' - 0" 3' - 0" 4' - 0" 3' - 0" 4' - 0" 3' - 0" 6' - 3 1/4" 3' - 0" 5' - 0" 3' - 0" 3' - 10"

FIRST FLOOR0' - 0"

SECOND FLOOR13' - 0"

THIRD FLOOR24' - 0"

ROOF35' - 0"Brick Facing

Terra Cotta Tiles

Double Pane Glass

FIRST FLOOR0' - 0"


THIRD FLOOR24' - 0"

ROOF35' - 0"

CommercialStorefront Glass

Steel Framming

Low E Glass

Terra Cotta Tile

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SCADConstruction

Tech II

Project Partners:

Anna GosselinMandy Kraczkowsky

Arielle Villardo

Professor Alexis D. Gregory

ARCHITECTURE

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1/8" = 1'-0"A104-1FIRST FLOOR PLAN 1/8" = 1'-0"A102-2SECOND FLOOR PLAN 1/8" = 1'-0"A102-3THIRD FLOOR PLAN

NORTH NORTH

NORTH

Floor Plans andElevations

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1/8" = 1'-0"1 NORTH ELEVATION 1/8" = 1'-0"2 SOUTH ELEVATION

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UP

UP

UP

UP UP

UPELEV.

A-102E101-4

A-102E101-5

62' - 8 1/2"

Maxim

um Travel Distance

6' - 0" 3' - 0"

EXIS

TIN

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DIN

G

EXIS

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DIN

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STAIR

STAIR

RESTROOM

MERCANTILEOPEN FLOOR PLAN

A-102E101-6

2' - 6"

4' - 0"

16' - 9"

20' - 2 1/4"

0' - 2 1/2"

ELEVATOR

55' -2 1/4"

Maxim

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STAIR

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RESTROOM


EXIS

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54' -111/4"

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STAIR

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STAIR

EXIS

TIN

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UIL

DIN

G

EXIS

TIN

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UIL

DIN

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0' - 6"

RESTROOM

2' - 4" 3' - 11"

3' - 0"

6' - 9"

10' - 4"

3' - 6"

3' - 0"

7' - 0"

7' - 5"

0' - 5"

4' - 6"

8' - 8"

4' - 3 3/4"

4' - 4 1/4"

3' - 0"

3' - 0"

2' - 6"

4' - 0" UP

5' - 2 1/2"

3' - 10 1/4"

0' - 11"

1' - 0"

5' - 1 1/4"

0' - 6"CLEARANCE OF

R 3' - 8 15/32"

STAIR

ELEVATOR

6' - 0"

UP

1' - 0"

HANDRAIL MUST EXTEND

4' - 0"2' - 6"

3' - 0"

5' - 0"

R 4' - 7 7/8"

3' - 10 1/2"

HANDRAILS ARE REQUIRED TO HAVE A

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SCADConstruction

Tech II

Project Partners:


Arielle Villardo


ARCHITECTURE

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1/8" = 1'-0"E101-1FIRST FLOOR PLAN 1/8" = 1'-0"E101-2SECOND FLOOR PLAN 1/8" = 1'-0"E101-3THIRD FLOOR PLAN

NORTH

NORTHNORTH

EgressFloor Plans 1/4" = 1'-0"E101-4TYPICAL RESTROOM ENLARGED PLAN

1/4" = 1'-0"E101-5

TYPICAL STAIR #2 ENLARGEDFLOORPLAN

1/4" = 1'-0"E101-6

TYPICAL STAIR #1 ENLARGEDFLOORPLAN

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SCADConstruction

Tech II

Project Partners:


Arielle Villardo


ARCHITECTURE

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A 104-1

A 104-2

A 104-3REAR WALL SECTION

FRONT WALL SECTION

SIDE WALL SECTION3/4" = 1'-0" SCALE

3/4" = 1'-0" SCALE

3/4" = 1'-0" SCALE

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S 102-4S-102

FIRST FLOOR0' - 0"


THIRD FLOOR24' - 0"

ROOF35' - 0"

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SCADConstruction

Tech II

Project Partners:


Arielle Villardo


ARCHITECTURE

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1/8" = 1'-0"S 102-1FIRST FLOOR PLAN 1/8" = 1'-0"S 102-2SECOND FLOOR PLAN 1/8" = 1'-0"S 102-3THIRD FLOOR PLAN

SteelAssembly

1/8" = 1'-0"S 102-4EAST/WEST SECTION 3/4" = 1'-0"S 102-5COLUMN TO FOOTING DETAIL 3/4" = 1'-0"S 102-6COLUMN TO FLOOR DETAIL

SCALE SCALE SCALE

SCALESCALE SCALE SCALE 3/4" = 1'-0"S 102-7WALL TO FLOOR CONNECTION

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additional artistic explorations

recreation of claude daubigny’s “the barges”

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“a walk in the garden”

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reinterpretation of claude monet’s “water lillies”

49 OLD MUSKET DRIVENEWINGTON, CONNECTICUT 06111

(860) 202 - 8388 [email protected]

A M A N D A K R A C Z K O W S K Y

architecture portfolio 2013

Documents

georgia program

georgia spring

residential structure

sustainable architecture

studio vvi

studio iv

natural environment

jacksonville ecological