architectural project portfolio

7/29/2019 Architectural Project Portfolio

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Undergraduate in Architecture and Urban Planning at Federal University of Rio Grande do Norte - UFRN

W2011 S2011 F2011 W2012 S2012 F2012 W2013 S2013 F2013

//Education

//Architectural works beyond design

Qosqo, Peru

Bag

Salvador

Natal

2011

2011

2011

2012

2012

Research at UFRNs Group of Studies in Morphology and Architec-tural Uses - MUsA

Member of the students Academic Centre of Architecture and Urban PlanningsUndergraduate Program at UFRN - CAAU

Non-Degree Student at Daniels Faculty atUniversity of Toronto

Work sub-mitted atLatinamericanArchitecturalStudents Meet-ing - ELEA 2012

Staff at South Regional Architec-tural Students Meeting - EREA 2012

Work Submittedat National Architec-tural Students Meeting - ENEA 2012

Staffat Regional DoCoMoMo SeminarWork submitted at UFRNs Scientic Initiation CongressWork Submittedat UFRNs week of Science and Technology


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Summer 2011

Armorial Portal

//ContextCourse: Space and Form 1

//CollaboratorsAlinne dAmore (professor)George Dantas (professor)

//SensationCreativity is a process, not a gift.


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Ariano Suassuna

Armorial music manifestation

Marco de Toros (March of Toros)

Concept.Armorial art was a term used by Ariano Suassuna (side picture) and other authors during the 1970s to denea cultural movement manifested in drama, dance, music, visual arts (side picture) that portrays a series ofstudies in depth about the culture of colonial Northeastern region of Brazil. The authors characterize the artarmorial as a result of the merger highbrow art culture inherited from the Portuguese with the culture thatexisted in Brazil before and at the time of colo nization.The Armorial Portal want to set a milestone in the history and cultural training culture and northeastern Bra-zil. The name means the portal of entry gate of the Portuguese in our land and gate mixture of Portugueseand Islamic culture with the indigenous culture resulting culture armorial.

Parti.The idea for the monument is to stimulate an architectural expression for the armorial movement. So, theparti comes from the inuence of Islamic culture on Portugal during the Middle Ages and so the Arab culturelater at Brazil.The form comes from the March of Toros, the rst monument brought to Brazil, a symbol of Portuguese co-lonization in the country.

Sketches of the development of the idea


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Winter 2012

Colonial Hayloft

//ContextCourse: Architectural Design 1

//CollaboratorsCarla Varela (professor)

//SensationThe solution requests time and a process of constant (re)thinking.


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Sunset

Parti.Colonial buildings were developed for tropical environments like Brazil during years (1500s - 1700s).So, they developed pretty advanced tools for this clime that are reected in a specic typologyknown as the colonial hayloft.The form of the building site made me chose for the colonial typology as the parti of the design.

View of the colonial city Roof plan

Colonial haylof type model

Main facade of the re side nce Form of th e bui ld in g s ite v s. Form of th e colon ia l si te s


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Winter 2012

Sustainable Dwelling


//CollaboratorsHelisson Camargo (student)Vernica Trindade (student)Carla Varela (professor)

//SensationThe sustainable characteristics must be carefully thought during the process.


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Concept.By the time of the project, we were enrolled on an elective coursecalled Fundamentals of Sustainability. This project was the perfectplace for us to apply on architecture our knowledge from sustain-ability. The concept was try to prove that its easy to design abuilding with little impact on the environment with an attractiveface.


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Winter 2012

Art Museum La Identidad es La Pluraridad

//ContextAC-CA Competition

//CollaboratorsMarcela Scheer (student)Lucas de Menezes (student)Carlos Nome (professor)Natlia Queiroz (architect)Renata de Oliveira (student)

//SensationA narrative developed through the process can be transmitted by the building.


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Blocks theheat of the

sun at thesummer

Does notblock theview ofthe city

Narrative.The museums narrative materializes at the structured glazing covered footbridges interconnecting the museum exhibits and promotingreections about the urban scape and the social context that host them.

Concept.Contemporary Art goes beyond a historical moment. Indicates a cultural manifestation set by plurality and variety of tendencies thatreinterprets and even redenes existing values.As well the city of Buenos Aires - in especial museums neighbourhood of Puerto Madero and its next La Boca - received a lot of differentcultures in the beginning of the century to work at the harbour. These plurality of cultures helped to shaped the expression of the cityand the country.Our concept tries to construct an identity through this plurality represented in the formal expression of the building and its narrativeslinking the museum of contemporary art with its environment not only visually, but culturally and formally as well.

Metal net

La Identidad es La Pluralidad(The Identity is The Plurality)

The colsenting t


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Fall 2012

Community Centre Gente em Ao


//CollaboratorsRafaela Oliveira (student)

//SensationA problem could not be solved if its not identied rst.


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Main building turned to the park

Second building on the other side

Problem.With the urban mobility constructions for the 2014 FIFA World Cup,the local government intent to enlarge some streets and avenuesexpropriating about 400 buildings and growing a city with more as-phalt and less public space directed to people.The work we did aims to analyze the problems and propose a com-munity centre to the community.

(view)

(shadow)

Concept.Our design took parti on the lack of green, clean and public spaceson the region to create a space that can be: pure, open, public andpermeable supporting the community on the expropriations.

Narrative.As the terrain is located in the middle of commercial and residencialareas, our intent was to create an open green space able to gatherpeople together during their day-by-day work/home movement.

Analysis.Quintas is a neighbourhood reasonably old in the city of Natal. In the course of the time, people thatcame from the countryside to the capital tented to build their homes on the line of the train, thatswhere the neighbourhood came from.

(probable terrainof intervention

from the analysis)

(some buildings to be expropriated)

A park inside the terrainPermeability through the park

Connection from the ground to the buildings Connection between buildings and more green spaces

architectural project portfolio

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