“stay tuned” orchestra show rider - five by design (02.23.08).pdfstay tuned orchestra rider...
TRANSCRIPT
Orchestra Show Rider
On behalf of the cast and crew of Five By Design’s Stay Tuned, we wish to thank you for contracting the company as part of your upcoming season. To ensure that the performance runs efficiently, we require your Production/Technical Manager to thoroughly read the enclosed contractual and technical information and sign below. This rider is an integral part of the contract. Please be sure to retain the original document for your records and fax or mail a signed copy to us at: Five By Design 1160 Vierling Drive, #353 Shakopee, MN 55379-4313 Fax # (952) 400-4229 We understand each venue may have certain limitations. Please feel free to contact us to discuss alternatives or substitutions if you should have any questions regarding the materials contained in the rider. We can be reached through our offices at (800) 449-7345. Warmest regards,
Five By Design
__________________________________ (Production/Technical Manager) __________________________________ (Telephone Number) __________________________________ (Date)
Five By Design personnel:
Kurt Niska ...................................................Artistic Director/C.E.O.......................................... (612) 802-8171 Michael Swedberg......................................Executive Director................................................ (612) 991-2308 Midge Swedberg ........................................Office Manager .................................................... (800) 449-7345 Sheridan Zuther..........................................Operations Manager ............................................ (612) 799-0245Laurel Stinson............................................ Technical Director................................................ (612) 991-2193 Phil Henrickson...........................................Sound Engineer ................................................... (920) 755-2328 Terrence Niska ...........................................Music Librarian & Marketing Director................... (952) 496-2358 Lorie Carpenter-Niska ................................Tour Coordinator.................................................. (952) 496-2358 Artist Representation:
Alton Accola................................................Symphony Pops................................................... (800) 449-7345 Catherine Scott...........................................Performing Arts Centers ...................................... (612) 991-3528 Steve Pritchard...........................................Music City Artists ................................................. (615) 383-4862
Updated: 2-23-08 Page 1 of 12Stay Tuned Orchestra Rider
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Stay Tuned Orchestra Rider
These items are necessary to a successful production. Your assistance in providing this information and
materials will greatly assist Five By Design to present the best possible performance. Please review the enclosed pages and call us at (800) 449-7345 if you have questions or concerns.
Five By Design personnel:
Kurt Niska ...................................................Artistic Director/C.E.O.......................................... (612) 802-8171 Michael Swedberg......................................Executive Director................................................ (612) 991-2308 Midge Swedberg ........................................Office Manager .................................................... (800) 449-7345 Sheridan Zuther..........................................Operations Manager ............................................ (612) 799-0245 Laurel Stinson.............................................Technical Director................................................ (612) 991-2193 Phil Henrickson...........................................Sound Engineer ................................................... (920) 755-2328 Terrence Niska ...........................................Music Librarian & Marketing Director................... (952) 496-2358 Lorie Carpenter-Niska ................................Tour Coordinator.................................................. (952) 496-2358
IN ADVANCE: 1) Professional lighting and sound system to meet specifications of the enclosed “Lighting” and “Sound”
requirements. Experienced technicians should be available to assist with Load-In, Load-Out, and to answer any questions. Please read the attached “Lighting” and “Sound” pages for specific information.
2) Business and/or home phone numbers of presenter, venue’s technical director and staff. 3) A map detailing the location of hotel, performing arts venue, appropriate routing, and phone numbers. Please be
specific as to the location of loading dock and the stage door of your venue when providing directions. 4) A schematic of the performance venue stage (including an inventory of lighting and sound equipment). 5) Hotel or Motel (Residence Inn, Courtyard, Comfort Suites, or comparable) near venue with swimming pool,
sauna, whirlpool, exercise facility and internet access. NON-SMOKING ROOMS are required, all at the same complex.
6) Allow broadcast and print media the opportunity to photograph and/or videotape segments of the rehearsal or
performance with the orchestra. (No flash photography during performance.) 7) Regarding social functions or outreach activities, please inform company a minimum of 30 days in advance. 8) Regarding orchestral arrangements and scores, please provide name and address of who is to receive the
music. Please provide rehearsal availability and schedule as soon as possible to our Operations Manager. 9) Piano, Acoustic Bass (with Pickup and Amplifier), and Drum Kit are to be provided by presenter. Please see the
“instrumentation list” and “contract” included for specific information of what will be needed for your venue. 10) To provide a proper balance between the vocalists and the orchestra and because lighting is an integral part of
the performance, we ask that an acoustical shell not be used for the Stay Tuned production. 11) Production specific marketing and promotional materials are available for the presenter at company’s website: http://www.fivebydesign.com/StayTuned.html. Prior to going to print, contact our Operations Manager for
program information, content and layout approval (i.e. personnel and program changes). If additional needs or questions arise, please contact our Marketing Director for assistance.
12) Contact Five By Design’s Operations Manager to arrange a hot meal for ten (10) prior to the show.
Updated: 2-23-08 Page 2 of 12Stay Tuned Orchestra Rider
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Stay Tuned Orchestra Rider
PRIOR TO LOAD-IN: 1) Piano must be tuned prior to (but within 24 hours of) Load-In, following Rehearsal prior to performance, and
before each subsequent performance. If venue has a second (rehearsal) piano, please make it accessible for warm up prior to show and during intermission.
2) The Stage Set-Up must be complete prior to Load-In. Lighting instruments should also be pre-hung and gelled
before Load-In. See attached “Set-Up Diagram” and “Lighting” for specific requirements AT LOAD-IN: 1) Performance venue must be available for Load-In a minimum of eight (8) hours prior to rehearsal with the
orchestra. (In the event of an AM rehearsal, venue must be available for Load-In the afternoon prior.) Performance venue must also be available Two (2) hours prior to each performance.
• Load-In and prep for show typically takes six (6) to seven (7) hours [not including meal breaks]. • Load-Out typically takes two (2) to two and a half (2 1/2) hours.
2) Six (6) Stagehands for Load-In and Load-Out, and to assist with other incidental needs:
- Load-In and Load-Out Crew Requirements: 1 Sound, 1 Light, 1 Wardrobe, 3 Hands. - Show Call Crew Requirements: 1 Sound, 1 Light, 1 Follow spot, 3 Stage Crew (2 stage left, 1 stage right). 3) The following are required no later than Load-In time:
• Two (2) sturdy movable clothing racks (preferably high enough to accommodate floor length gowns). • Two (2) eight foot table (1 stage left and 1 stage right). • Music stands for orchestra plus eight (8) extra for actors (4 offstage left, 4 offstage right). • Music stand lights for orchestra plus six (6) extra for actors (4 offstage left, 2 offstage right). Onstage lights will
be on a dimmer. Company will provide a light for the piano that should be included in the circuit allocated to the stand lights. See attached “Lighting” rider.
• 16 total chairs (7 chairs offstage right, 8 chairs offstage left, 1 chair for Typewriter). • One (1) adjustable piano bench. • Pipe and drape may be needed to create two (2) Quick change areas: one located Stage Left 16’ x 20’, and
one Stage Right 16’ x 12’. These locations will be determined during Load-In. • Three (3) gallons of distilled water for our clothing steamers. (Not drinking, spring or tap water). • Access to stage from house, i.e. steps (on at least the stage right side for rehearsals and performances). • Hot herbal tea (non caffeinated with honey and lemon) regular coffee, non carbonated bottled water (i.e.
Evian), Coca-Cola and cups. Please have bottled water, herbal tea and coffee available at rehearsal(s) and performance(s) as well.
• A fruit and veggie tray available for cast and crew following each performance(s). • Five (5) clean Dressing Rooms to accommodate 2 people each, through run of show. • Company travels with a 24’ box truck (35’ feet long, 13’ high) and a 15 passenger van. Please arrange for
level, secure parking. The truck is equipped with a battery cut-off switch.
Updated: 2-23-08 Page 3 of 12Stay Tuned Orchestra Rider
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Stay Tuned Orchestra Lighting Requirements
Questions regarding lighting requirements contact: Laurel Stinson,Technical Director.............................................................................................................. cell: (612) 991-2193 e-mail: [email protected]
• Please mail or fax a schematic of your performance venue stage and lighting grid (including a lighting inventory)
to the company’s Operations Manager. Stay Tuned requires a safe and well maintained lighting system. The inventory must be adequate to complete the hanging of the enclosed plot prior to Load-In. Please have a safe lift or ladder available for focus. If you anticipate the need to rent any equipment for your venue, please contact us prior to doing so, to make certain it is necessary. Substitutions may be suggested. Console
The lighting console must be either a computer memory console or a two scene preset board with a minimum of 48 channels (ETC or STRAND family is preferred).
Follow spot
We require one (1) follow spot adequate to the venue. A Xenon Super Trouper is preferred for medium to large venues. Spot Color is Rosco 02, 33, 54, 60, 119 or 132 in frames 1 through 5 respectively. LEE or GAM substitutions are acceptable.
Crew Requirements
We require one technician familiar with your lighting system to be present at Load-In and during the run of the show, and one follow spot operator for run of the show. Our Technical Director will operate the board for the run of the show. If this presents a problem, please contact our technical personnel at least thirty (30) days in advance of the performance. Six (6) Stagehands for Load-In and Load-Out, and to assist with other incidental needs:
- Load-In and Load-Out Crew Requirements: 1 Sound, 1 Light, 1 Wardrobe, 3 Hands. - Show Call Crew Requirements: 1 Sound, 1 Light, 1 Follow spot, 3 Stage Crew. Orchestra Requirements
The Orchestra Set-Up (see diagram attached) must be completed prior to the scheduled Load-In. The appropriate background for the production is a full-stage white cyclorama behind the orchestra. Since there is no acoustical shell being used that would normally provide overhead light for the orchestra, please hang top lights to do so. The Orchestra light should be a three color top wash (i.e. R68, R26 and R17). Music stand lights are required for conductor and musicians; please place them on a dimmer patched into Channel 34. We require a minimum of fifteen (15) feet down stage of the conductor’s podium for performance space.
Gobo Requirements Presenter will provide the gobos listed below to fit their current lighting inventory. Substitutions may be discussed prior
to Load-In. PLEASE NOTE: Five by Design will provide some additional gobos for the light plot not mentioned below.
ROSCO PATTERNS: • Two (2) - Pattern #77770 – Music (Channel 8 on light plot). • One (1) - Pattern #77302 – Skyline 1 (Channel 35). • One (1) - Pattern #77306 – Skyline 2 (Channel 35). • One (1) - Pattern #79001 – Night Sky (Channel 40). • Two (2) - Pattern #79111 – Jungle Vignette (Channel 38). • One (1) - Pattern #77750 – Arcadia (Channel 41).
GAM PATTERNS:
• One (1) – Pattern #517 – Twisting Branches (Channel 23). • One (1) – Pattern #635 – Construction A (Channel 24). • One (1) – Pattern #636 – Construction B (Channel 24).
Updated: 2-23-08 Page 4 of 12Stay Tuned Orchestra Rider
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Stay Tuned Orchestra Lighting Requirements (cont.) Important Information regarding the Light Plot
• Trim heights in the plot are approximately 23 feet. • All instruments should be at least 750 watts and should be consistent wattage for equal throw distances. • If substitutions of either inventory or color are anticipated, please contact our technical/lighting director. • The light plot is based on a sixty (60) foot proscenium. If your performance space is different, please
expand or condense the spacing on the electrics as needed. • Please refer to light plot attached for additional notes. • Stand lights are to be placed on a dimmer. Please make sure the orchestra players are aware that there
will be blackouts during the show. • Five By Design travels with a number of additional gobo patterns for the light plot that are not included in
the “Gobo Requirements” on page 4. The venue will need to provide Size “B” pattern holders. Donuts may be required for all instruments using gobo patterns in order to ensure crisp patterns and breakups for the production.
PLEASE NOTE: In order to ensure a quick and proper load-in of the show, we ask that all lights be gelled and hung prior to load-in. If this can not be accommodated, please contact the Technical Director immediately.
Updated: 2-23-08 Page 5 of 12Stay Tuned Orchestra Rider
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Stay Tuned Orchestra Sound Requirements Questions regarding sound requirements contact: Phil Henrickson, Sound Engineer: (920) 755-2328 .................................................................................fax: (920) 755-4442 e-mail: [email protected]
• Company travels with a system adequate for a 1000 seat auditorium with no balcony. Please advise as to
size of venue and type of in-house system available as Company may need to patch in to the House PA for additional coverage. If you anticipate the need to rent any equipment for your venue, please contact our Sound Engineer prior to doing so, to make certain it is necessary.
• Sound Engineer will use his own console for the purpose of mixing the live performance. Please provide a five
(5) foot by eight (8) foot house-mix position for company’s sound gear. Rear of house on the main floor is preferred.
• If the cable path from the stage to the House Mix position is greater than one hundred and fifty (150) feet,
please provide one (1) Snake, with 24 in - 5 out minimum.
• Three (3) separate twenty (20) amp circuits exclusively for sound gear. One located at House Mix position, and one located off stage right and one for the Bass Player’s amplifier onstage (see Set-Up Diagram).
• Please provide a Plexiglas surround for the drum kit (three of four sides is fine).
• Six (6) microphone stands. (three (3) boom stands and three (3) straight stands) • Company travels with Three (3) monitors for the rhythm section and One (1) for the brass section (see Set-Up
Diagram). If you anticipate the need for additional monitors (i.e. the conductor, percussion, etc.) please be prepared to provide the necessary equipment.
• During the rehearsal(s) and show(s) the House Sound person is responsible for any balance issues of the
Orchestra and should provide our sound man with a final mix to be balanced with the vocalists in the house P.A. The company’s sound man is responsible for mixing the vocalists, the Rhythm Section mix, and overall balance between the vocalists and orchestra.
• Any further amplification of the orchestra would be in addition to these requirements and is at the
discretion of the symphony and/or conductor. If you anticipate the need for additional amplification of the orchestra, please be prepared to provide sufficient equipment.
Crew Requirements
We require one technician familiar with your sound system to be present at Load-In, and during the run of the show. Six (6) Stagehands for Load-In and Load-Out, and to assist with other incidental needs:
- Load-In and Load-Out Crew Requirements: 1 Sound, 1 Light, 1 Wardrobe, 3 Hands. - Show Call Crew Requirements: 1 Sound, 1 Light, 1 Follow spot, 3 Stage Crew.
Communication We require two-way headset communication at the following locations:
• lighting console • follow spot • stage left • stage right • sound mix
PLEASE CALL 3 - 4 weeks prior to Load In to clarify, verify, and address any concerns.
Updated: 2-23-08 Page 6 of 12Stay Tuned Orchestra Rider
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Stay Tuned Orchestra Stage Requirements
Questions regarding stage requirements contact: Laurel Stinson, Technical Director: ........................................................................................................... cell: (612) 991-2193 e-mail: [email protected]
• The Orchestra Set-Up (see diagram) must be completed prior to the scheduled Load-In
• To provide a proper balance between the vocalists and the orchestra and because lighting is an integral part of the performance, we ask that the acoustical shell not be used for the Stay Tuned production. The appropriate background for the production is a full stage white Cyclorama behind the orchestra.
• Due to the nature of the scenery elements required for the show, space on stage might be an issue. We
highly recommend that our instrumentation listing and set-up diagram be followed.
• We require a minimum of Fifteen (15) feet down stage of the conductor’s podium for performance space. Please contact our Technical Director if this cannot be accommodated.
• We require two backstage wing space for quick changes: one offstage left (approximately 16’ x 20’) to
accommodate two (2) clothes racks, one gondola, an 8’-0” table and eight (8) chairs and one area offstage right (approximately 16’ x 12’) to accommodate one gondola and seven (7) chairs.
• Theatre borders and legs will be used for masking. If this is not sufficient to properly mask quick change
areas from audience view, pipe and drape may need to be provided. Quick change areas will be determined at Load-In.
Brief explanation of our Props:
• All scenery elements on the Set-Up Diagram are pieces that we bring with us (including two (2) rolling set
pieces, two (2) doors, the table for the typewriter, the table for the props for the commercial medley and the five (5) Microphones downstage center).
• A few scenery elements will roll on from stage right and stage left (two freestanding doors, two rolling sled units). These elements are designed to roll through a standard door frame. If there is no way that these items can physically go on and offstage, they will have to live onstage.
Items that the Presenter needs to provide:
• Risers for the Orchestra (i.e. Wenger standard 4’-0” by 8’-0” and 4’-0” by 4’-0” risers at incremental heights of 8”,
16” and 24”.) The back of both lower and upper levels must have a chair rail. The Orchestra Set-Up (see diagram) must be completed prior to the scheduled Load-In.
• Music stands and stand lights are required for the musicians. (These stands are included in the count requested on page 3 in the “At Load-in” section.) The stand lights will be placed on a dimmer, patched into Channel 34. Refer to the Set-Up Diagram for additional requirements. (Five By Design will provide a light for the piano that should be included in the circuit allocated to the stand lights).
• One (1) Concert Grand Piano. Piano must be tuned prior to (but within 24 hours) of Load In, following Rehearsal prior to performance and before each subsequent performance.
• Two (2) 8 ft. table (1 offstage left and 1 offstage right). • 8 music stands for actors (4 offstage right, 4 offstage left). • 16 total chairs (7 chairs offstage right, 8 chairs offstage left, 1 chair for Typewriter). • 1 adjustable piano bench.
Updated: 2-23-08 Page 7 of 12Stay Tuned Orchestra Rider
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1160 Vierling Drive, #353 Shakopee, MN 55379-4313
(952) 496-2358 e-mail: [email protected]
Terrence Niska, Librarian
Instrumentation List* for Stay Tuned with Orchestra
Flute 1 & 2
Piccolo (double Flute)
Clarinet 1 & 2
Oboe 1
Bassoon 1
Tenor Saxophone (double Alto Saxophone and Baritone Sax )
French Horn 1, 2, 3, & 4 (mutes)
Trumpet 1, 2, 3 & 4 (cup, harmon, straight and plunger mutes)
Trombone 1, 2 & 3 (cup, harmon, straight and plunger mutes)
Tuba
Percussion 1 & 2 Xylophone, Bells (with hard & soft mallets), Vibes, Marimba, Suspended cymbal, Triangle, Small triangle, Maracas, Cabasa, Cowbell, Congas (high & low) or Bongos, Timbales, Castanets, Slap Stick, Slide Whistle, Cymbals, Claves
Timpani (3) [32”, 29”, 26” are recommended]
Drum Set, including: Kick Drum, Snare Drum, Hi Tom, Medium Tom, Low (Floor) Tom, Hi-Hat, 2 Ride Cymbals, Crash Cymbal, Woodblock, Sticks, Brushes, Soft Mallets for Cymbals, Cowbell, Throne, Area Rug
Electric Guitar (with amplifier)
Grand Piano
Violin 1 (10)
Violin 2 (8)
Viola (6)
Cello (6)
Contrabass (1 Jazz upright with pickup and amplifier) 3/4-7/8 Size Bass Fully Carved instrument with bow (German, French, Italian) Thomastik Spirocores strings Pickup attached, preferably "The Realist" Bass Amp Recommendations : Yamaha, Mesa Boogie
*This is only a list of the instruments required by our orchestrations. Check the Contractual Agreement prior to hiring players to insure accurate personnel requirements.
Updated: 2-23-08 Page 8 of 12Stay Tuned Orchestra Rider
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10
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STRIP AND/OR CYC LIGHTS (FLOOR MOUNTED AND/OR HUNG FROM GRID)
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PLEASE NOTE: CONDUCTOR'S LIGHTCHANNEL 32 IS TOP LIGHT FOR THE CONDUCTOR.RELOCATE POSITION IF NECCESSARY FOR COVERAGE.
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CL
2' 4' 6' 8' 10' 12' 14' 16' 18' 20' 22' 24' 26' 28'C 30'
NOTES:
2-FRONT OF HOUSE UNITS ARE BASED ON A MEDIUM THROW DISTANCE. IF YOUR FOH POSITION IS CLOSER OR FARTHER AWAY, PLEASE SUBSTITUTE APPROPRIATELY.
5- I UNDERSTAND EACH VENUE MAY HAVE CERTAIN LIMITATIONS. ALTERNATIVES AND SUBSTITUTIONS SHOULD BE DISCUSSED PRIOR TO LOAD-IN.
1-PLOT MUST BE HUNG AND GELLED PRIOR TO LOAD-IN. PLEASE INCLUDE DONUTS IN ANY INSTRUMENTS THAT ARE USING GOBOS.
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3-THE CYC SHOULD BE HUNG AS FAR UPSTAGE AS POSSIBLE (USUALLY ABOUT 38'-0" TO 40'-0" FROM THE PROSCENIUM).
02 3362 33 62 33 62 33 62
17 2668 17 2668 17 2668
6' FROM PROSCENIUM
2' FROM PROSCENIUM
38'-40' FROM PROSCENIUM
I HAVE NOT INCLUDED INSTRUMENTS TO LIGHT THE ORCHESTRA. SINCE WE ARE NOT USING THE SHELL THAT WOULD PROVIDE LIGHTING, PLEASE HANG UNITS TO DO SO. A THREE COLOR WASH IS PERFERED (i.e. R27, R68, R17 IN CHANNELS 25, 26, 27 RESPECTIVELY).
PLEASE NOTE: ORCHESTRA LIGHTING
4-ALL GEL IS ROSCO LUX. SPOT COLOR IS ROSCO 02, 33,54, 60 AND 132 (IN FRAMES 1 THRU 5 RESPECTIVELY).
1027 3218091
927 3218091
827 3218091
727 3218091
22
91 91 91
18 17 16 15 1518 1617 22 21 20 19
345 3 510 6 7 6 7
35 837 38
22
40 41
28 29 30 31 28 29 30 31 28 29 30 31 28 29 30 31
N/C N/CN/C
12345678910
12345678101112
23456
02
6-ORCHESTRA STAND LIGHTS SHOULD BE DIMMABLE, PATCHED INTO THE LIGHT BOARD AS CHANNEL 34.
7-THERE ARE A NUMBER OF GOBO EFFECTS IN THIS PRODUCTION. PLEASE SEE THE LIGHTING REQUIRMENTS PAGE OF THE RIDER TO SEE WHICH GOBOS NEED TO BE PROVIDED BY THE PRESENTER.
42
13
N/C
N/C
43
N/C
43
N/C
7
241
N/C
89
9
74
74 54
54
LADDER 1SL and 2SL (optional)
48
48
49
49
LADDERS 3SL and 4SL (optional)
358
358 54
5445
45
46
46 47
47
50
50PRACTICAL FOR TV (ACT II)
11
2 4
3 5
6
2
1
4
3
6
5
22
22
22
22
** FOR THE COMPLETE STAY TUNED ORCHESTRA RIDER, PLEASE GO TO HTTP://WWW.FIVEBYDESIGN.COM/STAYTUNED.HTML.
SIDE LIGHTING IS NOT REQURIED, BUT IS A GREAT ADDITION TO THE LOOK OF THE SHOW. I HAVE INCLUDED AN EXAMPLE OF SIDE LIGHTING IN THIS PLOT TO BE HUNG FOR THE ELECTRICS. (i.e. R358, R54, R22 IN CHANNELS 45, 46, 47 RESPECTIVELY). WE WOULD ALSO HANG SIMILAR SIDE LIGHTING ON ELECTRICS 1 AND 2 BUT WITH DIFFERENT COLOR (i.e. R74, R54, R22 IN CHANNELS 48, 49, 50 RESPECTIVELY).
PLEASE NOTE: SIDE LIGHTING (LADDERS)
44
8-IF YOUR HOUSE DOES NOT HAVE FOUR COLOR CYC LIGHTSPLEASE USE A THREE COLOR SUBSITUTION (R27, R91, R80IN CHANNELS 28, 29, 30 RESPECTIVELY).
Updated: 2-23-08 Page 11 of 12Stay Tuned Orchestra Rider
http://www.fivebydesign.com/StayTuned.html
MON
STAY TUNED (SYMPHONY) SOUND PLOT AND PATCH SHEET
CL
TRAP SET
TIMPANI
CONDUCTOR
PERC 1 PERC 2
BASSPLEXI GLASS
ACTOR PATH MUST REMAIN CLEAR FOR ROLLING UNITS
MON
EDGE OF STAGE
15'-0"
MONMON
MON
CYCLORAMA
58'-0"
38'-0"
20'-0"
4'-0"
GTR
TPT 2TBN 3
TBN 1TBN 2
HN 1
SAX
CL 1CL 2
PICC
FL 1FL 2
HN 2HN 3
HN 4
TPT 1TPT 3
TPT 4
BSN 1
OB 1
TUBA
MON
8"
16"
24"
VLN1
VLN1
VLN1
VLN1
VLN1
VLN1
VLN1
VLN1
VLN2VLN2
VLN2VLN2
38'-40' FROM PROSCENIUM
20'-0"
12'-2"
VLA
VCVC
VC
VC
VCVC
VLAVLA
VLA
VLAVLA
VLN1VLN1
VLN2VLN2
VLN2
8"
16"
VLN2
16"
Area 2Area 3Area 1
ACTOR PATH MUST REMAIN CLEAR FOR ROLLING UNITS
SINGER (ACT I)TYPEWRITER (ACT II)
MONMON
10'-0"
16'-4"
LO
HI
D
D
D
E
F
AB
C
B
A
F
LOHI
RED SNAKE
GREEN SNAKE
MON
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MPL
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OR
CH
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A R
IDER
, PLE
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TTP:
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IVEB
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IGN
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TAYT
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TML
Updated: 2-23-08 Page 12 of 12Stay Tuned Orchestra Rider
http://www.fivebydesign.com/StayTuned.html