©annette m. boeckler 2014 home colour overview overview of the nusach for the whole year [uk...

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Overview of the Nusach for the whole year

[UK edition]

Dr Annette M. BoecklerBased on a previous version “Overzicht van alle noesach variaties”

developed by me for Het Levisson Instituut with Rabbijn David Lilienthal and Prof. Dr. Eli Schleifer

2014

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Sacred Jewish Music Course

UK Version: April 2, 2014

Please click the left button

of YOUR MOUSE

to start the slide show. [or

press the enter key.]

http://www.annette-boeckler.de/liturgie/liturgie.html

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Important Notes on usage

This overview is made for the Anglo-Jewish tradition and reflects its customs and traditions. (It can therefore not simply be adapted to any other country’s traditions.)

It reflects the customs of the Askenazi tradition. (The Spanish and Portuguese tradition is based on different principles, not this nusach system.)

A specific of Anglo-Jewry is a mixture of Eastern and Western European liturgical traditions. Our leyning follows a Western European tradition; the davvening follows the Eastern European cantorial tradition (as does the majority of congregations in the USA and Israel).

By clicking on the left mouse button or by pressing the enter key you can move to the next information. If you want to go back, press the return key on your keyboard.

For each page there is a print version at the very back of this slide show. You can also open the print-version of a certain slide by clicking on “print” at the top of the slide.

By clicking on “HOME” at the top right corner of each slide you open the content page. From here you can directly go to a certain service-overview. Just click on what you want.

If you click on “colour overview” on the right bottom of each slide, you see the meaning of each colour used in this show.

2Here will

be the print

button of the slides.

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colours usedBASIC MODES (or “steygers”) Congregational MELODIESAhawa Rabba NusachMagein Avot Nusach Not Nusach Motives, but melodies in MinorAdonai Malach Nusach Not Nusach Motives, but melodies in Major

COMPOSED MODESYishtabach ModePsalm Modes (a family of modes that include Hallel, Amidah for Festivals and High Holidays,

Kerovah mode, Selichah mode containing time bound motives)Several High Holiday Motives (it’s too complicated to differentiate in this basic overview, there are

different nuschaot in Shacharit, special ones for Selichot and Vidui, etc.)Shlosh Regalim Nusach (a very special version of the Psalm mode)Shabbat Mincha NusachWeekday Nusach (Pentatonic)

TUNESMi Sinai Tunes (medieval compositions strongly attached to certain times and festivals, known all

over Ashkenaz)Minhag HaMakom Tunes (only fixed in a special congregation or country, are as holy as Mi Sinai)Compositions (that means composed tunes which don’t care about any nusach)

OTHERread or in silence

marks the special parts for the special event, after mouse click or “enter”key

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contentClick on the topic you want and you’ll be lead to the slide.

Erev Shabbat Shacharit Shabbat Shabbat Mincha

Erev Shelosh Regalim on a weekday / on ShabbatShacharit Shelosh Regalim Erev Shabbat Chol HaMo’ed Shacharit Shabbat Chol HaMo’ed

Erev Rosh haShana on a weekday / on ShabbatShacharit Rosh haShana Kol Nidre on a weekday / on ShabbatShacharit Yom Kippur Mussaf Yom Kippur Mincha Yom Kippur Neila

Weekday evening Weekday morning

Print Versions How to wave the Lulav?

4By clicking on “home”, you always get back to this page.

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Erev ShabbatIF it’s a Festival evening, go to Erev 3Regalim / Rosh haShana / Kol Nidre

[if Candle lighting is done in shul: don’t use a Chanukka tune if it’s not Chanukka, but a tune leading to Kabbalat Shabbat]

Ma Tovu and/or songs compositions (free style)

KABBALAT SHABBAT Psalms 95-99, 29 Kabbalat Shabbat (Adonai Malach Nusach) Lecha Dodi composition(s) (if Nusach, mostly Adonai Malach)

Ps 92-93 (= liturgical beginning of shabbat) Magein Avot [=Eastern tradition][but Adonai Malach in Belsize Square Synagogue = Western tradition)

MA’ARIV LE-SHABBATBARCHU and Shema and its special Shabbat nusach with identifying motives

BlessingsVeShamru often composition (Shabbat motives)Chatzi Kaddish special Shabbat nusach with its identifying motivesSilent AmidaMe’en Sheva (Magein Avot) Shabbat Evening Nusach (Magein Avot Nusach)Kaddish Titkabbal Adonai Malach NusachKiddush Adonai Malach NusachAleinu Adonai Malach Nusach or compositionMourner’s Kaddish readAdon Olam or Yigdal composition

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Note: During the 3 weeks before 9Av and in some traditions during the weeks of Sefirat haOmer it is traditional to use a melody in minor for Lecha Dodi.

Everything is completely different

from a Weekday Evening Service

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Birchot haShachar special Shabbat Psalm mode in MajorPesuke deZimra special Shabbat Psalm mode in Major (similar to Birchot

haShachar)may contain some compositions for some parts, pay attention that they are fitting tunes in Major.

Nishmat (nusach changes already here preparing congregation for Barchu and Shema)

till beginning of Yotzer Or Yishtabach Mode [= THE festival/shabbat sound]

[leaders sometimes change for SHOCHEN AD as this is the beginning of the main cantorial role]

End of Yotzer Or (after El Adon), Ahava Rabba Ahava Rabba Mode (Shabbat Morning style)

Shma Ahavah Rabba (only in Belsize Square, Liberal congregations and some Reform congregations: melody in Major = Western), torah trope (Western

trad.)Ge’ula Ahavah Rabbah (Shabbat Morning style)Personal/Silent AmidaMost Liberal and Reform Congregations say the Amidah loud together (then all read or all

chant or a mixture of both.) Loud Amida if chanted: Beginning till Yimloch Adonai: Adonai Malach

LeDor vaDor till end: Ahavah Rabbah[if Rosh Chodesh or Festival: Half Hallel or Hallel, if it is Sukkot use Lulav in Hallel; some congregations do Hakkafot with Lulav here.]Kaddish Titkabbal in Major, leading to Torah Service[if this is a Shabbat during Pesach or Sukkot: read Shir haShirim/Kohelet here/ if 1st day of Pesach/Sukkot falls on Shabbat, chant Shir haShirim/Kohelet on the last day of Pesach / on Shemini Azeret.]

Shabbat Morning Service (Birchot haShachar – End of Amida)

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Everything completely different from Weekday Morning Service

For Shabbat Chol HaMoed see special slide.

print

It is a Liberal custom (since 19th cent.) to stand for the first section of the Shema as a witness and as in the Amidah.

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Ein Kamocha Adonai Malach Nusach or composition

Av haRachamim Minor or composition

Vayehi binsoa Major or composition

Shema / echad / gadlu Major or composition

Lecha Adonai Major or composition

• Bracha before the reading in Weekday [study] Minor Bar/Bat Mitzvah in UK: Major from Portuguese tradition)

Calls (ya’amod / ta’amod), misheberachs 306-322 should be in Major, but usually is in Minor

• Bracha after the reading Major (anticipates call for next one)

[ Chatzi Kaddish before Maftir: study mode (or Ahavah Rabbah) not in Liberal/Reform]

(various traditions here! Often Friday evening is used)

Vezot hatorah melody in Major

• Bracha before Haftara in Haftara trop (or read if Haftarah is read)

• Bracha after Haftara special melody

[ Misheberach for congregation Minor not done in Liberal ]

[ Ashre Major not done in Liberal and Reform ]

Yehallelu and Hodo al eretz Major

Psalm 29 Major / or composition

Uvnucho yomar Major ; mumbled silently / composition (BSS, Liberal, Reform)

Shabbat Morning Service 2 (Tora Reading Shabbat Morning)

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If last Shabbat in the month: p. 336 Mevarchin haChodesch, use typical melody of an event in the next month for Yechadshehu in the last passage.

Note: on special Shabbatot (Shabbat Shekalim, Zachor, Para, and Hachodesh there are special Maftir and Haftara readings, special Haftara readings are on Shabbat HaGadol, Shabbat and Rosh Chodesh and the Shabbat immediately before Rosh Chodesh, the 3 Shabbatot before 9Av and the 7 Shabbatot after 9Av. Different Readings are on Shabbat Chanukka.

Klick here to hear on website print

http://www.levisson.nl/content/view/299/351/

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MATERIALS: Mi shebeirach for Olim and Chatzi Kaddish before Maftir

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MI SHEBEIRACH in major

CHATZI KADDISH BEFORE MAFTIR in Ahavah Rabbah

Samples taken from:Andrew Bernard, The Sound of Sacred Time, Charlotte, NC: Andrew Bernard, 2005, p. 118)

NOTE: Both are usually not done

in Liberal congregations, seldom in Reform congregations, because Mi Shebeirach interrupts the listening to the torah and Maftir is linked to mussaf which is linked to the tradition of sacrifices, whose mentioning was abolished by Classical Reform.

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MATERIALS: Mevarchim hachodesh (Rosh Chodesh Bentshing / Birkat haChodesh)

Note: this is NOT done ON Rosh Chodesh itself! but on the SHABBAT BEFORE ROSH CHODESH after the prayers for the government , Israel and congregation.

1st passage: Yehi ratzon milfanecha Minor with modulation into Ahavah Rabba Mode

2nd passage: Mi she’asah nisim Adonai Malach Mode

3rd passage: anouncement Said

Congregation repeats

[one could play with motives here, for example include melodies, nusach or trop

typical for the festival in that month.)

4th passage: Yechad’sheihu IN LEITMELODY OF FESTIVAL in the new month

or in Adonai Malach Mode

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My suggestions for tunes for the month to chant Yechad’sheihu (usually the congregation

recognizes the tune quickly and joins in.)

NissanMelody of Adir Hu (= Leitmotiv for Pessach)

IyarMelody of Israel National Anthem

SivanMelody of Akdamut (= Leitmotiv for Shavuot)

TammuzEkha Trop or Adonai Malach Mode

AvMelody of eli tzion (piyyut for Tisha beAv)

EllulSelicha Mode

TishriHigh Holiday Mi Sinai tune of Evening Service

Cheshvan-- no festival in this month, use Adonai Malach Mode or just read

KislevMelody of Maoz Tzur

TevetEkha Trop or Adonai Malach Mode

ShevatMelody of a known Tu BiShevat Song (TubiShevat higia….)

AdarMelody of a known Purim Song (Ani Purim….)

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Shabbat Morning Service 3 ([Mussaf] and end)

Chatzi Kaddish Adonai Malach

Beginning of Mussaf Amida till yimloch adonai Adonai MalachleDor vaDor till end of Amida Ahavah Rabba (same as in

Shacharit, but of course with different text)

Kaddish Titkabbal Major

Aleinu Adonai Malach Nusach or composition

Mourner’s Kaddish read

Final song composition

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If you don’t have Mussaf, skip this and continue with Aleinu.

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Ashre (Psalm 145) Magein Avot

Chatzi Kaddish Magein Avot with Mincha Leitmotiv

short Torah-Reading (as on weekday) melodies as on Shabbat or with Mincha Leitmotiv

Chatzi Kaddish Magein Avot (study mode)

Amida beginning till yimloch as on Weekdays (pentatonic)

leDor vaDor till end Shabbat Mincha mode

Kaddish titkabbal Major (if not special occasion)

Aleinu Adonai Malach Nusach

or composition


final song

Shabbat Mincha11print

Note: torah reading is before the Amida in Mincha services.

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For Printing

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Erev Shabbat[if Candle lighting is done in shul:

don’t use a Chanukka tune if it’s not Chanukka, but a tune leading to Kabbalat Shabbat]

Ma Tovu and/or songs compositions (free style)

KABBALAT SHABBAT Psalms 95-99, 29 Kabbalat Shabbat (Adonai Malach Nusach) Lecha Dodi composition(s) (if Nusach, mostly Adonai Malach)

Ps 92-93 (= liturgical beginning of shabbat) Magein Avot [=Eastern tradition][but Adonai Malach in Belsize Square Synagogue = Western tradition)

MA’ARIV LE-SHABBATBARCHU and Shema and its special Shabbat nusach with identifying motives

BlessingsVeShamru often composition (Shabbat motives)Chatzi Kaddish special Shabbat nusach with its identifying motivesSilent AmidaMe’en Sheva (Magein Avot) Shabbat Evening Nusach (Magein Avot Nusach)Kaddish Titkabbal Adonai Malach NusachKiddush Adonai Malach NusachAleinu Adonai Malach Nusach or compositionMourner’s Kaddish readAdon Olam or Yigdal composition

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Birchot haShachar special Shabbat Psalm mode in MajorPesuke deZimra special Shabbat Psalm mode in Major (similar to Birchot

haShachar)may contain some compositions for some parts, pay attention that they are fitting tunes in Major.

Nishmat (nusach changes already here preparing congregation for Barchu and Shema)

till beginning of Yotzer Or Yishtabach Mode [= THE festival/shabbat sound]

[leaders sometimes change for SHOCHEN AD as this is the beginning of the main cantorial role]

End of Yotzer Or (after El Adon), Ahava Rabba Ahava Rabba Mode (Shabbat Morning style)

Shma Ahavah Rabba (only in Belsize Square, Liberal congregations and some Reform congregations: melody in Major = Western), torah trope (Western

trad.)Ge’ula Ahavah Rabbah (Shabbat Morning style)Personal/Silent AmidaMost Liberal and Reform Congregations say the Amidah loud together (then all read or all

chant or a mixture of both.) Loud Amida if chanted: Beginning till Yimloch Adonai: Adonai Malach

LeDor vaDor till end: Ahavah Rabbah[if Rosh Chodesh or Festival: Half Hallel or Hallel, if it is Sukkot use Lulav in Hallel; some congregations do Hakkafot with Lulav here.]Kaddish Titkabbal in Major, leading to Torah Service[if this is a Shabbat during Pesach or Sukkot: read Shir haShirim/Kohelet here/ if 1st day of Pesach/Sukkot falls on Shabbat, chant Shir haShirim/Kohelet on the last day of Pesach / on Shemini Azeret.]

Shabbat Morning Service (Birchot haShachar – End of Amida)

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It is a Liberal custom (since 19th cent.) to stand for the first section of the Shema as a witness and as in the Amidah.

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Ein Kamocha Adonai Malach Nusach or composition

Av haRachamim Minor or composition

Vayehi binsoa Major or composition

Shema / echad / gadlu Major or composition

Lecha Adonai Major or composition

• Bracha before the reading in Weekday [study] Minor Bar/Bat Mitzvah in UK: Major from Portuguese tradition)

Calls (ya’amod / ta’amod), misheberachs 306-322 should be in Major, but usually is in Minor

• Bracha after the reading Major (anticipates call for next one)

[ Chatzi Kaddish before Maftir: study mode (or Ahavah Rabbah) not in Liberal/Reform]

(various traditions here! Often Friday evening is used)


• Bracha before Haftara in Haftara trop (or read if Haftarah is read)

• Bracha after Haftara special melody

[ Misheberach for congregation Minor not done in Liberal ]

last shabbat in month: Blessing for new month

[ Ashre Major not done in Liberal and Reform ]

Yehallelu and Hodo al eretz Major

Psalm 29 Major / or composition

Uvnucho yomar Major ; mumbled silently / composition (BSS, Liberal, Reform)

Shabbat Morning Service 2 (Tora Reading Shabbat Morning)

15Klick here to hear on website print


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MATERIALS: Mi shebeirach for Olim and Chatzi Kaddish before Maftir

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MI SHEBEIRACH in major

CHATZI KADDISH BEFORE MAFTIR in Ahavah Rabbah

Samples taken from:Andrew Bernard, The Sound of Sacred Time, Charlotte, NC: Andrew Bernard, 2005, p. 118)

NOTE: Both are usually not done

in Liberal congregations, seldom in Reform congregations, because Mi Shebeirach interrupts the listening to the torah and Maftir is linked to mussaf which is linked to the tradition of sacrifices, whose mentioning was abolished by Classical Reform.

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MATERIALS: Mevarchim hachodesh (Rosh Chodesh Bentshing / Birkat haChodesh)

Note: this is NOT done ON Rosh Chodesh itself! but on the SHABBAT BEFORE ROSH CHODESH after the prayers for the government , Israel and congregation.

1st passage: Yehi ratzon milfanecha Minor with modulation into Ahavah Rabba Mode

2nd passage: Mi she’asah nisim Adonai Malach Mode

3rd passage: anouncement Said

Congregation repeats

[one could play with motives here, for example include melodies, nusach or trop

typical for the festival in that month.)

4th passage: Yechad’sheihu IN LEITMELODY OF FESTIVAL in the new month or in Adonai Malach

Mode

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Suggestions for tunes for the month to chant Yechad’sheihu:

Nissan: Melody of Adir Hu (= Leitmotiv for Pessach); Iyar: Melody of Israel National Anthem; Sivan: Melody of Akdamut (= Leitmotiv for Shavuot); Tammuz: Ekha Trop or Adonai Malach Mode; Av: Melody of eli tzion (piyyut for Tisha beAv); Ellul: Selicha Mode; Tishri: High Holiday Mi Sinai tune of Evening Service ; Cheshvan: -- no festival in this month, use Adonai Malach Mode or just read ; Kislev: Melody of Maoz Tzur; Tevet: Ekha Trop or Adonai Malach Mode ; Shevat: Melody of a known Tu BiShevat Song (TubiShevat higia….); Adar: Melody of a known Purim Song (Ani Purim….)

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Shabbat Morning Service 3 ([Mussaf] and end)

Chatzi Kaddish Adonai Malach

Beginning of Mussaf Amida till yimloch adonai Adonai MalachleDor vaDor till end of Amida Ahavah Rabba (same as in


Kaddish Titkabbal Major

Aleinu Adonai Malach Nusach or composition


Final song composition

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If you don’t have Mussaf, skip this and continue with Aleinu.

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Ashre (Psalm 145) Magein Avot

Chatzi Kaddish Magein Avot with Mincha Leitmotiv

short Torah-Reading (as on weekday) melodies as on Shabbat or with Mincha Leitmotiv

Chatzi Kaddish Magein Avot (study mode)

Amida beginning till yimloch as on Weekdays (pentatonic)


Kaddish titkabbal Major (if not special occasion)

Aleinu Adonai Malach Nusach

or composition


final song

Shabbat Mincha19print

Note: torah reading is before the Amida in Mincha services.

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The following slides are under construction

NOT FOR USAGE IN THE UK YET !

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3Regalim Avonddienst avond weekdag

[if Candle lighting: don’t use a Chanukka tune, but a tune leading to the Festival. The candles are “ner shel yom tov”.]180blue Ma Tovu compositioncopy Shemot 23:14-17 (Shalosh regalim tachog / Driemaal per jaar …)188blue Candlelighting tune as on Shabbat (if you use one)

Shehecheyanu (if you have 2 days, you say it both evenings)

210-220blue Barchu, Shma and its blessings Festival Evening Nusach(Adonai Eloheichem emet and Emet ve’emuna in Festival Ev. Nusach)

24Bentsh-book Vayedaber Moshe Festival Evening NusachChatzi-Kaddish Festival Evening Nusach

222-224blue Silent Amida begin silent158-160blue for 4th beracha for Festival, use text „ weekday version“ (on Shavuot add yourself the

needed wording) complete text is found in green temporary siddur 258-260 silent228-232blue Continue with Retze till end of Amida silent

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On 1st evening of Sukkot (IF there is no morning service in the congregation):

546blue/262GREEN Beracha for Lulav 1st time shaking682-692blue/230-240GREEN Hallel-- /264GREEN Hakafot with Lulav

242blue/ 98GREEN Kaddish titkabbal (It’s a custom to use elaborate melodies)20-22 Bentsh-book Kiddush [On Sukkot in the Sukkah, on Pesach at the Seder, both after Aleinu,

on Shavuot at the meal and study session if there is one.) Festival Melody246blue/140GREEN Aleinu (Adonai Malach or comp.), Kaddish Yatom (read), Adon Olam (composition)

On Erev Simchat Torah:Often a shortened Torah service specially tailored to the children, check local minhag.266green Ata horeta lada‘at

Hakafot

On 1st evening of Pesach:Keep service short (if there is a cong.service), people want to start the seder.

On Erev Shavuot:Nothing special in the service for Shavuot (the service may be before, after or in the middle of the study session [Tikkun Leil Shavuot])

On Erev Simchat Torah:Year‘s Kaddish



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(simple overview traditional)IntroBARCHU 3Regalim Evening NusachShma and its blessings 3Regalim Evening Nusach

Mi kamocha in special melody for the festival:Pesach : Adir huh tuneShavuot : Akdamut tune Sukkot : Lulav tune

Vayedaber Moshe 3Regalim NusachChatzi Kaddish 3Regalim Evening NusachSilent AmidaKiddush 3Regalim tuneAleinu Adonai Malach Nusach

or compositionMourner’s Kaddish readAdon Olam composition

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Klick here to hear on website

print


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3Regalim Avonddienst avond Sjabbat (3 additions)

[if Candle lighting: don’t use a Chanukka tune, but a tune leading to the Festival. The candles are “ner shel shabbat ve yom tov”.]180blue Ma Tovu (= Grote Ma tovu by Lewandowski)copy Shemot 23:14-17 (Shalosh regalim tachog / Driemaal per jaar …)188blue Candlelighting tune as on Shabbat (if you use one)

Shehecheyanu (if you have 2 days, you say it both evenings, except on RH)206-208blue Psalm 92 and 93 as on Shabbat210-220blue Barchu, Shma and its blessings Festival Evening Nusach

(Adonai Eloheichem emet and Emet ve’emuna in Festival Ev. Nusach)220blue Veshamru as on Shabbat24Bentsh-book Vayedaber Moshe Festival Evening Nusach

Chatzi-Kaddish Festival Evening Nusach222-224blue Amida begin silent158-160blue 4th beracha for Festival, use text „ weekday version“ (on Shavuot add yourself the needed

wording)complete text is found in green temporary siddur 258-260 silent

228-232blue Retze till end of Amida silent240 Me’en Sheva (Magein Avot) Shabbat Evening Nusach (Magein Avot Nusach)

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546blue/262GREEN Beracha for Lulav 1st time shaking682-692blue/230-240GREEN Hallel--/264GREEN Hakafot with Lulav

242blue/ 98GREEN Kaddish titkabbal study mode20-22 Bentsh-book Kiddush Festival Melody246blue/140GREEN Aleinu (Adonai Malach or comp.),

Kaddish Yatom (read), Adon Olam (composition)

[On Sukkot Kiddush in the Sukkah (after ...leishev baSukka and Shehecheyanu / on Pesach at the Seder after service / on Shavuot at the meal and study session if there is one]

On Erev Simchat Torah:Often a shortened Torah service specially tailored to the children, check local minhag.

266green Ata horeta lada‘at

Hakafot

On 1st evening of Pesach:Keep service short (if there is a cong.service), people want to start the seder.On Erev Simchat Torah:

Year‘s Kaddish

Note: this slide isnot for Chol haMoed, but for the festival falling on

Shabbat.


On Erev Shavuot:Nothing special in the service for Shavuot (the service may be before, after or in the middle of the study session [Tikkun Leil Shavuot])


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3Regalim Ochtenddienst 1 (Birchot haShachar – End of Hallel)

32-38green Birchot haShachar as on Shabbat (Psalm mode)38-58green Psuke deZimra as on Shabbat (Psalm mode)

weekday/shabbat have different texts but all sung in shabbat nusach UNTIL

58green HA-EL BETA’ATZUMOT special melody for 3Regalimcontinued for shochen and befi yesharim (= Western tradition)

58-76green Yishtabach till BARCHU and nusach as on Shabbat (Yishtabach Mode)

Shma and its blessings weekday/shabbat have different texts in JOTZER but all sung in Yishtabach Mode)

78-80 Amida Avot and Gevurot as on Shabbat (Adonai Malach Nusach)

84 Kedusha (na’aritzcha… leDor) begin as on Shabbat, at leDor vaDor switch to Festival Nusach

258-260green 4th beracha Kedushat Hayom for Festival Festival Nusach88-92green Retze till end of Amida Festival Nusach

on Sukkot: 546blue/262GREEN Beracha for Lulav 1st time shaking (some congr. don‘t shake on Shabbat)

230-240green Hallel melodies with special seasonal melodies forPs 118: 1-4 and 25Pesach : Adir huh tuneShavuot : Akdamut tune Sukkot : Lulav tune / and shake Lulav

(note: on Pesach (except 1st day) skip Psalm 115:1-11 and 116:1-11)-- IF Bracha after Hallel: end with 3Regalim Cadence264 on Sukkot: if Hakafot with Lulav (“Hoshanot”) here OR after Mussaf98 Kaddish Titkabbal as on Shabbat / on Simchat Torah: Year’s

Kaddish



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3Regalim Ochtenddienst 2 (Torah Service and Mussaf)

100green Torah Service can be as on Shabbat, except

adonai adonai el rachum vechanun (same melody for all festivals)

on Simchat Torah expanded and with 266green Ata horeta lada‘at

Hakafot

on weekdays Ps 24 /// on Shabbat Ps 29

copies → [ADD on 7th day of Pesach, Shavuot, Shemini Azeret YISKOR with its own melodies]

116-118green Yehallelu and end of torah service as on Shabbat

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JUST FOR GENERAL KNOWLEDGE - IF THERE IS MUSSAF:118green Chatzi Kaddish for Mussaf as on Shabbat (but some use special melodies)

on 1st day Pesach/Sh’mini Azeret Tal/Geshem melody120-124green Mussaf Amida: beginning (Avot, Gevurot) Adonai Malach, on 1st

Pesach/ShemAz: Tal/Geshem Mi Sinai Melody272green Tefillat Tal [on 1st Pesach]; (Geshem [on ShemAz.] not in book)Replace p126 with 258-260 Kedusha till yimloch adonai as on Shabbat

le dor va dor till end 3Regalim Nusach → [on Sukkot: Hoshanot / Simchat Tora Hakkafot with their own melodies]

138green Kaddish titkabbal as on Shabbat (or elaborate one) but on Simchat Torah may be Year’s Kaddish

270green On Simchat Torah: Leshoni Konanta140green Aleinu (Adonai Malach or comp.), Mourner’s Kaddish (read),

Ein Kelohenu (comp) as on Shabbat274green Kiddush (on Sukkot in Sukkah, on Pesach with Matzot) Festival Melody

end of service)



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Sjabbat Chol Hamo’ed Avonddienst[if Candle lighting: don’t use a Chanukka tune, but a tune leading to the Festival. The candles are “ner shel shabbat”.]

181 -189 Ma Tovu and songs compositions (free style)

KABBALAT SHABBAT191 -201 Psalms 95-99, 29 Kabbalat Shabbat (Adonai Malach Nusach)

202-205 Lecha Dodi composition (if Nusach, mostly Adonai Malach)

207-209 Ps 92-93 (= liturgical beginning of shabbat) Adonai Malach (= Western tradition)

MA’ARIV LE-SHABBAT210-218 BARCHU and Shema and its special Shabbat nusach with festival identifying

motives

Blessings

220 VeShamru often composition (Shabbat nusach)

220 Chatzi Kaddish special Shabbat nusach with festival identifying motives

221-240 Silent Shabbat Amida

240 Me’en Sheva (Magein Avot) Shabbat Evening Nusach (Magein Avot Nusach)

242 Kaddish Titkabbal Adonai Malach Nusach

244 Kiddush for Shabbat Adonai Malach Nusach

246-249 Aleinu Adonai Malach Nusach or composition

250-253 Mourner’s Kaddish read

254 Adon Olam or Yigdal composition

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The service is a regular Shabbat Service with only the addition of

Ya’ale veyavo [p. 228 blue] into the Amida.

Insert Ya’ale veyavo, p. 228 blue

into silent Amida

Kiddush after serviceIs normal Shabbat one.

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Shabbat Chol Hamo’edOchtenddienst

32green Adon Olam [0n Pesach to melody Adir Huh]34-38green Birchot haShachar special Shabbat Psalm mode in Major as every Shabbat38green Baruch she’amar special Shabbat Psalm mode in Major as every Shabbat48green Psalm 92 as on Shabbat

(skip p. 50-58 [Psalm 150, Baruch Adonai le’olam, Ki L’Adonai, Nishmat in a Chol haMoed Service!)

244-246green Psalm 136 as on Shabbat58green HA-EL BETA’ATZUMOT special melody for 3Regalim

continued for shochen and befi yesharim (= Western tradition)58-76green Yishtabach till BARCHU and nusach as every Shabbat (Yishtabach Mode)

Shma and its blessings but Shma 1st line sung to Festival tune, rest torah tropeMi chamocha to seasonal melody of Festival (see below)

78ff Silent AmidaAmida is not repeated if there is a Mussaf (Dutch Minhag). If there is no Mussaf: repeat:

78-80green Amida Avot and Gevurot as on Shabbat (Adonai Malach Nusach)84green Kedusha (na’aritzcha… leDor) begin as on Shabbat, at leDor vaDor switch

to Ahavah Rabba as on Shabbat258-260green 4th beracha Kedushat Hayom for Shabbat Ahavah Rabba as on Shabbat

BUT INSERT YA’ALE VEYAVO in Festival Nusach88-92green Retze till end of Amida Ahavah Rabba as on Shabbat230-240green Hallel melodies with special seasonal melodies for Ps 118: 1-4 and 25

Pesach : Adir huh tuneShavuot : Akdamut tune Sukkot : Lulav tune / and shake Lulav(note: on Pesach skip Psalm 115:1-11 and 116:1-11)

-- IF Bracha after Hallel: end with 3Regalim Cadence

98green Kaddish Titkabbal as on Shabbaton Pesach or Sukkot: read Shir haShirim/Kohelet here.

100-118green Toraservice as on Shabbat (but special readings)120ff, replace IF Mussaf , chant beginning as on Shabbat, but say atta vechartanu text for Shabbat with

Festivalp. 126 with 258-260 Nusach and continue till end in Festival nusach140-148green Aleinu, Kaddish, Ein Kelohenu as on Shabbat

27Show pages in BLUE book

Show pages in GREEN book

If your congregation usesthe lulav on shabbat, click to see the next slide.

Kiddush after serviceIs normal Shabbat one.

34 blue36-40 blue40 blue50 blue

260 (ha-el) blue262-276 blue

278-296 blue

288 blue

682-692 blue

298 blue

300-340 blue348, but go to 158-160 for Atavechartanu, don’t say Ya’ale veYavo, continue with Reze on p. 352.

360-368 blue

It’s a Shabbat that happens to be during a Festival, the Shabbat is more important than the Festival, that means we recite the normal Shabbat Amida in Shabbat Nusach, but insert YA’ALE VEYAVO (258-260) in Festival Nusach.

We do the Mussaf of the Festival as on all other Chol haMoed days (IF the congr. is used to have Mussaf), but only Kedushat haYom is chanted in Festival Nusach, the rest as on shabbat.

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Additional remarks on Shabbat Chol Hamo’ed Ochtenddienst

LULAV ON SHABBAT It depends on local minhag, if the lulav is taken on

Shabbat. If so, use it before Hallel and then during Hallel. You may do the Hakkafot before Kaddish Titkabbal, if you did not do them on the 1st day. Beracha for Lulav: p. 262 green Hakkafot with Lulav: p. 264green

MEGILLAH The Megilla is read on Shabbat Chol haMoed, but if there

is none, that is, if the 1st day of Pesach/Sukkot falls on Shabbat, chant Shir haShirim/Kohelet on the last day of Pesach/on Shemini Atzeret.]

KIDDUSH The Kiddush on Chol haMoed Shabbat is said as on a

regular Shabbat (also on Friday night.)

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How to wave the lulav While standing, hold the lulav with the spine (the long green thicker

line) towards you, the 2 willows (aravim) should be at your left, the 3 myrtles (hadassim) at your right. While saying the blessing, hold the pitom (the tip) pointing down. After the blessing turn it over, so that the pitom is on top.

Wave the lulav after the bracha after the Amida and during Hallel for some verses in Psalm 118 (1-2, 25, and 29).Start wawing it 3 times in to your front (= east, as you are facing east) and continue clockwise. Never wave at “adonai”.

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HODU LADONAI KI TOV KI LEOLAM HASDOFront -- right back left up down

YOMAR NA YISRAEL KI LEOLAM HASDOFront right back left up down

ANA ADONAI HOSHIANA NA, ANA ADONAI HATSLICHA NA.Front -- right back left -- up down

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Notes on Chol Chol Hamo’ed Weekdag

Avonddienst

As on all weekday evenings; however in the silent Weekday Amidah add YA’ALEH veYAVO.

Ochtenddienst

Till end of Amida as on all weekday mornings; however in the Weekday Amidah add YA’ALEH veYAVO.

[IF tefillin are worn, they are removed after the Amidah. [On Sukkot: use the lulav.]

Chant Hallel after Weekday Amida./ On Pesach Half-Hallel.

On Sukkot: If you don’t do Mussaf, do Hoshanot after Hallel.

Conclude this part with Kaddish Titkabal.)

There is a Torah reading for Chol hamoed (4 aliyot).

IF you do Mussaf, recite the Festival Mussaf. [On Sukkot: After Mussaf do Hoshanot.]

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Rosj Hasjana Avonddienstavond weekdag

[if Candle lighting: don’t use a Chanukka tune, but a tune preparing the athmosphere of the day. The candles are “ner shel yom tov”.]

9 Ma tovu composition (Grote Ma tovu by Lewandowski)

12 Barchu Mi Sinai High Holiday tune for Evenings

12-13 Maariv Aravim - Ahavat Olam Adonai Malach nusach for High Holidays,

the chatimot use Mi Sinai HH evening leitmotiv

14 Shema High Holiday melodyVeahavta etc. High Holiday torah trope if possible, otherwise regular trop, or

silent

16-19 Adonai elohechem emet till Hashkiveinu Adonai Malach nusach for High Holidays,

p. 18 mi kamocha in Mi Sinai HH Evening leitmotiv

20 Tik’u bachodesh shofar composition (Adonai Malach)

20 Chatzi Kaddish High Holiday Nusach with Mi Sinai HH Evening leitmotiv

21-30 silent High Holiday Amida

30 Kiddush 3Regalim Nusach, may change to a HHtune at end or composition

31 Aleinu Adonai Malach Nusach or composition (but NOT the “great Alenu”)


34-35 Adon Olam composition/note High Holidays melodies



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Rosj Hasjana Avonddienst avond Sjabbat (3 additions)

[if Candle lighting: don’t use a Chanukka tune, but a tune preparing the athmosphere of the day. The candles are “ner shel shabbat ve yom tov”.]



12 Barchu Mi Sinai High Holiday tune for Evenings

12-13 Maariv Aravim - Ahavat Olam Adonai Malach nusach for High Holidays,

the chatimot use Mi Sinai HH evening leitmotiv


silent



20 Veshamru As on Shabbat (Magein Avot Nusach Shabbat Evening Nusach)

20 Tik’u bachodesh shofar Composition (Adonai Malach)

20 Chatzi Kaddish High Holiday Nusach with Mi Sinai HH Evening leitmotiv


30 Vayechulu Shabbat Evening Nusach (Magein Avot Nusach)

30 Kiddush 3Regalim Nusach, may change to a HHtune at end

31 Aleinu Adonai Malach Nusach or composition (but NOT the “great Alenu”)


34-35 Adon Olam composition/note High Holidays melodies

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Note: there is no “Kabbalat Shabbat” part, and therefore no Lecha Dodi on High Holidays on Shabbat.



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Rosj Hasjana Ochtenddienst 1(Birchot haShachar – End of Amida)

39-40 Adon Olam, composition

(there are special High Holiday compositions)

shachar avakeshcha composition

41-46 Birchot haShachar psalm mode as on Shabbat

46-57 Psuke deZimra HH shacharit nusach

57 HAMELECH Mi Sinai tune

58 Yishtabach HH shacharit nusach

58 BARCHU HH shacharit nusach

58-61 Yotzer, Ahavah Rabbah HH shacharit nusach

62 Shema special melodie as on evening

62-65 Veahavta etc. Torah trop or silent

65-66 Adonai elohechem emet etc HH shacharit nusach


82 Avinu Malkenu composition as minhag hamakom

85 Kaddish Titkabal Major (before Torareading)



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Rosj Hasjana Ochtenddienst 2(Torah service)

87-89 opening Torah service as on Shabbat BUT

note: before Shema: Adonai Adonai in tune as Minhag haMakom

Chant Shma in High Holiday Tune

Gadlu and Havu L’Adonai by Sulzer (not by Lewand. as on Shabbat)

89-90 there are special melodies for Brachot before Aliyot, but most people don’t use them.

90-124 use special High Holiday trope for Torah reading

Haftarah is chanted/read as normal

125-126 prayers after Torah reading as normal on Shabbat

TEKIYOT:

126 shofar blessings special Nusach

127 shofar calls special melody

128 Psalm 145 as on shabbat (by Sulzer)

130 end of Torah service as on shabbat

Yehallelu and Hodo (by Sulzer)



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Rosj Hasjana Ochtenddienst 3(Mussaf till end)

131 Chatzi Kaddish before Mussaf (in nusach leading to Amida)

131-155 Rosh HaShana Mussaf Amida several High Holiday Nusschaot

with Tekiyot

Here (p. 144) – only here - is the place for the “Great Alenu”.)

155 Mourner’s Kaddish read

157 Ein Kelohenu composition



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Jom Hakipoeriem Avonddienst avond weekdag


In some congregation: introduction136 Kol Nidre Mi Sinai Tune163-164 Venislach – shehecheyanu Adonai Malach for HH, use: tunes as minhag

hamakom

167 Barchu Mi Sinai High Holiday leitmotiv for Evenings167-168 Maariv Aravim

- Ahavat Olam Adonai Malach nusach for High Holidays, chatimot in HH evening Mi Sinai leitmotiv

169 Shema High Holiday melodyVeahavta etc. HH torah trope if possible, or normal trop, or silent



172 Ki vayom hazeh Adonai Malach for High Holidays173 Chatzi Kaddish High Holiday Nusach with Mi Sinai Evening HH Leitmotiv173-186 silent High Holiday Amida187-205 Slichot and Vidui special nusach for Slichot and special nusach for Vidui207-208 Aleinu Adonai Malach Nusach or composition (but NOT the “great

Alenu”)209-210 Mourner’s Kaddish read210-212 Adon Olam composition/note High Holidays melodies

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With the exception of Kol Nidre

all the melodies are the same

as on Rosj Hasjana Avonddienst.



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Jom Hakipoeriem Avonddienst avond Sjabbat (3 additions)



hamakom164-166 Ps 92-93 (= liturgical beginning of shabbat) Adonai Malach (= Western tradition)167 Barchu Mi Sinai High Holiday leitmotiv for Evenings167-168 Maariv Aravim




p. 171 mi kamocha in Mi Sinai HH Evening leitmotiv172 Veshamru Magein Avot (Shabbat Evening Nusach)172 Ki vayom hazeh Adonai Malach for High Holidays173 Chatzi Kaddish High Holiday Nusach with Mi Sinai Evening HH Leitmotiv173-186 silent High Holiday Amida187-205 Slichot and Vidui special Nusach for Slichot and special Nusach for Vidui207-208 Aleinu Adonai Malach Nusach or composition (but NOT the “great

Alenu”)

209-210 Mourner’s Kaddish read210-212 Adon Olam composition/note High Holidays melodies


With the exception of Kol Nidre

all the melodies are the same

as on Rosj Hasjana Avonddienst

falling on a Shabbat.


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Jom Hakipoeriem Ochtenddienst 1(Birchot haShachar – End of Amida)

215-216 Shachar avakeshcha, Adon Olam composition



252-253 HAMELECH Mi Sinai tune



254-258 Yotzer, Ahava Rabbah HH shacharit nusach



262 Adonai elohechem emet etc HH shacharit nusach


278-322 Chazarat HaTefillah several HH nuschaot


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The text is different,

but the melodies are the same

as in Rosj Hasjana Ochtenddienst.



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Jom Hakipoeriem Ochtenddienst 2(Torah service)





328 there are special melodies for Brachot before Aliyot, but most people don’t use them.




344-346 Psalm 145 as on shabbat (by Sulzer)



39

The text is different,

but the melodies are the same

as in Rosj Hasjana Ochtenddienst.



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Jom Hakipoeriem Mussaf


361-376 silent Amida

376-432 Chazarat Hatefillah Mussaf Amida for Yom Kippur

several High Holiday Nuschaot

with Avodah

with special melodies


Continues with Mincha (starting with Torahreading p. 433, see next slide)

40

This is the most important part of the whole day !

Be aware of that when you do it.



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Jom Hakipoeriem Mincha

432 Chatzi Kaddish Magein Avot with Shabbat Mincha Leitmotiv

433-449 Torah Service as on Shabbat Mincha

but with Haftara (Jonah)

[often lead by the youth in

the congregation]

452 Chatzi Kaddish Magein Avot


467-507 Chazarat HaTefillah several High Holiday Nuschaot

507 Kaddish Titkabbal Major

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Mincha prepares us for the normal life AFTER this day.

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Yizkor

Yizkor is often inserted before Neila, although it originally belonged to Torah Service

(remember Lecture by Eli about Yizkor.)

Has special melodies/compositions.

Klick here for the website Yom Kippur Yizkor.

Klick here for lecture about Yizkor.

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Jom Hakipoeriem Neila

510 El Norah Alila traditional Portuguese melody

511-513 Ashre Magein Avot for High Holidays

513-514 Uvah leZion Magein Avot for High Holidays

515-516 Yah shimcha composition

517 Chatzi Kaddish for Neila Neila Mi Sinai Tune

518-533 Silent Neila Amida

533-563 Chazarat haTefillah Avot and Gevurot in Neila Tune

Rest Nusach as in other HHservices

BUT NOTE DIFFERENT TEXT !

and special traditions as Amsterdam (Deutsche) Kedusha, melodies for Ptach Lanu Sha’ar and other Piyutim

564-567 Avinu Malkenu composition

567 Kaddish Titkabbal Major / “Sukkot Kaddish” in preparation for the next festival (special Dutch tradition)

569 FINAL special

Havdalah as on end of Shabbat (Weekday mode)

43The whole Neila service is special, we have nowhere else a 4th prayer time, there are, however, several TYPICAL Neila features not used during

the day so far, and these are:

The purpose of this service is to create a smooth transition

between Yom Kippur and normal life. It’s as important as Kol Nidre.



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Avonddienst voor Weekdagen

→ On special days start with special readings, overview see p. 120.

120 Intro

120 Barchu Ahava Rabba

120-121 Ma’ariv aravim and Ahavat Olam Ahava Rabba

122-126 Shema Major (= liberal tradition), and torah trope

126 -130 Adonai elohechem emet, Geula Eastern Ahava Rabba

and Hashkivenu

130 Chatzi Kaddish Eastern Ahava Rabba

132 -152 Silent Weekday-Amida Silent

154 Kaddish Titkabbal Magein Avot (study mode)

→ On Purim: Megillat Ester, on Tisha beAv: Echa and Kinot, between Pesach and Shavuot: count the omer, on Chanukkah: light candles; on Saturday evening make Havdalah.

special readings on special days, Yom HaShoa (and 4 May), Yom HaZikaron and Yom HaAtzmaut, overview see p. 154, in Elul add Psalm 27.

112 Aleinu Adonai Malach Nusach or composition

116 Mourner’s Kaddish Read

→ for Shiva Service: see p. 618 or (preferably) use special book.

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Note:Our Nusach for Weekdays is a combination between Eastern and Western traditions, as it was the case in many places of the Western Tradition already in the early 20th century. Only very few places preserved a pure Western Weekday tradition (Basel, Colmar).

On Chanukka, Purim, Yom HaAtzmaut don’t forget

to insert Al hanissim into the silent Amida (p. 162,164).

On Rosh Chodesh don’t forget to insert Ya’ale veyavo (p. 164).



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Ochtenddienst voor Weekdagen32-34 Ma Tovu/ Yigdal/ Adon Olam/ Shachar avakeshcha composition

36-40 Birchot haShachar Magein Avot Study mode (as Brachot before40-56 Pesuke deZimra Magein Avot Study mode Torahreading)58 End of Pesuke deZimra: Yishtabach Ahavah Rabba mode, but simpler than Shab.

58 Chazi Kaddish Ahavah Rabba mode, but simpler than Shab.60 Barchu Ahavah Rabba mode, but simpler than Shab.60 Yotzer Ahavah Rabba mode, but simpler than Shab.62 Ahava Rabbah Ahavah Rabba mode, but simpler than Shab.64 Shema Major (=liberal tradition) and Torah Trop.66-70 Adonai elohechem Ahavah Rabba mode, but simpler than Shab.

Geula Ahavah Rabba mode, but simpler than Shab.72-90 Weekday Amida72-90 Amida is repeated by Chazzan Weekday Nusach (pentatonic)

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→ On Monday and Thursday and on Rosh Chodesh:94 Short Torah Reading, see slide.

→ On Rosh Chodesh / Chanukka:682 [Half] Hallel (half = RCh, full = Ch.)

110 Kaddish Titkabbal Magein Avot Study mode112 Aleinu Adonai Malach Nusach or composition116 Mourner’s Kaddish Read

→ On Purim and Tisha beAv: Megillat Esther/Echa

On Chanukka, Purim, Yom HaAtzmaut don’t fcorget

to insert Al hanissim into the Amida (p. 86-88-90).

On Rosh Chodesh don’t forget to insert Ya’ale veyavo (p.84)

Note:Our Nusach for Weekdays is a combination between Eastern and Western traditions, as it was the case in many places of the Western Tradition already in the early 20th century. Only very few places preserved a pure Western Weekday tradition (Basel, Colmar).



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Sjabbat Torah Reading (Tora Reading Shabbat Morning)

Ein KamochahAv haRachamim

96 Vayehi binsoah Major or compositionShema / echad /

96 gadlu Major or composition96 Lecha Adonai Major or composition

• Brachah before the reading in Major (= Dutch tradition, inherited from portugese tradition)

Calls (ya’amod / ta’amod), misheberachs 306-322 in Major • Brachah after the reading Major (anticipates call for next one)[if Chatzi Kaddish before Maftir: study mode or Ahavah Rabbah]Vezot hatorah melody in Major • Bracha before Haftarah in Haftara trop (or read if Haftarah is read) • Bracha after Haftarah special melodyMisheberach for congregation Ashre

100 Yehallelu and Hodo al eretz Major100 Psalm 29 Major/composition102 uvnucho yomar composition

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Not on weekdays

Not on weekdays

Not on weekdays

Psalm 24 on weekdays

on Monday/Thursday

Weekdays

Not on weekdays

Not on weekdays

Not on weekdays

ON WEEKDAYS ONLY 3 ALIYOT, ONLY SHORT TEXT IS

READ (Traditionally the first Shabbat Aliya but split into 3 Aliyot, see the

divisions in a Tikkun Kor’im.)

ON ROSH CHODESH 4 Aliyot and special torah reading.

We don’t have much time on weekdays, therefore don’t make it too long.

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Mincha voor Weekdagen

For the plan of the mincha service, see the LJG siddur page 119.The instructions for the continuation of the mincha service after the end of the Amida, see the LJG siddur page 152 and 154.

It is nothing new, basically just Ashre and the Weekday Amida in the same nussach as in Weekday Shaharit. Therefore there is no extra slide necessary.

Klick here to hear on Website.

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The books that we used in our course:

Lewandowski, Louis: Kol Rinnah U’T’fillah : Ein und zweistimmige Gesänge für den israelitischen Gottesdienst, Berlin, 1871. (for cantor and two voices.) = CD

Lewandowski, Louis: Toda W’simrah: Vierstimmige Chöre und Soli für den israelitischen Gottesdienst mit und ohne Begleitung der Orgel. Erster Theil: Sabbath; Berlin,1882; Zweiter Theil: Festgesänge, 10. Aufl. Frankfurt a.Main 1921. (for cantor, four part choir and congregation.) = CD

Ne’eman, Yehoshua L.: Nosah Lahazan : The Traditional Chant of the Synagogue according to the Lithuanian Jerusalem Musical Tradition, vol.1: Complete Service for the High Holidays, Jerusalem 1972/73.; vol. 2: Tefillat Shabbat, Jerusalem 1968/69.

Spiro, Pinchas: Complete Weekday Service : a musical siddur. New York: Cantors Assembly, 1980. (book and also CDs are available from the Cantors Assembly www.cantors.org)

Sulzer, Joseph: Schir Zion : Gesänge für den israelitischen Gottesdienst. 3. Aufl. Frankfurt a. Main, 1922. = CD

And see the sheet music in the Muziekbibliotheek on www.levisson.nl.

See also:Andrew Bernard,

The Sound of Sacred Time : A basic music theory textbook to teach the Jewish prayer modes, Charlotte, NC: private publication, 2005.(we have not used this in the course and this is based on the Eastern European tradition, not Dutch traditions. It is based on the traditional liturgy and the American Reform liturgy, but it’s interesting, only use with the awareness that this is not our tradition.)

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To print Versions of the

SlidesThe following slides are repetitions of the ones you just saw, but

without animations, so that they can be printed.

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Sjabbat Avonddienst[if Candle lighting: don’t use a Chanukka tune if it’s not Chanukka, but a tune leading to Kabbalat

Shabbat]


KABBALAT SHABBAT191 -201 Psalms 95-99, 29 Kabbalat Shabbat (Adonai Malach Nusach)202-205 Lecha Dodi composition (if Nusach, mostly Adonai Malach)


MA’ARIV LE-SHABBAT210-218 BARCHU and Shema and its special Shabbat nusach with identifying motives

Blessings220 VeShamru often composition (Shabbat nusach)220 Chatzi Kaddish special Shabbat nusach with identifying motives221-240 Silent Amida240 Me’en Sheva (Magein Avot) Shabbat Evening Nusach (Magein Avot Nusach)242 Kaddish Titkabbal Adonai Malach Nusach244 Kiddush Adonai Malach Nusach246-249 Aleinu Adonai Malach Nusach or composition250-253 Mourner’s Kaddish read254 Adon Olam or Yigdal composition

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Sjabbat Ochtenddienst 1 (Birchot haShachar – End of Amida)

4-39 Birchot haShachar special Shabbat Psalm mode in Major40-56 Pesuke deZimra special Shabbat Psalm mode in Major

(similar to Birchot haShachar)may contain some compositions for some parts, some could be in Minor

258-268 Nishmattill beginning of Yotzer Or Yishtabach Mode

[leaders sometimes change for SHOCHEN AD as the beginning of the cantorial part]

264-276 End of Yotzer Or and Ahava Rabba Ahava Rabba Mode (Shabbat Morning style)Shma melody in Major, and tora tropeGe’ula Ahavah Rabbah (Shabbat Morning style)

278-296 Silent AmidaIn some congregations the Admida is not repeated but is said aloud in the Mussaf. Congregations that do not have Mussaf have to repeat the Amida here (it’s actually

not an exact repetition, but contains extra pieces.) 278-282 Loud Amida: Beginning till Yimloch Adonai: Adonai Malach

282-296 LeDor vaDor till end: Ahavah Rabbah[if Rosh Chodesh or Festival: Half Hallel or Hallel, if Sukkot use Lulav in Hallel;

some congregations do Hakkafot with Lulav here.]298 Kaddish Titkabbal in Major, leading to Torah Service

[if this is a Shabbat during Pesach or Sukkot: read Shir haShirim/Kohelet here/ if 1st day of Pesach/Sukkot falls on Shabbat, chant

Shir haShirim/Kohelet on the last day of Pesach / on Shemini Azeret.]

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Sjabbat Ochtenddienst 2 (Tora Reading Shabbat Morning)

300 Ein Kamocha Adonai Malach Nusach or compositionAv haRachamim Minor or compositionVayehi binsoa Major or composition

302 Shema / echad / gadlu Major or compositionLecha Adonai Major or composition

304 • Bracha before the reading in Major (= Dutch tradition, inherited from portugese tradition)

Calls (ya’amod / ta’amod), misheberachs 306-322 in Major • Bracha after the reading Major (anticipates call for next one)Chatzi Kaddish before Maftir: study mode (or Ahavah Rabbah)

304 Vezot hatorah melody in Major328 • Bracha before Haftara in Haftara trop (or read if Haftarah is read)

• Bracha after Haftara special melody332 Misheberach for congregation MinorIf last Shabbat in the month: p. 336 Mevarchin haChodesch, use typical melody of an event in the next month for Yechadshehu in the last passage.338 Ashre Major338 Yehallelu and Hodo al eretz Major338 Psalm 29 Major / or composition340 Uvnucho yomar composition

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Sjabbat Ochtenddienst 3 ([Mussaf] and end)

340 Chatzi Kaddish Adonai Malach

342-346 Beginning of Mussaf Amida till yimloch adonai Adonai Malach346- leDor vaDor till end of Amida Ahavah Rabba (same as in



If you don’t have Mussaf, skip this and continue on p. 360 Aleinu.



368 final song composition

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Sjabbat Mincha

OVERVIEW: SIDDUR P. 119

706 Ashre (Psalm 145) Magein Avot

130 Chatzi Kaddish Magein Avot with Mincha Leitmotiv

short Torah-Reading (cf. weekday) as on Shabbat or with Mincha Leitmotiv

94 Chatzi Kaddish Magein Avot (study mode)

132 Amida beginning till yimloch as on Weekdays (pentatonic)


110 Kaddish titkabbal Major (if not special occusation)

112 Aleinu Adonai Malach Nusach

or composition


final song (Adon Olam 254, or Yigdal 256 or En Kelohenu 368 or any other song)

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[if Candle lighting: don’t use a Chanukka tune, but a tune leading to the Festival. The candles are “ner shel yom tov”.]]

180blue Ma Tovu compositioncopy Shemot 23:14-17 (Shalosh regalim tachog / Driemaal per jaar …)188blue Candlelighting tune as on Shabbat (if you use one)

Shehecheyanu (if you have 2 days, you say it both evenings)

210-220blue Barchu, Shma and its blessings Festival Evening Nusach(Adonai Eloheichem emet and Emet ve’emuna in Festival Ev. Nusach)

24Bentsh-book Vayedaber Moshe Festival Evening NusachChatzi-Kaddish Festival Evening Nusach

222-224blue Silent Amida begin silent158-160blue for 4th beracha for Festival, use text „ weekday version“ (on Shavuot add yourself the

needed wording) complete text is found in green temporary siddur 258-260 silent228-232blue Continue with Retze till end of Amida silent

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546blue/262GREEN Beracha for Lulav 1st time shaking682-692blue/230-240GREEN Hallel-- /264GREEN Hakafot with Lulav

242blue/ 98GREEN Kaddish titkabbal (It’s a custom to use elaborate melodies)20-22 Bentsh-book Kiddush [On Sukkot in the Sukkah, on Pesach at the Seder, both after Aleinu,

on Shavuot at the meal and study session if there is one.) Festival Melody246blue/140GREEN Aleinu (Adonai Malach or comp.), Kaddish Yatom (read), Adon Olam (composition)

On Erev Simchat Torah:Often a shortened Torah service specially tailored to the children, check local minhag.266green Ata horeta lada‘at

Hakafot

On 1st evening of Pesach:Keep service short (if there is a cong.service), people want to start the seder.

On Erev Shavuot: Nothing special in the service for Shavuot (the service may be before, after or in the middle of the study session [Tikkun Leil Shavuot])

On Erev Simchat Torah:Year‘s Kaddish

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(simple overview traditional)IntroBARCHU 3Regalim Evening NusachShma and its blessings 3Regalim Evening Nusach

Mi kamocha in special melody for the festival:Pesach : Adir huh tuneShavuot : Akdamut tune Sukkot : Lulav tune

Vayedaber Moshe 3Regalim NusachChatzi Kaddish 3Regalim Evening NusachSilent AmidaKiddush 3Regalim tuneAleinu Adonai Malach Nusach

or compositionMourner’s Kaddish readAdon Olam composition

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3Regalim Ochtenddienst 1 (Birchot haShachar – End of Hallel)

32-38green Birchot haShachar as on Shabbat (Psalm mode)38-58green Psuke deZimra as on Shabbat (Psalm mode)

weekday/shabbat have different texts but all sung in shabbat nusach UNTIL


58-76green Yishtabach till BARCHU and nusach as on Shabbat (Yishtabach Mode)

Shma and its blessings weekday/shabbat have different texts in JOTZER but all sung in Yishtabach Mode)

78-80 Amida Avot and Gevurot as on Shabbat (Adonai Malach Nusach)

84 Kedusha (na’aritzcha… leDor) begin as on Shabbat, at leDor vaDor switch to Festival Nusach

258-260green 4th beracha Kedushat Hayom for Festival Festival Nusach88-92green Retze till end of Amida Festival Nusach

on Sukkot: 546blue/262GREEN Beracha for Lulav 1st time shaking (some congr. don‘t shake on Shabbat)

230-240green Hallel melodies with special seasonal melodies forPs 118: 1-4 and 25Pesach : Adir huh tuneShavuot : Akdamut tune Sukkot : Lulav tune / and shake Lulav

(note: on Pesach (except 1st day) skip Psalm 115:1-11 and 116:1-11)-- IF Bracha after Hallel: end with 3Regalim Cadence264 on Sukkot: if Hakafot with Lulav (“Hoshanot”) here OR after Mussaf98 Kaddish Titkabbal as on Shabbat / on Simchat Torah: Year’s

Kaddish

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3Regalim Ochtenddienst 2 (Torah Service and Mussaf)

100green Torah Service can be as on Shabbat, except

adonai adonai el rachum vechanun (same melody for all festivals)

on Simchat Torah expanded and with 266green Ata horeta lada‘at

Hakafot

on weekdays Ps 24 /// on Shabbat Ps 29

copies → [ADD on 7th day of Pesach, Shavuot, Shemini Azeret YISKOR with its own melodies]

116-118green Yehallelu and end of torah service as on Shabbat

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JUST FOR GENERAL KNOWLEDGE - IF THERE IS MUSSAF:118green Chatzi Kaddish for Mussaf as on Shabbat (but some use special melodies)

on 1st day Pesach/Sh’mini Azeret Tal/Geshem melody120-124green Mussaf Amida: beginning (Avot, Gevurot) Adonai Malach, on 1st

Pesach/ShemAz: Tal/Geshem Mi Sinai Melody272green Tefillat Tal [on 1st Pesach]; (Geshem [on ShemAz.] not in book)Replace p126 with 258-260 Kedusha till yimloch adonai as on Shabbat

le dor va dor till end 3Regalim Nusach → [on Sukkot: Hoshanot / Simchat Tora Hakkafot with their own melodies]

138green Kaddish titkabbal as on Shabbat (or elaborate one) but on Simchat Torah may be Year’s Kaddish

270green On Simchat Torah: Leshoni Konanta140green Aleinu (Adonai Malach or comp.), Mourner’s Kaddish (read),

Ein Kelohenu (comp) as on Shabbat274green Kiddush (on Sukkot in Sukkah, on Pesach with Matzot) Festival Melody

end of service)

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Sjabbat Chol Hamo’ed Avonddienst[if Candle lighting: don’t use a Chanukka tune, but a tune leading to the Festival. The candles are “ner shel shabbat”.]


KABBALAT SHABBAT191 -201 Psalms 95-99, 29 Kabbalat Shabbat (Adonai Malach Nusach)

202-205 Lecha Dodi composition (if Nusach, mostly Adonai Malach)


MA’ARIV LE-SHABBAT210-218 BARCHU and Shema and its special Shabbat nusach with festival identifying

motives

Blessings

220 VeShamru often composition (Shabbat nusach)

220 Chatzi Kaddish special Shabbat nusach with festival identifying motives

221-240 Silent Shabbat Amida with Ya’aleh veyavo (p. 228 blue)

240 Me’en Sheva (Magein Avot) Shabbat Evening Nusach (Magein Avot Nusach)

242 Kaddish Titkabbal Adonai Malach Nusach

244 Kiddush for Shabbat Adonai Malach Nusach



254 Adon Olam or Yigdal composition

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Shabbat Chol Hamo’edOchtenddienst

32green Adon Olam [0n Pesach to melody Adir Huh]

34-38green Birchot haShachar special Shabbat Psalm mode in Major as every Shabbat

38green Baruch she’amar special Shabbat Psalm mode in Major as every Shabbat

48green Psalm 92 as on Shabbat

(skip p. 50-58 [Psalm 150, Baruch Adonai le’olam, Ki L’Adonai, Nishmat in a Chol haMoed Service!)

244-246green Psalm 136 as on Shabbat


58-76green Yishtabach till BARCHU and nusach as every Shabbat (Yishtabach Mode)

Shma and its blessings but Shma 1st line sung to Festival tune, rest torah trope

Mi chamocha to seasonal melody of Festival (see below)

78ff Silent Amida

Amida is not repeated if there is a Mussaf (Dutch Minhag). If there is no Mussaf: repeat:

78-80green Amida Avot and Gevurot as on Shabbat (Adonai Malach Nusach)

84green Kedusha (na’aritzcha… leDor) begin as on Shabbat, at leDor vaDor switch to Ahavah Rabba as on Shabbat

258-260green 4th beracha Kedushat Hayom for Shabbat Ahavah Rabba as on Shabbat

BUT INSERT YA’ALE VEYAVO in Festival Nusach

88-92green Retze till end of Amida Ahavah Rabba as on Shabbat

230-240green Hallel melodies with special seasonal melodies for Ps 118: 1-4 and 25

Pesach : Adir huh tune

Shavuot : Akdamut tune Sukkot : Lulav tune / and shake Lulav

(note: on Pesach skip Psalm 115:1-11 and 116:1-11)

-- IF Bracha after Hallel: end with 3Regalim Cadence

98green Kaddish Titkabbal as on Shabbat

on Pesach or Sukkot: read Shir haShirim/Kohelet here.

100-118green Toraservice as on Shabbat (but special readings)

120ff, replace IF Mussaf , chant beginning as on Shabbat, but say atta vechartanu text for Shabbat with Festival

p. 126 with 258-260 Nusach and continue till end in Festival nusach

140-148green Aleinu, Kaddish, Ein Kelohenu as on Shabbat

60Show pages in BLUE book

Show pages in GREEN book

34 blue36-40 blue40 blue50 blue

260 (ha-el) blue262-276 blue

278-296 blue

288 blue

682-692 blue

298 blue

300-340 blue348, but go to 158-160 for Atavechartanu, don’t say Ya’ale veYavo, continue with Reze on p. 352.

360-368 blue

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Additional remarks on Shabbat Chol Hamo’ed Ochtenddienst

LULAV ON SHABBAT It depends on local minhag, if the lulav is taken on

Shabbat. If so, use it before Hallel and then during Hallel. You may do the Hakkafot before Kaddish Titkabbal, if you did not do them on the 1st day. Beracha for Lulav: p. 262 green Hakkafot with Lulav: p. 264green

MEGILLAH The Megilla is read on Shabbat Chol haMoed, but if there

is none, that is, if the 1st day of Pesach/Sukkot falls on Shabbat, chant Shir haShirim/Kohelet on the last day of Pesach/on Shemini Atzeret.]

KIDDUSH The Kiddush on Chol haMoed Shabbat is said as on a

regular Shabbat (also on Friday night.)

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How to wave the lulav While standing, hold the lulav with the spine (the long green thick

line) towards you, the 2 willows (aravim) should be at your left, the 3 myrtles (hadassim) at your right. While saying the blessing, hold the pitom (the tip) pointing down. After the blessing turn it over, so that the pitom is on top.

Wave the lulav after the bracha after the Amida and during Hallel for some verses in Psalm 118 (1-2, 25, and 29).Start wawing it 3 times in to your front (= east, as you are facing east) and continue clockwise. Never wave at “adonai”.

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HODU LADONAI KI TOV KI LEOLAM HASDOFront -- right back left up down

YOMAR NA YISRAEL KI LEOLAM HASDOFront right back left up down

ANA ADONAI HOSHIANA NA, ANA ADONAI HATSLICHA NA.Front -- right back left -- up down

3x 3x 3x 3x 3x3x

3x3x 3x 3x 3x 3x

3x 3x 3x3x

3x 3x

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Notes on Chol Chol Hamo’ed Weekdag

Avonddienst

As on all weekday evenings; however in the silent Weekday Amidah add YA’ALEH veYAVO.

Ochtenddienst

Till end of Amida as on all weekday mornings; however in the Weekday Amidah add YA’ALEH veYAVO.

[IF tefillin are worn, they are removed after the Amidah. [On Sukkot: use the lulav.]

Chant Hallel after Weekday Amida./ On Pesach Half-Hallel.

On Sukkot: If you don’t do Mussaf, do Hoshanot after Hallel.

Conclude this part with Kaddish Titkabal.)

There is a Torah reading for Chol hamoed (4 aliyot).

IF you do Mussaf, recite the Festival Mussaf. [On Sukkot: After Mussaf do Hoshanot.]

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Rosj Hasjana Avonddienstavond weekdag



12 Barchu Mi Sinai High Holiday tune for Evenings12-13 Maariv Aravim

- Ahavat Olam Adonai Malach nusach for High Holidays, the chatimot use Mi Sinai HH evening leitmotiv


silent16-19 Adonai elohechem

emet till Hashkiveinu Adonai Malach nusach for High Holidays, p. 18 mi kamocha in Mi Sinai HH Evening leitmotiv

20 Tik’u bachodesh shofar composition (Adonai Malach)20 Chatzi Kaddish High Holiday Nusach with Mi Sinai HH Evening leitmotiv21-30 silent High Holiday Amida30 Kiddush 3Regalim Nusach, may change to a HHtune at end or

composition31 Aleinu Adonai Malach Nusach or composition (but NOT the “great


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Rosj Hasjana Avonddienst avond Sjabbat (3 additions)


9 Ma tovu composition (Grote Ma tovu by Lewandowski)9-11 Ps 92-93 (= liturgical beginning of shabbat) Adonai Malach (= Western tradition)12 Barchu Mi Sinai High Holiday tune for Evenings12-13 Maariv Aravim

- Ahavat Olam Adonai Malach nusach for High Holidays, the chatimot use Mi Sinai HH evening leitmotiv


silent16-19 Adonai elohechem

emet till Hashkiveinu Adonai Malach nusach for High Holidays, p. 18 mi kamocha in Mi Sinai HH Evening leitmotiv

20 Veshamru As on Shabbat (Magein Avot Nusach Shabbat Evening Nusach)

20 Tik’u bachodesh shofar Composition (Adonai Malach)20 Chatzi Kaddish High Holiday Nusach with Mi Sinai HH Evening leitmotiv21-30 silent High Holiday Amida30 Vayechulu Shabbat Evening Nusach (Magein Avot Nusach)30 Kiddush 3Regalim Nusach, may change to a HHtune at end31 Aleinu Adonai Malach Nusach or composition (but NOT the “great

Alenu”)


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Rosj Hasjana Ochtenddienst 1(Birchot haShachar – End of Amida)

39-40 Adon Olam, composition

(there are special High Holiday compositions)

shachar avakeshcha composition



57 HAMELECH Mi Sinai tune



58-61 Yotzer, Ahavah Rabbah HH shacharit nusach



65-66 Adonai elohechem emet etc HH shacharit nusach


82 Avinu Malkenu composition as minhag hamakom


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Rosj Hasjana Ochtenddienst 2(Torah service)





89-90 there are special melodies for Brachot before Aliyot, but most people don’t use them.




TEKIYOT:

126 shofar blessings special Nusach

127 shofar calls special melody

128 Psalm 145 as on shabbat (by Sulzer)



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Rosj Hasjana Ochtenddienst 3(Mussaf till end)


131-155 Rosh HaShana Mussaf Amida several High Holiday Nusschaot

with Tekiyot

Here (p. 144) – only here - is the place for the “Great Alenu”.)


157 Ein Kelohenu composition

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Jom Hakipoeriem Avonddienst avond weekdag



hamakom

167 Barchu Mi Sinai High Holiday leitmotiv for Evenings167-168 Maariv Aravim





172 Ki vayom hazeh Adonai Malach for High Holidays173 Chatzi Kaddish High Holiday Nusach with Mi Sinai Evening HH Leitmotiv173-186 silent High Holiday Amida187-205 Slichot and Vidui special nusach for Slichot and special nusach for Vidui207-208 Aleinu Adonai Malach Nusach or composition (but NOT the “great


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Jom Hakipoeriem Avonddienst avond Sjabbat (3 additions)



hamakom164-166 Ps 92-93 (= liturgical beginning of shabbat) Adonai Malach (= Western tradition)167 Barchu Mi Sinai High Holiday leitmotiv for Evenings167-168 Maariv Aravim




p. 171 mi kamocha in Mi Sinai HH Evening leitmotiv172 Veshamru Magein Avot (Shabbat Evening Nusach)172 Ki vayom hazeh Adonai Malach for High Holidays173 Chatzi Kaddish High Holiday Nusach with Mi Sinai Evening HH Leitmotiv173-186 silent High Holiday Amida187-205 Slichot and Vidui special Nusach for Slichot and special Nusach for Vidui207-208 Aleinu Adonai Malach Nusach or composition (but NOT the “great

Alenu”)


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Jom Hakipoeriem Ochtenddienst 1

(Birchot haShachar – End of Amida)215-216 Shachar avakeshcha, Adon Olam composition



252-253 HAMELECH Mi Sinai tune



254-258 Yotzer, Ahava Rabbah HH shacharit nusach



262 Adonai elohechem emet etc HH shacharit nusach


278-322 Chazarat HaTefillah several HH nuschaot


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Jom Hakipoeriem Ochtenddienst 2(Torah service)





328 there are special melodies for Brachot before Aliyot, but most people don’t use them.




344-346 Psalm 145 as on shabbat (by Sulzer)



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Jom Hakipoeriem Mussaf


361-376 silent Amida

376-432 Chazarat Hatefillah Mussaf Amida for Yom Kippur

several High Holiday Nuschaot

with Avodah

with special melodies


Continues with Mincha (starting with Torahreading p. 433, see next slide)

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This is the most important part of the whole day !

Be aware of that when you do it.

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Jom Hakipoeriem Mincha

432 Chatzi Kaddish Magein Avot with Shabbat Mincha Leitmotiv

433-449 Torah Service as on Shabbat Mincha

but with Haftara (Jonah)

[often lead by the youth in

the congregation]

452 Chatzi Kaddish Magein Avot


467-507 Chazarat HaTefillah several High Holiday Nuschaot


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Mincha prepares us for the normal life AFTER this day.

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Yizkor

Yizkor is often inserted before Neila, although it originally belonged to Torah Service

(remember Lecture by Eli about Yizkor.)

Has special melodies/compositions. See the material we got in the course.

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Jom Hakipoeriem Neila

510 El Norah Alila traditional Portuguese melody

511-513 Ashre Magein Avot for High Holidays

513-514 Uvah leZion Magein Avot for High Holidays

515-516 Yah shimcha composition

517 Chatzi Kaddish for Neila Neila Mi Sinai Tune

518-533 Silent Neila Amida

533-563 Chazarat haTefillah Avot and Gevurot in Neila Tune

Rest Nusach as in other HHservices

BUT NOTE DIFFERENT TEXT !

and special traditions as Amsterdam (Deutsche) Kedusha, melodies for Ptach Lanu Sha’ar and other Piyutim

564-567 Avinu Malkenu composition

567 Kaddish Titkabbal Major / “Sukkot Kaddish” in preparation for the next festival (special Dutch tradition)

569 FINAL special

Havdalah as on end of Shabbat (Weekday mode)

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Avonddienst voor Weekdagen

→ On special days start with special readings, overview see p. 120.

120 Intro120 Barchu Ahava Rabba120-121 Ma’ariv aravim and Ahavat Olam Ahava Rabba122-126 Shema Major (= liberal tradition), and torah

trope126 -130 Adonai elohechem emet, Geula Eastern Ahava Rabba

and Hashkivenu130 Chatzi Kaddish Eastern Ahava Rabba132 -152 Silent Weekday-Amida Silent

(On Chanukka, Purim, Yom HaAtzmaut don’t forget to insert Al hanissim into the silent Amida (p. 162,164). On Rosh Chodesh don’t forget to insert Ya’ale veyavo (p. 164).

154 Kaddish Titkabbal Magein Avot (study mode)

→ On Purim: Megillat Ester, on Tisha beAv: Echa and Kinot, between Pesach and Shavuot: count the omer, on Chanukkah: light candles; on Saturday evening make Havdalah.special readings on special days, Yom HaShoa (and 4 May), Yom HaZikaron and Yom HaAtzmaut, overview see p. 154, in Elul add Psalm 27.

112 Aleinu Adonai Malach Nusach or composition116 Mourner’s Kaddish Read

→ for Shiva Service: see p. 618 or (preferably) use special book.

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The Weekday Morning ServiceMa Tovu/ Yigdal/ Adon Olam/ Shachar avakeshcha composition

Birchot haShachar Magein Avot Study mode (as Brachot beforePesuke deZimra Magein Avot Study mode Torahreading)End of Pesuke deZimra: Yishtabach Ahavah Rabba mode, but much simpler than

Shab.

Chazi Kaddish Ahavah Rabba mode, but much simpler than Shab.Barchu Ahavah Rabba mode, but much simpler than Shab.Yotzer Ahavah Rabba mode, but much simpler than Shab.Ahava Rabbah Ahavah Rabba mode, but much simpler than Shab.Shema Ahavah Rabba or Major (=“liberale” tradition) and Torah Trop.Adonai elohechem Ahavah Rabba mode, but much simpler than Shab.Geula Ahavah Rabba mode, but much simpler than Shab.Weekday AmidaAmida is repeated by Chazzan Weekday Nusach (pentatonic)On Chanukka, Purim, Yom HaAtzmaut don’t fcorget to insert Al hanissim into the Amida (p. 86-88-90).On Rosh Chodesh don’t forget to insert Ya’ale veyavo (p.84)

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→ On Monday and Thursday and on Rosh Chodesh:Short Torah Reading [same Nusach as on Shabbat].

→ On Rosh Chodesh / Chanukka:[Half] Hallel (half = RCh, full = Chanukka.)

Kaddish Titkabbal Magein Avot Study modeAleinu Adonai Malach Nusach or compositionMourner’s Kaddish Read

→ On Purim and Tisha beAv: Megillat Esther/Echa

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The Sound of the Morning Serviceon a Weekday on Shabbat

Birchot haShachar Weekday Minor / Study Mode Major (special motives) / Psalm ModePesuke deZimra Weekday Minor / Study Mode Major (special motives) / Psalm ModeYishtabach Weekday Ahavah Rabbah Yishtabach Mode an elaborate festive

version of the Shabbat mode “Magen Avot”. The change into this mode starts already with Nishmat kol chai – the specific

shabbat ending of Pesuke deZimra.

Chazi Kaddish Weekday Ahavah Rabbah Yishtabach ModeBarchu Weekday Ahavah Rabbah Yishtabach Mode Yotzer Weekday Ahavah Rabbah Yishtabach Mode but after the piyyut el

adon change into Ahavah Rabba where the

first time “shabbat” is praised. (Some cantors only change at the words “kulam ahuvim”)

Ahava Rabbah Weekday Ahavah Rabbah Shabbat Ahavah Rabbah (elaborate!)Shema Major [German] / Weekday Ahavah Rabbah Shabbat Ahavah Rabbah Adonai elohechem Weekday Ahavah Rabbah Shabbat Ahavah Rabbah Geula Weekday Ahavah Rabbah Shabbat Ahavah Rabbah Amidah Weekday Nusach (pentatonic) 1-3 Adonai Malach [change in Kedusha]

4-7 Kedushat haYom till end: Ahavah Rabbah

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Torah Service (sounds the same Weekday and Shabbat but note that Shabbat has a DIFFERENT TEXT !) Frame all in Adonai Malach / Brachot for Aliyot: Eastern Trad: Study Mode [Minor]

Western Trad.: Major (in UK often used by Bar/Bat Mitzvahs)Kaddish Titkabbal Study ModeAleinu Adonai Malach or compositionMourner’s Kaddish Read

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The Weekday Morning ServiceMain differences to a Shabbat Morning Service:

is generally much simpler and quicker (people need to go to work). Even if it contains hallel on Rosh Chodesh, this hallel is usually done in the psalm mode for hallel, not with much congregational singing. But this depends on the group and there is freedom in adding songs and texts if all agree and each minyan develops its style.

The Weekday Service has NO “Yishtabach” mode. [Yishtabach mode is the typical feature for Festivals incl. Shabbat. Yishtabach Mode is an elaborate variant of Magen Avot mode (used for example for Ma’ariv Shabbat and Kiddush Shabbat) with elaborate modulations into major – very festive! Nothing to mark an odd normal weekday.On Weekdays the nusach changes with Yishtabach, too – the blessing after Pesuke deZimra leads over to the next part - but into Weekday Ahavah Rabbah mode [something related to how the last passages of the Amidah are chanted on Shabbat or how El Male Rachamim is done, and others – but, as it is weekday, it is kept very simple.] This mode it kept until the end of the shema section, that is until the Amidah starts. So Yishtabach is on weekdays chanted in a simple Ahavah Rabbah Mode!

The Weekday Service has NO Adonai Malach Mode for the first three sections of the Amidah. This very majestic major mode is reserved for Shabbat and Festivals. On weekdays there also is no nussach change, the whole weekday Amidah (1-19) is chanted in a very specific mode for the Amidah, a nusach based on a pentatonic scale.There is a composed kedushah that was introduced in the cantorial school at HUC – this is indeed based on the Weekday Amidah Mode, although very elaborate but uses the scale of the mode.

Different start. This is usually not a problem as many people use the Weekday birkhat haShachar on Shabbat! But Shabbat has its very own nusach for Birchot haShachar and Psuke deZimra – but as this is usually done by lay shlichey tzibbur, they usually do on shabbat what they know from Weekdays, pity ... (on shabbat it’s all in major, not in minor as on weekdays.)

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The Weekday Morning ServiceMain differences between Liberal, Reform, Masorti, Traditional in the UK

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Character of service

Progressive services tend to contain more songs than traditional services. In a Progressive service you may encounter prayer that are not chanted but read, a custom that started already in the 19th cent. The likelihood that a modern meditation is inserted into the service is more likely in the progressive service; traditional services may have short study units at the end; masorti services sometimes use a prayerbook that offers a variety of mediations for free choice by the person praying for him/herself.

Traditional services are chanted. The Weekday tunes are very different from the shabbat tunes (nusach is the “sound of time”, thus each time has its sound.)

A progressive service is clergy lead, the others join in with exactly the same words/tune/rhythm or listen. A traditional service is more congregational lead: everybody mumbles their prayers and the prayer leader tries to coordinate and synchronize where necessary. A traditional service lives form the togetherness of different voices.

Progressive WEEKDAY services are seldomIt is seldom that a liberal or progressive synagogue offers regular daily morning services Some liberal or reform synagogues offer during term times Weekday Services on Sunday mornings before or parallel to the start of the children’s cheder. Some Rabbinical Seminaries offer regular daily services.

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Textual differences Traditional vs Progressive (SUMMARY)

The main differences are at the beginning and at the end. Inbetween note some textual variants, especially in the Yotzer (the progressive trad. has no Kedushah) and in the Weekday Amidah (especially the last passages).

Pesuke deZimra may be abridged in a masorti service. It is definitely abridged in a Reform service and there also contains alternative texts and very different in a Liberal Weekday service. Whereas Progressive services have a congregational start, traditional services have a relaxed beginning, as Birkhat haShakhar is people’s private preparation, everybody comes in at his/her time and prepares in his/her own time, until people spiritually unite for Barchu. Liberal and Reform services, however, usually start together with a commonly chanted “Mah Tovuh” – a tradition that started in 19 th century Germany (majestic choral intro piece while clergy enters the room). In a traditional service Mah Tovuh is never sung or even heard.

After the Amidah follows in a traditional service private meditative time (“Tachanun”), prayers about the fragility of live, our limitations and our hope. A traditional service concludes slowly ... Ashrei ... Uvah leTzion Goel (a third Kedushah corresponding to the Kedushah in the Yotzer, so that the congregational praise of God’s holiness is framed by two private ones) and several study texts (Aleinu and the psalm of the day) to give people the opportunity to say Kaddish.A Progressive Service concludes quickly: just Aleinu, Kaddish (usually said together and this is usually also the only Kaddish in the whole service). Progressive Services usually end similarly as they have started: with a jointly sung congregational hymn (very often Adon Olam, but many other modern songs can be chosen on weekdays as well.)

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Differences in detail in t h e o p e n i n g p a r t

Singer’s [Masorti customs]... [private, people are coming, donning tallit and tefillin, begin their prayer]

leader usually starts to lead with morning blessings p. 16

ויהי רצון ... יהי רצון מלפניך... לעולם

.till first shema [private] לא על צדקותינו

]very short silence for private study[

p. 36 Ps 30 Mizmor shir chanukkat habayit

Kaddish Yatom [if minyan]

p. 40 BARUKH SHE-AMAR

1Chron 16:8-36

various psalm verses, mostly from psalm 95-99

Psalm 100

Daily Hallel (Ashre till Psalm 150)

p. 54 Vayevarech David ... (1 Chron 29:10-13; Neh 9:6-11; Exod 14:30-15:19 (shirat haYam)

p. 58 YISHTABACH

Chazi Kaddish to prepare Barchu.

Sed haTefillot [Reform]p. 32 congregational MAH TOVU

[sometimes preceded by a niggun]

“Entering Ourselves” containing a choice of the traditional texts as אשר morning ,יצר את אדם, אלהי נשמהblessings, either שתרגילנו or , שתצילנו.often read in English לא על צדק

Study passage

“Preparing to encounter God”

p. 39 BARUKH SHE-AMAR

evtl. psalm, often congregationally sung Psalm 150 (Hallelu...)

the siddur offers the trad. daily psalms, Ashrei, shirat haYam [without intro] and Vayevarech David after Ps 150 before

p. 53 YISHTABACH

the siddur prints Chazi Kaddish, but often omitted.

Lev Chadash [Liberal]p. 29 congregational MAH TOVU while standing

Modern meditation in English “Teach us to see each new day as a token of your love ...”

song: shachar avakeshcha

passage from creation story for the day

p. 36 BARUKH SHE-AMAR [abridged]

one psalm for the day [new choices]

p. 48 YISHTABACH [abridged]

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Differences in texts

There are variants between the movements, the most imporant differences is the version of the Yotzer (the 1st blessing before the Shema) and the versions of the Weekday Amidah.

It is worth to compare these texts in detail to understand the differences.

Singer’s [Masorti customs]

Yotzer can be found on pages 62 – 67 in the green centenary edition.

The Weekday Amidah can be found on עמידהpages 74-95.

Sed haTefillot [Reform]

Yotzer can be found on page 55 “The Creator of the Universe”.

The Daily Amidah עמידה can be found לימות החולon pages 74-86.

Lev Chadash [Liberal]

Yotzer can be found on page 49 “We praise you ...”.

The Daily Prayer can be found on תפלהpages 52-61.

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Differences in the c o n c l u d i n g p a r t

Singer’s [Masorti customs]After the Amidah follow very personal prayers, said in silence, tachanun. It has become custom to sing “shomer Yisrael” p. 116, together with a composed tune.

p. 132 ASHREI

p. 134 Lamenatzeach mizmor leDavid

(Ps 20)

p. 136 Uvah LeTzion Goel ... (= Kedushah deSitra)

KADDISH TITKABBAL

p. 140 Aleinu

KADDISH YATOM

psalm of the day

KADDISH YATOM

evtl. other psalm(s) or study

KADDISH YATOM

Reform

p. 310 Aleinu (either new version with asher bachar anu ... or the traditional text.)

KADDISH YATOM often said together

SONG

Liberal

p. 520 Aleinu (with asher sam chelkeinu leyached et shemo ...)

“Vorspruch” (meditation before Kaddish)

KADDISH YATOM said together

SONG Adom Olam or other

FINAL BLESSING

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Differences After Amidah and Weekday T o r a h S e r v i c e Monday/Thursday

Singer’s [Masorti customs]After the Amidah follow very personal prayers, said in silence, tachanun. It has become custom to sing “shomer Yisrael” p. 116, together with a composed tune.Then follows Ashrei, Uva Letzion, ... or

Monday and Thursday: torah reading with text of first Aliyah of shabbat with 3 Call ups: Kohen, Levi and one Israel. The leyning is done quickly. The framing is short and quick: just Vayehi bino’a and gadlu and procession at the beginning; hagbaah, yehallelu and Ladonai Haaretz (Ps 24) [quickly, no dramatic tune!] at the end.

Reform

---------------

After the Amidah – (which can be done with repetition or only the first three passages aloud or one loud Amidah altogether) follows immediately Aleinu or

the torah service, p. 88-93. The text is identical with the traditional liturgy. Usually there is only one Aliyah. Usually Reform congregations do not have Kohen and Levi (but EDRS for eG has). The text can be chanted or read. Any passsage of the parashah can be chosen.

Liberal

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After the Amidah – (which is done loud altogether, most of the texts read in English) follows immediately Aleinu.

The Reading of the Torah on Weekdays (p. 490-496) begins with “Hakhel et ha-am” Assemble the people ... (Deut 31:12f), followed by the congregational song “vehaer eneinu”, the Shema with echad, gadlu and procession. It concludes with yehallelu, Psalm 24 and “Vezot haberit” This is the covenant ... (Jer 31:31f), ending with the congregational song “hashiveinu”.ꜜ

not

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Sjabbat Torah Reading (Tora Reading Shabbat Morning)

Ein Kamochah

Av haRachamim

96 Vayehi binsoah Major or composition

Shema / echad /

96 gadlu Major or composition

96 Lecha Adonai Major or composition

• Brachah before the reading in Major (= Dutch tradition, inherited from portugese tradition)

Calls (ya’amod / ta’amod), misheberachs 306-322 in Major

• Brachah after the reading Major (anticipates call for next one)

[if Chatzi Kaddish before Maftir: study mode or Ahavah Rabbah]


• Bracha before Haftarah in Haftara trop (or read if Haftarah is read)

• Bracha after Haftarah special melody

Misheberach for congregation

Ashre

100 Yehallelu and Hodo al eretz Major

100 Psalm 29 Major/composition

102 uvnucho yomar composition

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Not on weekdays

Not on weekdays

Not on weekdays

Psalm 24 on weekdays

on Monday/Thursday/Rosh Chodesh

Weekdays

Not on weekdays

Not on weekdays

Not on weekdays

ON WEEKDAYS ONLY 3 ALIYOT,

ONLY SHORT TEXT IS READ

(Traditionally the first Shabbat Aliya

but split into 3 Aliyot, see the divisions in a

Tikkun Kor’im.)

ON ROSH CHODESH 4 Aliyot and special torah

reading.

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Nusach in Colourdr Annette M. Boeckler

with rabbijn David Lilienthal

and prof. dr. Eli Schleifer

2009

88

Training of shelichay tzibbur

2007-2009

Final Version: 08/06/2009

http://www.levisson.nl/index.php?option=com_content&task=view&id=68&Itemid=268

©annette m. boeckler 2014 home colour overview overview of the nusach for the whole year [uk...

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