anna magdalena bach
DESCRIPTION
Cuaderno de ejercicios para pianoTRANSCRIPT
/
BACHfir EARLY GRADEScom p iled
from the Note-Book ofANNA MAGDALENE BACH
~ Book IBook IIBook III
tif- ¡-.. -
9584
1IlTHE Bl?~:?~~~:'~~M~~l~PANY••, lU5
BACH FOR EARLy GRADESBOOK 1
Compiled 'from
ANNA MAGDAL'ENE'SNOTE ..BoOK
By
Bryceson TreharneBíographical Sketch
By
Laurence B. Ellert
- -~.- -sr-;»
BOSTON MUSIC CO.
Copyright 1939, 1966 by THE BaSTaN MUSICco.
B. M, ce, 9584
"THERE is only one llach ", exclaimed Frederíekthe Great when he hea,~d that master of oratorio,
JOHANN SEBASTIAN BACH, improvise on hispianofortes and org~ns at the palaee in Potsdam.
Born in Eisenaeh, a Thuringian village in Gerrríany,March 21, 1685, little Sebastians family was knownthroughout the country as one of musicians. . Between1500 and 1871, fifty-two deseendants covered the fourgenerations .. His great-great grandfather, Veit Bach, ajovial miller, strummed his instrument and sang lustilywhile the noisy mill-wheel was grinding his grain.Sebastiari's father, Joh~nn Ambrosius Bach, a violaplayer and organist in the village ehurch, gave himlessons on the violin and encouraged him to beeome a
great musieian. When the lad was nine years old his mother died; the following year he lost his father. So hiseldest brother, Johann Christoph, fourteen years older and a very fine musician, took charge of the, orphans. Helived .in Ohrduff, a vilIage thirty miles frorn Eisenaeh, and here the ehildren were sent to sehool at the Gymna-sium. to study literature, religion .and-e-of coursc+-music. It was diffieult to get musie in those days and Christoph,who had quite a library whieh he kept under loek and key, refusedto let the boy have some sheets hewishcd to copy.Sebastian found a way to gain access to the_bookease, and night after night, for six months, copied them by rnoon-light. At the age of fourteen, he set out from home with another boy to walk to Lüneburg, a víllage 200 miles away,where they applied as choir boys at St. Miehael's. Baeh's faeilityfor reading musie and his lovely voiee soengaged the singing master that he was urged to remain. Besides developing a knowledge of church music he heardthe distinguished organist Bohm. Soon he. began to "walk over to Hamburg", a distancc of thirty miles to hearthe great organ master, Reinken, of St. Katherine's, give coneerts. A story is told thathe sat down to rest on a hench outside an inn, undoubtedly wishing he had the money toen ter and partake of some of the delicious sausage, the cooking aroma of which tempted hisappetit , Someone must have seen him, for-suddenly, two herring hcads were thrown outthe window. Sebastian picked them up, and inside eaeh mouth found a gold piece. After
satisfying his hunger, he undoubtedly returned to Ha mhurg tohear rnorernusic
In 1703"he secured a position as organist in a new churehat Arnstadt where his salary, including allowance for board andlodging, was about$50.00 ayear. Hcre, on a ne w organ, he wasfree to expand his lave of playing and eompo'sing. He beganto write thpse elaborate Toccatas and Fugues. At the age oftwenty-t wo . he marr-ied his iitt le cousin María Barhara andreceived a small "dot" to sct up housckeeping in Mühlhauscn where he aeeepted a new post.The environmcnt was not lo h is liking so he wen t to Wc-imur, where he had a choir' of abouttwelve and a very substantial incornc. Hore at th« court 01' Saxe-Weimar he was madedirector of concerts and had to cornpose a cantata cvcry month besides special pieces for
., birthdays, weddings, funeral s, de. A con test was arrungcd by King Ferdinand in Dresdcnbetwecn Baeh and the celebratcd Marchand , organist t o Lou ix XY of France. On his arrival
. "', -r-:': ....;he heard Baeh at practice, when it was time for the coutcst Marchundr-ould not be found.~~~. " : At his hotel it was said that he had left Drcsdcn by Iast coach.Bacn Monumvnt, Ei<er>a,h· In 1717, Bach was engaged as Kappell-mcist er h~, Pri nco Lcopold of Anhalt-Cothcn.
So he packed up his family and moved to grcater opport unit ic-x. .-\.t Cot hcn he wrote theimmortal "48 Preludes añd Fugues". He frequently accompanied t he Prince Oll jourru-ys. Rcturning froin oncof the tours he learned that his wife, after a short illness. had dicd and was hurivd la·fof(· he could he informed. Tw oof their children, Wilhelm Friedmann and Carl Philipp Emmanuel bccarnc fa m oux JlHI SIC ia liS.
In 1721, he married a musician, Anna Magadelena, whobore him thirteen children, managed his household, <copied outhis works and was the source of greatest inspiration to him forthe next thirty-one years .. Toward the end, his eyes began tofail and nothing could be done to prevent blindness. HediedJuly 28, 1750.
There was always music in the Bach farnily, all the childrenstudied and nothing gave Baeh greater pleasure then to gatherhis family around him and play music.
Bach playing for Fr ederick the Great
NOTE: This is fl mere sketch --lhe human side-r-of one 01 tñe greatest figures in. musical. histor y,••Johan« 'Sebastian Bach" 'U'hich ftudents are sure lo cnjoy.
T'h ere are mally bi ogra chies such as C .. )". 'lerr y:s tran slati an- o] ForkelsL. B. E .
.\~lta. Maadalette's Note-Book Original manuscript in. the Prussian State-L,brar)! al B""Ur.
1N olden times, musical people wrote down th.eir favorite piece~ and ,~ept them .in neatl~bound books. Three of such books were In the Bacb family : The Claoier Book
prepared for the eldest son, Friedernann : a book containing the first five French Suites and afew smaller compesitions, inscribed ; "ForAnna Magdalene Bach "; ando the íamous Note-Book(1725) as reproduced above. The original of this book has a -cover of green paper, the edges oíwhich are stamped with a goldborder. The initials and date are in gold letters. The additionalletters, speUing out "Arma MagdeL Bach " in ink, are in the handwriting of Philip Emanuel andwere undoubtedly added later. According to the date, it seems to have been given to Annaby Sebastian 01'1 her twenty-fourth birthday.
Anna Magdalene, born Sept. 22, 1701, was the youngest daughter of a musician, JohannCasper Wülcken, who held an appointment as trurnpeter to the Court at Zeitz. In 1714, he wastransferred to. the Duke of Weissenfels' Court and here Arma seems to have appeared in concerts.,A few yearslater, she won fame as "Singer to the Prince" in Cóthen, Sebastian Bach, a widowersince j uly, 1720:, and the Court conductor oí music,'fell in love with this lovely singer oí twentyand, 01) Dec. 3,.1721, they were married. Two. years later, the couple, with the children of Bach'sfirst marriage, moved to Leipzig. .
Many interesting and charming Iegends have grown up, around the "Note-Book". In hisbiography of Bach, PhiJlip Spitta calls it "an intimate, tender relationship between husband andwifé."· However, there is no reason to suppose it was ever intended as a record. of Bach' S· owncompositions. In 1725, he wrote out two. of his piano suites, in the book an.d after that, he seernsto have surrendered the book entirely to the fancy of his wife's taste. A third of the pieces inthe "Note-Book " are in Anna's. handwriting. The contente seerns. to cover a long period and' f.or
: months at a time, there are no entries. Meanwhile, the children were growing up and neededteaching pieces to play on the clavichord or rnusic for dancir:ig~marches, gavottes, minuets. polo-naises, etc. As. Papa Bach was always a busy man , it rested UpORthe lovable, unselfish Ann.a to.collect simple and practical material. As the children grew up they also tried their hand at COIII-
posing and Mother's beloved music-book 'becarne a convenient place to jot it d,OWR. The pietvand devotion of the Bachs accounts forthe frequent appearances of Chorales and religious mlls.¡c.
Arma Magdalene outlived her husband about ten. years amI died Feb. 27, 1:i.ÓQ,dl'S.titutp anrldependent on charity. She lies buried¡i'" Sto josr-phsCr-rneu-rv I Ll'ipzig:l. beside-her }.¡ll~l¡,.I;I1C1'.
ChoraleWie wohl ist mir, o Freund der Seelen
(What joJ is mine, o Friend of morials)
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A text, '~C:;c1laff'smil mir; Gott;' by Benfanun Schmolck (zr.o,"tIlOut music) appeared in a Dresden song bool "Ud1725., The composer oJ lile melody is nnknomn but Back harmonized it for .A.nna Magdalene.
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'T/zis "Aria" appears tmice in the "Note-Book"; ihe l'f'TSIÓn abov~ in ihe key of D minor wülzout zoords and a.alluir in G minornnth mords. The latter mas undoubtedly iransposed witMn the range of Anna .Yagd!llene'seoice and she etndently sang ii io please her h.usband, A iranslation of the zoords is given belotu.
When in my pipe 1 take my pleasure,Filling it with tobacco new,
Smoking before the fire at Ie isure,Then 1 do learn a les son true.
1see in this, my pipe so fine,A likeness to this life of mine.
When 1 do light my pipe so neat1y,In but a moment 1do find,
That all the smoke has gone completely,Leaving but ashes here behind,
So does man's body turn to -clay,So does his glory fade away.
B.M.Co. 9584 Text, Copyriglú.tl 1939, by TlJe BOSLo,. Music Co.
8Minuet in G major
(Faít par Mons. Bohm)
Georg Bohm
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This composition was written by Georg Bohm (1661-1733) organist and [ormer teacher 01 Bach in Lüneburg.The Bach's were so fond 01 this 'Minuet that it was included in the "Note-Book",
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o Ewigkeit, du Donnerwort!«»; Eterndy, ilum. MzgMy Word!)
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12 Minuet in G major
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