andrey nosov copyright

14
T A B 3 0 1 2 p i m 0 1 0 1 0 1 0 1 3 2 3 2 3 0 0 2 p i m 0 0 0 0 0 0 0 0 3 2 3 2 1 0 3 m i p 1 0 3 T A B 3 0 1 2 p i m 1 0 1 0 1 0 1 0 3 2 3 2 3 0 0 2 p i m 0 0 0 0 0 0 0 0 3 2 3 2 1 0 3 m i p 1 0 3 Type 1 Type 2 ARPEGGIO Guitar fingerpicking techniques from A.Nosov, and many other interesting and useful materials can be found on the website http://www.guitarnosov.com BRIEF INFORMATION Arpeggio (the Italian word arpeggio is derived from arp, which means "a harp," and arpeggiare, which means "to play on a harp") is a playing technique where one plays successively the notes which usually form a chord. In other words, arpeggio is a way to pick the strings. PURPOSE The types of arpeggios (60 samples) that I would like to bring to your attention are included in the training program of my (Andrey Nosov's) guitar school and are mostly exclusive. Any type of arpeggio is of practical and training importance. On the one hand, it may be used as a template to create accompaniment for vocals or as a template for musical instrument solo. On the other hand, it may be used as an exercise for developing the coordination of the fingers of the right hand (responsible for extracting sounds in the standard sitting position). For this reason, all types of arpeggios are APPLICATION FEATURES Each type of arpeggio consists of three bars. In the first bar, the C(Do) major chord is played; in the second bar, the G(Sol) major 7 chord; in the third bar, the C(Do) major chord again. When we say "the chord is played," it means that the required chord is set up by the fingers of the left hand (if the standard sitting position is used) and performed by the designated fingers of the right hand on the designated strings with the designated technique. The exceptions are a few types of arpeggios, where the chord structure cannot be used. Each arpeggio is provided with tablature, specifically for those who don't know notation. Designations related to the fingers of the left or right hand are also placed in the sheet music. If you have trouble understanding the designations (which are standard and generally accepted), you can find Each arpeggio should be repeated as many times as possible and practiced for a period of time (hours, weeks, months) sufficient to play it blindfolded. Or, more precisely, the music is played to the "repeat" sign (:| | ) and repeated until you get tired. So, you play the chord from the last bar and then rest. Each arpeggio is learned at a slow speed and then gradually sped up to the required tempo. The tempo of the learned arpeggio is characterized as medium (Moderato). You can play it a little bit faster, of course, but without losing the ability to change chords in a timely manner and without losing quality: clear sound and volume (sufficient for your potential audience to hear). Each arpeggio is provided with an audio file, so you can be aware of the recommended tempo. After you learn them, each arpeggio can be played with any other pair of chords (I highly recommend you do this to bring some variety to your playing). Detailed information on any type of arpeggio can be found in the lessons starting from the 17th. So if you have any difficulties, refer to these lessons (information on any type of arpeggio is published in the section "Guitar Lessons" of the website of "Andrey Nosov's Guitar School". What do you do if the efforts you made don't deliver the desired result? There are two possible reasons: either you don't know how to correctly position your hand on the neck or your guitar is in poor condition. In any case, you will need qualified assistance, which you can find on my website, "Andrey Nosov's Guitar School", in the section "Guitar Lessons". The first lesson is available for free (the price for each subsequent lesson $2). I hope that even this one lesson will be very useful to you. Good luck! Andrey Nosov, the author of the manual "Andrey Nosov's Guitar School" and several hundreds of arrangements for guitar solo, guitar ensembles, voice and guitar. _ Andrey Nosov's Guitar School... Only the Best... also included in the section "Useful Materials" > "Exercises" > "Arpeggio". information on them (besides my lessons, of course) here: "Andrey Nosov's Guitar School" > "Useful Materials" > "Musical Vocabulary" > "Guitar Symbols". Andrey Nosov Copyright

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Page 1: Andrey Nosov Copyright

TAB

3

01

2

p

i m

01

01

01

01

32

32

3

00

2

p

i m

00

00

00

00

32

32

10

3

mip

10

3

TAB

3

01

2

p

im

10

10

10

10

32

32

3

00

2

p

im

00

00

00

00

32

32

10

3

mip

10

3

Type 1

Type 2

A R P E G G I O

Guitar fingerpicking techniques from A.Nosov,

and many other interesting and useful materials can be found on the website http://www.guitarnosov.com

BRIEF INFORMATION

Arpeggio (the Italian word arpeggio is derived from arp, which means "a harp," and arpeggiare, which means "to play on a harp") is a playing technique where one plays successively the notes which usually form a chord. In other words, arpeggio is a way to pick the strings.

PURPOSE The types of arpeggios (60 samples) that I would like to bring to your attention are included in the training program of my (Andrey Nosov's)

guitar school and are mostly exclusive. Any type of arpeggio is of practical and training importance. On the one hand, it may be used as a template to create accompaniment for vocals or as a template for musical instrument solo. On the other hand, it may be used as an exercise for developing the coordination of the fingers of the right hand (responsible for extracting sounds in the standard sitting position). For this reason, all types of arpeggios are

APPLICATION FEATURES

Each type of arpeggio consists of three bars. In the first bar, the C(Do)-major chord is played; in the second bar, the G(Sol)-major 7 chord; in the third bar, the C(Do)-major chord again. When we say "the chord is played," it means that the required chord is set up by the fingers of the left hand (if the standard sitting position is used) and performed by the designated fingers of the right hand on the designated strings with the designated technique. The exceptions are a few types of arpeggios, where the chord structure cannot be used.

Each arpeggio is provided with tablature, specifically for those who don't know notation. Designations related to the fingers of the left or right hand are also placed in the sheet music. If you have trouble understanding the designations (which are standard and generally accepted), you can find

Each arpeggio should be repeated as many times as possible and practiced for a period of time (hours, weeks, months) sufficient to play it blindfolded. Or, more precisely, the music is played to the "repeat" sign (:||) and repeated until you get tired. So, you play the chord from the last bar and then rest. Each arpeggio is learned at a slow speed and then gradually sped up to the required tempo. The tempo of the learned arpeggio is characterized as medium (Moderato). You can play it a little bit faster, of course, but without losing the ability to change chords in a timely manner and without losing quality: clear sound and volume (sufficient for your potential audience to hear). Each arpeggio is provided with an audio file, so you can be aware of the recommended tempo. After you learn them, each arpeggio can be played with any other pair of chords (I highly recommend you do this to bring some variety to your playing). Detailed information on any type of arpeggio can be found in the lessons starting from the 17th. So if you have any difficulties, refer to these lessons (information on any type of arpeggio is published in the section "Guitar Lessons" of the website of "Andrey Nosov's Guitar School".

What do you do if the efforts you made don't deliver the desired result? There are two possible reasons: either you don't know how to correctly position your hand on the neck or your guitar is in poor condition. In any case, you will need qualified assistance, which you can find on my website, "Andrey Nosov's Guitar School", in the section "Guitar Lessons". The first lesson is available for free (the price for each subsequent lesson $2). I hope that even this one lesson will be very useful to you. Good luck!

Andrey Nosov, the author of the manual "Andrey Nosov's Guitar School"

and several hundreds of arrangements for guitar solo, guitar ensembles, voice and guitar.

_

And

rey

Nos

ov's

Gui

tar S

choo

l... O

nly

the

Bes

t...

also included in the section "Useful Materials" > "Exercises" > "Arpeggio".

information on them (besides my lessons, of course) here: "Andrey Nosov's Guitar School" > "Useful Materials" > "Musical Vocabulary" > "Guitar Symbols".

And

rey N

osov

Cop

yrigh

t

Page 2: Andrey Nosov Copyright

TAB

3

0

2

p

i a

0

0

0

0

0

0

0

0

32

32

3

0

2

p

i a

0

1

0

1

0

1

0

1

32

32

0

3

a

ip

0

0

3

TAB

3

0

2

p

ia

0

0

0

0

0

0

0

0

0

32

32

a

3

0

2

p

ia

1

1

0

1

0

1

0

1

0

32

32

0

3

a

ip

0

0

0

3

TAB

3

0

2

p

im

01

0

p

0

0

01

0

0

01

32

32

3

0

2

p

i

m

a

0

1

0

0

1

00

0

1

00

32

32

10

3

mip

10

3

TAB

3

0

2

p

im

01

ai

p

0

01

0

0

01

0

32

32

3

0

2

p

i

m

a

0

i1

0

1

00

0

1

00

0

32

32

10

3

mip

10

3

TAB

3

2

p

m a

10

10

10

10

10

32

32

3

2

p

m a

0

1

01

01

01

01

32

32

a

p

m01

3

01

3

2

Type 31

00

Type 4

i iType 5

Type 6

Type 7

p

p

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rey N

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Page 3: Andrey Nosov Copyright

TAB

32

p

ma

10

01

01

01

01

32

32

32

p

ma

0

1

10

10

10

10

32

32

a

p

m01

3

01

3

TAB

32

p

ma

10

ii m

0

01

01

0 01

01

0

32

32

p

ma

1

0

ii m

0

00

10

0 00

10

0

32

010

3

amip

010

3

TAB

32

p

ma

10

iim

0

10

0

01 1

0

0

01

32

32

p

ma

1

0

iim

0

00

1

00 0

0

1

00

32

010

3

amip

010

3

TAB

3 2

p

m

10

ii m i i

01

0 01

0 01

0 01

0

32

32

3

p

m

0

ii m

0

i i

p

00

0 00

0 00

0 00

0

32

32

103

mip

10

3

TAB

3 2

p

m

10

im m i m

2p

10

1 10

1 10

1 10

1

32

32

3

p

m

0

m

0

i i

p

m m

00

0 00

0 00

0 00

0

32

32

103

mip

10

3

3

Type 8

Type 9

Type 10

2p

Type 11

Type 12

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rey N

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Page 4: Andrey Nosov Copyright

TAB

3 2

p

a

0

ii a i i

2

0

p

0

0

0 0

0

0 0

0

0 0

0

0

32

32

3

p

a

0

ii a i i

p

1

0

1

0 0

1

0 0

1

0 0

1

0

32

32

a

ip

0

0

3

0

0

3

TAB

3 2

p

a

0

a i i

2

0

a a

p

0

0

0 0

0

0 0

0

0 0

0

0

32

32

3

p

a

0

a i i

p

1

a a

1

0

1 1

0

1 1

0

1 1

0

1

32

32

a

ip

0

0

3

0

0

3

TAB

3

p

0

i a i

0mi i

2p

0

0

0 01

0 0

0

0 01

0

32

32

3

p

0

i a i

p

1mi i

0

1

0 00

0 0

1

0 00

0

32

32

103

mip

10

3

TAB

3

p

0

a i

0

a

p

m i m

2

0

0

01

01

0

0

01

01

32

32

m i m

3p

0

a i

p

1

a

1

0

10

00

1

0

10

00

32

32

103

mip

10

3

TAB

3

p

m a m

0

ai i

2p

10

10

0

01

01

0

0

0

32

32

3

p

0

m a m

p

1

ai i

01

00

1

00

10

0

1

0

32

32

a

ip

0

0

3

0

0

3

4

Type 13

Type 14

Type 15

1 0

1 0

Type 16

Type 17

10 0

2

2

2

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rey N

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Page 5: Andrey Nosov Copyright

TAB

3

p

a m

0

a i

2p

1

a a

0

01

0 0

0

0 01

0 0

0

0

32

32

3

p

0

a m

p

1

a i

2

a a

0

10

1 1

0

1 10

1 1

0

1

32

32

a

ip

0

0

3

0

0

3

TAB

3 2

p

m

10

ii m i

ia

2

0

p

01

0

0

01

0 01

0

0

01

0

32

3

p

m

0

ii m

0

ii

p

a

1

00

0

1

00

0 00

0

1

00

0

32

103

mip

a0

010

3

TAB

3 2

p

m

10

im i

ia

2

0

p

m

10

10

0

01 1

01

0

0

01

32

3

p

m

0

im

0

ii

p

a

1m

00

00

1

00 0

00

0

1

00

32

103

mip

a0

010

3

TAB

3

p

0

i a

0

mi a

2p

m

1

01

0

01

0

01

0

01

0

32

32

3

p

0

i am

p

1

mi a

0

2

00

1

00

1

00

1

00

1

32

32

103

mip

a0

010

3

TAB

3

p

0

ia

0

m ia

2p

m

1

01

0

01

0

01

0

01

0

32

32

3

p

0

ia m

p

1

m ia

0

2

10

0

10

0

10

0

10

0

32

32

103

mip

a0

010

3

5

Type 18

Type 19

Type 20

Type 21

Type 22

And

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Page 6: Andrey Nosov Copyright

TAB

3

p

0

ia

0

m im

1

p

m

32

01

01

01

32

01

01

01

2 2

3

p

0

i

a

0

m i

m1

p

m

2

32

00

10

00

32

00

10

00

2 2

103

mip

a0

010

3

TAB

3

p

0

ia

0

mim

1

p

i

2

32

10

0

01

0

32

10

0

01

02 2

3

p

0

i

a

0

mi

m1

p

2

i

32

00

1

00

0

32

00

1

00

0

2 2

103

mip

a0

010

3

TAB

3

p

0

am

m

1

p

i

2

p p

32

01

32

10

32

01

32

10

2 2 2 2

3

p

a

0

mm

1

p

2

i

32

10

32

00

32

10

32

00

2 2 2 2

103

mip

a0

010

3

TAB

3

p

0

i a

0

i

2

p

m

1

m i

3

10

01

02

0

3

10

01

02

0

3

p

0

i am

p

1m i

0

2

i

3

00

10

0

2

0

3

00

10

0

2

0

103

mip

a0

010

3

TAB

3

p

0

ia

i

01

mi i

2p

ma

0

01

0 0

01

0 0

01

0 0

01

0

32

32

3

p

0

ia

i

p

1

mi i

0

ma

2

0

10

0 0

10

0 0

10

0 0

10

0

32

32

103

mip

a0

010

3

6

2

Type 23

Type 24

Type 25

Type 26

Type 27

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rey N

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Page 7: Andrey Nosov Copyright

TAB

3

p

a ai

2p

a am m m m

01

01

0

01

01

0

01

01

0

01

01

0

01

32

32

3

p

a

p

ai

2

a am m m

10

0

m

10

0

10

10

0

10

10

0

10

10

0

10

32

32

m

103

mip

a0

010

3

TAB

3 2p

mii m i

ia

p

210

0

a ma

2

10

2

01

2

10

2 2

10

2

01

2

10

23 3

p

m

0

ii m i

i

p

a

100

aa

0

00

0

10

0

00

0 0

00

0

10

0

00

02 2

103

mip

a0

010

3

TAB

3

p

a m

0

a m

2p

1

a a

0

i i

0

01

0

0

01

0

0

01

0

0

01

0

32

32

3

p

0

a m

p

1

a m

2

a a

0

i i

0

10

1

0

10

1

0

10

1

0

10

1

32

32

103

mip

a0

010

3

TAB

3

p

m

0

m

2p

1

a a

0

i ii i

10

0

01

0

0

01

0

0

01

0

0

0

32

32

3

p

0

m

p

1

am

2

a

0

i i i i

00

1

00

0

1

00

0

1

00

0

1

0

32

32

103

mip

a0

010

3

TAB

3 2

p

m

10

m i ia

2p

0

a m m

01

01

01

01

01

01

01

01

32

3

p

m

0

m

0

i i

p

a

1

ma m

10

00

10

00

10

00

10

00

32

103

mip

a0

010

3

7

0

i iType 28

Type 29

Type 30

Type 31

Type 32

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Page 8: Andrey Nosov Copyright

TAB

3

02

10

p p pp

i im i i

a i im i i

3

02

01

02

0

0

02

01

02

0

p

2

00

0

1

pp p p

p

i im i i

a i im i i

2

00

00

00

0

1

00

00

00

0

2

103

mip

a0

010

3

TAB

3

p

m

0

m

2p

1

a a

0

i im m

01

01

01

01

01

01

01

01

32

32

3

p

0

m

p

1

m

2

a a

0

i im m

00

10

00

10

00

10

00

10

32

32

103

mip

a0

010

3

TAB

3

p

m

0

m

2p

1

a a

0

i ia a

10

0

01

0

0

01

0

0

01

0

0

0

32

32

3

p

0

m

p

1

m

2

a a

0

i ia a

01

0

10

1

0

10

1

0

10

1

0

1

32

32

103

mip

a0

010

3

TAB

3

20

10

p i m a p i m ap i m a p i m a

03

20

32

01

20

10

32

01

03

20

32

01

20

10

32

01

TAB

0

p i m a p i m ap i m a p i m a

3 20

0

1

32

00

20

00

00

01

20

00

32

00

20

00

00

01

20

00

103

mip

a0

010

3

8

Type 33

Type 34

Type 35

Type 36

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Page 9: Andrey Nosov Copyright

TAB

3

p

m

0

m

2p

1

a a

0

i ii im m

10

01

01

0

01

01

0

01

01

0

01

0

32

32

3

p

0

m

p

1

am

2

a

0

i i i im m

00

10

00

0

10

00

0

10

00

0

10

0

32

32

103

mip

a0

010

3

TAB

3

p

m m

2p

m m

0

i ii ia a

01

01

01

0

01

01

0

01

01

0

01

01

0

32

32

3

p

m

p

mm

2

m

0

i i i ia a

10

10

00

0

10

00

0

10

00

0

10

00

0

32

32

103

mip

a0

010

3

TAB

3p

a m0

a m

2

p

1

ii

0

ii

1

20

2

0

20

2

1

20

2

0

20

23

03

0

3p

0

a m

p

1

a m

2

i

i

0

i

i

0

0

00

0

1

00

0

0

00

0

1

00

02

32

3

m

103

mip

a0

010

3

TAB

3

p

am

0

a i

2p

a aim

10

3

010

0

2

010

0

3

010

0

2

010

0

3

p

am

p

1

a i

2

a ai

00

3

100

1

2

100

1

3

100

1

2

100

1

103

mip

a0

010

3

TAB

3

p

a m

0

a m

2

1

a a

0

i i

0

01

0

0

01

0

0

01

0

0

01

0

32

32

32

32

3 p

0

a m

1

a m

2

a a

0

i i

0

10

1

0

10

1

0

10

1

0

10

1

32

32

32

32

103

mip

a0

010

3

9

Type 37

Type 38

Type 39

Type 40

Type 41

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Page 10: Andrey Nosov Copyright

TAB

3

p

m

0

m

2

1

a a

0

i ii i

10

0

01

0

0

01

0

0

01

0

0

0

32

32

32

32

3p

0

m

1

am

2

a

0

i i i i

00

1

00

0

1

00

0

1

00

0

1

0

32

32

32

32

103

mip

a0

010

3

TAB

3 2

p

m

10

m i ia

2

0

a m m

01

01

01

01

01

01

01

01

32

32

32

32

3p

m

0

m

0

i ia

1

ma m

10

00

10

00

10

00

10

00

32

32

32

32

103

mip

a0

010

3

TAB

3 2

p

m

10

mi ia

2

0

a i i

0

01

0

0

01

0

0

01

0

0

01

0

32

32

32

32

3p

m

0

m

0

i ia

1

ia i

1

00

0

1

00

0

1

00

0

1

00

0

32

32

32

32

103

mip

a0

010

3

TAB

3

p

m

0

m

2

1

a a

0

i im m

01

01

01

01

01

01

01

01

32

32

32

32

3 p

0

m

1

m

2

a a

0

i im m

00

10

00

10

00

10

00

10

32

32

32

32

103

mip

a0

010

3

TAB

3

p

m

0

m

2

1

a a

0

i ia a

10

0

01

0

0

01

0

0

01

0

0

0

32

32

32

32

3p

0

m

1

m

2

a a

0

i ia a

01

0

10

1

0

10

1

0

10

1

0

1

32

32

32

32

103

mip

a0

010

3

10

Type 42

Type 43

Type 44

Type 45

Type 46

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Page 11: Andrey Nosov Copyright

TAB

3

p

m

0

m

2p

a ai im m

10

i i

3

10

010

2

10

010

3

10

010

2

10

010

3

p

m

p

1

m

2

a ai im m

00

i i

3

00

100

2

00

100

3

00

100

2

00

100

103

mip

a0

010

3

TAB

3

p

m m

2p

1

a ai i

a a

0

0

i i

3

0

01

0

02

0

01

0

0

3

0

01

0

02

0

01

0

0

3

p

m

p

1

0

m

2

a a

0

i ia ai i

3

1

00

1

0

2

1

00

1

0

3

1

00

1

0

2

1

00

1

0

103

mip

a0

010

3

TAB

3

p

m

0

m

2p

1

a a

0

i im m

3

10

01

2

10

01

3

10

01

2

10

01

3

p

0

m

p

1

m

2

a a

0

i im m

3

01

00

2

01

00

3

01

00

2

01

00

103

mip

a0

010

3

TAB

3

p

m

0

m

2p

a ai ia a

10

шi i

m

010

010

010

010

010

010

010

010

32

32

m

3

p

m

p

1

m

2

a ai ia a

00

im

im

100

100

100

100

100

100

100

100

32

32

103

mip

a0

010

3

TAB

p

i m ma a

m m ia a m

p

3

02

10

3

02

10

01

0

01 1

0 02

3

02

10

01

0

01 1

0 02

p

i m ma a

m m ia a m

p

2

00

0

1

3

2

00

00

10

3

10 0

0 00

2

00

00

10

3

10 0

0 00

103

mip

a0

010

3

11

Type 47

Type 48

Type 49

Type 50

Type 51m

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Page 12: Andrey Nosov Copyright

TAB

3

20

023

23

01

p

ma

3

01

2

01

0

01

2

01

3

01

2

01

0

01

3

01

2

03

02

0 3 2

1

0

p

ma

2

10

0

10

3

10

0

10

2

10

0

10

3

10

2

10

103

mip

a0

010

3

TAB

p

i m iim im

p

i imim m i

10

23

4 0 4 1 0 20

42

3

0

0 1 0 4 1 0 2

10

30

3 1 02 0

32

0 1 03 1 0

2230

30

p

i m i im im i im i m i

p p

00

023

1 4 0 1 4 1 010

23

4 0 1

400

023

1 0 4

00

1 30 1

3 1 0 10

30 1 3 1 0

3

023

230

023

00

103

mip

a0

010

3

TAB

010

3 2 0 3 2 3 0 3p

ami

3

010

2

010

0

010

3

010

2

010

3

010

0

010

3

010

ami

100

2 0 3 2 3 0 23

2

100

0

100

3

100

2

100

3

100

0

100

2

100

3

100

103

mip

a0

010

3

TAB

p

ima

4

3 0 2 3

3

3 3 3

0

3 3 3

2

3 3 3

3

3 3 3

0 2 0 1

0

3 3 3

2

3 3 30

3 3 31

3 3 3

TAB

31 0

2

33 3 3

13 3 3

03 3 3

2

3 3 3

0

3 2 0

0

3 3 3

3

3 3 3

2

3 3 3

0

3 3 3

103

mip

a0

010

3

12

Type 52

Type 53

Type 54

Type 55

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Page 13: Andrey Nosov Copyright

TAB

p

0

3 2

0

i m a

0 0 0 03

0 0 02

0 0 0 0 0 0 00

3

0

2 0

0

30 0 0

20 0 0

00 0 0 0 0 0 00

TAB

3

0

2 0

0

30 0 0

20 0 0

00 0 0 0 0 0 00

2 0

0

20 0 0

00 0 0

2

0 0 0 0 0 0 00 0

TAB

p

ma

4

3

i

3

3 3 3 3 3 3 3

2

3 3 3 3 3 3 33 3

0

3 3 3 3 3 3 3

3

3 3 3 3 3 3 33 3

TAB

2

3 3 3 3 3 3 3

0

3 3 3 3 3 3 33 3

3

3 3 3 3 3 3 3

3

3 3 3 3 3 3 33 3

103

mip

a0

010

3

TAB

0

0

2 30 2

3 02

p

a

0

0

2

0

3

0

0

0

2

0

3

0

0

0

2

0

3 0

2 30 2

4

3

0

3

0

0

0

2

0

3

0

0

0

2

0

4

0 01

0

13

Type 56

Type 57

0

3

2 0 33

Type 58

1

mi

p

a021

0

0

22

mi

p

a012

0

2

2

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Page 14: Andrey Nosov Copyright

TAB

2 0p

i m a

p

a m i

3

00

4

30

03

20

03

00

03 3 3 3 33

0 3p

i m a a m i

p2

01

4

20

13

00

13

3

01

3 3 3 3 33

TAB

3 2p

i m a a m i

p

0

00

4

00

03

3

00

3

2

00

3 3 3 3 33

p

i m a a m i

p

3

01

4

0 2

3

01

3

00

13

20

13 3 3 3 33

103

mip

a0

010

3

TAB

p

ami

i m a

p

i m a

p

41

0

3 0 2 0 3

01

4

3

310

0

310

2

310

0

310

3

01

3 3 3 3 3

p

a

mi

i m a

p

i m a

p

4

00

3 2 0 3 2

00

4

3

3

2

3

0

3

3

3

2

00

3 3 3 3 3300

00

00

00

TAB

p

a

mi

i m a

p

i m a

p

4

00

0 3 2 0 3

00

4

0

3

3

3

2

3

0

3

3

00

3 3 3 3 3300

00

00

00

p

a

mi

i m a

p

i m a

p

4

1

0

2 0 3 2 3

01

4

2

31

0

310

3

310

2

310

3

01

3 3 3 3 3

103

mip

a0

010

3

14

Type 59

Type 60

and take a closer look at all the other interesting and useful materials.

Andrey Nosov's Guitar School presents:

1. Sheet music for guitar solo; 2. Sheet music for voice and guitar; 3. Sheet music for guitar ensembles; 4. Guitar lessons (learning the art of guitar playing and musical notation, analysis of musical compositions, know-how, and so on); 5. Vocabulary, reference materials; 6. Exercises for developing guitar playing techniques, guitar software and more.

I'd especially like to draw your attention to the online store where you can find a wide range of world-class compositions for guitar solo, guitar ensembles, and voice and guitar. Access to the website is free... The first page of the sheet music for any composition is available free of charge for listening and viewing... The prices will pleasantly surprise you... I look forward to welcoming you to my website http://www.guitarnosov.com

Andrey Nosov

If you have downloaded this materials from somewhere on the Internet, now is the time to visit their home website And

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