programming cca f10
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8/8/2019 Programming Cca f10
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Func-on…..Scale…..Circula-on…..
Whatisprogram?
8/8/2019 Programming Cca f10
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Func-on
DroogHighchair
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Itisthepervadinglawofallthingsorganic
andinorganic,ofallthingsphysicaland
metaphysical,ofallthingshumanandallthingssuper‐human,ofalltrue
manifesta-onsofthehead,oftheheart,of
thesoul,thatthelifeisrecognizableinits
expression,
thatformeverfollowsfunc-on.Thisisthe
law.
LouisSullivan1896
Construc-onoftheWainrightBuilding
1890‐1891
St.Louis,Missouri
DankmarAdlerandLouisSullivan
8/8/2019 Programming Cca f10
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1908:AdolfLoos::OrnamentandCrime::
“TheEvolu-onofculturemarcheswiththeelimina-onofornamentfromusefulobjects”
Theore-calimplica-onstriggeringamodernistaesthe-cstowardsanarchitecturebasedon
Func-on::LeCorbusier,WalterGropiusandMiesVanderRohe“Lessismore”
“Toliveistoleavetraces”
MollerHouse
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BanseyEightfootWestBankwallsepara-ng
IsraelisfromPales-nians.
Scale
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Scale
Haugen/Zohar
Norway
“TheClimbingWall
Ourinterven-onredesignsthewall's
prefabricatedelements,transformingthem
intoaniden-caldouble‐sidedclimbingwall.
Bychallengingthewallanddefyboundaries,
thebarrieristransformedintoafree‐zone.
Ourlandmarkisthepeople,theiracts,fears
andefforts”.
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Circula-on
“EventSpace”
InhisdesignfortheNewAcropolisMuseuminAthensGreece,BernardTschumidevelopedaprojectpar-allyins-gatedbythenego-a-onbetweenthehistoricalcityandthenarratedexperienceofthemuseumar-facts.
Thecircula-onpromenade
wrapsspa-allythroughoutthebuildingconnec-ngarcheologicalexcava-onstoar-factsandviewsofthecity.
Theprogrammingofcircula-ondefinestheorganiza-onofthebuilding.
8/8/2019 Programming Cca f10
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Whatareprogramma-cscenariosandwhataretheybasedon?
Specificuser–specificform–specificmaterialdistribu-on/Nonspecificuser–nonspecificform–flexibilityandinterchangeability
Rela-onshipsandinterconnec-onbetweenparts
Changeover-meMovementdynamics
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Specificuser–specificform–specificmaterialdistribu-on
Nonspecificuser–nonspecificform–flexibilityandinterchangeability
“Forbeingneitheruniformlyopennoruniformlyclosed,itliesopentotheunforeseen
Asitworksonourchangingac-vi-esover-me”.
ReiserandUmemotoAtlasofNovelTectonics
Fieldcondi-on:Programma-cspecificitycombined
Witharchitecturalspecificity
ParcdelaVillee,RemKoohaas
1.“LateralBanding”ofplan-ng,ac-vity,components
2.“Asprinklingofsmallelements,kiosks,playgroundsaccordingtogrid”
3.“Thelargeelementsoftheexis-ngsiteandprogram,roundforest”4.“Circula-on”
5.“superimposi-ons”
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Rela-onshipsandinterconnec-onbetweenparts
“ParkbasedonCultureratherthanNature.
Theparksupportsdiverseculturalandentertainmentevents.25buildingsconsideredfolies.
Theyareconnectedbypromenadesfunc-oningasbridgesandcoveredwalkways.
Stratum
Spontaneousbehavior
Transparency
Juxtaposi-on
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Changeover-me
Time/spaceac-vitydiagramsfortheredevelopmentofthe
sta-onareainArnhem,Netherlands
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Movementdynamics
“Con-nuousandformlessprojectwhichengulfsthesitelikeakindofprogramma-clava".
Theprojectislayeredintoac-vityzonespromo-ngamul-plicityofdynamicinterac-ons
thatis“composedofamosaicofheterogeneous21stcenturylife”.
Variedeventsoccupytheterritorythatistriggeredbymul-programmedinfrastructure.
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Whatarerulebasedorganiza-onalstrategies?
Collec-onandistribu-onofinforma-on
Rela-onshipstositeanalysissystemsandprogramma-cexplora-on
8/8/2019 Programming Cca f10
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Collec-onanddistribu-onofinforma-on
8/8/2019 Programming Cca f10
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Rela-onshipstositeanalysissystemsandprogramma-cexplora-on
NOMAD
NamJunPaikMuseumSeoul
Programbasedonrela-onshiptositetopologieswhichdetermineinteriorandexteriorpoten-als.
Varia-oninstructuralskin
Respondstoinnerandouterorder.
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Occurrenceterritory/Appropria-on
Spa-alspecificity–transi-onalspace
Howcananexpandedsurfacebecomeopportunis-c?
8/8/2019 Programming Cca f10
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Occurrenceterritory/Appropria-on
Ac-vitygeneratesaPerforma-vesurfacesuspendedasavalley
betweenprogramma-celements.
EFFEKTArchitectsX‐SITE‐BUILDINGC
Denmark
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Spa-alspecificity–transi-onalspace
YokohamaPortTerminal
FOA
Theproduc-onofacon-nuousanddifferen-atedsurfaceasa
strategyfornego-a-ngbetweenprogramma-czones.
Thespacebetweenspa-alsec-onsdeterminethetransforma-onofform.
Circula-onandac-vityterritoriesbecomeintertwined.
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Sequencing
Layering
Aggrega-on
Varia-on
Folding
Grada-on
Hybridiza-on
Whatistheopera-onofprogramming?
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Sequencing
BIGarchitects
TallinnCityHall
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Layering
TheCooperUnion
MorphosisArchitects
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Aggrega-on
SealePublicLibrary
OMA
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Varia-on
Eriksen+SkajaaArchitects
Europan10–winnerHaugerudOslo
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Folding
FlowingGardens
Plasmastudio
Xi'anInterna-onalHor-culturalExpo2011
Landscape
“Theprojectproposesahybridofbothnaturalandar-ficialsystems.
Thesetwoopposingsystemsarebroughttogetherinasynergyof
waterscapes.
Thebuiltvolumeisinterwovenwiththear-culatedground,producing
con-nui-esonmanylevelssothatlandscapeandbuildingbecome
completelyintegrated.
FlowingGardensunfoldsmanysinuouspaths,crea-nganetworkofinterminglingcircula-on,landscapeandwater.
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Thegiventopographyanditsexis-ngslopeswereusedtodrawoutthepathsinawaysimilartohowroadsribbonaroundamountain,
nego-a-ngsteepnesswithgradients.
Thesepathsvaryinwidthrangingfrommainwalkwaysandarteriestotowpaths.Thepatchesbetweenthesepathsbecomethezonesforvarious
plan-ngtypesandwetlandareas,whichretainaqualityofeaseofmaintenance.
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Grada-on
Highline
DillerScofidioandRenfro
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Hybridiza-on
“TheaimforthisdesignfortheTaipeiPerformingArtsCenteristo
createaworld‐classurbanexperiencedefinedbyhybridurban
environmentsnottradi-onallyassociatedwithperformingarts
theaters.
Thethreetheatersarewoventogetherbywayofanelevated
Concourse,crea-ngaunifiedwholewhichhassignificantpresencein
thecity.
TheConcourseisabridgingelementwhichactsascircula-onforthe
theatersbutalsoasacommercialzonewhichincludeslivelyurban
ac-vi-essuchasshopping,restaurants,bars,andotherpublic
ameni-es”.
TomWiscombe
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