jean-françois millet, woman emptying a bucket...jean-françois millet, woman emptying a bucket,...

Thes

e im

ages

are

insp

ired

by w

orks

in th

e exh

ibiti

on, A

Cha

nge i

n th

e Lig

ht: T

he C

liché

-ver

re in

Nin

etee

nth-

Cent

ury F

ranc

e. Su

ppor

t for

this

exhi

bitio

n is

prov

ided

by t

he Tr

oob

Fam

ily Fo

unda

tion.

Co

lorin

g pa

ge b

ased

on

on a

det

ail f

rom

: Je

an-F

ranç

ois M

illet

, Wom

an E

mpt

ying

a Bu

cket

, 186

2, p

rinte

d 19

21. C

liché

-ver

re, g

elatin

prin

ting-

out p

rint.

Clar

k Art

Inst

itute

, 202

0.2.

68

Jean-François Millet, Woman Emptying a Bucket Thin lines drawn close together, known as hatching, add detail and dimension to many parts of this print. Click the title above to see how Jean Francois-Millet used this technique. Then experiment with hatching on the bucket, figure, buildings, and trees to give your own image depth and shadow.

Eugène Delacroix, Tiger at Bay When making this print, the artist quickly sketched a background for this ferocious tiger. Add your own background now. Do you prefer to color in the tiger’s surroundings very quickly, or to go slowly?

Thes

e im

ages

are

insp

ired

by w

orks

in th

e exh

ibiti

on, A

Cha

nge i

n th

e Lig

ht: T

he C

liché

-ver

re in

Nin

etee

nth-

Cent

ury F

ranc

e. Su

ppor

t for

this

exhi

bitio

n is

prov

ided

by t

he Tr

oob

Fam

ily Fo

unda

tion.

Co

lorin

g pa

ge b

ased

on

on a

det

ail f

rom

: Eug

ène D

elacr

oix, T

iger

at B

ay, 1

854,

prin

ted

1921

. Clic

hé-v

erre

, gela

tin p

rintin

g-ou

t prin

t. Cl

ark A

rt In

stitu

te, 2

020.

2.64

Thes

e im

ages

are

insp

ired

by w

orks

in th

e exh

ibiti

on, A

Cha

nge i

n th

e Lig

ht: T

he C

liché

-ver

re in

Nin

etee

nth-

Cent

ury F

ranc

e. Su

ppor

t for

this

exhi

bitio

n is

prov

ided

by t

he Tr

oob

Fam

ily Fo

unda

tion.

Co

lorin

g pa

ge b

ased

on

on a

det

ail f

rom

: Cha

rles-

Fran

çois

Daub

igny

, The

Brid

ge, 1

862,

prin

ted

1921

. Clic

hé-v

erre

, gela

tin p

rintin

g-ou

t prin

t. Cl

ark A

rt In

stitu

te, 2

020.

2.38

Charles-François Daubigny, The Bridge Layers of hatched lines placed at angles form the crosshatched shadows that fall on the bridge and trees in this print. The spaces where the artist drew no lines indicate where there may have been more light shining. On your coloring page, try leaving some areas blank or less shaded in to show where you think the light hits.