corso in tecniche di scrittura ed editing · fifty shades of grey, e. l. james after, anna todd me...
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The boy’s wide eyes were way too bright a green, Clary noticed: the color
of antifreeze, spring grass. Colored contact lenses, probably. The bouncer
shrugged, abruptly bored.
“Whatever. Go on in.”
The boy slid past him, quick as an eel. Clary liked the lilt to his shoulders,
the way he tossed his hair as he went. There was a word for him that her
mother would have used — insouciant.
“You thought he was cute,” said Simon, sounding resigned. “Didn’t you?”
Clary dug her elbow into his ribs, but didn’t answer.
Inside, the club was full of dry-ice smoke. Colored lights played over the
dance �oor, turning it into a multicolored fairyland of blues and acid greens,
hot pinks and golds.
elpìs via G. Filippo Basile 28, 90141 Palermo(+39) 389 8326880
info@elpiseditrice.itwww.elpiseditrice.it
Elpìs Editrice
PROPONE LA I EDIZIONE DEL CORSO:
TRADUZIONE LETTERARIA
ElpìsCasa editrice
Ogni lezione del corso prevede un’introduzione teorica al mondo della traduzione con la lettura di saggi contenuti nell’opera “Dire quasi la stessa cosa” di Umberto Eco. Poi, grande spazio verrà dato alla traduzione dall’inglese all’italiano di brani tratti dall’elenco di libri che segue. In�ne, si stimolerà una critica alla traduzione attraverso il paragone fra la traduzione svolta in aula e quella pubblicata dalle case editrici.
- La passione
Fifty Shades of Grey, E. L. JamesAfter, Anna Todd
Me Before You, Jojo Moyes
- La distopia
1984, George OrwellFahrenheit 451, Ray Bradbury
The Man in the High Castle, Philip K. Dick
- George R. R. Martin
A Dance with DragonsFire and Blood
Wild Cards
- L’Urban Fantasy
City of Fallen Angels, Cassandra ClarePercy Jackson & the Olympians, Rick Riordan
Twilight, Stephenie Meyer
- Il thriller
Inferno, Dan BrownWhiteout, Ken Follett
Library of the dead, Glenn Cooper
- Il pulp
Fight Club, Chuck PalahniukTrainspotting, Irvine Welsh
Pulp, Charles Bukowski
- Il mistero
The Adventures of Sherlock Holmes, A. C. Doyle
Murder on the Orient Express, Agatha ChristieThirteen Reasons Why, Jay Asher
- J.R. R. Tolkien
The Lord of the RingsThe Hobbit
The Silmarillion
- H. G. Wells
The Time MachineThe War of the Worlds
The Invisible Man
- La fantascienza (1)
The Hunger Games, Suzanne CollinsDivergent, Veronica Roth
The Maze Runner, James Dashner
- La fantascienza (2)
Jurassic Park, Michael CrichtonThe Minority Report, Philip K. Dick
I Am Legend, Richard Matheson
- I classici UK
Alice's Adventures in Wonderland, Lewis CarrollTreasure Island, Robert Louis StevensonA Clockwork Orange, Anthony Burgess
- I classici USA
Moby Dick or The Whale, Herman MelvilleThe Great Gatsby, Francis Scott Fitzgerald
A Farewell to Arms, Ernest Hemingway
TRADURREMO:- J. K. Rowling
Harry Potter and the Order of the PhoenixQuidditch Through the Ages
Fantastic Beasts and Where to Find Them
- L'incubo
The Raven, Edgar Allan PoeThe Call of Cthulhu, Howard Phillips Lovecraft
It, Stephen King
- La passione
Fifty Shades of Grey, E. L. JamesAfter, Anna Todd
Me Before You, Jojo Moyes
- La distopia
1984, George OrwellFahrenheit 451, Ray Bradbury
The Man in the High Castle, Philip K. Dick
- George R. R. Martin
A Dance with DragonsFire and Blood
Wild Cards
- L’Urban Fantasy
City of Fallen Angels, Cassandra ClarePercy Jackson & the Olympians, Rick Riordan
Twilight, Stephenie Meyer
- Il thriller
Inferno, Dan BrownWhiteout, Ken Follett
Library of the dead, Glenn Cooper
- Il pulp
Fight Club, Chuck PalahniukTrainspotting, Irvine Welsh
Pulp, Charles Bukowski
- Il mistero
The Adventures of Sherlock Holmes, A. C. Doyle
Murder on the Orient Express, Agatha ChristieThirteen Reasons Why, Jay Asher
- J.R. R. Tolkien
The Lord of the RingsThe Hobbit
The Silmarillion
- H. G. Wells
The Time MachineThe War of the Worlds
The Invisible Man
- La fantascienza (1)
The Hunger Games, Suzanne CollinsDivergent, Veronica Roth
The Maze Runner, James Dashner
- La fantascienza (2)
Jurassic Park, Michael CrichtonThe Minority Report, Philip K. Dick
I Am Legend, Richard Matheson
- I classici UK
Alice's Adventures in Wonderland, Lewis CarrollTreasure Island, Robert Louis StevensonA Clockwork Orange, Anthony Burgess
- I classici USA
Moby Dick or The Whale, Herman MelvilleThe Great Gatsby, Francis Scott Fitzgerald
A Farewell to Arms, Ernest Hemingway
Oth
ers i
n th
e Lo
ng N
ight
to si
re te
rrib
le h
alf-
hum
an c
hild
ren.
But t
he m
an th
ey fo
und
boun
d ha
nd a
nd fo
ot to
the
hold
fast
wal
l aw
aitin
g th
e ki
ng's
just
ice
was
old
an
d sc
raw
ny, n
ot m
uch
talle
r tha
n Ro
bb. H
e had
lost
bot
h ea
rs an
d a �
nger
to fr
ostb
ite, a
nd h
e dre
ssed
all i
n bl
ack,
the s
ame a
s a b
roth
er o
f the
Nig
ht's
Wat
ch, e
xcep
t th
at h
is fu
rs w
ere
ragg
ed a
nd g
reas
y. �
e br
eath
of m
an a
nd h
orse
min
gled
, ste
amin
g, in
the
cold
mor
ning
air
as h
is lo
rd fa
ther
had
the
man
cut
dow
n fr
om
the
wal
l and
dra
gged
bef
ore
them
. Rob
b an
d Jo
n sa
t tal
l and
still
on
thei
r hor
ses,
with
Bra
n be
twee
n th
em o
n hi
s pon
y, tr
ying
to se
em o
lder
than
seve
n, tr
ying
to
pret
end
that
he'd
seen
all
this
bef
ore.
A fa
int w
ind
blew
thro
ugh
the
hold
fast
gat
e.
Ove
r the
ir h
eads
�ap
ped
the
bann
er o
f the
Sta
rks o
f Win
terf
ell:
a gr
ey d
irew
olf r
acin
g ac
ross
an
ice-
whi
te �
eld.
In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, �lled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. �e door opened on to a tube-sha-ped hall like a tunnel: a very comfortable tunnel without smoke, with pan- -elled walls, and �oors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats — the hobbit was fond of visitors. �e tunnel wound on and on, going fairly but not quite straight into the side of the hill — �e Hill, as all the people for many miles round called it — and many little round doors opened out of it, �rst on one side and then on another. No going upstairs for the hobbit: bedrooms, bath- -rooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining- rooms, all were on the same �oor, and indeed on the same passage.�e best rooms were all on the le�-hand side (going in), for these were the only ones to have windows, deep-set round windows looking over his garden, and meadows beyond, sloping down to the river.�is hobbit was a very well -to-do hobbit, and his name was Baggins. �e Bagginses had lived in the neighbourho-od of �e Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anyth- -ing unexpected: you could tell what a Baggins would say on any question without the bother of asking him. �is is a story of how a Baggins had an adventure, and found himself doing and saying things altogether unexpected. He may have lost the neigh- -bours’ respect, but he gained — well, you will see whether he gained anything in the end.
- J. K. Rowling
Harry Potter and the Order of the PhoenixQuidditch Through the Ages
Fantastic Beasts and Where to Find Them
- L'incubo
The Raven, Edgar Allan PoeThe Call of Cthulhu, Howard Phillips Lovecraft
It, Stephen King
- La passione
Fifty Shades of Grey, E. L. JamesAfter, Anna Todd
Me Before You, Jojo Moyes
- La distopia
1984, George OrwellFahrenheit 451, Ray Bradbury
The Man in the High Castle, Philip K. Dick
- George R. R. Martin
A Dance with DragonsFire and Blood
Wild Cards
- L’Urban Fantasy
City of Fallen Angels, Cassandra ClarePercy Jackson & the Olympians, Rick Riordan
Twilight, Stephenie Meyer
- Il thriller
Inferno, Dan BrownWhiteout, Ken Follett
Library of the dead, Glenn Cooper
- Il pulp
Fight Club, Chuck PalahniukTrainspotting, Irvine Welsh
Pulp, Charles Bukowski
- Il mistero
The Adventures of Sherlock Holmes, A. C. Doyle
Murder on the Orient Express, Agatha ChristieThirteen Reasons Why, Jay Asher
- J.R. R. Tolkien
The Lord of the RingsThe Hobbit
The Silmarillion
- H. G. Wells
The Time MachineThe War of the Worlds
The Invisible Man
- La fantascienza (1)
The Hunger Games, Suzanne CollinsDivergent, Veronica Roth
The Maze Runner, James Dashner
- La fantascienza (2)
Jurassic Park, Michael CrichtonThe Minority Report, Philip K. Dick
I Am Legend, Richard Matheson
- I classici UK
Alice's Adventures in Wonderland, Lewis CarrollTreasure Island, Robert Louis StevensonA Clockwork Orange, Anthony Burgess
- I classici USA
Moby Dick or The Whale, Herman MelvilleThe Great Gatsby, Francis Scott Fitzgerald
A Farewell to Arms, Ernest Hemingway
In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, �lled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. �e door opened on to a tube-sha-ped hall like a tunnel: a very comfortable tunnel without smoke, with pan- -elled walls, and �oors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats — the hobbit was fond of visitors. �e tunnel wound on and on, going fairly but not quite straight into the side of the hill — �e Hill, as all the people for many miles round called it — and many little round doors opened out of it, �rst on one side and then on another. No going upstairs for the hobbit: bedrooms, bath- -rooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining- rooms, all were on the same �oor, and indeed on the same passage.�e best rooms were all on the le�-hand side (going in), for these were the only ones to have windows, deep-set round windows looking over his garden, and meadows beyond, sloping down to the river.�is hobbit was a very well -to-do hobbit, and his name was Baggins. �e Bagginses had lived in the neighbourho-od of �e Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anyth- -ing unexpected: you could tell what a Baggins would say on any question without the bother of asking him. �is is a story of how a Baggins had an adventure, and found himself doing and saying things altogether unexpected. He may have lost the neigh- -bours’ respect, but he gained — well, you will see whether he gained anything in the end.
- J. K. Rowling
Harry Potter and the Order of the PhoenixQuidditch Through the Ages
Fantastic Beasts and Where to Find Them
- L'incubo
The Raven, Edgar Allan PoeThe Call of Cthulhu, Howard Phillips Lovecraft
It, Stephen King
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