1600-1750 baroque ► 1600 – 1750. ► from a portuguese word “barocca”, meaning “a pearl of...

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1600-17501600-1750

BaroqueBaroque► 1600 – 1750.

► From a Portuguese word “barocca”, meaning “a pearl of irregular shape.”

► Implies strangeness, irregularity, and extravagance. (inspired by later work of Michelangelo and Donatello)

► The more dramatic, the better! –

ART -- emotion, drama, motion, and striving; mysticism

Music was religious based but also emphasized secular world – invention, tension, and emotion in music – COMPLEXITY!

Ex. Johann Sabestian Bach; Jean-Baptiste Lully; Domenico Scarlatti; George Frederick Handel

Baroque Style of Art & Architecture

Baroque Style of Art & Architecture► Dramatic, emotional.

► Colors were brighter than bright; darks were darker than dark.

► Counter-Reformation art.

► Paintings & sculptures in church contexts should speak to the illiterate rather than to the well-informed.

► Ecclesiastical art --> appeal to emotions.

► Holland --> Real people portrayed as the primary subjects.

St. Peter’s Basilica, Vatican

City

by Gialorenzo

Bernini

St. Peter’s Basilica, Vatican

City

by Gialorenzo

Bernini

Church of Santiago de Compostella, Spain

Church of Santiago de Compostella, Spain

Church of Veltenberg Altar, Germany

Church of Veltenberg Altar, Germany

“The Assumption of the Virgin Mary”

Egid Quirim Asam, 1692-1750

“The Assumption of the Virgin Mary”

Egid Quirim Asam, 1692-1750

Altar of Mercy, Germany, 1764

Altar of Mercy, Germany, 1764

Bernini – Ecstasy of St. Teresa

“St. Francis in Ecstasy”Caravaggio, 1595

“St. Francis in Ecstasy”Caravaggio, 1595

“The Flagellatio

n of Christ”

by Caravaggi

o

“The Flagellatio

n of Christ”

by Caravaggi

o

“David and Goliath” by Caravaggio

“David and Goliath” by Caravaggio

“Salome with the Head of the Baptist”

by Caravaggio

“Salome with the Head of the Baptist”

by Caravaggio

“The Cardsharps”Caravaggio, 1595“The Cardsharps”Caravaggio, 1595

“The Dead Christ Mourned”

Annibale Carracci, 1603

“The Dead Christ Mourned”

Annibale Carracci, 1603

“The Virgin Appearing

to St. Hyacinthe”

Lodovico Carracci

1594

“The Virgin Appearing

to St. Hyacinthe”

Lodovico Carracci

1594

“Joseph’s Bloody Coat Brought to Jacob”

Diego Velázquez, 1630

“Joseph’s Bloody Coat Brought to Jacob”

Diego Velázquez, 1630

“Christ on the Cross”

Diego Velázquez

, 1632

“Christ on the Cross”

Diego Velázquez

, 1632

“Las Meninas

Diego Velázqu

ez

1656

“Las Meninas

Diego Velázqu

ez

1656

“St. Francis in Meditation”Francisco de Zurbarán

“St. Francis in Meditation”Francisco de Zurbarán

“St. Bonaventure on His Deathbed”

Francisco de Zurbarán, 1629

“St. Bonaventure on His Deathbed”

Francisco de Zurbarán, 1629

“The Elevation

of the Cross”

by Peter Paul

Reubens

1610-11

“The Elevation

of the Cross”

by Peter Paul

Reubens

1610-11

“The Lamentat

ion”

by Peter Paul

Reubens

1609-11

“The Lamentat

ion”

by Peter Paul

Reubens

1609-11

“Battle of the Amazons”Peter Paul Reubens

“Battle of the Amazons”Peter Paul Reubens

“A Village Fête”Peter Paul Reubens

“A Village Fête”Peter Paul Reubens

“The Garden of Love”Peter Paul Reubens, 1630-

32

“The Garden of Love”Peter Paul Reubens, 1630-

32

“The Ecstasy of

St. Theresa of

Avila”

by Gianlorenzo Bernini

1647-52

“The Ecstasy of

St. Theresa of

Avila”

by Gianlorenzo Bernini

1647-52

“A Bust of Louis XIV”by Bernini

“A Bust of Louis XIV”by Bernini

“Louis XVI”

HyacintheRigauld

“Louis XVI”

HyacintheRigauld

“A Bust of Cardinal Richelieu”by Bernini

“A Bust of Cardinal Richelieu”by Bernini

“Cardinal Richelieu”Philippe de Champaigne

[1602-1674]

“Cardinal Richelieu”Philippe de Champaigne

[1602-1674]

Baroque FurnitureBaroque Furniture

Baroque FurnitureBaroque Furniture

Versailles Palace

Versailles

Versailles

A Baroque RoomA Baroque Room

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