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Nicole Realmuto London College of Fashion Product Development Summer 2012

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This is a product development project done at The London College of Fashion.

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Page 1: Alexander McQueen Lingerie for Harvey Nichols

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 Nicole  Realmuto  

London  College  of  Fashion  Product  Development  

Summer  2012  

 

 

 

 

Page 2: Alexander McQueen Lingerie for Harvey Nichols

London  College  of  Fashion     Nicole  Realmuto  

Product  Development                   Page   3  

Introduction  to  Buying  Office  

My  name  is  Nicole  Realmuto  and  I  am  the  buyer  for  Harvey  Nichols  at  the  

Knightsbridge,  London  location,  focusing  on  the  new  line  of  lingerie  by  Alexander  

McQueen.  Buyers  have  an  enormous  amount  of  responsibilities  and  skills  need  to  strive  in  

this  field.  The  main  responsibilities  as  a  buyer  can  include  developing  products  for  the  

house  brand,  to  negotiate  of  product  prices  (delivery  and  payment  terms),  research  and  

evaluate  markets  and  products  that  are  applicable  to  the  company  one  is  employed  by,  

must  communicate  with  suppliers,  product  teams  and  senior  management  of  company,  

work  with  the  merchandising  planning  controls  (over  finance,  available  areas,  historical  

evidence  and  trends),  and  a  senior  buyer  must  manager  the  rest  of  the  buying  team.  We,  as  

buyers,  have  an  incredible  amount  of  functions  to  make  sure  our  job  is  completed  fully.  

Buyers  must  have  a  few  key  qualities  to  make  one  acceptable  for  the  positions,  these  being  

creative,  innovative,  ambitious,  assertive,  be  proficient  in  mathematics,  have  experience  

with  interaction  with  people  (customers,  superiors  and  team)  and  have  competent  

communication  skills.    

The  buyer  is  not  the  only  one  in  the  office.  Under  the  buyer,  there  is  an  assistant  

buyer  and  buying  assistant.  The  assistant  buyer  can  have  a  range  of  responsibilities,  many  

being  spread  through  the  different  departs  and  delegating  the  functions  of  the  buyer.  The  

buying  assistant,  also  known  as  the  buying  clerk  is  the  first  step  to  becoming  a  buyer,  they  

are  responsible  to  do  whatever  the  buyer  and  assistant  buyer  tell  the  to,  some  things  may  

include  organizing  the  office,  filling  swatches  and  doing  administrative  duties.  There  is  also  

the  merchandising  team,  including  the  merchandiser-­‐responsible  to  estimate  sales  and  

plan  stock  levels  to  reach  the  target  sales  and  margins,  give  regular  analysis  and  report  the  

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London  College  of  Fashion     Nicole  Realmuto  

Product  Development                   Page   4  

progress  of  the  stock  levels,  sales  performances  and  stock  purchase  to  senior  management,  

to  work  with  the  buyer  on  range  planning  to  maximize  commercial  opportunities  for  

products,  to  manage  intake  and  commitment  to  accommodate  stock  requirements  of  the  

business,  to  manage  stock  distributions  and  to  manage  and  develop  the  merchandise  and  

distribution  team.  Directly  under  the  merchandiser  is  the  assistant  merchandiser  

responsible  to  deputize  the  responsibilities  of  the  merchandiser  and  manage  

responsibilities  for  junior  members  of  the  team.  There  is  also  the  merchandise  assistant,  

which  is  related  to  the  planning  functions.  There  is  also  a  garment  technologist  who  is  

responsible  for  the  development  of  quality  control.  Another  member  of  the  team  is  the  

designer,  who  is  responsible  to  research  trends  and  product  ideas,  create  a  fashion  

direction  and  a  mood,  customer  and  product  story-­‐boards,  present  to  senior  management,  

produce  range  of  products,  finalize  product  groups  with  buyers,  develop  specification  

sheets,  develop  seasonal  products  styling  records  and  accompany  buyer  on  trip  to  

suppliers.    

The  buying  department  does  not  only  interact  with  the  merchandisers,  the  garment  

technologist  and  the  designer.  The  department  also  works  with  sourcing,  marketing  and  

public  relations  departments.  

The  buying  office  has  four  private  offices,  one  for  the  buyer,  merchandiser,  garment  

technologist  and  designer,  with  four  cubicles  in  the  middle  of  the  offices  for  the  assistant  

buyer,  buying  assistant,  assistant  merchandiser  and  merchandising  assistant.  See  diagram  

below  (the  doors  being  red  rectangles).    

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London  College  of  Fashion     Nicole  Realmuto  

Product  Development                   Page   5  

 

 

Introduction  to  Harvey  Nichols  

  Harvey  Nichols  is  a  high-­‐end  department  store,  founded  in  1831.  The  department  

store  has  numerous  brands  and  types  of  women’s  wear,  menswear,  beauty  and  food  &  wine  

products.  The  first  store  was  opened  as  a  linen  shop  on  the  corner  of  Knightsbridge  and  

Sloane  Street.  Less  than  fifty  years  after  the  current  building  was  built.  In  1919  Harvey  

Nichols  was  bought  by  Debenhams  and  then  later  became  part  of  the  Burton  Group  in  

1985.  In  1991  the  store  was  acquired  by  Dickson  Concepts  International  Ltd  and  

refurbished  the  entire  food  market,  restaurant,  bar  and  café.  In  1996  Harvey  Nichols  was  

listed  in  the  London  Stock  Exchange  and  opened  it’s  second  store  in  Leeds.  The  London-­‐

based  store  has  now  expanded  overseas  and  has  stores  in  China,  India,  Ireland,  Saudi  

Arabia,  Scotland  and  Turkey.  

 

Introduction  to  Alexander  McQueen  

  Alexander  McQueen  is  a  British  born  fashion  designer,  who  is  best  known  for  his  in-­‐

depth  knowledge  of  bespoke  tailoring  and  his  provocative  shows  that  often  had  a  theme  of  

strength  and  fragility  and  emotion  power  and  raw  energy.  His  final  collection  at  Central  

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London  College  of  Fashion     Nicole  Realmuto  

Product  Development                   Page   6  

Saint  Marten  College  of  Art  was  bought  entirely  by  Isabella  Blow,  which  launched  McQueen  

into  the  fashion  industry.  Since  then,  he  has  had  numerous  successful  shows  and  now  is  

merchandise  is  available  all  over  the  globe.  Gucci  now  owns  the  Alexander  McQueen  

company.  Sarah  Burton  has  been  head  of  women’s  wear  since  2000  and  after  Alexander  

McQueen’s  death  in  2010  she  was  named  the  creative  director  for  the  company.    

 

 

Importance  of  Marketing  

Being  a  buyer  for  Harvey  Nichols  focusing  on  the  lingerie  line  by  Alexander  McQueen  

understanding  the  market  and  business  is  vital.  I  will  show  the  importance  of  marketing  by  

using  the  Marketing  Mix  Case  Study,  a  SWOT  analysis,  geo-­‐demographics,  market  

segmentation,  ACORN,  fashion  attitude  and  roger  status,  the  innovation  curve,  VALS,  and  a  

defining  customer  board.  

Marketing  Mix  Case  Study   Harvey  Nichols  

Product   Menswear,  Women’s  wear,  Beauty,  Food  

&  Wine  

Price   High-­‐End,  Luxury  

Promotion   In-­‐store,  Online,  Word-­‐of-­‐Mouth  

Place   Knightsbridge,  London  

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London  College  of  Fashion     Nicole  Realmuto  

Product  Development                   Page   7  

 

 

  To  continue  on  with  the  importance  of  marketing,  customers  at  Harvey  Nichols  are  

part  of  the  A,  B  and  C  categories  in  the  ACORN  classification.  Below  is  the  diagram  of  

ACORN  categories.  Customers  range  from  wealthy  achievers  to  better-­‐off  executives.    

Due  to  the  range  of  ACORN  classifications  customers  their  shopping  patterns  and  lifestyles  

are  much  different.  For  instance,  some  customers  spend  a  great  deal  and  shop  regularly  

and  on  contrast  many  people  buy  one  thing  every  once  in  a  while.    

Strengths:    

• Customer  interest  

• Innovative  product  base  

• High-­‐end  market  

• Many  locations  in  numerous  

countries  

• Exclusive  brands  

Weaknesses:    

• Smaller  customer  base  

• Not  mass-­‐market  

Opportunities:    

• Not  many  stores  of  competition  

• Many  people  visit  areas  of  

Harvey  Nichols’  locations  

Threats:    

• Recession  

• Consumer  Purchasing  

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London  College  of  Fashion     Nicole  Realmuto  

Product  Development                   Page   8  

 

Explaining  through  the  Rogers  segmentation,  customers  are  Early  Adopters:  individuals  

who  buy  emerging  trends  and  Early  Majority:  individuals  who  pick  up  on  a  trend  when  it  is  

established  (as  seen  in  the  diagram  below).  Harvey  Nichols  customers  are  experimentals,  

achievers,  and  I-­‐Am-­‐Me  for  the  VALS  classification.    

 

  The  geo-­‐demographics  for  a  range  is  vital  because  it  gives  information  leading  to  

purchasing  behaviour,  which  ultimately  leads  to  profits  and  revenue  for  the  retail  and  the  

brand.  The  region  is  central  London,  because  this  range  will  only  be  at  the  Knightsbridge  

location,  which  is  a  retail  area  of  the  city.  As  for  demographics  the  customers  of  this  line  are  

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London  College  of  Fashion     Nicole  Realmuto  

Product  Development                   Page   9  

women,  with  professional  occupations  as  managers  and  executives.  These  women  have  a  

range  of  incomes  starting  at  £100,000  annually  and  above.  The  customers  of  this  range  will  

be  age  25  to  35  years  old.  Some  of  the  customers  will  be  married  and  starting  families  and  

others  will  be  single  and  focused  on  their  career  first.  The  sizes  and  heights  of  the  target  

customer  will  vary,  but  they  will  be  between  a  size  6  and  12.  For  a  further  example  of  

customer  see  the  pen  portrait  below.    

 

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London  College  of  Fashion     Nicole  Realmuto  

Product  Development                   Page   10  

 

 Range    

  In  fashion  retail  a  ‘RANGE’  is  an  assortment  of  products,  which  is  developed  under  

different  categories  to  sell  to  customers.  This  range  is  a  concession  of  Alexander  McQueen  

lingerie  for  the  Harvey  Nichols  department  store.  This  is  a  growth  of  Alexander  McQueen’s  

previously  branded  company.    

The  width  of  range  is  as  follows.  The  concession  has  eight  pieces  ranging  from  

different  styles  of  briefs,  braziers  and  cami-­‐knickers.  All  of  the  pieces  are  extremely  well  

made  and  made  of  quality  fabrics.  The  range  has  a  gothic  and  romantic  inspiration  and  all  

pieces  are  incredibly  feminine.    

The  depth  of  the  collection  is  as  follows.  The  range  is  entirely  fabricated  of  lace  and  

silks.  There  is  a  basic  colour  scheme  to  keep  the  focus  of  the  garments  on  the  construction  

and  design  details.  The  three  colours  are  black,  deep  red,  and  nude.  There  are  three  

different  styles  braziers,  four  brief  styles  and  one  cami-­‐knicker  in  the  capsule-­‐collection.  

The  design  details  that  the  range  focuses  on  are  line  and  texture.  With  the  colour  and  the  

fabric  choices  the  collection  is  very  cohesive.  

 

Historical  Evidence  vs.  Trend  Forecasting  

  Different  retailers  and  brands  use  different  combinations  of  historical  evidence  and  

trend  forecasting  when  planning  the  creation  and  development  of  a  range.  Stores  that  have  

conservative  merchandise  and  continuously  sell  the  same  products  rely  on  historical  

evidence  to  rationalize  the  range.  On  the  opposite,  some  stores  that  are  more  trend  

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London  College  of  Fashion     Nicole  Realmuto  

Product  Development                   Page   11  

oriented  focus  on  trend  forecasting  to  plan  a  range.  An  example  of  a  conservative  store  is  

Talbots  and  an  example  of  a  trendy  store  is  Topshop.    

  Harvey  Nichols  uses  more  trend  forecasting,  but  also  historical  evidence.  The  ratio  is  

65%  trend  forecasting  and  35%  historical  evidence,  both  being  essential  for  the  range  

planning.  Alexander  McQueen  uses  80%  trend  forecasting  and  20%  historical  evidence  

when  designing  a  new  collection.  The  mix  must  be  right  for  the  brand  and  or  retailer.  

Designers  play  a  huge  role  in  trend  forecasting  because  must  trends  start  at  the  high  end  

and  move  onto  the  high  street.  

  The  Electronic  Point  of  Sale  (EPOS)  is  technology  that  facilitates  the  collection  of  the  

sale  of  goods  or  services  to  the  customer.  EPOS  is  making  the  collection  of  what  is  bought  

easily  recorded  giving  retailers  the  information  of  which  products  are  selling  best  and  by  

how  much.  This  makes  the  buyers  job  much  easier  because  they  are  able  to  draw  

relationships  from  previous  products  to  current  and  estimate  what  will  sell  and  how  much  

it  will  sell.    

Seasons/Phasing  

The  phasing  of  a  collection  refers  to  when  the  product  is  put  into  the  store.  This  

range  will  be  in  Harvey  Nichols  in  the  Autumn/Winter  2013  season.  Buying  for  this  

collection  will  occur  very  far  in  advance  before  the  merchandise  hits  the  sales  floor.  Due  to  

the  fact  that  this  is  a  luxury  and  because  it  is  a  concession  collection  this  range  will  have  a  

long  shelf  life.  The  collection  will  be  on  the  floor  from  week  37  to  52.  It  will  act  as  the  core  

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London  College  of  Fashion     Nicole  Realmuto  

Product  Development                   Page   12  

of  the  diagram  below  because  of  the  nature  of  the  collection.

 

 

SKU’s/Colourways  

  SKU  (Stock  Keeping  Units  or  Single  Kinetic  Unit)  are  used  to  break  down  specific  

details  for  both  the  customer  and  retailer.  Customers  use  the  SKU  to  find  the  right  size  and  

style  and  the  EPOS  system  can  send  the  right  information  about  garments.  Each  garment  

has  a  specific  SKU  and  barcode.  The  SKU  explains  the  season,  design,  colour,  size  and  if  

needed  the  sub-­‐category.    

  For  this  range  the  SKU’s  are  broken  down  as  further  explained.    

1  -­‐  BRAND     MCQ-­‐  McQUEEN  2  –  SEASON     1   AUTUMN/WINTER  3  –  DESIGN  

1 BRIEF  A   HIGH-­‐WAISTED  B   HIP  HUGGERS  

2 BRAZIER  A   STRAPLESS  B     DOUBLE  STRAP  C   TURTLE-­‐NECK  D   TRIANGLE  SHAPED  

3 CAMI-­‐KNICKER  

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Product  Development                   Page   13  

A   DEEP  V-­‐NECK  4  –  COLOUR  

1 BLACK  2 DEEP  RED  3 NUDE  

5  –  SIZE  (BRA  SIZE)     A   6     (28)     B   8     (30)     C   10   (32)     D   12   (34)     E   14   (36)  6  –  SUB-­‐CATEGORY  (BRA  CUP  SIZE)  

1 A  CUP  2 B  CUP  3 C  CUP  4 D  CUP  5 DD  CUP  

 

This  range  has  six  pieces,  all  but  one  piece  has  three  colourways.  The  SKU’s  without  

the  sizes  are  listed  below.    

FRENCH  BRIEFS     MCQ11B3  CAMI-­‐KNICKER     MCQ13A1     MCQ13A2     MCQ13A3  LACE  BRAZIER     MCQ12B1     MCQ12B2     MCQ12B3  LACE  BRIEFS     MCQ11B1     MCQ11B2     MCQ11B3  HIGH-­‐WAIST  BRIEF     MCQ11A1     MCQ11A2  

    MCQ11A3     TRIANGLE-­‐SHAPED  LACE  BRAZIER  

  MCQ12D1     MCQ12D2     MCQ12D3  

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Product  Development                   Page   14  

Sizing  

  The  sizing  for  this  range  is  exceptionally  important  especially  with  lingerie;  if  the  fit  

is  not  perfect  the  garments  will  not  work  properly.  Sizing  for  this  range  will  be  as  follows.  

Braziers  are  sized  A-­‐DD  Cup  sizes  and  from  28-­‐36  inch  measurements.  The  cami-­‐knicker  

and  briefs  are  sized  from  UK  sizes  6-­‐14.    The  majority  of  the  merchandise  will  be  bought  

from  the  middle  sizes  (as  seen  lower),  but  because  lingerie  is  so  important  to  fit  there  are  

multiple  sizes  being  produced.    

 

   

Sourcing  

  Sourcing  plays  a  pivotal  role  with  the  quality  of  a  garment.  The  sourcing  of  the  

garment  is  so  important  also  because  of  the  labor  used  to  make  the  range,  for  example  child  

labour  is  cheaper  and  looked  down  up,  but  if  a  garment  is  made  by  a  seamstress  that  is  well  

paid  it  gives  more  value,  socially  and  quality-­‐wise,  to  the  garment.  The  pro  of  a  third-­‐world  

country  sourcing  for  the  garment  is  that  the  prices  will  be  less  expensive,  however  the  

quality  will  suffer.  The  con  for  sourcing  within  a  first-­‐world  country  is  that  the  price  can  be  

significantly  higher,  but  the  quality  will  be  better.  For  the  range  all  pieces  will  be  made  in  

the  United  Kingdom.  

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Pricepoints  

  Price  points  are  vital  for  sales,  as  well  as  the  right  price  for  the  garments.  There  are  

multiple  theories  of  the  ways  to  price  a  garment.  There  is  the  price  curve  explaining  the  

relation  of  price  and  volume  sold.  There  are  psychological  pricings  with  different  endings  

of  the  price.    

  The  price  curve  is  a  diagram  that  shows  the  association  between  price  and  volume  

sold.  By  using  the  price  curve  it  is  evident  that  the  products  with  prices  in  the  middle  range  

make  the  most  revenue.  The  lowest  priced  items  have  a  higher  volume,  but  that  does  not  

correlate  into  revenues  because  of  the  low  price.  To  contrast,  the  highest  priced  items  sell  

the  smallest  amount  of  volume,  and  that  does  not  bring  huge  revenues  because  of  the  

prices  due  to  the  low  volume.  See  diagram  below.  

 

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  Many  retailers  use  a  pricing  theory  known  as  psychological  price  points.  In  this  case  

the  prices  end  in  50p,  95p  or  99p  to  offer  a  perceived  value.  For  a  retailer  like  Harvey  

Nichols  and  brand  like  Alexander  McQueen  psychological  price  points  do  not  make  sense.  A  

perceived  value  is  not  what  the  price  is  about  for  this  concession;  the  price  is  used  to  show  

the  luxury  and  quality  of  the  products.  

  When  pricing  a  range  many  things  need  to  be  taking  into  account.  There  must  be  

logical  price  gaps  and  the  garments  must  be  priced  to  earn  a  profit.  The  buying  profit  is  the  

difference  between  the  cost  price  (CP)  and  the  retail  selling  price  (RSP).  The  cost  price  of  

the  garment  is  the  price  that  is  paid  by  the  retailer  to  the  manufacturer/design  house.  The  

CP  includes  the  C.M.T  or  the  cost,  make  and  trims  of  the  garment  and/or  garment  

components.  The  retail  selling  price  is  the  price  the  customer  pays  for  the  garment.  From  

the  RSP  and  CP  the  gross  margin  or  gross  profit  is  derived.  See  equation  that  follows.    

RSP  -­‐  CP  =  Gross  Margin  

  The  retail  selling  price  is  often  300%-­‐400%  of  the  cost  price  due  to  the  overheads  of  

the  retailer.  These  can  include:  store  rent,  rates,  staff  wages,  head  office  costs,  travel,  

utilities,  distribution  costs  and  markdowns/sales/returns.  Markdowns,  sales  and  returns  

are  a  huge  factor  because  often  only  85%  of  garments  are  sold  at  full  retail  price.  After  all  of  

the  overheads  the  profit  is  usually  much  lower,  but  it  is  considered  the  net  profit.  Retailers  

know  their  overheads  tremendously  well  and  know  exactly  what  the  mark-­‐up  needs  to  be  

to  make  a  profit.  The  mark-­‐up  is  the  margin.  A  standard  margin  for  retailers  is  66.67%  

(three  times  the  cost  price).  See  below  to  explain  how  margins  are  found.  

How  to  Calculate  the  Margin:    

Selling  Price  -­‐  Cost  Price      x  100    =    Margin  Percentage  Selling  Price  

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 Example:  Selling  Price  -­‐  £30,  Cost  Price  -­‐  £10  

 (30  -­‐  10)  x  100  =    66.67%  

30  Conclusion  

  This  product  range  has  sixteen  pieces,  all  being  cohesive,  but  still  varying.  The  

collection  stays  true  to  Alexander  McQueen’s  brand  image  because  of  unique  style  details,  

colours  and  fabrics.  Alexander  McQueen  has  unmistakable  garments;  this  new  lingerie  

collection  continues  this  aesthetic.    

Here  is  a  justification  of  all  six  styles.  The  French  knickers  are  in  this  range  because  

they  are  incredibly  feminine  and  comfortable;  these  are  the  softest  item  in  the  collection.  

The  French  knickers  are  only  in  the  nude  colour  to  continue  the  soft  theme.  The  cami-­‐

knicker  is  composed  of  silk  and  lace,  with  underwire  for  support  in  the  top  if  it.  The  lace  is  

transparent  and  goes  into  a  deep  v-­‐neck.  The  back  of  the  garment  is  also  mainly  made  of  

lace.  The  cami-­‐knicker  is  in  the  collection  to  bring  a  one-­‐piece  of  lingerie  into  the  collection.  

The  range  needed  different  pieces,  which  is  another  reason  the  cami-­‐knicker  is  in  it.  The  

lace  brazier  uses  blocking  to  combine  structure  and  the  softness  of  the  lace.  The  back  of  the  

bra  is  almost  bare  to  show  the  body  more  than  the  construction.  This  shape  will  work  

really  well  on  must  sizes.  The  lace  briefs  cover  what  must  be  covered  but  leave  the  rest  to  

be  only  covered  by  transparent  lace.  The  high-­‐waist  brief  is  used  to  not  only  slim  the  body  

with  lines  and  curves,  but  also  continue  a  separate  shape  and  cut  for  lingerie.  The  triangle  

shaped  brazier  is  in  the  collection  for  a  simple  brazier  with  a  twist  with  the  racer  back  and  

the  lace  top  of  the  brazier.  All  pieces  of  the  collection  have  distinct  design  details  and  are  

incredibly  well  made  distinguishing  this  range  from  the  competition.    

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Product  Development                   Page   18  

         

FRENCH  KNICKERS   MCQ11B3    SIZES  AVAILABLE:  6-­‐14  COST:  £25  RETAIL  SELLING  PRICE:  £100  MARGIN:  75%  COLOURS:  NUDE  FABRIC:  SILK  COUNTRY  OF  ORIGIN:  UNITED  KINGDOM    

DETAIL  

COLOURS  

FRONT  

BACK  

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Product  Development                   Page   19  

   

COLOURS  

CAMI-­‐KNICKER   MCQ13A1       MCQ13A2  

MCQ13A3    SIZES  AVAILABLE:  6-­‐14  COST:  £200  RETAIL  SELLING  PRICE:  £800  MARGIN:  75%  COLOURS:  NUDE,  BLACK,  DEEP  RED  FABRIC:  SILK,  LACE  COUNTRY  OF  ORIGIN:  UNITED  KINGDOM    

BACK    

FRONT  

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London  College  of  Fashion     Nicole  Realmuto  

Product  Development                   Page   20  

       

COLOURS  

HIGH-­‐WAIST  BRIEF   MCQ11A1         MCQ11A2  

        MCQ11A3    SIZES  AVAILABLE:  6-­‐14  COST:  £120  RETAIL  SELLING  PRICE:  £480  MARGIN:  75%  COLOURS:  NUDE,  BLACK,  DEEP  RED  FABRIC:  SILK,  LACE  COUNTRY  OF  ORIGIN:  UNITED  KINGDOM    

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Product  Development                   Page   21  

       

COLOURS  

LACE  BRAZIER   MCQ12B1       MCQ12B2       MCQ12B3  

 SIZES  AVAILABLE:  28-­‐36  A-­‐DD  CUPS  COST:  £100  RETAIL  SELLING  PRICE:  £400  MARGIN:  75%  COLOURS:  NUDE,  BLACK,  DEEP  RED  FABRIC:  SILK,  LACE  COUNTRY  OF  ORIGIN:  UNITED  KINGDOM    

BACK  FRONT  

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Product  Development                   Page   22  

     

COLORS  

LACE  BRIEFS     MCQ11B1         MCQ11B2         MCQ11B3  

 SIZES  AVAILABLE:  6-­‐14  COST:  £75  RETAIL  SELLING  PRICE:  £300  MARGIN:  75%  COLOURS:  NUDE,  BLACK,  DEEP  RED  FABRIC:  SILK,  LACE  COUNTRY  OF  ORIGIN:  UNITED  KINGDOM    

BACK    

FRONT    

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Product  Development                   Page   23  

     

COLOURS  

TRIANGLE-­‐SHAPED  LACE  BRAZIER         MCQ12D1         MCQ12D2  

  MCQ12D3    SIZES  AVAILABLE:  28-­‐36  A-­‐DD  COST:  £105  RETAIL  SELLING  PRICE:  £420  MARGIN:  75%  COLOURS:  NUDE,  BLACK,  DEEP  RED  FABRIC:  SILK,  LACE  COUNTRY  OF  ORIGIN:  UNITED  KINGDOM    

BACK  FRONT