aims: help us implement the new national curriculum for 6 th -8 th grade in art and design. i have...
TRANSCRIPT
Aims:
help us implement the new National Curriculum for 6th-8th Grade in art and design. I have focused on one of the NC Orders: 2.1(d) draw to express perception and invention, to communicate feelings, experiences and ideas, and for pleasure.
provide contemporary examples of ‘drawings’ in its widest sense with many digital/new media, Flicker and local contemporary artists.
1
Limitations:
This is clearly just one small part however I hope other users of the TES [www.facebook.com/group.php?gid=18842221480] might have a go at creating other PowerPoint's with different areas of focus.
Elizabeth Kane “The Shape of a Thought” (2008)Drawing with Photoshop Elements
The images used in this Power Point are for educational purposes only. Where images have been used from other sites links have been provided.
Drawingdraw to express perception and invention, to communicate feelings, experiences and ideas, and for pleasure NCO 2.1(d)
Dream p.p. 5,6
Visualise p.p. 3,4
Imagine p.p.
7,8
Remember p.p.
14-16
Contemplate p. 13
Investigate p.p.
11, 12
Observe
p. 10
Codes p. 18
Symbols p.19
Jerwood Drawing Prize 1st Prize winnerMelanie Jackson’s animation “A Global Positioning System”
(2006)Digitally Generated Animation, 10mins 01secs
www.melaniejackson.net/projects/gps/gps.mov
Selected Artists p.p. 21-27
Links etc p.28
2
Part
O
ne
Part
Tw
oP
art
Th
ree
Anand Duncan (2006)fashion illustrations of Viktor & Rolf's Fall 2006 Collection. http://flashbunny.blogspot.com/2007_01_01_archive.html
Dream
Visualise
Imagine
3
Elizabeth Kane“Colour Wheel” (2008)“Sketchup” is freely available online and enables you to model in 3D.
SoW: Ice Skating Costumes 8th Grade girls mixed ability
Success criteria: Range of experimentation in sketchbook thinking about the theme nature; Development of a clear design idea; Production of a design sheet with textural/feature enlargement; Controlled use of appropriate media; Practical implications of costume design are considered.
Aims: broader outcome… ‘Costume’
Include contextual elements work of appropriate artist, craftspeople and designers
Part
O
ne
Key words: the unseen, see, depict, mind map, thought shower, plan, concept drawing, design, mood board, pictogram, initial ideas…
Maps of hyperlinks in a website by Marcel Salathé (Visualisation of boingboing.net)
www.aharef.info/2006/05/websites_as_graphs.htm
Dream
Visualise
Imagine
4
SoW: Interior Design 8th Grade girls mixed ability
Success criteria: Accurate one point perspective with illusion of depth; Carefully planned and implemented interior design scheme with strong references to an artist/designer; Skilful control of media.
Aims: to introduce more personal choice of artists/inspiration into the project
To link to the idea of client led design teams (collaborative working practices) as used within the ‘Building Schools for the Future’ program.
Noah Rose’s arts project in Manchester provide some interesting activity ideas click here
British Interior Design Institute: www.bida.org/inspirations.htmMuseum of Domestic Design and Architecture: www.moda.mdx.ac.ukThe Sorrell Foundation inspiring creativity in young people and improving quality of life through good design. www.thesorrellfoundation.com/index.htmlThe Commission for Architecture and the Built Environment www.cabe.org.uk/
Part
O
ne
Joel Inner “Visions and Dreams”
www.flickr.com/photos/joelinner2005/sets/72157604485155226/
Dream
Visualise
Imagine
Lilly’s Dreamswww.flickr.com/photos/lilly1975/sets/72057594098808831/
5
www.flickr.com/photos/planticandwingishscenery/314643433/
Part
O
ne
Key Words: daydream, sleep, subconscious, unrealistic, fantasy, reverie, hope, ambition, aspiration, nightmare…
Dream
Visualise
Imagine
6
A River of Dreams – Launch of Creative Partnerships North & South TynesideParticipants: Nursery/preschool - 0 - 5 years, Elementary - 5 - 11 years, Middle School - 11 - 16 Project start date: 24 September 2004
The Project ConceptTo celebrate the "essence" of what we believe Creative Partnerships will bring to North and South Tyneside. Balloons carrying hopes and dreams of 2,000 young people were released as part of the launch celebrations of Creative Partnerships in North & South Tyneside.
ObjectivesTo officially launch Creative Partnerships North and South Tyneside.
AmbitionsTo create a visual spectacle which will draw everyone's attention and offer an opportunity for celebration and fun to mark the beginning of our Creative Partnerships journey.
www.creative-partnerships.com/projects/36428/36548/?assetDetail=/projects/36428/36548/36554
Part
O
ne
“Povesti” is digital artist.She started doing digital illustration and motion collaborating with MTV and then
working as an art director. www.povesti-de-adormit-copiii.ro/
http://www.flickr.com/photos/povesti/
Karin Uusikorpi“Grow” 2007www.flickr.com/photos/lola_jones/
Dream
Visualise
Imagine
7
Part
O
ne
Key Words: thoughts, creativity, mental picture, notions, guess…
Ernesto Caivano ”Brief Tangle with Rope” (2004) 11.375 x 14.375 Inches ,ink on paper
Ernesto Caivano is creating a sequence of drawings that tell a story that he imagined about people separated in time (think about how Dr Who can travel through space and time but leave people behind) trying to be reunited.
www.richardhellergallery.com/dynamic/artist.asp?ArtistID=35
Dream
Visualise
Imagine
8
Part
O
ne
“Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.”
Albert Einstein
9
Ideas That Can Change The World: The Cookbook (2007) Creative Partnershipshttp://www.ideasthatcan.com/PDFs/cookbook.pdf
Part
O
ne Dream
Visualise
Imagine Conclusions…I feel that in my own teaching practice at KS3 I am often too prescriptive and not encouraging children to visualise, dream and imagine as often as I should. Is this a common feeling amongst art teachers or have I been too keen to adopt ‘successful’ orthodoxies?
Developing and sharing clear success criteria is key to making these drawing projects successful and meaningful learning experiences to today's students.
Rami Efal “Tea” (2005) Pen on paperwww.flickr.com/photos/aburami/sets/1509705/
Remember
Contemplate
Investigate
Observe
10
Elizabeth Kane “Diet Coke” (2008) Colouring Pencils
www.flickr.com/photos/elizabethkane/
Paul Brady “Will Smith” (2008)www.flickr.com/photos/pbradyartwork/
Part
Tw
oKey Words: look, see
Ernst Haeckel “Kunstformen der Natur” (1899-1904)To see more click here
Remember
Contemplate
Investigate
Observe
Ben Lawson “Absence Makes the Heart…” (2007 )www.trans-technical.com/images.html11
Part
Tw
oKey Words: To observe or inquire into in detail; examine systematically.
Leonardo da VinciOrthogonal views of the skeleton (c 1510-
11)
Remember
Contemplate
Investigate
Observe
12
SoW: Fruit 7th Grade mixed ability
Success criteria: Imported a range of appropriate images from the fruit folder that linked to their original freehand design.Cropped and arranged the images into a composition that had a clear repeat pattern.Produced a range of experiments with filters.
Aims: to incorporate original hand drawn designs and students own photographs of magnified sections of fruit into image library to make more complex and contemporary new media outcomes.
Gunther von Hagens’Bodyworldswww.koerperwelten.com/en.html
Part
Tw
o
Remember
Contemplate
Investigate
Observe
13
THIS PAGE IS BLANK BECAUSEyour schools ethos as art…
or
any issue your students care passionately about…
www.studentvoice.co.uk/
Part
Tw
oKey Words: An act of directing the eyes on an object: look, regard, sight, view, believe.
“Thinking of Dad” (2007)Pen and Watercolourwww.flickr.com/photos/sketchpot/
Remember
Contemplate
Investigate
Observe
14
www.flickr.com/photos/ksklein/476485298/
Part
Tw
oKey words: recall, reflect, think back to, recollect, reminisce about, retain, recognize, summon up, call to mind, memory, trace, commemorate, memorial…
Remember
Contemplate
Investigate
Observe
15
PGCE Primary Placement
Denbigh Community First School
Celebrating the schools 50th anniversary.
Project: Time capsule
Each student created 3 collage panels representing the past (based on original photographs and artefacts from the school, the present based on their hobbies and interests, and finally made some predications about the future.
Part
Tw
o
Remember
Contemplate
Investigate
Observe
16
Fernando BryceFor more images see “Vitamin D New perspectives in Drawing” Phaidon (2005)
Cai Guo-Qiang"Drawing for Transient Rainbow“ (2003)Gunpowder on paper, 198 x 157 inches
Part
Tw
o
Remember …Reasons to remember:
commemorate, mourn, nostalgia, to promote debate/conversation, to learn from our mistakes.
Contemplate …Come to a conclusion; work out; understand; reflect.
Investigate …Visual elements and principles; physical properties of materials; the physical limits of drawing; drawing techniques and processes; who, where, when, what and why?
Observe …Visual elements and principles; traditions;religious and political beliefs;Human rights; laws.
I feel that much of the drawing work I have completed and seen in schools has been observational or investigative at key stage three. I feel drawing becomes more contemplative at Key Stage Four (and beyond) because drawing becomes a more personal activity as students develop their own interests and ideas. Is this common to our shared experience as artist-teachers?
I have seen little evidence of, or practiced in my own teaching, drawing to ‘remember’. Do issues based projects offer more opportunities to draw to remember?
These key terms present strong opportunities for developing cross-curricular links: History, Science, Religious Education, Citizenship, PE, Design Technology, Mathematics
17
Part
Tw
o
Conclusions…Remember
Contemplate
Investigate
Observe
Codes
Symbols
18
Pamela Tait’s work
SoW: Myself 6th Grade mixed ability
Success criteria: produced a skilful A3 collage self-portrait with accurate proportions, experiment broadly with a range of collage techniques and selected background colours that reflected their personality.
Aims: to develop further layering/collage processes and introduce notion of the meaning ‘semiotics’.
Tina Michigan… artist and elementary art teacher in the USA (below)www.flickr.com/photos/artsyt/P
art
Th
ree
Ruth Piper“Dream Maps of City II”Screen-print of acrylic painting30 x 40 cmwww.numasters.com/artists/view_artist.asp?sup_id=342&sid=inactive
Codes
Symbols
19
AGAIN THIS PAGE IS BLANK (well almost!)
BECAUSE
your schools ethos …or
issues your students care passionately
about…
Part
Th
ree
Tim Pugh “Secret Door” (2008)charcoal, chalk, mixed media76cm x 51cm
'Secret Door' is a charcoal, chalk and marker pen drawing sketched onto a flat section of beech tree and was created in order to give the impression of a doorway or portal to a 'special' world.
DreamWhat is through the doorway?
ImagineThe doorway to secret world.Where is this doorway?What would it look like?
Selected Artists
21
www.axisweb.org/seSearchWorks.aspx?LOG=1&ARTFORM=1220
Ines Rebelo “Do It Yourself (night sky experience)” (2007)Edding pen on posters from The Guardian83cm x 60cm
A subtle drawing is superimposed onto a freely available poster. The drawing references a personal subjective experience, which disrupts the initial standard information that is provided by the poster.
ContemplateHow different people may have different experiences of the same thing.
ObserveHow we create charts and maps to understand the world around us.
Selected Artists
22
Andreas Cellarius “ Map of the Constellations of the Southern Hemisphere” (1660-1661)
www.axisweb.org/seSearchWorks.aspx?LOG=1&ARTFORM=1220
Bindu Mehra “Lace” (2005)Hot Glue, 7920cm x 30cm
An experiment with a common ‘craft’ material 'Hot Glue‘, creating translucent flexible panels of interlaced lines, and using 'light' as a 'material' in itself. The shadow the object casts is as important as the object.
Selected Artists
23
Investigate
Bindu Mehra is an British artist with Indian heritage. She sees similarities between her sculptural drawings and Indian architecture.
Investigate eitheri) your local
architectureii) Architecture linked to
your heritage.
Create a sculptural drawing.
Symbols
What sorts of symbols can you find in your local environment?
What do they represent?
www.axisweb.org/seSearchWorks.aspx?LOG=1&ARTFORM=1220
Mirriam Troth“Hot Air” (2006 – 2008)Pigment, 30cm x 45cm
The hot air images are produced by breathing deeply and blowing CO2 through pigmented fluid onto photographic paper.
Investigate
Accidental mark making.
Selected Artists
24
www.axisweb.org/seSearchWorks.aspx?LOG=1&ARTFORM=1220
James Hobbs“Red Room” (2007)Pen, digital colour 20cm x 30cm
James Hobbs “Neuchatel, Switzerland” (2006 – 2007)Pen, digital colour 21cm x 30cm
www.james-hobbs.co.uk/Selected Artists
25
InvestigateThe drawing tools in photoshop. Try and create another interior or landscape.
ObserveThe similarities and differences in
James Hobbs two digital drawings.
CodesThe visual codes and conventions in landscape help us to see depth in a picture. James Hobbs work makes the interior and exterior spaces in his digital artworks seem flat. Look at other examples of artworks that have played with our perception of space e.g. Matisse, The Cubists
Rosie James“Durer Stitching” (2007)Silk organza, linen86.4cm x 61cm
ImagineA well known artwork in a different media.How would this change its appearance and meaning?
Selected Artists
26
InvestigateHow to represent different qualities of line with textiles techniques.
Observe How contemporary illustrators use textiles techniques to draw.
www.axisweb.org/seSearchWorks.aspx?LOG=1&ARTFORM=1220
Graeme Reed“White street” (2006)
Paper, ink, pens, mouse
40cm x 48cm
Based on a memory of a visit to Greece.
Remember
A place that you have visited. Make a drawing/series of drawings to share lots of information about the place and your experience.
Selected Artists
27
www.axisweb.org/seSearchWorks.aspx?LOG=1&ARTFORM=1220
28
Flickr Groups To Watch or Join…
Art teachers art www.flickr.com/groups/585152@N22/This is a group for art teachers to showcase their work or for artists to show how art teachers impacted their life and their art.
Art Teacher images of students work www.flickr.com/groups/379766@N24/For art teachers and teachers K-12, in private or public or after school programs. Show and share examples of your students art work or art shows. Give descriptions of the projects as well. This is not a venue for showing your own art. There are plenty of those on flickr! This is meant as a resource for teachers
Hartlepool Artists, Craftpeople and Designers (NEW!!!)http://www.flickr.com/groups/750384@N20/
Illustration Now www.flickr.com/groups/illustrationnow/
Photoshop- drawings and Paintings www.flickr.com/groups/26962306@N00/pool/
Sketchbook- images from sketchbooks www.flickr.com/groups/sketchbook/
NewcastleGateshead Arts and Artists www.flickr.com/groups/317492@N20/
Waygood Associates www.flickr.com/groups/waygoodassociates/
Links
The New National Curriculum (Art and Design): http://curriculum.qca.org.uk/key-stages-3-and-4/subjects/art-and-design/index.aspx?return=http%3A//curriculum.qca.org.uk/key-stages-3-and-4/subjects/index.aspx
The Jerwood Drawing Prize: www.jerwoodvisualarts.org/drawing/
The Big Draw: www.drawingpower.org.uk
Drawing on Axis: www.axisweb.org/seSearchWorks.aspx?LOG=1&ARTFORM=1220
www.studentvoice.co.uk/
www.schoolcouncils.org/
North-East Art Teachers Network www.facebook.com/group.php?gid=18842221480
Links, Sources, Further Reading…
Working from first-hand observation: This could include taking inspiration from the work of others, drawing on personal experiences, drawing on imagination in response to stimuli, or using first-hand observation to record images, sounds and ideas in visual and written forms.
Draw to express: This could include drawing: to create and invent (eg to visualise, dream and imagine); for perception (eg to observe, investigate, contemplate, remember); to explore ideas and possibilities; to design for pleasure; or to communicate feelings, experiences and ideas to others (eg visualise, use codes and symbols). Students could work with a wide range of tools and materials (eg erasers, pens, string and wire) and learn a range of drawing techniques (eg collage, animation and wash), using different kinds of drawing for different purposes.
Definitions from the National Curriculum29