afv modeller - issue 09 - 6 - naked desperation part 3

Upload: emanuel-morales-zeke

Post on 02-Mar-2016

164 views

Category:

Documents


8 download

TRANSCRIPT

  • Part Three - Finishing the base

    Adam Wilder demonstrates thetechniques behind his STZ T-34/76

    43

  • Painting the Base

    It is important that the painting of the base

    be completed to the same quality as the

    model. A poorly finished base will detract

    from a models convincing paint job. This

    was the first time I have painted anything

    like this base so this is what I did

    Photos 1 through 5

    Using a piece of concrete as my example,

    I first painted the whole base with an

    undercoat of mixed acrylics. I decided to

    paint and detail the wood next. As always,

    I painted the old areas and the freshly

    broken areas of wood with a base of

    acrylics. After painting the base, a wash of

    enamels was added. After letting the wash

    dry for about 15 minutes I added chips to

    the wood using the same mixture of

    acrylics as in photo three. Focus most of

    the chips on the edges and ends of the

    wood. I then mapped the chips with a

    mixture of enamels and oils for further

    depth. With the wood completed I moved

    onto the wall.

    Photos 6 through 8

    I first painted all of the freshly broken brick

    with a lighter shade of the base colour. I

    then shaded different areas with washes of

    acrylics to break up the wall. After shading

    the bricks I applied an extremely heavy

    wash between the brick, using grey

    enamels. A lighter wash of grey enamels

    was also brushed across the rest of the

    bricks on the base.

    Photos 9 through 11

    While I waited for the washes on the wall

    to dry, I added some heavy washes of

    earth colours around the perimeter of the

    base with lighter earth washes over the

    brick hill of the base. I then moved back to

    the wall adding dark grey streaks I

    observed in actual photos. I kept the

    streaks on what would have been the outer

    sides of the walls. I have noticed different

    faint red and oxide colours on light grey

    bricks such as the ones used on my base.

    After placing the streaks, I added thinned

    faint red oxide colours to the upper halves

    of some of the bricks on both the walls and

    on the base.

    Photos 12 through 13

    After affixing the oxide washes, I brushed

    on an off-white colour to the upper edges

    of the bricks on the walls and base for

    extended depth. Although more time

    consuming, brushing on highlights with a

    fine brush as shown in photo 12 gives you

    more control, keeps the lighter coloured

    paint more refined, and does not subtract

    from the other faint colours added in

    previous steps. Highlights were also added

    to the brick to represent chips as they

    crashed and rolled into each other when

    they fell. Dry-brushing the whole base

    would look nice from a distance but

    unrealistic when viewed closely.

    44

  • 1 2

    3 4

    5 6

    7 8

    45

  • 9 10

    11 12

    13 14

    15 16

    46

  • 47

    Photos 14 through 15

    The final touch to the base was done by brushing on dry

    pigments. When you have buildings collapsing and artillery

    throwing earth in the air, large amounts of dust will settle over

    everything. Earth coloured dust was heavily added to the outer

    perimeter of the base while lighter amounts were brushed over

    the bricks, wood, metal and wall. Lighter grey dust was also

    added over the entire base.

    After adding dust, the T-34 was reattached to the base.

    The sections of sheet metal as well as the steel beam were

    simply painted like the T-34. Painting the perimeter with a nice

    colour contrasting the overall tone of the base greatly adds to the

    final appearance.

    I would like to thank the following:

    David Sproul and the gang at Inness Photo for their priceless help

    and advice.

    Steven Brezinski for all of his Humbrol suggestions as well as the

    encouragement of all my Spanish friends and the support of the

    Ise Flying Venus crew.

    Jon Tamkin at www.missionmodels.com for the supplies and new

    finishing products.