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ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

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Page 1: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

ACTIVATING THE PASSIVE

Anya ShawInternational House Buenos Aires

Page 2: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires
Page 3: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.bbc.co.uk/news/world-latin-america-17286034

Page 4: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.bbc.co.uk/news/world-latin-america-17286034

Page 5: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

In the past 20 years there has been a revolution in the Argentine wine industry, driven partly by the success of a grape that in many countries is used only for mixing – the rich, velvety Malbec.One is small, dark and juicy.The other is loose and sandy, blasted by the sun during the day and cooled by mountain air at night.The Malbec grape and the soil of the western Argentine province of Mendoza were introduced to one another in the middle of the 19th century.However, it was more than 100 years later before local producers realised that this combination of the thin-skinned, sun-loving grape and the sandy soil of Mendoza could produce a wine that was both tantalising and lucrative.It does not rain much here.The relationship is therefore lubricated by the ice melting off the Andes mountains.There are other grapes grown in Mendoza – Bonarda, Cabernet Sauvignon, Syrah and Tempranillo to name just a few. But there is only one Malbec.

http://www.bbc.co.uk/news/world-latin-america-17286034

Page 6: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.bbc.co.uk/news/world-latin-america-17286034

In the past 20 years there has been a revolution in the Argentine wine industry, driven partly by the success of a grape that in many countries is used only for mixing – the rich, velvety Malbec.One is small, dark and juicy.The other is loose and sandy, blasted by the sun during the day and cooled by mountain air at night.The Malbec grape and the soil of the western Argentine province of Mendoza were introduced to one another in the middle of the 19th century.However, it was more than 100 years later before local producers realised that this combination of the thin-skinned, sun-loving grape and the sandy soil of Mendoza could produce a wine that was both tantalising and lucrative.It does not rain much here.The relationship is therefore lubricated by the ice melting off the Andes mountains.There are other grapes grown in Mendoza – Bonarda, Cabernet Sauvignon, Syrah and Tempranillo to name just a few. But there is only one Malbec.

Page 7: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.bbc.co.uk/news/world-latin-america-17286034

In the past 20 years there has been a revolution in the Argentine wine industry, (which has been) driven partly by the success of a grape that in many countries is used only for mixing – the rich, velvety Malbec.One is small, dark and juicy.The other is loose and sandy, blasted by the sun during the day and cooled by mountain air at night.The Malbec grape and the soil of the western Argentine province of Mendoza were introduced to one another in the middle of the 19th century.However, it was more than 100 years later before local producers realised that this combination of the thin-skinned, sun-loving grape and the sandy soil of Mendoza could produce a wine that was both tantalising and lucrative.It does not rain much here.The relationship is therefore lubricated by the ice melting off the Andes mountains.There are other grapes grown in Mendoza – Bonarda, Cabernet Sauvignon, Syrah and Tempranillo to name just a few. But there is only one Malbec.

Page 8: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.bbc.co.uk/news/world-latin-america-17286034

In the past 20 years there has been a revolution in the Argentine wine industry, (which has been) driven partly by the success of a grape that in many countries is used only for mixing – the rich, velvety Malbec.One is small, dark and juicy.The other is loose and sandy, blasted by the sun during the day and cooled by mountain air at night.The Malbec grape and the soil of the western Argentine province of Mendoza were introduced to one another in the middle of the 19th century.However, it was more than 100 years later before local producers realised that this combination of the thin-skinned, sun-loving grape and the sandy soil of Mendoza could produce a wine that was both tantalising and lucrative.It does not rain much here.The relationship is therefore lubricated by the ice melting off the Andes mountains.There are other grapes grown in Mendoza – Bonarda, Cabernet Sauvignon, Syrah and Tempranillo to name just a few. But there is only one Malbec.

Page 9: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.bbc.co.uk/news/world-latin-america-17286034

In the past 20 years there has been a revolution in the Argentine wine industry, (which has been) driven partly by the success of a grape that in many countries is used only for mixing – the rich, velvety Malbec.One is small, dark and juicy.The other is loose and sandy, blasted by the sun during the day and cooled by mountain air at night.The Malbec grape and the soil of the western Argentine province of Mendoza were introduced to one another in the middle of the 19th century.However, it was more than 100 years later before local producers realised that this combination of the thin-skinned, sun-loving grape and the sandy soil of Mendoza could produce a wine that was both tantalising and lucrative.It does not rain much here.The relationship is therefore lubricated by the ice melting off the Andes mountains.There are other grapes grown in Mendoza – Bonarda, Cabernet Sauvignon, Syrah and Tempranillo to name just a few. But there is only one Malbec.

Page 10: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.bbc.co.uk/news/world-latin-america-17286034

In the past 20 years there has been a revolution in the Argentine wine industry, (which has been) driven partly by the success of a grape that in many countries is used only for mixing – the rich, velvety Malbec.One is small, dark and juicy.The other is loose and sandy, (which is) blasted by the sun during the day and cooled by mountain air at night.The Malbec grape and the soil of the western Argentine province of Mendoza were introduced to one another in the middle of the 19th century.However, it was more than 100 years later before local producers realised that this combination of the thin-skinned, sun-loving grape and the sandy soil of Mendoza could produce a wine that was both tantalising and lucrative.It does not rain much here.The relationship is therefore lubricated by the ice melting off the Andes mountains.There are other grapes grown in Mendoza – Bonarda, Cabernet Sauvignon, Syrah and Tempranillo to name just a few. But there is only one Malbec.

Page 11: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.bbc.co.uk/news/world-latin-america-17286034

In the past 20 years there has been a revolution in the Argentine wine industry, (which has been) driven partly by the success of a grape that in many countries is used only for mixing – the rich, velvety Malbec.One is small, dark and juicy.The other is loose and sandy, (which is) blasted by the sun during the day and cooled by mountain air at night.The Malbec grape and the soil of the western Argentine province of Mendoza were introduced to one another in the middle of the 19th century.However, it was more than 100 years later before local producers realised that this combination of the thin-skinned, sun-loving grape and the sandy soil of Mendoza could produce a wine that was both tantalising and lucrative.It does not rain much here.The relationship is therefore lubricated by the ice melting off the Andes mountains.There are other grapes grown in Mendoza – Bonarda, Cabernet Sauvignon, Syrah and Tempranillo to name just a few. But there is only one Malbec.

Page 12: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.bbc.co.uk/news/world-latin-america-17286034

In the past 20 years there has been a revolution in the Argentine wine industry, (which has been) driven partly by the success of a grape that in many countries is used only for mixing – the rich, velvety Malbec.One is small, dark and juicy.The other is loose and sandy, (which is) blasted by the sun during the day and cooled by mountain air at night.The Malbec grape and the soil of the western Argentine province of Mendoza were introduced to one another in the middle of the 19th century.However, it was more than 100 years later before local producers realised that this combination of the thin-skinned, sun-loving grape and the sandy soil of Mendoza could produce a wine that was both tantalising and lucrative.It does not rain much here.The relationship is therefore lubricated by the ice melting off the Andes mountains.There are other grapes grown in Mendoza – Bonarda, Cabernet Sauvignon, Syrah and Tempranillo to name just a few. But there is only one Malbec.

Page 13: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.bbc.co.uk/news/world-latin-america-17286034

In the past 20 years there has been a revolution in the Argentine wine industry, (which has been) driven partly by the success of a grape that in many countries is used only for mixing – the rich, velvety Malbec.One is small, dark and juicy.The other is loose and sandy, (which is) blasted by the sun during the day and cooled by mountain air at night.The Malbec grape and the soil of the western Argentine province of Mendoza were introduced to one another in the middle of the 19th century.However, it was more than 100 years later before local producers realised that this combination of the thin-skinned, sun-loving grape and the sandy soil of Mendoza could produce a wine that was both tantalising and lucrative.It does not rain much here.The relationship is therefore lubricated by the ice melting off the Andes mountains.There are other grapes grown in Mendoza – Bonarda, Cabernet Sauvignon, Syrah and Tempranillo to name just a few. But there is only one Malbec.

Page 14: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

In the past 20 years there has been a revolution in the Argentine wine industry, (which has been) driven partly by the success of a grape that in many countries is used only for mixing – the rich, velvety Malbec.One is small, dark and juicy.The other is loose and sandy, (which is) blasted by the sun during the day and cooled by mountain air at night.The Malbec grape and the soil of the western Argentine province of Mendoza were introduced to one another in the middle of the 19th century.However, it was more than 100 years later before local producers realised that this combination of the thin-skinned, sun-loving grape and the sandy soil of Mendoza could produce a wine that was both tantalising and lucrative.It does not rain much here.The relationship is therefore lubricated by the ice melting off the Andes mountains.There are other grapes grown in Mendoza – Bonarda, Cabernet Sauvignon, Syrah and Tempranillo to name just a few. But there is only one Malbec. http://www.bbc.co.uk/news/world-latin-

america-17286034

Page 15: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

In the past 20 years there has been a revolution in the Argentine wine industry, (which has been) driven partly by the success of a grape that in many countries is used only for mixing – the rich, velvety Malbec.One is small, dark and juicy.The other is loose and sandy, (which is) blasted by the sun during the day and cooled by mountain air at night.The Malbec grape and the soil of the western Argentine province of Mendoza were introduced to one another in the middle of the 19th century.However, it was more than 100 years later before local producers realised that this combination of the thin-skinned, sun-loving grape and the sandy soil of Mendoza could produce a wine that was both tantalising and lucrative.It does not rain much here.The relationship is therefore lubricated by the ice melting off the Andes mountains.There are other grapes (which are) grown in Mendoza – Bonarda, Cabernet Sauvignon, Syrah and Tempranillo to name just a few. But there is only one Malbec. http://www.bbc.co.uk/news/world-latin-

america-17286034

Page 16: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Forming the passive

Page 17: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE

Forming the passive

Page 18: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLE

Forming the passive

Page 19: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been

Forming the passive

Page 20: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) driven

Forming the passive

Page 21: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis

Forming the passive

Page 22: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis used

Forming the passive

Page 23: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis usedis

Forming the passive

Page 24: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis usedis blasted

Forming the passive

Page 25: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis usedis blastedis

Forming the passive

Page 26: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis usedis blastedis

Forming the passive

Page 27: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis usedis blastedis cooled

Forming the passive

Page 28: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis usedis blastedis cooledwere

Forming the passive

Page 29: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis usedis blastedis cooledwere introduced

Forming the passive

Page 30: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis usedis blastedis cooledwere introducedis

Forming the passive

Page 31: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis usedis blastedis cooledwere introducedis lubricated

Forming the passive

Page 32: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis usedis blastedis cooledwere introducedis lubricatedare

Forming the passive

Page 33: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

TO BE PAST PARTICIPLEhas been (partly) drivenis usedis blastedis cooledwere introducedis lubricatedare grown

Forming the passive

Page 34: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

Write a definition of the meaning of the passive voice.

Page 35: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Grammatical roles Notional roles

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 36: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Grammatical roles (f___)

Notional roles (m______)

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 37: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Grammatical roles (form)

Notional roles (m______)

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 38: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Grammatical roles (form)

Notional roles (meaning)

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 39: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Grammatical roles (form)

Notional roles (meaning)

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 40: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Grammatical roles (form)

Notional roles (meaning)

• Subject – the noun which goes before the verb form

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 41: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Grammatical roles (form)

Notional roles (meaning)

• Subject – the noun which goes before the verb form• Object – the noun which comes directly after the verb form

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 42: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Grammatical roles (form)

Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 43: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Grammatical roles (form)

Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 44: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.

In many countries the grape is used only for mixing.

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 45: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.

In many countries the grape is used only for mixing.

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 46: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.

In many countries the grape is used only for mixing.

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 47: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.

In many countries the grape is used only for mixing.

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 48: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.

In many countries the grape is used only for mixing.

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 49: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.

In many countries the grape is used only for mixing.

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 50: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject

In many countries the grape is used only for mixing.

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 51: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject agent

In many countries the grape is used only for mixing.

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 52: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent

In many countries the grape is used only for mixing.

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 53: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent patient

In many countries the grape is used only for mixing.

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 54: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent patient

In many countries the grape is used only for mixing.

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 55: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent patient

In many countries the grape is used only for mixing.

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 56: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent patient

In many countries the grape is used only for mixing. subject

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 57: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent patient

In many countries the grape is used only for mixing. subject patient

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 58: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent patient

In many countries the grape is used only for mixing. subject no object patient

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 59: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent patient

In many countries the grape is used only for mixing. subject no object patient agent not mentioned

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 60: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

= The active and passive forms differ in meaning by assigning different notional roles to the subject of the verb.

Page 61: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

= The active and passive forms differ in meaning by assigning different notional roles to the subject of the verb.

•Verb is active = we interpret the subject as an agent (doer)

Page 62: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

= The active and passive forms differ in meaning by assigning different notional roles to the subject of the verb.

•Verb is active = we interpret the subject as an agent (doer)

•Verb is passive = we interpret the subject as a patient (victim)

Page 63: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent patient

In many countries the grape is used only for mixing. subject no object patient agent not mentioned

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 64: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent patient

In many countries the grape is used only for mixing. subject no object patient agent not mentioned

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 65: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent patient

In many countries the grape is used only for mixing. subject no object patient agent not mentioned

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 66: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent patient

In many countries the grape is used only for mixing. subject no object patient agent not mentioned

The soil is blasted by the sun during the day.

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 67: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrative.subject objectagent patient

In many countries the grape is used only for mixing. subject no object patient agent not mentioned

The soil is blasted by the sun during the day. subject

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 68: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrativesubject objectagent patient

In many countries the grape is used only for mixing. subject no object patient agent not mentioned

The soil is blasted by the sun during the day. subject patient

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 69: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrativesubject objectagent patient

In many countries the grape is used only for mixing. subject no object patient agent not mentioned

The soil is blasted by the sun during the day. subject no objectpatient

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 70: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This combination could produce a wine that was both tantalising and lucrativesubject objectagent patient

In many countries the grape is used only for mixing. subject no object patient agent not mentioned

The soil is blasted by the sun during the day. subject no objectpatient by + agent

Grammatical roles (form) Notional roles (meaning)

• Subject – the noun which goes before the verb form

• Agent – the person or thing carrying out the action

• Object – the noun which comes directly after the verb form

• Patient – the person or thing affected by an action

Page 71: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Have a go at the following CPE transformations… Remember to use between 3-8 words. 1, The manufacturing process was delayed by problems no one had foreseenHELDThe manufacturing process____________________________________ circumstances.

2, The judges gave Delfina the impression that she would win first prize.BELIEVEDelfina _______________________________________ she would win first prize by the judges

3, Mrs Thomas seems to find the way her daughter behaves more a source of amusement than embarrassment.BEINGFar ___________________________________ behaviour, Mrs Thomas seems to be amused by it.

4, They plan to repair the bridge this weekend.SCHEDULEDThe repair _____________________________________________ place this weekend.

From Cambridge CPE 3, 4, 5, 1

Page 72: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Have a go at the following CPE transformations… Remember to use between 3-8 words. 1, The manufacturing process was delayed by problems no one had foreseenHELDThe manufacturing process was held up by unforeseen circumstances.

2, The judges gave Delfina the impression that she would win first prize.BELIEVEDelfina _______________________________________ she would win first prize by the judges

3, Mrs Thomas seems to find the way her daughter behaves more a source of amusement than embarrassment.BEINGFar ___________________________________ behaviour, Mrs Thomas seems to be amused by it.

4, They plan to repair the bridge this weekend.SCHEDULEDThe repair _____________________________________________ place this weekend.

From Cambridge CPE 3, 4, 5, 1

Page 73: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

1, The manufacturing process was delayed by problems no one had foreseen.HELDThe manufacturing process was held up by unforeseen circumstances. 2, The judges gave Delfina the impression that she would win first prize.BELIEVEDelfina was led to believe that she would win first prize by the judges.

3, Mrs Thomas seems to find the way her daughter behaves more a source of amusement than embarrassment.BEINGFar ___________________________________ behaviour, Mrs Thomas seems to be amused by it.

4, They plan to repair the bridge this weekend.SCHEDULEDThe repair _____________________________________________ place this weekend.

From Cambridge CPE 3, 4, 5, 1

Have a go at the following CPE transformations… Remember to use between 3-8 words.

Page 74: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

1, The manufacturing process was delayed by problems no one had foreseen.HELDThe manufacturing process was held up by unforeseen circumstances.

2, The judges gave Delfina the impression that she would win first prize.BELIEVEDelfina was led to believe that she would win first prize by the judges.

3, Mrs Thomas seems to find the way her daughter behaves more a source of amusement than embarrassment.BEINGFar from being embarrassed by her daughter’s behaviour, Mrs Thomas seems to be amused by it.

4, They plan to repair the bridge this weekend.SCHEDULEDThe repair _____________________________________________ place this weekend.

From Cambridge CPE 3, 4, 5, 1

Have a go at the following CPE transformations… Remember to use between 3-8 words.

Page 75: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

1, The manufacturing process was delayed by problems no one had foreseen.HELDThe manufacturing process was held up by unforeseen circumstances.

2, The judges gave Delfina the impression that she would win first prize.BELIEVEDelfina was led to believe that she would win first prize by the judges.

3, Mrs Thomas seems to find the way her daughter behaves more a source of amusement than embarrassment.BEINGFar from being embarrassed by her daughter’s behaviour, Mrs Thomas seems to be amused by it.

4, They plan to repair the bridge this weekend.SCHEDULEDThe repair is scheduled to take place this weekend.

From Cambridge CPE 3, 4, 5, 1

Have a go at the following CPE transformations… Remember to use between 3-8 words.

Page 76: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

1, The manufacturing process was delayed by problems no one had foreseenHELDThe manufacturing process ______________________________________________ circumstances. 2, The judges gave Delfina the impression that she would win first prize.BELIEVEDelfina ___________________________________ she would win first prize by the judges3, Mrs Thomas seems to find the way her daughter behaves more a source of amusement than embarrassment.BEINGFar ______________________________ behaviour, Mrs Thomas seems to be amused by it. 4, They plan to repair the bridge this weekend.SCHEDULEDThe repair __________________________________ place this weekend.

What do you see as the aim of this exercise? Would you call it a practice exercise?What aspects of the passive might it help learners with? Think about form, meaning and use.What are its limitations? In other words, what aspects does it not deal with?

Have a go at the following CPE transformations… Remember to use between 3-8 words.

Page 77: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Natural Eng Pre Int, Gairns and Redmond OX 172

Page 78: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Ready for FCE , Norris, Macmillan p128

Natural Eng Pre Int, Gairns and Redmond OX 172

Page 79: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

New English File Int p141, Oxenden and Lathan Koenig

Ready for FCE , Norris, Macmillan p128Natural Eng Pre Int , Gairns and Redmond OUP p172

Page 80: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

New English File Int p141, Oxenden and Lathan Koenig

Ready for FCE , Norris, Macmillan p128Natural Eng Pre Int , Gairns and Redmond OUP p172

Page 81: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The woman took the man to the station.

The man was taken to the station by the woman.

Page 82: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The man was taken to the station by the woman.

The woman took the man to the station.

Page 83: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

1, The manufacturing process was delayed by problems no one had foreseenHELDThe manufacturing process ______________________________________________ circumstances. 2, The judges gave Delfina the impression that she would win first prize.BELIEVEDelfina ___________________________________ she would win first prize by the judges3, Mrs Thomas seems to find the way her daughter behaves more a source of amusement than embarrassment.BEINGFar ______________________________ behaviour, Mrs Thomas seems to be amused by it. 4, They plan to repair the bridge the bridge this weekend.SCHEDULEDThe repair __________________________________ place this weekend.

What do you see as the aim of this exercise? Would you call it a practice exercise?What aspects of the passive might it help learners with? Think about form, meaning and use.What are its limitations? In other words, what aspects does it not deal with?

Have a go at the following CPE transformations… Remember to use between 3-8 words.

Page 84: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires
Page 85: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

RandolphQuirk

Page 86: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

RandolphQuirk

An approximate _/_ English passive sentences have no expressed agent.

Randolph Quirk et al, A Comprehensive Grammar of the English Language (Longman, 1985:164)

Page 87: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

RandolphQuirk

An approximate 4/5 English passive sentences have no expressed agent.

Randolph Quirk et al, A Comprehensive Grammar of the English Language (Longman, 1985:164)

Page 88: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

HOWAND

WHY?

Page 89: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

1, The burglar was arrested last night.

2, Foxes can be found living in the unlikeliest of places.

3, Oh my God! She’s been murdered!

4, ... That unimaginable moment, billions upon billions of years ago, when our universe was created.

5, I regret to inform you that, after long and careful consideration, your application has been rejected.

6, Parent to teacher: I don’t think enough homework is being set.

7, You say you had the flu but you were seen at a matinee performance of Les Miserables with your girlfriend. How do you explain that?

8, John F. Kennedy was assassinated on Friday, 22nd November 1963.

Adapted from the International House Language Awareness Course, Alex Tilbury

PASSIVE TO ACTIVE

Page 90: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

1, The burglar was arrested last night.

2, Foxes can be found living in the unlikeliest of places.

3, Oh my God! She’s been murdered!

4, ... That unimaginable moment, billions upon billions of years ago, when our universe was created.

5, I regret to inform you that, after long and careful consideration, your application has been rejected.

6, Parent to teacher: I don’t think enough homework is being set.

7, You say you had the flu but you were seen at a matinee performance of Les Miserables with your girlfriend. How do you explain that?

8, John F. Kennedy was assassinated on Friday, 22nd November 1963.

Adapted from the International House Language Awareness Course, Alex Tilbury

• How do you feel the sentences in each pair differ? Would you say it is more “natural”/”polite”/more likely to occur?• Can you explain why the passive might have been chosen by the speakers/writers of the original sentences?

Page 91: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires
Page 92: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Hi everyone! Are you enjoying the conference? I particularly enjoyed Lisa’s conditionals session.

Page 93: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Anya, can I ask you something?

Page 94: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Can I join in? Show them my video!

Page 95: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

But it IS relevant.

Page 96: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Absolutely. I’m Tom Cruise.

Page 97: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Would anyone like an autograph?

Page 98: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Your mission... Should you choose to accept it...

Page 99: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Is to see how my new video relates to today’s session.

Page 100: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

This message will self-destruct in...

Page 101: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

5

Page 102: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

4

Page 103: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

3

Page 104: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

2

Page 105: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

1

Page 106: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires
Page 107: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Jejejejeje!

Page 108: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Sorry.

Page 109: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.youtube.com/watch?v=khAlCr2qaj0&feature=related

Page 110: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Yes. Can’t get enough of them.

Page 111: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Hang on... I’m going to change into my

new outfit.

Page 112: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

I AM NOT SHORT!

Page 113: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires
Page 114: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.Ethan Hunt

Do you like my secret agent outfit?

Page 115: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

SECRET AGENT!

Secret Agent!

Page 116: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

SECRET AGENT!

Agent Obvious

Secret Agent!

Page 117: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

. ??

Page 118: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

. ??

Agent Unknown

Page 119: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

. I’m not sure

?

?

?

?

?

?

?

?

Page 120: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

Agent Not Definite

I’m not sure

?

?

?

?

?

?

?

?

?

?

Page 121: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

. D

Page 122: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

. Diplomat

Agent Diplomatic(Social Relations Branch)

Page 123: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

Your secret is safe with me

C

Page 124: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

Your secret is safe with me

CAgent Confidentiality(Social Relations Branch)

Page 125: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

. ?

Page 126: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

. ?Agent No

Page 127: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

It’s all about ....................

C

Page 128: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

It’s all about ....................

CAgent Context

Page 129: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

Ummm... This is a bit embarrassing...

F-S

Page 130: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

Ummm... This is a bit embarrassing...

F-S

Agent Face-Saver (Social Relations Branch)

Page 131: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

Agent Obvious

Agent Unknown

Agent Not Definite

Agent Diplomatic(Social Relations Branch)

Agent Confidentiality(Social Relations Branch)

Agent No

Agent Context

Agent Face-Saver (Social Relations Branch)

Why?

Page 132: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

1, The burglar was arrested last night.

Page 133: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

1, The burglar was arrested last night.

SECRET AGENT!Secret Agent!

Page 134: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

1, The burglar was arrested last night.

SECRET AGENT!Secret Agent!Agent

Obvious

Page 135: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

2, Foxes can be found living in the unlikeliest of places.

Page 136: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

2, Foxes can be found living in the unlikeliest of places.

?

?

?

?

?

?

?

? ?

I’m not sure

Page 137: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

.

2, Foxes can be found living in the unlikeliest of places.

?

?

?

?

?

?

?

? ?

I’m not sure

Agent Not Definite

Page 138: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

3, Oh my God! She’s been murdered!

Page 139: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

3, Oh my God! She’s been murdered!

?

?

Page 140: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

3, Oh my God! She’s been murdered!

?

?

Agent Unknown

Page 141: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

4, ... That unimaginable moment, billions upon billions of years ago, when our universe was created.

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4, ... That unimaginable moment, billions upon billions of years ago, when our universe was created.

?

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4, ... That unimaginable moment, billions upon billions of years ago, when our universe was created.

?Agent No

Page 144: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

4, ... That unimaginable moment, billions upon billions of years ago, when our universe was created.

?Agent No

Secret Agent!

SECRET AGENT!

Page 145: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

4, ... That unimaginable moment, billions upon billions of years ago, when our universe was created.

?Agent No

Secret Agent!

SECRET AGENT!Agent Obvious

Page 146: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

5, I regret to inform you that, after long and careful consideration, your application has been rejected.

Page 147: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

5, I regret to inform you that, after long and careful consideration, your application has been rejected.

.

Diplomat

Page 148: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

5, I regret to inform you that, after long and careful consideration, your application has been rejected.

.

Diplomat

Agent Diplomatic(Social Relations Branch)

Page 149: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

6, Parent to teacher: I don’t think enough homework is being set.

Page 150: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

6, Parent to teacher: I don’t think enough homework is being set.

F-S

Ummm... This is a bit embarrassing...

Page 151: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Ummm... This is a bit embarrassing...

F-S

Agent Face-Saver (Social Relations Branch)

6, Parent to teacher: I don’t think enough homework is being set.

Page 152: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

7, You say you had the flu but you were seen at a matinee performance of Les Miserables with your girlfriend. How do you explain that?

Page 153: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

7, You say you had the flu but you were seen at a matinee performance of Les Miserables with your girlfriend. How do you explain that?

Your secret is safe with me

C

Page 154: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

7, You say you had the flu but you were seen at a matinee performance of Les Miserables with your girlfriend. How do you explain that?

Your secret is safe with meAgent

Confidentiality(Social Relations Branch)

C

Page 155: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

8, John F. Kennedy was assassinated on Friday, 23rd November 1963.

Page 156: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

8, John F. Kennedy was assassinated on Friday, 22nd November 1963.

It’s all about ....................

C

Page 157: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

8, John F. Kennedy was assassinated on Friday, 22nd November 1963.

It’s all about ....................

CAgent Context

Page 158: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

C

Page 159: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

IT’S ALL ABOUT

CONTEXTC

Page 160: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 161: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

JOE ORTON

Page 162: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The Orton Diaries

Elsie Orton gave birth to Joe Orton in Leicester in 1933 and Kenneth Halliwell battered him to death in August 1967. He left school at sixteen and went to RADA two years later. He spent six months in prison for defacing library books. In 1964 the BBC broadcast his first play, The Ruffian on the Stair, and West End theatres staged his first full-length piece, Entertaining Mr Sloane, as well as Loot two years later. ITV televised The Epringham Camp in 1966 and the Royal Court staged it in double-bill with The Ruffian on the Stair. They showed his television plays, The Good and Faithful Servant and Funeral Games, posthumously in 1967 and 1968. They didn’t stage his last play, What the Butler Saw, until 1969, though they successfully revived it in 1975 in a season that also included important revivals of Loot and Entertaining Mr Sloane. Studios made these two last plays into successful films. Orton also wrote a screenplay for The Beatles, Up Against it, which nobody ever filmed. Anthony Blond published a novel, Head to Toe, posthumously in 1971. John Lahr edited and Methuen first published The Orton Diaries in 1986.

Joe Orton was born in Leicester in 1933 and was battered to death in August 1967. He left school and went to RADA two years later. He spent six months in prison for defacing library books. In 1964 his first play, The Ruffian on the Stair, was broadcast and his first full-length piece, Entertaining Mr Sloane, was staged in the West End, as was Loot two years later. The Epringham Camp was televised in 1966 and staged at the Royal Court in double-bill with The Ruffian on the Stair. His television plays, The Good and Faithful Servant and Funeral Games, were shown posthumously in 1967 and 1968. His last play, What the Butler Saw, was not staged until 1969, though it was successfully revived in 1975 in a season that also included important revivals of Loot and Entertaining Mr Sloane. These two last plays have been made into successful films. Orton also wrote a screenplay for the Beatles, Up Against It, which was never filmed. A novel, Head to Toe, was published posthumously in 1971. The Orton Diaries (ed. John Lahr) were first published in 1986.

John Lahr (ed.) The Orton Diaries (Methuen, 1998:1)

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 163: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

TOPIC COMMENT

Page 164: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

TOPIC

What the clauseis about

COMMENT

Page 165: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

TOPIC

What the clauseis about

COMMENT

(new) informationabout the topic

Page 166: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

TOPIC

Kenneth Halliwell

COMMENT

Page 167: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

TOPIC

Kenneth Halliwell

COMMENT

battered him to death in 1967

Page 168: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

TOPIC

Kenneth Halliwell

Joe Orton

COMMENT

battered him to death in 1967

Page 169: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

TOPIC

Kenneth Halliwell

Joe Orton

COMMENT

battered him to death in 1967

was battered to death in 1967

Page 170: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

TOPIC

Kenneth Halliwell

Joe Orton

COMMENT

battered him to death in 1967

was battered to death in 1967

Page 171: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The Orton Diaries

Elsie Orton gave birth to Joe Orton in Leicester in 1933 and Kenneth Halliwell battered him to death in August 1967. He left school at sixteen and went to RADA two years later. He spent six months in prison for defacing library books. In 1964 the BBC broadcast his first play, The Ruffian on the Stair, and West End theatres staged his first full-length piece, Entertaining Mr Sloane, as well as Loot two years later. ITV televised The Epringham Camp in 1966 and the Royal Court staged it in double-bill with The Ruffian on the Stair. They showed his television plays, The Good and Faithful Servant and Funeral Games, posthumously in 1967 and 1968. They didn’t stage his last play, What the Butler Saw, until 1969, though they successfully revived it in 1975 in a season that also included important revivals of Loot and Entertaining Mr Sloane. Studios made these two last plays into successful films. Orton also wrote a screenplay for The Beatles, Up Against it, which nobody ever filmed. Anthony Blond published a novel, Head to Toe, posthumously in 1971. John Lahr edited and Methuen first published The Orton Diaries in 1986.

Joe Orton was born in Leicester in 1933 and was battered to death in August 1967. He left school and went to RADA two years later. He spent six months in prison for defacing library books. In 1964 his first play, The Ruffian on the Stair, was broadcast and his first full-length piece, Entertaining Mr Sloane, was staged in the West End, as was Loot two years later. The Epringham Camp was televised in 1966 and staged at the Royal Court in double-bill with The Ruffian on the Stair. His television plays, The Good and Faithful Servant and Funeral Games, were shown posthumously in 1967 and 1968. His last play, What the Butler Saw, was not staged until 1969, though it was successfully revived in 1975 in a season that also included important revivals of Loot and Entertaining Mr Sloane. These two last plays have been made into successful films. Orton also wrote a screenplay for the Beatles, Up Against It, which was never filmed. A novel, Head to Toe, was published posthumously in 1971. The Orton Diaries (ed. John Lahr) were first published in 1986.

John Lahr (ed.) The Orton Diaries (Methuen, 1998:1)

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 172: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The Orton Diaries

Elsie Orton gave birth to Joe Orton in Leicester in 1933 and Kenneth Halliwell battered him to death in August 1967. He left school at sixteen and went to RADA two years later. He spent six months in prison for defacing library books. In 1964 the BBC broadcast his first play, The Ruffian on the Stair, and West End theatres staged his first full-length piece, Entertaining Mr Sloane, as well as Loot two years later. ITV televised The Epringham Camp in 1966 and the Royal Court staged it in double-bill with The Ruffian on the Stair. They showed his television plays, The Good and Faithful Servant and Funeral Games, posthumously in 1967 and 1968. They didn’t stage his last play, What the Butler Saw, until 1969, though they successfully revived it in 1975 in a season that also included important revivals of Loot and Entertaining Mr Sloane. Studios made these two last plays into successful films. Orton also wrote a screenplay for The Beatles, Up Against it, which nobody ever filmed. Anthony Blond published a novel, Head to Toe, posthumously in 1971. John Lahr edited and Methuen first published The Orton Diaries in 1986.

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 173: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The Orton Diaries

Elsie Orton gave birth to Joe Orton in Leicester in 1933 and Kenneth Halliwell battered him to death in August 1967. He left school at sixteen and went to RADA two years later. He spent six months in prison for defacing library books. In 1964 the BBC broadcast his first play, The Ruffian on the Stair, and West End theatres staged his first full-length piece, Entertaining Mr Sloane, as well as Loot two years later. ITV televised The Epringham Camp in 1966 and the Royal Court staged it in double-bill with The Ruffian on the Stair. They showed his television plays, The Good and Faithful Servant and Funeral Games, posthumously in 1967 and 1968. They didn’t stage his last play, What the Butler Saw, until 1969, though they successfully revived it in 1975 in a season that also included important revivals of Loot and Entertaining Mr Sloane. Studios made these two last plays into successful films. Orton also wrote a screenplay for The Beatles, Up Against it, which nobody ever filmed. Anthony Blond published a novel, Head to Toe, posthumously in 1971. John Lahr edited and Methuen first published The Orton Diaries in 1986.

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 174: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The Orton Diaries

Joe Orton was born in Leicester in 1933 and was battered to death in August 1967. He left school and went to RADA two years later. He spent six months in prison for defacing library books. In 1964 his first play, The Ruffian on the Stair, was broadcast and his first full-length piece, Entertaining Mr Sloane, was staged in the West End, as was Loot two years later. The Epringham Camp was televised in 1966 and staged at the Royal Court in double-bill with The Ruffian on the Stair. His television plays, The Good and Faithful Servant and Funeral Games, were shown posthumously in 1967 and 1968. His last play, What the Butler Saw, was not staged until 1969, though it was successfully revived in 1975 in a season that also included important revivals of Loot and Entertaining Mr Sloane. These two last plays have been made into successful films. Orton also wrote a screenplay for the Beatles, Up Against It, which was never filmed. A novel, Head to Toe, was published posthumously in 1971. The Orton Diaries (ed. John Lahr) were first published in 1986.

John Lahr (ed.) The Orton Diaries (Methuen, 1998:1)

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 175: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The Orton Diaries

Joe Orton was born in Leicester in 1933 and was battered to death in August 1967. He left school and went to RADA two years later. He spent six months in prison for defacing library books. In 1964 his first play, The Ruffian on the Stair, was broadcast and his first full-length piece, Entertaining Mr Sloane, was staged in the West End, as was Loot two years later. The Epringham Camp was televised in 1966 and staged at the Royal Court in double-bill with The Ruffian on the Stair. His television plays, The Good and Faithful Servant and Funeral Games, were shown posthumously in 1967 and 1968. His last play, What the Butler Saw, was not staged until 1969, though it was successfully revived in 1975 in a season that also included important revivals of Loot and Entertaining Mr Sloane. These two last plays have been made into successful films. Orton also wrote a screenplay for the Beatles, Up Against It, which was never filmed. A novel, Head to Toe, was published posthumously in 1971. The Orton Diaries (ed. John Lahr) were first published in 1986.

John Lahr (ed.) The Orton Diaries (Methuen, 1998:1)

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 176: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

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Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

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Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

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Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

Page 180: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

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Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

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Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

Page 183: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

Page 184: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

Page 185: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

Page 186: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

Page 187: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

Page 188: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

Page 189: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

Page 190: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

Page 191: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

Page 192: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Joe Orton/He His plays/work

The Orton Diaries

Page 193: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Joe Orton/He His plays/work

The Orton Diaries

Page 194: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Joe Orton/He His plays/work

The Orton Diaries

Page 195: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Joe Orton/He His plays/work

The Orton Diaries

Page 196: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

TOPIC

Kenneth Halliwell

Joe Orton

COMMENT

battered him to death in 1967

was battered to death in 1967 by Kenneth Halliwell

The passive allows the writer/speaker to TOPICALISE – to choose which entities are the topics of the clauses and thereby ensure that the text is coherent.

Page 197: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Elsie Orton

A season

Nobody The BBC

West End Theatres

Kenneth Halliwell

They ITV

He (Joe Orton)

Anthony Blond

Studios They

The Royal Court

Methuen

John Lahr Orton

Page 198: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.onestopenglish.com/grammar/grammar-reference/verbs-and-tenses/the-passive-in-english-tips-and-activities/152839.article

Page 199: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

George Orwell

http://www.onestopenglish.com/grammar/grammar-reference/verbs-and-tenses/the-passive-in-english-tips-and-activities/152839.article

Page 200: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

George Orwell

Never use the passive voice where the active is possible.

http://www.onestopenglish.com/grammar/grammar-reference/verbs-and-tenses/the-passive-in-english-tips-and-activities/152839.article

Page 201: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

We have been asked by your home insurers to obtain your written confirmation that all their requirements have been completed by yourself.

http://www.onestopenglish.com/grammar/grammar-reference/verbs-and-tenses/the-passive-in-english-tips-and-activities/152839.article

Page 202: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

We have been asked by your home insurers to obtain your written confirmation that all their requirements have been completed by yourself.

Your home insurers have asked us to obtain your written confirmation that you have completed all the documents.

http://www.onestopenglish.com/grammar/grammar-reference/verbs-and-tenses/the-passive-in-english-tips-and-activities/152839.article

Page 203: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

As we have seen today, it is necessary to look at the whole text – rather than isolated sentences – to understand the reasons behind the selection of active or passive voice.

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 204: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

As we have seen today, it is necessary to look at the whole text – rather than isolated sentences – to understand the reasons behind the selection of active or passive voice.

Your mission, should you choose to accept it...

?

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 205: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

As we have seen today, it is necessary to look at the whole text – rather than isolated sentences – to understand the reasons behind the selection of active or passive voice.

What kind of tasks could you create from whole texts/paragraphs with the aim of raising learners’ awareness of when it is appropriate to use the passive?

Your mission, should you choose to accept it...

?

Adapted from the International House Language Awareness Course, Alex Tilbury

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Adapted from the International House Language Awareness Course, Alex Tilbury

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Adapted from the International House Language Awareness Course, Alex Tilbury

The second generation of the Zuccardi family of Mendoza, Argentina own the Santa Julia vineyards. As a tribute to his only daughter, Julia, his wines were named after her by José Alberto Zuccardi . People who work for Zuccardi planted the vineyards on land which was originally desert but which has come to life thanks to pure Andean mountain water. Careful vineyard management ensures perfectly ripe grapes and workers hand-pick this top quality fruit, then vinify it and bottle it in their state-of-the-art winery.

The Viognier grape, originally from the Rhône Valley in France, produces this elegant wine rich in aromas of peach and tropical fruits. Serve chilled as an aperitif or with grilled or fried fish dishes and salads.

Label on a bottle of Santa Julia white wine, 2001

Page 208: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

The Santa Julia vineyards are owned by the second generation of the Zuccardi family in Mendoza, Argentina. As a tribute to his only daughter, Julia, José Alberto Zuccardi named his wines after her. The vineyards are planted on land which was originally desert but which has come to life thanks to pure Andean mountain water. Careful vineyard management ensures perfectly ripe grapes and this top quality fruit is hand-picked then vinified and bottled in their state-of-the-art winery.

The Viognier grape, originally from the Rhône Valley in France, produces this elegant wine rich in aromas of peach and tropical fruits. Serve chilled as an aperitif or with grilled or fried fish dishes and salads.

Label on a bottle of Santa Julia white wine, 2001

Page 209: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Topic CommentThe Santa Julia vineyards are owned by the Zuccardi family

Page 210: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Topic CommentThe Santa Julia vineyards are owned by the Zuccardi family

Jose Alberto Zuccardi named his wines after her

Page 211: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Topic CommentThe Santa Julia vineyards are owned by the Zuccardi family

Jose Alberto Zuccardi named his wines after her

Careful vineyard management ensures perfectly ripe grapes

Page 212: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Adapted from the International House Language Awareness Course, Alex Tilbury

Topic CommentThe Santa Julia vineyards are owned by the Zuccardi family

Jose Alberto Zuccardi named his wines after her

Careful vineyard management ensures perfectly ripe grapes

This top quality fruit is hand-picked, then vinified and bottled

Page 213: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.bbc.co.uk/news/world-latin-america-17286034

Page 214: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

http://www.bbc.co.uk/news/world-latin-america-17286034

A revolution in the wine industry Local producersThe Malbec grape This combination (grape and soil)The soil of ... Mendoza The relationship (grape and soil)The Malbec grape Other grapes (Bonarda, Cabernet The soil Sauvignon, Syrah, Tempranillo)

Page 215: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Today we’ve seen two ways of presenting the passive to learners:

• The passive is derived from the active e.g. transformations.• The passive is distinct from the active.

?

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 216: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

?

Adapted from the International House Language Awareness Course, Alex Tilbury

New Advanced Expert CAE, Bell , Gower and Hyde, Longman p19

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Today we’ve seen two ways of presenting the passive to learners:

• The passive is derived from the active e.g. transformations.• The passive is distinct from the active.

What are the benefits and drawbacks to learners and teachers? Which would you use? Why?

Your mission, should you choose to accept it...

?

Adapted from the International House Language Awareness Course, Alex Tilbury

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Look at these sentences, taken from Dave Willis’ article A Lexical Approach p56-7. Which words in bold would you describe as adjectives, and which as past participles?1, I would be very interested to hear an account of your experiences.2, Thank you very much for your detailed letter.3, I think they must have got mixed up.4, A van equipped with a loudspeaker toured the reservoir.5, He was rescued by one of his companions.10, The house was a mess... The windows were broken.11, The windows were broken by the force of the explosion.12, Little Miss Muffet was frightened of spiders.13, Little Miss Muffet was frightened by a spider.

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 219: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Look at these sentences, taken from Dave Willis’ article A Lexical Approach p56-7. Which words in bold would you describe as adjectives, and which as past participles?1, I would be very interested to hear an account of your experiences.2, Thank you very much for your detailed letter.3, I think they must have got mixed up.4, A van equipped with a loudspeaker toured the reservoir.5, He was rescued by one of his companions.10, The house was a mess... The windows were broken.11, The windows were broken by the force of the explosion.12, Little Miss Muffet was frightened of spiders.13, Little Miss Muffet was frightened by a spider.

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 220: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Look at these sentences, taken from Dave Willis’ article A Lexical Approach p56-7. Which words in bold would you describe as adjectives, and which as past participles?1, I would be very interested to hear an account of your experiences.2, Thank you very much for your detailed letter.3, I think they must have got mixed up.4, A van equipped with a loudspeaker toured the reservoir.5, He was rescued by one of his companions.10, The house was a mess... The windows were broken.11, The windows were broken by the force of the explosion.12, Little Miss Muffet was frightened of spiders.13, Little Miss Muffet was frightened by a spider.

Willis suggests a third approach to teaching the passive: that we should simply treat past participles as predicative adjectives, so the passive does not exisit at all, but it is simply be plus an adjective. For example:

Joe Orton was

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 221: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Look at these sentences, taken from Dave Willis’ article A Lexical Approach p56-7. Which words in bold would you describe as adjectives, and which as past participles?1, I would be very interested to hear an account of your experiences.2, Thank you very much for your detailed letter.3, I think they must have got mixed up.4, A van equipped with a loudspeaker toured the reservoir.5, He was rescued by one of his companions.10, The house was a mess... The windows were broken.11, The windows were broken by the force of the explosion.12, Little Miss Muffet was frightened of spiders.13, Little Miss Muffet was frightened by a spider.

Willis suggests a third approach to teaching the passive: that we should simply treat past participles as predicative adjectives, so the passive does not exisit at all, but it is simply be plus an adjective. For example:

Joe Orton was famouscharmingtalentedmurdered

Adapted from the International House Language Awareness Course, Alex Tilbury

Page 222: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Look at these sentences, taken from Dave Willis’ article A Lexical Approach p56-7. Which words in bold would you describe as adjectives, and which as past participles?1, I would be very interested to hear an account of your experiences.2, Thank you very much for your detailed letter.3, I think they must have got mixed up.4, A van equipped with a loudspeaker toured the reservoir.5, He was rescued by one of his companions.10, The house was a mess... The windows were broken.11, The windows were broken by the force of the explosion.12, Little Miss Muffet was frightened of spiders.13, Little Miss Muffet was frightened by a spider.

Willis suggests a third approach to teaching the passive: that we should simply treat past participles as predicative adjectives, so the passive does not exisit at all, but it is simply be plus an adjective. For example:

Joe Orton was famouscharmingtalentedmurdered

Adapted from the International House Language Awareness Course, Alex Tilbury

Your mission...

What might be the advantages of this approach? What problems can you foresee? Would you try it? Why/why not?

Page 223: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Look at this data:

Your mission, should you choose to accept it...?

Adapted from the International House Language Awareness Course, Alex Tilbury

% passive verb forms % active verb forms

Academic prose 25 75

Written news texts 15 85

Conversation 2 98

From Douglas Biber et al. The Longman Grammar of Spoken and Written English (Longman 1998:476-7)

Page 224: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Look at this data:

How would you explain these findings? What implications, if any, might they have for teachers,coursebook writers and syllabus designers?

Your mission, should you choose to accept it...?

Adapted from the International House Language Awareness Course, Alex Tilbury

% passive verb forms % active verb forms

Academic prose 25 75

Written news texts 15 85

Conversation 2 98

From Douglas Biber et al. The Longman Grammar of Spoken and Written English (Longman 1998:476-7)

Page 225: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The passive

Choice

Page 226: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The passive

Choice

Topicalise

Page 227: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The passive

Choice

Topicalise

Distancing

Page 228: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The passive

Choice

Topicalise

Distancing

How

Page 229: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The passive

Choice

Topicalise

Distancing

How

Why

Page 230: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The passive

Choice

Topicalise

Distancing

How

Why

Context

Page 231: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The passive

Choice

Topicalise

Distancing

How

Why

Context

Meaning

Page 232: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

The passive

Choice

Topicalise

Distancing

How

Why

Context

Meaning

Use

Page 233: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Thank you and goodbye!

BYE!

Page 234: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires
Page 235: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

Sorry. I couldn’t resist!

BYE!

Page 236: ACTIVATING THE PASSIVE Anya Shaw International House Buenos Aires

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