abani are you home
TRANSCRIPT
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Abani, are you home? Trans. Arunava Sinha
Bolted doors, the neighbourhood sleeps still
All I hear is the knocking of the night
Abani, are you home?
Here it rains all the year round
ike gra!ing herds the clouds here drift
These green blades of grass
ook askance as they choke my door
"y heart near#suffused $ith ache,
Is bound for far a$ay. I fall asleepTo hear the knocking of the night
Abani, are you home?
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That is not a very happy time Trans.Subrata Bhaumik
The body $obbles from head to toe% you see $alls inside $alls,
cornice inside cornice, and change of side$alks at midnight.
Time to go home% house inside house, leg inside leg,
chest inside chest,
and nothing else & 'a lot more things actually?(.
Hands up) *eep your hands up until you are
picked up by someone & the authorities. +ight then you see
black car inside black car, and yet a black hearse inside,
lined $indo$s, door, burial ground, and hear hisses of skeletons breath.
-hite ants feed on skeletons # life inside decay
and death inside life. Therefore, death is hidden in death.
And nothing else)
Hands up) *eep your hands up, until someone picks you up,
and thro$s you out of the car, but inside a different car,
$here someone is in eternal $ait & like a young banyan tree
clenching a little peel off a decrepit building,
some fateful stranger lurks behind
the leafs like a hardened bud
$ith spiders inviting noose in hand,
ready to adorn you $ith a $edding garland,and you are married at midnight
$hen the side$alks change,
the body $obbles from head to toe and you
see $all inside the $all, and cornice inside the cornice.
Imagine that the station moves $hile still stands the train,
t$inkling stars glo$ in the dark $hile dooms lights $ane .
Suppose that the shoes are $alking $hile the feet rest still,
the Heaven, the Hell, and everything start to mill.
Imagine that children carry coffins to the crematory in bliss
and the old enoys nuptial dance across lifes abyss.
Those are not very happy times, not moments of glee.
And right then, the body $obbles from head to toe,
there is $all inside $all in your perceptive sight,
cornice inside cornice, and side$alks change at midnight.
Time to go home/ house inside house,
leg inside leg, the $orld is in a scatter,
chest inside chest, and nothing else is the matter.
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I can but why should I go?Trans. 0ayanta "ahapatra
I think I should turn around and stand
So much black I have smeared $ith these t$o hands,
all these years)
I have never thought of you as you really are.
1o$ $hen I stand beside the pit at night.
The moon calls out/ 2ome)
1o$ $hen I stand dro$sy on the 3angas bank,
The $ood of the pyre calls/ 2ome)
I can go.
I can go any $ay I $ant to.
But $hy should I?
I shall plant a kiss on my childs face.
3o, I $ill.
But not no$.
I shall take you all along.
I $ill not go alone before my time.