a. s. · 2020. 7. 11. · johann (giovanni) schenck (c.1660-c.1712) schenck l contains a useful...
TRANSCRIPT
A. S.See Ambrosius Scherle
SAINTE-COLOMBE 1
SAINTE-COLOMBE
The composer and performer Jean de Sainte-Colombe (c.1640-1700) was hardly known, except
for a reference in Rousseau’s Traite de Viole (1687), where he is credited with the introduction
of a seventh string to the viol and as the teacher of Marin Marais. But in 1991 the film Tous les
Matins de Monde, whose theme is of reminiscences by Marin Marais at the Court of Louis
XIV, brought St Colombe and his music to universal attention through the performances by
Jordi Savall.
The Sainte-Colombe family has been intensively investigated by François-Pierre Goy in his
article ‘The “British” Sainte-Colombes’, VdGS Journal 11 (2017), pp. 1-45 and earlier by
Jonathan Dunford, ‘The Sainte-Colombe Enigma: Current State of Research’, in A Viola da
Gamba Miscellanea, ed. S. Orlando (Limoges, 2005), pp. 16-17. Suffice it to say that
identification of family members remains unclear, except that a Peter Sainte-Colombe [‘St
Colums, musick master’] was buried in Edinburgh on 17 October 1711. Marais wrote a
Tombeau po[ur] Mr De Ste Colombe Le Pere, published in his IIe Livre of 1701, while GB-
DRc, MS Mus. A27 has another Tombeau por Mr. De Ste Colombe Le Pere by ‘Mr De Ste
Colombe de Fils’ on pp.314-18, with nine other suites and pieces, all by the son.
Other collections are of music by the older man: F-TNm, MS 3 has 153 pieces, all but 10 by
him, while F-Pn, Rés Vma MS-866(1) has his 67 Concerts à deux violes esgales..GB-En, MSS
9468 and 9469 duplicate pieces from the Tournus MS and are possibly autograph.
A major problem in creating this index concerns how best to record the free rhythms employed
by Sainte-Colombe, whose irregularity does not fit normal notation and barring. This example
is from the first piece in F-TNm, MS 3:
Both the Tournus manuscript and the manuscript containing the Concerts have many passages
like this, notated as separate quavers, but also have passages in normal note values beamed
together in groups, across extended unbarred passages. Both types of notation would suggest
notes perdues, played fast but at the discretion of the performer(s); however, those passages
that have continuous beams are sometimes also slurred, suggesting these different forms of
notation were meant to represent different types of articulation. The modern editions reflect
these differences, and I have retained these forms of notation here.
The Tournus facsimile and the two related MSS at Edinburgh are impeccably edited by
François-Pierre Goy (Minkoff 7105 and 7106), and the Concerts by Jonathan Dunford
SAINTE-COLOMBE 1
(Minkoff 7104). François-Pierre records all concordances in his introduction. Fine modern
editions have also been published by Guntersberg: G231 (Tournus) and G242-4, (Concerts).
Each of the 67 Concerts is set out as a continuous piece, some parts of which are labelled with
dance or other titles. Furthermore, there are numerous recitative-like and improvisatory
passages and changes of time, some short and some quite lengthy. I have had to make a decision
about which of these to include; those chosen show as a,b,c [etc]. I have omitted all ornament
signs and the time-signatures have been standardized: ‘3’ covers 3 /4 or 6 /4, depending on the
original bar length.
None of this would have happened without the tremendous help of Thomas Munck and I am
enormously grateful to him over an extended period for supplying photographs of the pages
and for other advice regarding the notation and performance of the improvisatory sections.
March 2021 SAINTE-COLOMBE-1
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SAINTE-COLOMBE le Père
[23] Gavotte
[24] Prelude
[25]Prelude]
[26] Prelude
[27] Prelude
[28] Prelude
[29] Gavotte
[30] Courante[+ double]
[31] Courante
[32] Gigue
[33] Sarabande
* also no. [88]
F-TNmMs3f.
10r
10v
10v-11r
11r
11v
11v-12r
12r
12v*
12v
13r
13v-14r
GB-En
9468f.
18r
GB-En
9469f.
22v-23r
18v-19r
11v-12r
3v
[34] Gavotte
[35] Gigue
[36] Gigue
[37] Couranteen bourasque
[38] Gavotte
[39] Allemande
[40] Allemande
[41] Gigue
[42] Allemande
[43] Ballet
[44] Ballet
F-TNmMs 3
f.
13r
13v
13v-14r
14r
14r
14v
14v-15r
15r
15r
15v
15v
GB-En
9468
GB-En
9469f.
26r
21r
25v
36v
26r
Sainte-Colombe Père-3
F-PnResVma866p.
70
SAINTE-COLOMBE le Père
[45] Couranteen bourasque
[46] Gavotte
[47] Gavotte
[48] Gavotte
[49] Chaconne
[50] Courante[+ double]
[51] Sarabande
[52] Courante
[53] Sarabande
[54]Allemande
[55] Menuet
F-TNmMs3f
15v
16r
16r
16r
16v-17r
17r
17v.
17v
17v
17v-18r
18r
GB-En
9468
GB-En
9469f.
38r
7r &30v
26v-27r
20r
33r
[56] Gavotte
[57] Ballet
[58] Gigue
[59] Gavotte
[60] Courante
[61] Gigue
[62] Ballet
[63] Prelude
[64] Courante
[65] Ballet
[66] Menuet
F-TNmMs 3
f.
18r
18v
18v
18v
18v-19r
19r
19r
19v
19v-20v
20r
20r
GB-En
9468
GB-En
9469f.
6v + 29r
28v-29r
30r
30v
7v-8r
34v
31v-32r
32v
33v-34r
32r
Sainte-Colombe Père-4
F-PnResVma866p.
72
F-PnResVma866p.
75
SAINTE-COLOMBE le PèreF-
TNmMs3F
20v
20v
21r
21r
21v
21v
22r
22r
22v
22v-23r
23r
GB-En
9468
GB-En
9469f.
35v
35v +
37v
1r
37r
[78] Courante
[79] PetitePiece
[80] Autre
[81] Autre
[82] Autre
[83]Autre
[84] Ballet
[85] Gavotte
[86] Menuet
[87] [Pinelle]
[88] Courante[+ double]
F-TNmMs 3
f.
23r
23v
23v
23v
23v
24r
24r
24r
24r
24v
24v-25r
GB-En
9468
GB-En
9469f.
1r
7r
31r
38r
2v-3r
Sainte-Colombe Père-5
[67] Ballet
[68] Gigue
[69] Sarabande[+ double]
[70] Courante
[71] Sarabande[+double]
[72] Courante
[73] enBourasque
[74] Courante
[75] Sarabande[+double]
[76] Couranteen bourasque
[77] Petitepiece
re
SAINTE-COLOMBE le Père F-TNmMs3F
25r
25v
25v
25v
25v-26r
26r
26r
26r
26v
33v
33v
GB-En
9468
GB-En
9469f.
5v [107]Sarabande
[108] Gigue a lamaniere duVieux Gaultier
[109] Courante[+ double]
[110] Gigue
[111] Gigue
[112] PetitePiece
[113] Sarabande
[114] LaPersiliade
[115] Gigue
[116] Vielle
[117] Prelude
F-TNmMs 3
f.
34r
34r
34v
34v-35r
35r
35r
35v
35v
35v
35v-36r
41v-42r
D-Kl4o
Mus108.7
89v + 90r
-------
GB-En
9469f
14r
27v
GB-En
9468f.
16v
34v-35r
Sainte-Colombe Père-6
[89] Sarabande
[90] Sarabande
[91] Saeabande
[92] Gavotte
[93] Petitepiece
[94] Autre
[95] Autre
[96] Courante
[97] Prelude
[105] Allemande
[106] Courante[+ double]
ANON [Numbers 98-104] see A-B1-8
F-PnResVma866p.
73
F-PnResVma866p.
95
SAINTE-COLOMBE le Père F-TNmMs3F
42r
42v
43r
43r
43v
43v-44r
44r
44v
44v
44v-45r
45v
GB-En946
8f
13v-14r
11v-12r
14v-15r
GB-En
9469f.
8v-9r [129] Gigue
[130] Prelude
[131] Pianelle
[132] Sarabande
[133] Gigue
[134] Gigue
F-TNmMs 3
f.
45v-46r
49v
49v-50r
50r
50v
50v-51r
53v-54r
54v
54v
54v-55r
55r
GB-En
9469f.
39v-40r
GB-En
9468f.
12v-13r
9v-10r
5r
4v-5r
7v
7r
Sainte-Colombe Père- 6
[118] Allemande
[119] Prelude
[120]Allemande
[121] Courante
[122] Prelude
[123] Courante
[124] Gigue
[125] Sarabande
[126] Gigue
[127] Pianelle
[128] Gigue
[135] [Gigue] see A-B1-8, no. 347
[136] Chaconne
[137] Courante
[138] Gigue
[139] Sarabande
[140] Gigue
SAINTE-COLOMBE le Père F-TNmMs3f.
55r
55v
55v
55v
56r
56r
56v
56v
57r
57r
57r
GB-En
9468f.
4r
3v
5v-6r
6v
8r
15v-16r
GB-En
9469f.
40vTwice
39r
Sainte-Colombe Père-7
[141] Gavotte
[142] [Menuet]
[143] Gigue
[144] Gigue
[145] Allemande
[146] Courante
[147] Gigue
[148] Courante
[149] PetitePiece
[150] Menuet
[151] Sarabande enpassacaille
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
F-Pn,Res Vma
866(1)
I(a)
I(b)
I(c)
II(a)
II(b)
II(c)
ILe retrouvé
Il estoit abandonne
Une gigue en caprice
II (pp,4-5)Le changé
[Minuet]
F-PnResVma
866(1)
II(f)
III(a)
III(b)
III(c)
III(d)
IV(a)
(II)SarabandeLa suivie
III (pp.6-7)La tendre
Sarabande du tendre
GavotteLa ferme
Minuet du tendre
IV (pp.8-9L’incomporableAllemande
February 2021 SAINTE-COLOMBE Père-9
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
F-Pn,Res Vma
866(1)
IV(b)
IV(c)
IV(d)
IV(e)
V(a)
V(b)
(IV)Menuet
Gavote Ier
Sarabande
Gavote 2e
V (pp.10-11)Le badinLentemente
Gavote 1ercapricieuse
F-PnResVma
866(1)
V(c)
V(d)
VI(a)
VI(b)
VI(c)
VI(d)
(V)Ballet preste
Gavote 2
VI (pp.12-13)La Duchesse
[Menuet]
Sarabande lente 1er
2e Sarabande Lente
February 2021 SAINTE-COLOMBE Père-10
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
F-Pn,Res Vma
866(1)
VII(a)
VII(b)
VII(c)
VII(d)
VIII(a)
VIII(b)
VII (pp.14-15):Le PleureuxMenuet
[Gavotte]
Le PleureuxSarabande
Gavote du pleureux
VIII (pp.16-19)La conférence
Menuet
F-PnResVma
866(1)
VIII(c)
VIII(d)
VIII(e)
VIII(f)
VIII(g)
VIII(h)
Echo
[1er Gigue]
[2e Gigue]Mouvement preste
Gravement
Ballet
[Gavotte]
February 2021 SAINTE-COLOMBE Père-11
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
F-Pn,Res Vma
866(1)
VIII(i)
IX(a)
IX(b)
IX(c)
IX(d)
X(a)
Gigue L’aiséeLent
IX [pp.20-21]Le suppliant
[Menuet]
Gavote La coureusePreste
Sarabande
X (pp.22-23][Chaconne]
F-PnResVma
866(1)
X(b)
XI(a)
XI(b)
XI(c)
XIII(a)
XIII(b)
Bergeronelle preste
XI (pp.26-27)Air a boire bon bon
SarabandeLa mignarde
Gavote
XII (pp.28-29)L’emporté
[Allemande]
February 2021 SAINTE-COLOMBE Père-12
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
F-Pn,Res Vma
866(1)
XII(c)
XII(d)
XIII(a)
XIII(b)
XIII(c)
XIII(d)
Gavote
Sarabande
XIII (pp. 30-31)Le Sérieux changeant
[Gavotte]
[Gigue]
F-PnResVma
866(1)
XIV(a)
XIV(b)
XIV(c)
XIV(d)
XV
XVI(a)
XIV (pp.32-33)L’importun
Menuet 1er
Villageoise
Menuet 2
XV (pp.34-39)Pierrotine
XVI (pp.40-41)Le Craintif
February 2021 SAINTE-COLOMBE Père-13
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
F-Pn,Res Vma
866(1)
XVI(b)
XVI(c)
XVI(d)
XVII(a)
XVII(b)
XVII(c)
[Menuet]
Allemande
Sarabande
XVII (pp.42-43)Le Prompt
[Menuet]
F-PnResVma
866(1)
XVII(d)
XVIII(a)
XVIII(b)
XVIII(c)
(XVIII(d)
XIX(a)
[Gigue]
XVIII (pp.44-45)Les bateries
Sarabande enBourrasque
XIX (pp.46-47)Le long
February 2021 SAINTE-COLOMBE Père-14
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
F-Pn,Res Vma
866(1)
XIX(b)
XIX(c)
XIX(d)
XIX(e)
XX(a)
XX(b)
[Menuet]
Suite
[Menuet]
[Ballet]
XX (pp.48-49)Le pensif
Gigue
F-PnResVma
866(1)
XX(c)
XX(d)
XXI(a)
XXI(b)
XXI(c)
XXI(d)
Gavote
Balet
XXI (pp.50-51)Le Villageois
[Allemande]
Menuet
Courante
February 2021 SAINTE-COLOMBE Père-15
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
F-Pn,Res Vma
866(1)
XXI(e)
XXII(a)
XXII(b)
XXII(c)
XXII(d)
XXII(e)
Sarabande
XXII (pp.52-53)L’escoutant
Balet
Sarabande
Gavote
F-PnResVma
866(1)
XXIII(a)
XXIII(b)
XXIII(c)
XXIII(d)
XXIII(e)
XXIII(f)
XXIII (pp.54-55)L’empressé
[Menuet]
Gavote
[Gigue]
Allemande
February 2021 SAINTE-COLOMBE Père-16
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
F-Pn,Res Vma
866(1)
XXIV(a)
XXIV(b)
XXIV(c)
XXIV(d)
XXIV(e)
XXV(a)
XXIV (pp.56-57)Le gavot
[Gavotte]
XXV (pp.58-59)La Caligie
F-PnResVma
866(1)
XXV(b)
XXV(c)
XXVI(a)
XXVI(b)
XXVI(c)
XXVI(d)
[Sarabande]
XXVI (pp.60-61)Le page
[Gavotte)
Sarabande
February 2021 SAINTE-COLOMBE Père-17
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
F-Pn,Res Vma
866(1)
XXVI(e)
XXVI(f)
XXVII(a)
XXVII(b)
XXVII(c)
XXVII(d)
Gavot
Gigue
XXVII (pp.62-63)Bourrasque
Balet
Sarabande
Gavote
F-PnResVma
866(1)
XXVII(e)
XXVIII(a)
XXVIII(b)
XXVIII(c)
XXVIII(d)
XXIX
Sarabande gaye
XXVIII (pp.64-65)Le Passant
Gavote
XXIX (pp.66-67)L’eslevé
SAINTE-COLOMBE Père-19February 2021
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
Gavote sans fin
Menuet
Gigue
XXX (pp.68-69)Le Trembleur
F-PnResVma
866(1)
XXX(b)
XXX(c)
XXX(d)
XXX(e)
XXX(f)
XXXI(a)
Gavote gaye a 4 temps
Gavote lente
Saraband du Trembleur(+ double)
XXXI (pp.70-71)Le gigant
SAINTE-COLOMBE Père-19February 2021
F-PnResVma
866(1)
XXIX(b)
XXIX(c)
XXIX(d)
XXIX(e)
XXIX(f)
XXX(a)
F-TNm MS 3
no
70
.
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
Sarabande du gigant
XXXII (pp.72-73)L’eslevé changé
Gavote
F-PnResVma
866(1)
XXXIII(a)
XXXIII(b)
XXXIII(c)
XXXIII(d)
XXXIV(a)
XXXIV(b)
XXXIII (pp.74-75)L’esveillé
Gigue
Balet gay
Courante lente
XXXIV (pp.76-77)L’imité
SAINTE-COLOMBE Père-20February 2021
F-PnResVma
866(1)
XXXI(b)
XXXI(c)
XXXII(a)
XXXII(b)
XXXII(c)
XXXII(d)
F-TnmMS 3
53
73
F-TnmMS 3
75
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
XXXV (pp.78-81)Le coupé
Balet
Menuet tendre
Gigue
Gavote
F-PnResVma
866(1)
XXXVI(a)
XXXVI(b)
XXXVI(c)
XXXVI(d)
XXXVII(a)
XXXVII(b)
XXXVI (pp.82-83)L’attentif
Gavote
XXXVII (pp.84-85)L’heureux
SAINTE-COLOMBE Père-21February 2021
F-PnResVma
866(1)
XXXIV(c)
XXXIV(d)
XXXV(a)
XXXV(b)
XXXV(c)
XXXV(d)
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
XXXVIII (pp.86-87)Le meslé
[Gigue]
Gigue
Gavote
F-PnResVma
866(1)
XXXVIII(e)
XXXIX(a)
XXXIX(b)
XXXIX(c)
XXXIX(d)
XXXIX(e)
Sarabande
XXXIX (pp.88-89)Le resjoui
[Menuet]
Gavote
SAINTE-COLOMBE Père-22February 2021
F-PnResVma
866(1)
XXXVII(c)
XXXVII(d)
XXXVIII(a)
XXXVIII(b)
XXXVIII(c)
XXXVIII(d)
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
XL (pp.90-93)Le récits
[Gigue]
Gavote
Gigue
Sarabande
XLI (pp.94-95)Le retour
F-PnResVma
866(1)
XLI(b)
XLI(c)
XLI(d)
XLI(e)
XLI(f)
XLI(g)
En gigue
En Menuet
En Courante
Balet tendre
En pianelle
SAINTE-COLOMBE Père-23February 2021
F-PnResVma
866(1)
XL(a)
XL(b)
XL (c)
XL(d)
XL(e)
XLI(a)
F-TNmMS 3no.
95
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
XLII (pp.96-97)Dalain
Balet
Gigue
XLIII (pp.98-99)Le bref
Balet
XLIV (pp.106-7)Tombeau Les regrets
F-PnResVma
866(1)
XLIV(b)
XLIV(c)
XLIV(d)
XLV(a)
XLV(b)
XLVI(a)
Quarrilon
Les pleurs
Joye des Elizées
XLV (p.108)Le Cor
XLVI (p.109)L’estonné
SAINTE-COLOMBE Père-24February 2021
F-PnResVma
866(1)
XLII(a)
XLII(b)
XLII(c)
XLIII(a)
XLIII(b)
XLIV(a)
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
(XLVI)Petit air
XLVII (pp.110-111)Le pianel
[Menuet]
XLVIII (pp.112-113)Le raporté
[Gigue]
F-PnResVma
866(1)
XLVIII(c)
XLVIII(d)
XLIX(a)
XLIX(b)
XLIX(c)
XLIX(d)
SAINTE-COLOMBE Père-25February 2021
F-PnResVma
866(1)
XLVI(b)
XLVII(a)
XLVII(b)
XLVII(c)
XLVIII(a)
XLVIII(b)
La belle,Passacaille du raporté
Chacone raportée(pp.114-115)
XLIX (p.126)La Vignon: Ouverture
Saraband (p.122)
Gigue
Gavote
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
(XLIX)Chacone (pp.124-127)
Menuet I
Menuet II
L (pp.128-129)Le brun
Pianelle
Gigue fantasque
F-PnResVma
866(1)
LI(a)
LI(b)
LI(c)
LI(d)
LI(e)
LI(f)
SAINTE-COLOMBE Père-26March 2021
F-PnResVma
866(1)
XLIX(e)
XLIX(f)
XLIX(g)
L(a)
L(b)
L(c)
LI (pp.130-135)Rougeville
Gigue
Sarabande
En gavote
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
(LI)Menuet lente
Pianelle lente
Chacone de Rougeville
LII (pp.136-137)L’estourdy
Gigue 1et
Gigue 2e de l’estourdy
F-PnResVma
866(1)
LII(d)
LIII(a)
LIII(b)
LIII(c)
LIII(d)
LIII(e)
SAINTE-COLOMBE Père-27March 2021
F-PnResVma
866(1)
LI(g)
LI(h)
LI(i)
LII(a)
LII(b)
LII(c)
(LII)Pianelle
LIII (pp.138-139)L’aureille
Courante 1er
Sarabande
Courante 2e
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
LIV (pp.146-149)[La[ DuboisAllemande grave
Gigue en bourrasque
2e Gigue en bourrasque
Menuet
Chacone Dubois
Gavote
F-PnResVma
866(1)
LV(a)
LV(b)
LV(c)
LVI(a)
LVI(b)
LVI(c)
SAINTE-COLOMBE Père-28March 2021
F-PnResVma
866(1)
LIV(a)
LIV(b)
LIV(c)
LIV(d)
LIV(e)
LIV(f)
LV (pp.150-151)Le Résolu
Gigue
Bourée
LVI (pp.152-155)Le Volontaire
Gigue lente
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
(LVI)Menuet
2e Menuet du Volontaire
LVII (pp.154-155)Les menuets
1er menuet
2e menuet
3e menuet
F-PnResVma
866(1)
LVIII(a)
LVIII(b)
LIX(a)
LIX(b)
LX(a)
LX(b)
SAINTE-COLOMBE Père-29March 2021
F-PnResVma
866(1)
LVI(c)
LVI(d)
LVII(a)
LVII(b)
LVII(c)
LVII(d)
LVIII (p.156)Les Roulades
Gigue en bourrasque
LIX (p.157)Le précipité
Gigue
LX (p.158)Le majestueux
SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
LXI (p.159)Le varié
LXII (p.160)La boutade
[Gigue]
F-PnResVma
866(1)
LXIII(a)
LXIV()
LXIV(b)
LXIV(c)
LXV(a)
LXV(b)
SAINTE-COLOMBE Père-30March 2021
F-PnResVma
866(1)
LXI(a)
LXI(b)
LXII(a)
LXII(b)
LXII(c)
LXII(d)
LXIII (pp.162-163Le Constant
LXIV (p.164)Le Réglé
Gavote
LXV (pp.178-179)L’égal
Gigue
.SAINTE-COLOMBE le Père
Concerts a Deux Violes Esgales
LXVI (pp.180-181)L’infidelle
[Gigue]
LXVII (pp.182-183)La figuré
SAINTE-COLOMBE Père-31March 2021
F-PnResVma
866(1)
LXVI(a)
LXVI(b)
LXVII(a)
LXII(b)
SAINTE-COLOMBE Le Fils
Suitte G molle
1. Allemande
2. Courante
3. Sarabande
4. Gigue
5. Fantasie en Rondeau
6. Gavotte
Sutte A molle
7. Prelude
8. Courante
9. Sarabande
10. Gigue
Suitte F dur
11. Prelude
12. Allemande
13. Courante
June 2020 SAINTE COLOMBE Fils-1
GB-DRcA.27
p.
104to
106
110-111
112
113to
115
117to
120
SAINTE-COLOMBE Le Fils
[Suitte F dur continued]
14. Sarabande
15. Gigue
16. Gavotte
17. Boree
18. Minuet
Suitte E molle
19. Prelude
20. Courante
21. Allemande
22. Courante
23. Sarabande
24. Gigue
25. Gavotte
26. Boree
27. Minuet
June 2020 SAINTE COLOMBE Fils-2
GB-DRcA.27
p.
117to
120
124to
129
SAINTE-COLOMBE Le Fils
Suitte B molle
28. Prelude
29. Allemande
30. Courante
31. Sarabande
32. Gavotte
33. Gigue
34. Tombeau pour Mr. De Ste Colombe Le Pere
35. Sarabande F molle
36. Gavotte F molle
June 2020 SAINTE COLOMBE Fils-3
GB-DRcA.27
p.
291to
294
314-318
318
319
Solo in B-flat, viola da gamba,continuo
D-B, Am.B. 499/5
Duet in d, 2 viola da gambas
D-B, Am.B. 498 (Hesse andSchaffrath)
Trio in G, viola da gamba, cembalo
D-B, Am.B 581
Trio in A, viola da gamba, cembalo
D-B, Am.B. 497/17
SCHAFFRATH, Christoph (1709-1763)
For more details see GERMANY OL
SCHAFFRATH-1June 2011
Johann (Giovanni) SCHENCK (c.1660-c.1712)
SCHENCK L contains a useful summary, by Luttman, of Schenck’s music.
SCHENCK [1703], of which a copy is held at GB-Cfm, is entitled Select Lessons for the Bass Viol/of Two Parts/Collected by our Best Viollists out of the works of that great Master/GIOVANNI SCHENCK... (GB-Cfm MU MS 882).
There are 31 pieces, for basso continuo only, lacking solo part(s). Mention of ‘Two Parts’ apparently led to an assumption that the Bc parts are from the only collection of Schenck’s that was specifically designated for two viols, namely Op 8: Le Nymphe de Rheno. They are thus quoted in GROVE and HOG.
However, from information kindly collected by Derek Davidson, it was found that none of the pieces concorded in any particular with Op 8, but that all of them did concord with pieces in Op. 6, Scherzi Musicali, these being (in Op. 6, as shown in the index pages): Nos 38-43; 11-13; 15-17; 44-45; 47-48; 21-24; 26; 51-55; 58; 60-62; 64.
Some of the selections consisted of the omission of second gigues, and the isolation of chaconnes. The ‘two parts’ must have been Op. 6’s solo and continuo viol parts.
Op. 2 Tyd en Konst-Oeffeningen (1688: 15 sonatas for vdg and bc)
Op. 3 Il Giardino Armonico (1691: 15 sonatas for vdg and bc)
Op. 6 Scherzi Musicali (c.1698: suites for vdg and bc ad libitum)
Op. 7 Suonate a violin e violone o cimbalo (1699)
Op. 8 Le Nymphe di Rheno (12 sonatas or suites for 2 vdg, c.1702)
Op. 9 L’Echo du Danube (4 sonatas for vdg and bc; 2 for vdg solo; c.1704)
Op. 10 Les fantasies bisarres de la gouffe (suites for vdg and bc; 1711/12; vdg lost)
In MS: 2 sonatas, vdg solo (A-Wn, Codex 16598)
In MS: 9 suite movements, vdg (N-Tu, XA HA Mus 1:1 and 1:2)
SCHENCK-1
Johann SCHENCKTwo Sonatas for Solo Bass Viol from A-Wn, Codex 16598(Both published in Das Erbe Deutscher Musik, 67)
Sonata IV Adagio-Allegro; Aria; Aria;Adagio; Tempo di gavotte;Adagio; Allegro; Giga
Sonata V Adagio; Allegro; Allemand;Courant; Giga; Aria; Aria Burlesca
April 2008 SCHENCK-17
SCHMELZER, Johann HeinrichSacro-Profanus Concentus Musicus (Nuremberg, 1662) [DTÖ cxi-cxii (1965)]
key
Sonata 1 C
Sonata 2 d
Sonata 3 C
Sonata 4 a
Sonata 5 g
Sonata 6 d
Sonata 7 D
Sonata 8 G
Sonata 9 d
Sonata 10 D
Sonata 11 F
Sonata 12
a8 2 trumpets,2 vlns, 4 gambas, Bc
a6 Corn. & Tromb. 1-3, or vln, gambas1-3, Bc
a6 2 vlns, 4 gambas, Bc
a6 2 vlns, 4 gambas, Bc
a6 2 vlns, 4 gambas, Bc
a6 2 vlns, 4 gambas, Bc
a5 2 vlns, 3 gambas
a5 2 vlns, 3 gambas
a5 2 vlns, 3 gambas
a4 vln, 3 gambas
a4 vln, 3 gambas
Wind instruments
SCHMELZER-3January 2009
S-UuMSS
58:10
58:13
SCHMELZER, Johann Heinrich
key
64/113
Sonata a
Sonata d
Sonata d
Sarabandvariata D
Sonata a
Sonata F
Sonata e
Sonata g
Sonata G
Sonata G
January 2009
GB
-Lbl
,Add
.31
423
GB
-HA
dolm
etsc
h,II
.c.2
5
f.
226r
222r
no.
14
31
no
4
GB
-DR
c,D
5
violin, viola da gamba and continuo
violin and continuo
2 violins and continuo
2 violins, viola da gamba and continuo
S-UuIMhs
SCHMELZER-4
8:6
58:7
8:18
8:4
8:13
8:5
8:8
8:11
8:12
D-W,Cod.
Guelf.34.7
Aug 2o
no./p.
43/64attrib.
‘CaesarMajest.’
SCHMELZER, Johann Heinrich
key
* amended from‘Bertali’
Sonata G
Sonata A
Sonata C
Sonata e
Sonata d
Sonata F
January 2009
S-U
u,IM
hs
D-W
,Cod
.Gue
lf.
34.7
Aug
2o
8:14
8:9*
8:2.03&
8:21
8:10
no./p.
40/54
41/57
2 violins, viola da gamba and continuo (‘a3’)
SCHMELZER-5
2 violins, viola da braccio/viola da gamba, viola da gambaand continuo (‘a4’)
violin, 4 viole and continuo (‘a5’)
violin, viola da gamba, bc
2 violins, bc
SCHNITTELBACH, Nathanael (1633-1667)
Violin and b.c.
Sonata
Violin, viola da gamba, b.c
Sonata
[Suite] 3 parts with b.c.
Praeludium
Allemande
Courante
Saraband
Gigue
[Suite] 4 parts with b.c.
Pavan
Galliard
Allemande
Courant
Saraband
[Gigue not present, but presumably was originally included]July 2020
D-W, Cod. Guelf, 34.7. Aug.2o,no. 7, p. 20 [Online]
HADolmetsch, II.c.25, no. 1DRC, D2, seq. (8)
S-Uu, imhs. 8:22 [online]
S-Uu, imhs. 8:23 [online] Some parts are missing
SCHNITTELBACH-1
SCHOP, Johann (c.1590- 1667)
Hamburg violinist and composer
Pieces in T’Uitnement Kabinet (1646, 1649)
9. Erste Almande
10. Tweede Almande
11. Derde Almande
12. Verde Allemande
13, Fyfde Almande
14. Seste Allemande
90.
91 Nasce la pena mia
3 trebles
Treble & bass
SCHOP-1July 2020
Jacob SCHULTZ
FÜLLSACK 1607, no. I/ii1. Galliard Written to pair with Paduana
I/i by Melchior Borchgreving
FÜLLSACK 1607, no. VIII/ii2. Galliard Paired with Paduana VIII/i by
Thomas Mons.
7th Instalment 2002 SCHULTZ-1
Mr SHEPPIE
VdGS No.GB-Ob, MS Mus. Sch. D.220(bass only)
1. Almaine p. 121, no. 81
2. Aire p. 122, no. 85
7th Instalment 2002 SHEPPIE-1