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7/2/13 6 Things I'm Doing to Write My Best Screenplay Ever This Year (And You Can Too! ) nofilmschool

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6 Things I'm Doing to Write My Best Screenplay Ever This Ye(And You Can Too!)

Christopher Boone

01.8.13 @ 2:40PM Tags : goals, resolutions, screenplay, screenwriting, script

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At the beginning of 2012, I made a New Years

resolution. Mind you, I never make New Years

resolutions, but last year I did because I was so

annoyed at my lack of progress with my

screenwriting. I decided I was going to wake up at 5:30 am every morning to write my

best screenplay ever and that screenplay would get noticed. With the exception of some

weekends and family trips, I managed to drag myself out of bed and focus on my

screenwriting every day. The result? I rewrote a screenplay that made it to the semifinal

round of the 2012 Nicholl Fellowships and got the interest of a few producers and

managers, I finally hammered out a long-gestating comedy spec that I posted onlinewhen it suddenly became DOA during the rewrite process because the exact same movie

came out this fall, and I outlined my next screenplay similar in tone and style to my

Nicholl script. Am I happy with the results? Yes. Am I satisfied? Not even close. So, since

Im not keen on giving out my own advice on screenwriting since Im not a professional

screenwriter, Ill share with you how I plan to write my best screenplay ever this year, and

maybe you can too.

1. Schedule Writing Time Every Day

Writers write. I would argue that all filmmakers should write, too. If you want to make

your own movies, you should write. Dont think youre a good writer? You should write.

Do you know what my best subject was in school growing up? Math. You know what my

second best subject was growing up? Science. You know what I liked more than anything

else in the world growing up? Movies. Then I decided I wanted to make movies. You

know what I realized I had to learn how to do to make movies? Write.

Writers write, but writers are also excellent

procrastinators. So, last year, I decided to find time

every day to write. With young children, I discovered

the best time for me to write was early in the morning,

before the kids are awake, before I check email, before
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I waste countless minutes on the Internet and social

media (2013 resolution: more social, less media). Its

hard, it sucks when the alarm goes off, but do I want to

be a screenwriter or not? If not, I can hit the snooze

button, but I can tell you that did not happen in 2012,

much to my own amazement. From 5:30 to 7 am every

(weekday) morning, I worked on my screenplays. I

tried to add weekend mornings to the mix, then only

Saturday mornings, but I found myself burning out, so

I stuck to weekdays only. If I had extra time to write during the day, great, but at least I

knew that every (week)day I had accomplished some writing related to my screenplays.

Im rededicating myself to this routine in 2013.

2. Set Deadlines

Im not a professional screenwriter, but you already knew that, so I have to set my own

deadlines. I dont enter a bunch of contests because I dont think many of them are worth

the entry fee, but for the select few on my list, they serve as good deadlines. At this point,

if I have a script worth submitting, I only submit to the Nicholl Fellowships, the

Sundance Institute Screenwriting Lab, the Austin Film Festival ScreenwritingCompetition, and the BlueCat Screenwriting Competition. I submit to the first three

because of their reputation in the industry and because I believe they can help my career

aspirations. I have submitted to BlueCat because I find their notes on my screenplays

helpful and the entry fee quite reasonable for the service. Other than those, I save my

money because in reality, contests rarely launch careers. This year, Ill consider

submitting to the Black List paid service if I think I have the right screenplay.

Nicholl and Sundance have early May deadlines, but I believe in having material ready

well before the deadline, if possible. I submitted my Nicholl semifinal script in March last

year. Austin has an October deadline, so a rewrite by the fall is always good.

This year, I want to write a screenplay from concept to first complete draft in 12 weeks

because thats what I would need to do if I was hired to write a project.

3. Write in My Head

Okay, this may sound stupid, but writing in my head, away from the screen or pen and

paper, is probably where I do most of my writing. I tend to circle around and around an

idea, shooting down unoriginal stories or scenes when Im walking my dog or taking a

shower. If Im truly inspired, Im not worried about losing an idea I write in my head

because if its good, it will stick. If Im not sure if the idea is good or not and Im afraid I

might lose it, Ive always got Notes on my iPhone in my pocket. When I sit down to write

an outline or note cards, the writing flows much faster based on how much writing Ivedone in my head.

4. Rewrite, Rewrite, Rewrite

Before I open up Final Draft to write the first draft of a screenplay, I have already written

in my head, created detailed character bios, made note cards for scene ideas, arranged the

note cards by story beats, inserted or condensed note cards, fleshed out the note cards as

outlines, and usually written a long-form treatment without dialogue. Ive toyed with

eliminating the long-form treatment altogether, but Ive found that writing out the story

in treatment form illuminates gaps in the connective tissue of my story that note cards

and outlines by their very nature disguise. All that said, my first screenplay draft
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sometimes feels like my third or fourth draft of the story with the exception of the

dialogue.

After that first draft of the screenplay is complete, I need to walk away from it for at least

a week, usually more, because when I type The End, I think the draft is great, but I

know deep down that it really sucks. Time and distance put the screenplays faults in

clearer focus. Then the real work can begin: rewriting. My Nicholl semifinal script was

officially labeled draft number seven on my hard drive, but I imagine it may have been

somewhere closer to revision ten or higher. I just kept reworking version seven for solong without bothering to update the version number. And it still needs work.

5. The Script is Never Finished, So I Need to Know When to Move On

One of my weaknesses is I tend to work linearly on projects. Id like to think I can

multitask, but in reality, I find myself working on one project until it is done. This year, I

plan to get better about this by scheduling my time more rigorously so I give myself

enough time to accomplish stages of each project. With screenwriting, however, knowing

when a script is f inished can seem impossible because of the fact that a script is never

finished. The script will always change, right into production and even post-production.

So, instead of knowing when a script is finished, Im working on knowing when it is time

to move on. By this, I dont mean abandoning a screenplay, but rather knowing when to

move to the next stage looking for feedback, sending out to producers and managers,

submitting to fellowships, looking for financing, etc., etc.

6. I Need to Set the Bar High Because the Competition is Fierce and the Odds AreAgainst Me

To get my screenwriting noticed last year, I set the goal of becoming a Nicholl Fellowship

finalist. I believed anything less than that meant that my script wouldnt get noticed.

Obviously, I missed that goal. So, what does being a Nicholl Fellowship semifinalist

mean? It means I received inquiries about my script, either for the logline or the

complete screenplay, from approximately a dozen production companies and

management firms. About half of those inquiries came from companies whose films or

clients I knew well, and the other half came from smaller producers and managers

looking for the next big thing. I think virtually all of the requests came from companies

who contacted all 127 semifinalists, so while I was flattered by the queries (usually Im

making the query, so its nice to be on the receiving end), I was realistic. What has

happened as a result of these requests? Ive sent my screenplay to some of these

companies, and thats been the end of it. Maybe someone will surprise me with a call

later this year, but I doubt it. My screenplay tells a good story (in my opinion), but Ill

admit its not the stuff commercial studio movies are made of. Thats okay because I want

to make it myself, and approaching potential investors with a Nicholl Fellowship

semfinalist screenplay is better than just a regular ol screenplay.

Anybody can write 100 pages in screenplay format. If I want my screenwriting to get

noticed, I have to write better than the current working and award-winning professionals.

Otherwise, why should anyone want to read my script?

These are the things Im going to do this year to write my best screenplay ever. What are

you going to do? Share with us in the Comments.


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Mak

on 01.8.13 @ 3:13PM

Thanks for this Christopher. Really inspirational to know that even with kids you managed to wake up so

early and write virtually everyday last year. Ive been toying with doing something similar for a few months

now but I always seem to hit that damn snooze button. However, Im determined to write my first

screenplay ever in 2013 so the snooze button is no longer an option.

Neil

on 01.8.13 @ 3:47PM

Great list Christopher although I would add #7 Get my script into the hands of people whose opinion I

respect and seek out critical and honest feedback then rewrite, rewrite, rewrite some more!

Fotis

on 01.8.13 @ 5:30PM

This is great Christopher, thank you!

Tim Driscoll

on 01.8.13 @ 5:53PM

I really liked everything you said. My addition is to read a screenplay a week. Thanks for posting/sharing.

Best of luck with your writing.

banu

on 01.8.13 @ 6:02PM

Great article. I recently finished writing a feature length New York noir script and planning to shoot it in Mid

Feb. I am hoping we could see more of these kind of articles in NFS. Having said that I wanted write a

piece on my writing process a couple of weeks back but its a total disaster as I realized that I never had

any process or schedule. But it worked for me for the following reason.

My script is a case study of a femme fatale from film noirs and the inspiration for it came from getting

heavily obsessed with a girl. She has a very intense presence and lethargic elegance in her every move. I

Related Posts

1. Need to Write or Else? Write or Die App Will Force Your Hand2. When is Your Script Truly Done? 10 Things to Consider Before Locking

Down Your Screenplay3. Austin Film Festival Screenplay & Teleplay Competition Deadlines

Approach

COMMENT POLICY

Were a ll her e for t he same r easo n: to b ett er o urse lv es as w rite rs, di rec tor s, c inema tog raph ers , pro duc ers , pho togr aphe rs.. .

what ev er o ur c rea tiv e pur suit. Cr itic ism is v aluable a s long a s it is c onst ruc tiv e, b ut pe rso nal at tac ks are gro unds fo r del etio n;

yo u don 't hav e to agre e wit h us to lear n some thing. Were a ll her e to help eac h ot her , so t hank y ou fo r adding to the

conversation!

25 COMMENTS
http://nofilmschool.com/2012/05/austin-film-festival-screenplay-teleplay/http://nofilmschool.com/2012/10/10-things-to-consider-before-locking-down-your-screenplay/http://nofilmschool.com/2012/06/write-or-die-app/http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297150http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297149http://www.thelengthsmovie.com/http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297143http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297107http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297089


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wanted to take her character and put it in a dramatic situation but retain the integrity of all the aspects of

her personality at the same time, so that it would to be a testimony of my love/lust/obsession for her and

show it off. I consciously decided not to write about That nice gi rl who works in the corner bakery waiting

for love of her life because i t would neither justify my burning desire for her and no to her unique

personality. It has to be something intense set in New York. Not the happy, busy New York in daytime. The

dark, deserted, haunted New York, that comes alive in the night. Well I already have two interesting

characters. The girl and New York. So I took a deep dive into writing without knowing where to go with

these two. After producing 250+ pages (I always write the first draft in a book) of garbage for 3 months, I

realized there was no way I am going to conclude. So I threw it aside. I happened to pick up this material

few months back and it started making sense. The material is super pulpy and it lends itself into a nice

pulpy, noir piece. Good for me. Its just a matter of being objective and picking up the good stuff that movesthe plot forward and polish it. It took 1 month for the first draft and another 2 months to get the final draft. I

have nt shared the script to the gi rl who inspired i t. Its difficult to resist but it would be interesting to see if

she would actually figure out the fact that she inspired it. If she does i t would be more interesting to see her

reaction when she sees it on the screen. I am hoping she would nt figure out. I am not planning to tell her

the inspiration part either, because some genius once said that A true artist tries real hard to cover his

naked soul in his art.

Harry

on 01.8.13 @ 6:28PM

best post of the year (yet) hands down, thanks Christopher, we have exactly the same new year resolution.

Indie Film Producer

on 01.8.13 @ 9:25PM

Its also incredibly helpful to have a weekly (or regular) meeting with someone who cares about your

progress and will hold you accountable. Could be a writing partner, screenwriting friend, in person or over

the phone, doesnt matter.

A single deadline to finish 120 pages is fine but a big project requires smaller milestones too. Act 1

submitted by so and so meeting. Act 2, etc. The accountabilibuddy and the deadline with a meeting

attached is the most important thing Ive found to finishing a project.

jubby

on 01.8.13 @ 10:13PM

Great article!

Desartico

on 01.9.13 @ 12:41AM

I agree that having someone to talk to on a regular basis, not to get any specific feedback but more as a

way of pushing yourself forward by knowing someone is going to listen to you as you advance in your

lonely road, can be helpful. Great post, I wish you lots of fruitful mornings and good luck!

And that snooze button should be loaded with an electric shock so we think twice every morning before

clicking it!

Adeel K.

on 01.9.13 @ 1:01AM

Great article! I wish I had your motivation.

lex Montoya

on 01.9.13 @ 5:56AM

Great piece, Christopher.

DIYFilmSchool.net

on 01.9.13 @ 11:43AM
http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297633http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297404https://vimeo.com/alexmontoyameliahttp://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297308http://adeelkazim.com/http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297299https://vimeo.com/gonzalobroto/videoshttp://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297242http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297225http://cinemasetfree.com/http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297162


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To me, this is conventional wisdom. Congrats on the success of your script and I applaud you for having

the tenacity to keep at it.

One thing I want to add based on the last paragraph: If you write three pages a day for a month, you can

churn out the 100-page script Christopher is talking about. Well, a rough draft, anyway. And I think thats

totally attainable given his other tips and advice.

guto novo

on 01.9.13 @ 11:56AM

I was reading a little about The Mighty Atom, (http://www.beezone.com/MightyAtom/the_mighty_atom.html)

and this phrase made me remember you, Christopher, saying you are not a professional yet. When a

Hollywood screenwriter has had his heart and cinematic vision vandalized a dozen times but is still

resolute, he is called a professional.

For me, if you care about the craft you are playing with, if you put your spirit in it, and if it is an important

part of your life and days and weeks, you are a professional, recieving money or not (because, if i dont

take this as a standart, I would have to say Kafka, for example, was not a professional writer).

Good Luck with your story!

Christopher Boone

on 01.9.13 @ 2:51PM

Thanks for the posi tive feedback on the article, and I hope it helps everyone to keep writing.

Baljot

on 01.9.13 @ 4:45PM

My biggest problem is I do a lot of (3) writing in my head. But I dont actually put stuff to paper. I need to

feel committed to writing, and I think setting aside a certain amount of time per day is best.

Z

on 01.10.13 @ 4:00PM

Hi there

Loved this. I would add that you also need to ask yourself what your ultimate goal is. To win contests andrespect/renown for your writing? Or to make a film?

Those two things are not the same. The percentage of Nicholl fellows whose scripts are actually made is

very small. If your aim is to become a working filmmaker, alternate strategies might be better (eg. move to

Los Angeles difficult if you have a family, I know find work in a production office; attend film school and

learn a related practical skill such as editing or directing, in order to learn about the subsequent stages of

filmmaking and what good writing means to those people who actually USE IT to make a movie not the

same as what it means to those who simply read and venerate scripts, as youll know, Im sure)

Very best

Z

Alan Hadgis

on 01.11.13 @ 7:44AM

Im saving this for when I work on my music productions :]

Randy

on 01.11.13 @ 3:31PM

Thank you for the motivation Christopher! Reading your post and the many replies confirms my beleif that

fim making is tough.

Phillip

on 01.12.13 @ 12:00PM
http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-299982http://pgoodwin.com/http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-299390http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-299029http://alanhadgis.com/http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-298580http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297890http://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297791http://www.beezone.com/MightyAtom/the_mighty_atom.htmlhttp://nofilmschool.com/2013/01/6-things-write-best-screenplay-ever-this-year/comment-page-1/#comment-297642


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Great list. #7 Read a screenplay every week. Theyre very easy to find for free, and reading A LOT

elevates your taste and writing. Its also super helpful to read with friends and discuss.

Ally

on 01.17.13 @ 4:15PM

Very helpful for me I am new in this department

Michael Curtis

on 03.2.13 @ 2:36PM

Nice post. Getting intentional about your writing is the only way to make it happen. I love the early morning

regimen youve adopted. And I think its true that filmmakers must cultivate their writing ability. I have

wasted some time looking for writing partners to make films with, and I think its time to get more

intentional about writing screenplays myself. Good stuff!

mc

michaelcurtis.com

Kit

on 04.5.13 @ 2:33PM

Today, I went to the beach front with my children.

I found a sea shell and gave it to my 4 year old daughter

and said You can hear the ocean if you put this to your ear. She

put the shell to her ear and screamed. There was a hermit crab inside and it pinched her ear.

She never wants to go back! LoL I know this is entirely off topic but I had to tell someone!

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