2016 nclc-how trace theory affects chinese language learning

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How Trace Theory Affects Chinese Language Learning Dana Reijerkerk and Yuanyuan Lin University of North Carolina at Pembroke Pembroke, NC

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Page 1: 2016 NCLC-How trace theory affects chinese language learning

How Trace Theory Affects Chinese Language LearningDana Reijerkerk and Yuanyuan LinUniversity of North Carolina at PembrokePembroke, NC

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Activity: Kahoot For a short survey

https://getkahoot.com

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Purpose and rationale

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1. Mastering the Chinese characters is always the most difficult obstacle for the beginning Chinese learner.

2. By using the method of employing pictographs as memory cues it should increase the efficiency of learning Chinese characters.

3. Using a physical response based test compared to a standardized paper and pencil test it will significantly decrease the level of stress that the participants will be under for this experiment.

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What is Fuzzy-Trace Theory

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A fuzzy trace is an imprecise memory representation that is easily accessed and

remembered (Fuzzy trace). Fuzzy Trace Theory postulates that cognitive information lies

on a continuum of precise traces to fuzzy traces (Fuzzy Trace theory)

According to Kuo et al. (2015) the amount of strokes influences the relative easiness

of acquirability; characters with the fewest strokes are stored in one’s working memory,

which has a limited capacity for knowledge. The brain processes visual forms of words a

component at a time thus the larger number of strokes a character has the more strain it

puts on one’s working memory

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Physical response

Second variable

students hand matched characters and translation together.

TPR Vs. physical response

● TPR requires students to listen to a command in a target language and then obey it with physical movement (Asher, 1969, p. 4)

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Literature Review

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● According to Kuo et al. (2015), in comparison to an alphabetic language, such as English, in a logographic writing system each character “represents one morpheme instead of an individual phoneme of the spoken language” (P4)

● Yeh, Li, Takeuchi, Sun, and Liu (2003) found that American students compared to Taiwanese and Japanese students view characters as pictures.

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● Kuo et al. (2015) argue that comprehending the radical’s position and meaning influences Chinese character processing in that it “contributes to accurate identification within a character and its semantic function” (p. 8)

● Therefore, even though radicals are positively related to Chinese character recognition, a higher level of radical knowledge is required to have significant impact on the vocabulary recognition (Su & Kim, 2014, p. 144).

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● Kuo et al. (2015) argues that one of the major components to reading is associative processing in which the initial activation within a verbal code creates a connection to a personal comprehension in the brain (p. 6)

● Yongming (2014), if the forms and rules of the word do not conform to the psychological space one has created, meaning the word is not aesthetically pleasing to the eye, the sensory organs will miss certain parts of the word or ignore it all together (p. 296)

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● Whereas language is usually processed in the left hemisphere the authors of this particular study found that the right brain hemisphere had the highest P1 component and P1 ERP response (Wang et al., 2013, p. 6)

● Shen (2005) states that previous studies have found the most common character learning strategies for non-native Chinese learners to include rote memorization, graphic and context cues, and a basic knowledge of radicals (p. 53).

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● Liu and Jiang (2014) argue that using fuzzy clustering-based Chinese character recognition, CCR, has better accuracy and precision compared to other Chinese character recognition approaches.(P427)

● Davis (1977) notes that there is increased awareness of movement’s value as a medium for learning concepts, such as art and music, as better models of learning than traditional modes of instruction (p. 209).

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Hypothesis

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Hypotheses

1.

2.

3.

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Research Design

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Research Design•Table 1: 2x2 Factorial Design:

Cues No Cues

PR Control 1 Normal 1

No PR Control 2 Normal 2

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Results

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Figure 1

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Figure 3 & 4.

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Figures 5 & 6

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Figure 7 & 8

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Figure 11.

Variables in the EquationB S.E. Wald df Sig. Exp()

Step 1a Cue .919 .172 28.724 1 .000 2.507PR .160 .163 .960 1 .327 1.174CuexPR -.391 .240 2.654 1 .103 .676Constant -.040 .115 .120 1 .729 .961

Classification Tablea

Observed PredictedCorrect Percentage Correct

0 1Step 1 Correct 0 153 332 31.5

1 147 568 79.4Overall Percentage 60.1

Omnibus Tests of Model Coefficients

Chi Square

df Sig.

Step 1 Step 39.621 3 .000

Block 39.621 3 .000

model 39.621 3 .000

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Discussion

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Discussion

••

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• 人,” “美,” “哥,” and “十” were the most recognized characters in all four experimental • 想” was not consistently matched to the English translation when just cues or just PR were •

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Implication

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Implication

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Activity

学 照 电 看 聪 哥

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Q&A

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ReferencesAsher, J.J. (1969). The total physical response approach to second language learning. The Modern Language Journal, 53 (1), 3-17.

http://www. jstor.org/stable/322091

Brainerd, C.J. & Reyna, V.F. (2004). Fuzzy-trace theory and memory development. Developmental Review, 24, 396-439.

Carrier, L.M., Rosen, L.D., Cheever, N.A., & Lim, A.F. (2015). Causes, effects, and practicalities of everyday multitasking.

Developmental Review, 35, 64-78. Retrieved from http://www. sciencedirect.com/full/url

Davis, M. (1977). Movement and cognition. Theory Into Practice, 16 (3), 207-210.

http://www.jstor.org/stable/1475606?seq=1&cid=pdf-reference_tab_contents

Hsu, J.F. (2012). Learning chinese characters : A comparative study of the learning strategies of western students and eastern asian

students in taiwan (Unpublished doctoral dissertation). Colorado State University, Colorado.

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Kuo, L., Kim, T., Yang, X., Li, H., Liu, Y., Wang, H., & Park, J.H. (2015). Acquisition of chinese characters: The effects of character

properties and individual differences among second language learners. Frontiers in psychology, 6, 1-38.

Liu, W.Y., & Jiang, J.L. (2014). A new chinese character recognition approach based on the fuzzy clustering analysis. Neural computing

and applications, 25, 421-428. Fuzzy trace. (n.d.) In Psychology Dictionary. Retrieved from

http://psychologydictionary.org/fuzzy-trace/Fuzzy trace theory. (n.d.) In Psychology Dictionary.

Ni, H. (1948). Zhungguo pinjin wenz yndung de giandand lish (Zhongguo Pinyin Wenzi Yundong Shi Jianbian) [A Short History of the

Movement for Alphabetical Writing in Chinese] (Shanghai: Shidai Shubao Chubanshe).

Reyna, V.F., & Brainerd, C. J. (1995). Fuzzy-trace theory:an interim synthesis. Learning and Individual Differences, 7(1), 1-75.

San, D. ( 2007). The phonology of standard Chinese. Oxford Linguistics, 5-6

Schmidt-Kassow, M., Kulka, A., Gunter, T.C., Rothermich, K., & Kotz, S.A. (2010). Exercising during learning improves vocabulary

acquisition: Behavioral and ERP evidence. Neuroscience Letters, 482, 40-44. doi: 10.1016/j.neulet.2010.06.089

Shen, H.H. (2004). An investigation of chinese-character learning strategies among non-native speakers of chinese. System, 33, 49-68.

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Su, X. and Kim,Y. ( 2014). Semantic radical knowledge and word recognition in Chinese for Chinese as foreign language learners.

Reading In A Foreign Language, 26( 1), 131-152.

Sur, S., & Sinha, V.K. (2009). Event-related potential: An overview. Industrial Psychiatry Journal, 18 (1), 71-73. doi:

10.4103/0972-6748.57865

Tan, L.H., & Perfetti, C.A. (1997). Visual chinese character recognition: Does phonological information mediate access to meaning.

Journal of memory and language, 37.

Wang, J., Inhoff, A., and Chen, H. (2010). Reading Chinese script: A cognitive analysis, 1-91.

Wang, X.D., Liu, A., Wu, Y., & Wang, P. (2013). Rapid extraction of lexical tone phonology in chinese characters: A visual mismatch

negativity study. PLoS One, 8 (2), 1-9.

Yeh, S., Li, J., Takeuchi, T., Sun, V.C., & Liu, W. (2003). The role of learning experience on the perceptual organization of chinese

characters. Visual cognition,10 (6), 729-764.

Yongming, Z. (2014). Neuroaesthetics research in the construction of chinese character art. Leonardo, 47 (3), 294-296.