1 aesthetics%26design outline
TRANSCRIPT
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Defining Aesthetic Experience
SMHM 2980
Dr. Strubel
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The Aesthetic
Experience
Pleasurable experiences from a product and
consumer (shopping) environment
Product differentiation
Product quality
Satisfaction
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Aesthetic Experience
Aesthetic experiences result from
Sensitive selection or
Appreciation of. Formal qualities
Expressive qualities
Symbolic qualities
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Elements & Principles
of Design
The basic perceivable units of a form
Color
Light
Line & Shape
Texture
Space & Movements
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Color
Most important aesthetic criterion
Product & brand differentiation
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Color
Formal qualities of color
Hue vs. color
Value
Intensity
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Value
The lightness or darkness of a hue
To achieve lighter hues
To darken hues
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The Color Wheel
Primary colors
Secondary colors
Tertiary colors
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Color Harmonies
Monochromatic
Analogous
Complementary
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Color Harmonies
Split complimentary
Double complimentary
Triad
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Color Harmonies
Split complimentary
Double complimentary
Triad
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Color Harmonies
Split complimentary
Double complimentary
Triad
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Intensity/Chroma
The saturation or purity of a hue
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Color Symbolism
May be due to:
physiological states
associated meaning with nature
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Color Symbolism around the
world
Red
China
India South Africa
Ghana
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Light
Interacts with other elements of
design
May create aesthetic interest
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Line
A point set in motion
A structure with a greater length than width
Qualities of Line Length
Width (thick vs. thin)
Uniformity
Direction
Direct or meandering
Softness of edge
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Line
Organic vs. straight & geometric
Optimal beauty is when the two types of linework together
Lines create moods and feelings Vertical vs. horizontal lines
Curved
Diagonal Implied lines
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Shape
An enclosed space created by the union of
lines
Formal qualities of shape
Type of shape placement
Size
Silhouette
Placement (ordered or random)
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Space & Movement
Proportion & Scale
Balance
Emphasis Rhythm
Repetition
Progression Radiation
Alternation
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Proportion/scale
Refers to relative size-size measured against
other elements or against come mental
norm or standard The pleasing interrelationship of the size of
all elements of the display
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Balance
Distribution of visual weight in design
Symmetrical/formal balance
Asymmetrical/informal balance
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Emphasis
The center of interest, which draws attention to thefocal point of a display
Must create more visual attraction than any otherdesign element in the display
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Rhythm
Flow or movement is a smooth transitionfrom one part of the display to another
Executed through the use of
Repetition
Line
Progression
Radiation Alteration
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Repetition
A sense of movement in one direction
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Progression
Ranges of sizes
Progression of colors
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Radiation
Movement radiates from the central
point
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Alternation
Shapes or colors used alternatively producedesign rhythm