01 dexter park celebration - score - keiser southern music · 2018-02-02 · james barnes for...

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DEXTER PARK CELEBRATION Grade 3 MUSIC R Concert Band Signature Series James Barnes for Concert Band, Op. 155

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Page 1: 01 Dexter Park Celebration - Score - Keiser Southern Music · 2018-02-02 · James Barnes for Concert Band, Op. 155 James Barnes’ contribu on to the band repertoire over the last

U.S. $80.00 S957CB

HL00236100

DEXTER PARK CELEBRATION

James Barnes

S957CB HL00236100

DEXTER PARK CELEBRATION

Grade 3

MUSICR

MUSICR

MU

SICR

Concert Band Signature Series

James Barnes

for Concert Band, Op. 155

James Barnes’ contribu�on to the band repertoire over the last half century can hardly be overstated. His numerous works for concert band and orchestra are extensively performed throughout the world, in such venues as Tanglewood, Boston Symphony Hall, Lincoln Center, Carnegie Hall, the Kennedy Center in Washington, DC, Tchaikovsky Hall in Moscow and the Tokyo Metropolitan Concert Hall. Barnes twice received the coveted American Bandmasters Associa�on Ostwald Award, and has been the recipient of annual ASCAP Awards for composers of serious music for over 30 years, along with other numerous honors and grants. The world-famous Tokyo Kosei Wind Orchestra recorded three compact discs of his music. Barnes is dis�nguished by having received commissions from all five of the major American military bands in Washington,

DC. James Barnes is Professor Emeritus of Music Theory and Composi�on at the University of Kansas.

The work opens with a dramatic brass fanfare before moving to a spirited allegro. The slower middle portion is rather "jazzy" in character with a trumpet solo. After several statements of this lush song, the faster music returns before the opening fanfare reprises, closing the piece in dramatic fashion. Includes generous cross-cuing to enable performances with smaller instrumentations.

Page 2: 01 Dexter Park Celebration - Score - Keiser Southern Music · 2018-02-02 · James Barnes for Concert Band, Op. 155 James Barnes’ contribu on to the band repertoire over the last

Copyright © 2017 Southern Music Company (ASCAP). International Copyright secured. All rights reserved.

FULL SCORE

DEXTER PARK CELEBRATION

for Concert Band

By

James Barnes Op. 155

INSTRUMENTATION

* Indicates optional part

1-FULL SCORE

1-PICCOLO*

2-1st FLUTE

2-2nd FLUTE

2-3rd FLUTE

1-1st OBOE

1-2nd OBOE*

4-1st CLARINET in Bb

4-2nd CLARINET in Bb

4-3rd CLARINET in Bb

2-BASS CLARINET in Bb

1-CONTRA-ALTO CLARINET in Eb*

1-CONTRABASS CLARINET in Bb

1-1st BASSOON

1-2nd BASSOON*

2-1st ALTO SAXOPHONE in Eb

2-2nd ALTO SAXOPHONE in Eb

2-TENOR SAXOPHONE in Bb

1-BARITONE SAXOPHONE in Eb

3-1st TRUMPET in Bb

3-2nd TRUMPET in Bb

3-3rd TRUMPET in Bb

2-1st HORN in F

2-2nd HORN in F

2-1st TROMBONE

2-2nd TROMBONE

2-3rd TROMBONE*

2-EUPHONIUM in Treble Clef

3-EUPHONIUM in Bass Clef

4-TUBAS

1-DOUBLE BASS*

1-TIMPANI

1-PERCUSSION I:

Snare Drum, Suspended Cymbal

1-PERCUSSION II:

Clashed Cymbals, Triangle

1-PERCUSSION III: Bass Drum

1-PERCUSSION IV: Glockenspiel

Grade 3 Duration: Approx. 6 Minutes SAMPLE

Page 3: 01 Dexter Park Celebration - Score - Keiser Southern Music · 2018-02-02 · James Barnes for Concert Band, Op. 155 James Barnes’ contribu on to the band repertoire over the last

About the Music

In 2015, James Barnes was commissioned by his long-time friend C.L. Snodgrass to compose a work to

commemorate the 100th anniversary of his Clay Center (KS) Municipal Band. Clay Center is a special little town in

North Central Kansas. Along with being a beautiful, well-kept city of about 3,000, it has a long-running reputation for

having excellent school bands. Their town band, which was originally organized in 1916, has performed each summer

for many years in a permanent outdoor shell in Dexter Park.

Barnes composed Dexter Park Celebration in March 2016. The composer conducted the premiere in July 2016

in front of an audience of over 1,000 people. The work opens with a dramatic brass fanfare before moving to a spirited

allegro. The slower middle portion of the work is rather "jazzy" in character, with a trumpet solo intended to be a

tribute to C.L. Snodgrass, who is a fine jazz trumpet player. After several settings of this lush "jazz song," the faster

music is restated before the opening fanfare briefly returns to help end the work in highly dramatic fashion.

As in other Barnes works at this grade level, the piccolo, second oboe, second bassoon, contra-alto clarinet,

third trombone and double bass are all optional, so the work can be played by bands with limited instrumentation.

About the Composer

Professor Emeritus James Barnes, Chair of the Division of

Theory-Composition at the University of Kansas, taught orchestration,

arranging and composition courses, and wind band history and repertoire

courses. At KU, he served as an Assistant, and later, as Associate

Director of Bands for 27 years.

His numerous publications for concert band and orchestra are

extensively performed in the United States, Europe and the Pacific

Basin. His works have been performed at Tanglewood, Boston

Symphony Hall, Lincoln Center, Carnegie Hall and the Kennedy Center

in Washington, DC.

Barnes has twice received the coveted American Bandmasters

Association Ostwald Award for outstanding contemporary wind band

music. He has been the recipient of numerous ASCAP Awards for

composers of serious music, the Kappa Kappa Psi Distinguished Service

to Music Medal, the Bohumil Makovsky Award for Outstanding College Band Conductors, along with numerous

other honors and grants.

He has recorded three commercial compact discs of his music with the world famous Tokyo Kosei Wind

Orchestra. He has also been commissioned to compose works for all five of the major military bands in Washington,

DC. Mr. Barnes has traveled extensively as a guest composer, conductor, and lecturer throughout the United States,

Europe, Australia, Japan and Taiwan. He is a member of the American Society of Composers, Authors, and Publishers

(ASCAP), the American Bandmasters Association and several other professional organizations and societies. Since

1984, his music has been published by Southern Music Company.

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Page 4: 01 Dexter Park Celebration - Score - Keiser Southern Music · 2018-02-02 · James Barnes for Concert Band, Op. 155 James Barnes’ contribu on to the band repertoire over the last

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Page 5: 01 Dexter Park Celebration - Score - Keiser Southern Music · 2018-02-02 · James Barnes for Concert Band, Op. 155 James Barnes’ contribu on to the band repertoire over the last

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Page 6: 01 Dexter Park Celebration - Score - Keiser Southern Music · 2018-02-02 · James Barnes for Concert Band, Op. 155 James Barnes’ contribu on to the band repertoire over the last

U.S. $80.00 S957CB

HL00236100

DEXTER PARK CELEBRATION

James Barnes

S957CB HL00236100

DEXTER PARK CELEBRATION

Grade 3

MUSICR

MUSICR

MU

SICR

Concert Band Signature Series

James Barnes

for Concert Band, Op. 155

James Barnes’ contribu�on to the band repertoire over the last half century can hardly be overstated. His numerous works for concert band and orchestra are extensively performed throughout the world, in such venues as Tanglewood, Boston Symphony Hall, Lincoln Center, Carnegie Hall, the Kennedy Center in Washington, DC, Tchaikovsky Hall in Moscow and the Tokyo Metropolitan Concert Hall. Barnes twice received the coveted American Bandmasters Associa�on Ostwald Award, and has been the recipient of annual ASCAP Awards for composers of serious music for over 30 years, along with other numerous honors and grants. The world-famous Tokyo Kosei Wind Orchestra recorded three compact discs of his music. Barnes is dis�nguished by having received commissions from all five of the major American military bands in Washington,

DC. James Barnes is Professor Emeritus of Music Theory and Composi�on at the University of Kansas.

The work opens with a dramatic brass fanfare before moving to a spirited allegro. The slower middle portion is rather "jazzy" in character with a trumpet solo. After several statements of this lush song, the faster music returns before the opening fanfare reprises, closing the piece in dramatic fashion. Includes generous cross-cuing to enable performances with smaller instrumentations.