Yiquan - Power of the Mind

Most styles of Taijiquan incorporate one or several forms of Zhan Zhuang (Pole Standing) in

their training. These standing exercises are often presented as the one most important aspect of

the training (to begin with, anyway), yet not always enough information is available to students

apart from the usual advice to "relax", "keep everything open" and "keep standing". So why are

they so important and how should they be practiced? Sometimes they are presented as a form of

standing meditation, sometimes as an isometric standing exercise, sometimes even as a

character-building exercise! Is there a difference in training for those interested in martial arts

and those interested in health only?

In this article I will describe Zhan Zhuang training as it happens in Yiquan (more about Yiquan

later). In Yiquan, Zhang Zhuang has been promoted to play a pivotal role from the most basic

training all the way through to the most advanced training. Progress through the Zhan Zhuang

training steps is methodical and detailed. I hope that by the time you have finished reading the

article, all the above questions will be answered.

Before I start describing Zhang Zhuang, I think we should establish some common ground in

terms of what is the final result of such training. Let's say your teacher is a great master of

internal martial arts. When you try to push him, he is like a rock – you can't budge him. When

he tries to push you, his body feels like steel - you can't stop him. At other times his body feels

like cotton – and you still can't stop him! Let's call these three feats a Rock Body, a Steel Body

and a Cotton Body, respectively. In any of these feats it feels as if he is using great strength and

yet when you try to imitate what he does, you are told not to use strength. If it is not strength,

what does he use? The usual answer of "qi" or "jin" refers to concepts from a different culture. I

shall make an attempt at explaining it using more familiar concepts. By the way, your teacher

can do other things than the ones I have mentioned but I shall limit my description to those that

can be trained using Zhang Zhuang.

Whole-body Strength The above three feats of Rock Body, Steel Body and Cotton Body are all expression of what is

called whole-body strength. To understand what the whole-body strength is, let's look at body

musculature. There are two kinds of skeletal muscles: those that are involved in movement, so

called motor muscles or mobilizers, and those that stabilize the body, so called postural

muscles or stabilizers. The mobilizers are, on the whole, of the fast-twitch variety; they can

contract and relax in a short interval but they get tired quickly. The stabilizers are of the slow-

twitch variety; they do not get tired easily but, on the other hand, are quite slow. They are

situated deeper in the body than the mobilizers.

The above division into the two kinds of muscles is a somewhat simplified view for the sake of

clearer explanation. In reality, there are stabilizers, mobilizers and muscles that act in both roles.

We can pretend that any "composite" muscle is split into a stabilizer and a mobilizer by

extracting the appropriate type of muscle fibers (slow-twitch and fast-twitch respectively) into

each of them. The functionality of the body would remain unchanged.

We have very little, if any, conscious control of the stabilizers. But stabilizers have two

properties that are very useful. First, given their position with respect to joints, they can make the

body structure really strong. Second, most of them are designed to stabilize/balance our body

against outside force (usually the force of gravity). We can use both of these properties to our

advantage.

Strong Structure Let's look at the first point. When discussing muscle strength, there is a distinction made between

a static and a dynamic strength. Static strength, when the muscle is locked in position, is greater

than dynamic strength, when the muscle is expanding or contracting. Locking the body in a very

strong static position may be interesting but is not very useful. Especially if any push just topples

the whole structure over! This is where the second point comes in.

Dynamic Structure Let's imagine you are standing on a steep hill, with one foot higher than the other and you are

supporting a fairly heavy weight sliding at you from above. Suppose that you support it from

underneath, with your arms above your head. You would naturally try to let the weight pass

through your body into the rear foot, using the front leg to stabilize yourself against the hill. If

the weight were to wobble, you would just adjust your arms and body underneath to keep the

weight passing to the rear foot. It would not require any (significant) mental effort and, unless

the wobble took the weight too far from your base, not any (significant) extra physical effort.

Your stabilizers would perform any adjustments needed automatically, with the mobilizers acting

in unison.

Now let's tilt the hill so that the ground underneath becomes horizontal and the weight you were

supporting is now represented by a push from someone in front of you. There will be two likely

changes to your behavior. First, you would have to adjust your posture because gravity now acts

in a vertical direction. Second (and here I am asking you to pretend you are a beginner again,

before you had all that extensive training), because your stabilizers now act in a different

direction from the push, you will use your mobilizers to resist the push. In order to stop the push,

you will start pushing back with the same force. If your adversary starts changing the direction of

his push, there will be nothing automatic in your response! So if you could somehow get your

body to act as if the push was a result of a force of gravity, you could relax and let your

automatic responses neutralize the push for you. My first Taijiquan teacher told us once to "make

gravity your friend". Unfortunately, I had no idea what he was talking about at that time!

What is Zhan Zhuang Zhan Zhuang is often translated as Pole Standing. It is a name that refers to a number of stance

practices in which the body is kept essentially still and mostly upright, though there are some

stances where the spine is not vertical. The purpose of these exercises is to become aware of the

stabilizers and then gain some measure of control over them.

The first task is to feel how the body acts against gravity. The best way to do that is to stand and

feel (observe), in other words - Zhan Zhuang. There are a number of positions to produce

different effects on the body but the most popular one is to stand with arms as if embracing a

large ball in front of the chest. To isolate the stabilizers, you must relax the mobilizers.

Unfortunately, the mobilizers will interfere, as most people, it seems, from a fairly early age will

start (mis)using mobilizers to take on the task of stabilizing the body. Because you can't really

feel the stabilizers, you must try to relax all muscles. As far as your perception is concerned,

mobilizers are all the muscles you are aware of. That is, by the way, why my teacher (and yours

probably, too) used to say "do not use any muscles". So the first task really is re-educating the

body to use the stabilizers. The next one is to try to integrate body's movement to use stabilizers

against any resistance that is encountered, as if acting against gravity. This will give you the

basis of whole-body strength. As the Taiji classics say, "essential hardness comes from essential

softness". Eventually, your arms and body will become very heavy to the touch. Further training

will be needed to be able to use the body in a natural way and especially to integrate the

mobilizers and fascia (connective fibrous tissue) in issuing of strength (fali or fajing) but that is

not the role of Zhan Zhuang anymore.

Less is More To set up a regime for Zhan Zhuang practice, I would recommend the following procedure. To

start with, no more than five or ten seconds should be spent on the practice; but the practice

should be performed every day without fail. There are three reasons for this seemingly ridiculous

length of training. One is that it is very difficult, for an untrained person, to keep concentrating

for any length of time on something as mundane as standing - and you do not want to stand

just for the sake of standing. The second one is that, to start with, the most important goal to

achieve is to get into a habit of standing; to achieve the rhythm of daily practice. It is far easier to

do that if the practice is short. Lastly, it is quite likely, as I said above, that you may be using the

wrong kind of muscles at the beginning. The last thing you want is to train yourself to hold the

posture with the mobilizers. You may have heard of people suffering agony in standing practices

of this nature who eventually made the breakthrough into a relaxed stance. Well, it is one way to

achieve the same goal but it is rather wasteful on resources and quite painful. As I said,

mobilizers tire quite quickly, and then they hurt. Getting them out of the way can be done either

by just standing until they give up and stabilizers take over or by trying to relax by carefully

monitoring the state of the body and inducing relaxation by the use of mental images.

The length of the standing should be governed by your attention span. When the concentration is

weakening and other thoughts start to impinge on your mind, make a brief attempt to come back

to the practice but if it fails, end the training for the day (or the time being). This way, your

concentration will gradually improve with the standing in a natural way. The process is quite

simple. As you keep standing, gradually areas of the body that you were not aware of will come

within your awareness. As it happens, you will have more of the body to observe, and thus your

standing can be longer, without you getting bored. So, if on your first day you exhaust your

observation in five seconds, stop after five seconds. After six months you may be occupied with

your body even after five or ten minutes. This is the easiest, and I believe the quickest, route to

success. Standing in Zhan Zhuang and watching television is better than sitting and watching

television – but it shouldn't be thought of as replacing the standing where you concentrate on

the body.

Using the Mind There are two kinds of mental images that you can employ. The first type is used to create a

tranquil state in your mind, which, in turn, will promote relaxation of your body. For example,

imagine yourself standing in a beautiful garden. You can see pretty flowers and trees all around

you. You can smell the flower's scent on a soft breeze. You can hear birds singing in the trees.

There are few white clouds in the blue sky. Or you may prefer to picture a scene by the sea, with

the white surf breaking on the beach. Any image that will make you as peaceful and happy as

possible. You owe it to your training!

The second type is used to induce some kinesthetic feeling to guide the body. Some people get it

naturally, others will have to have it explained in some fashion (difficult to generalize in an

article) or will have to experiment before they can understand/reproduce it. I will give an

example below.

When creating images or concentrating on the body, there should be no mental "effort". The

feeling created should be more like observing something rather than striving for something.

Embracing Posture As an example a health stance, I will describe Cheng Bao Zhan Zhuang. The purpose of the

images used here is still only to promote relaxation – thus any similar images will do.

Stand in a comfortable stance with your feet about shoulder-width. Keep your body upright by

imagining that you head is suspended from above. Relax your spine by slightly bending the

knees and feel as if you are lowering yourself onto a high stool. Keep your whole body soft.

Create an image of a garden or other peaceful image as described above. Try to express the

tranquil feeling in your face and body. Eyes can be open, half-open or closed. Breathing is soft,

quiet, and preferably through the nose. Slowly lift your arms in front of you in a position of

embracing a ball, hands at about shoulder-height and shoulder-width apart. Keep your fingers

slightly bent and the palms slightly stretched.

Feel you whole body supported: you are sitting on a balloon; there is another balloon between

your knees; your elbows are resting on soft pillows; your head is suspended by a thread; there are

cotton pads between your fingers; etc.

With practice, you will be able to achieve a very relaxed feeling. When that happens, you can

move on to the next step, creating kinesthetic images.

Up to now, your elbows were resting on soft pillows, keeping your shoulders relaxed. Now

imagine that your elbows are touching balloons floating on water. Your task is to keep the

balloons under your elbows. If you lift your elbows, the balloons will be free to float away. If

you press a little more, they will be pressed into the water and pop out to float away again. The

big ball you are embracing is very fragile and filled with helium - if you press a little more, it

will burst, if you press a little less, it will float away. The feeling created is that of sticking very

lightly to a ball but making sure not to let it slip from your embrace. You must not get into an

anxious state - you know these are just images. The purpose of this type of images is not to

become skilful in creating them but in exploring how the body feeling changes and thus

gradually becoming aware of the inside body structure (stabilizers) and body's unity. You can

start slowly swaying forward and back. Keep your body balanced and experience the movement

as a passive movement; for example as if standing in a slowly flowing river that keeps changing

its direction.

"Primordial Void" Posture As an example of a combat stance, I will describe Hun Yuan Zhang Zhuang. The previous

Zhang Zhuang training was designed to increase awareness of the stabilizers. The purpose of

these are more advanced exercises is to get the stabilizers under control. This is done by very

small and careful movements so that we do not "wake up" our mobilizers. In Wang Xiangzhai's

(founder of Yiquan) words: "All sorts of strengths originate in the void and nothingness, which

can only be felt gradually by the tiny edges and corners of the body". Again, mental images are

used to help the body do "the right thing". Beginning of this training is done still in Zhan

Zhuang, the rest in later training.

Starting from the Embracing Posture described above, transfer the weight onto your right leg and

shift the left foot forward, lifting the heel off the ground. Put about a quarter to a third of your

weight onto the front foot. Move your left hand a bit up and forward. Create the "garden" (or

similar) image as in the previous posture. Keep a very soft and relaxed body structure and create

a kinesthetic image of exerting a great deal of strength. For example, imagine that you are

embracing a tree and try to pull it up. After a little while, try pushing it down. Try to uproot it by

pushing with the whole body forwards, then by pulling with the whole body backwards. Do not

imagine that you are actually succeeding in any of these tasks. The tree is big and just won't

budge. During your practice, you stay relaxed and nearly still with perhaps just very small

movement. Little by little you will get a feeling of control.

Weight Training So how about strengthening one's body using weight training? As I said above, the only muscles

that we are normally aware of are the mobilizers. When we decide to move, we immediately use

the mobilizers. In fact, as was noted, we often use the mobilizers instead of stabilizers. So what

muscles are we likely to strengthen and build up when we lift weights? Working on

strengthening mobilizers when you try to use stabilizers is not going to help with your progress.

It is usually the strongest looking person who starts to shake first when attempting Zhan Zhuang

for the first time. Having big and strong muscles is not bad in itself, even in Internal Martial

Arts. The problem is that normally weight training reinforces the habit of using mobilizers. This

is contrary to what we try to achieve with the Zhan Zhuang training. So your first priority should

be to establish control over stabilizers. After such control is established, you can start using

weights, if you so desire. But you should be careful to use mobilizers for movement and

stabilizers for handling the weights.

Is Zhan Zhuang Training Necessary? Not really. Some people can achieve all of the feats attributed to your imaginary teacher above

without any standing practice. What they probably do is to train a lot of slow moving exercises

(either forms or silk-reeling type drills). The key to their practice is again to relax all the

mobilizers (which, as far as they are concerned, are all the muscles) and to imagine they are

moving against some slight resistance (for example as if moving in water). Little by little the

stabilizers will start being involved in a similar manner as I discussed above. Sometimes they can

"cheat" by practicing the form as a series of static postures. The idea is the same as Zhan Zhuang

but they are training the stabilizers in the postures used in the form.

Your Zhan Zhuang (or other standing exercises) may be different in some aspects. As I said at

the beginning, what I have described is a Yiquan system of Zhan Zhuang exercises and I hope

that it will give you some ideas that will help to improve your Zhan Zhuang practice. Let's have a

brief look at Yiquan to see how the Zhan Zhuang training progresses further.

What is Yiquan Yiquan (pronounced ee-chwen), sometimes called Dachengquan (see later about that), is a fairly

new martial art – it was created in the 1920s by Wang Xiangzhai (1885-1963). Wang

Xiangzhai sought out the best martial artists of his time on his quest to discover the "essence of

boxing". He then created his new art by dropping, over a period of time, anything that he came to

consider as non-essential or that could be replaced by something that gave better or quicker

results. Gradually, the mental aspects came to dominate all parts of the training. To emphasize

the importance of mind, both in training and its use, he decided to call his art Yiquan - "Yi"

means "mind" or "intent" and "quan" means "fist" or "boxing". The name was probably arrived

at by dropping "Xing" (form or shape) from "Xingyiquan", probably the most influential of the

arts that went into creating Yiquan (though Baguazhang, with its footwork and Taijiquan with its

neutralizing and pushing hands are not far behind). Eventually, he came to see Yiquan not as a

martial art or a system of health exercises but as a "path to the truth" and a way to gain "absolute

freedom". On the way, however, he had plenty of opportunities to test its value as a martial art.

He considered all schools of martial arts to be defective and "taking the students further away

from the goal". He made no attempt to keep his views to himself and when he moved to Beijing,

in the late 1930s, Wang Xiangzhai issued a public challenge to his fellows martial artists to

"exchange ideas and learn from each other". In view of his public comments, there was no

shortage of challengers. Any challenger had to defeat one of Wang Xiangzhai's top four students

first but none succeeded. The four students were Han Xingqiao, Hong Lianshun, Yao

Zongxun (Wang Xiangzhai's eventual successor) and Zhou Ziyan. Yiquan quickly gained a

reputation for its combat effectiveness (and later on for its health benefits).

At this time, Wang Xiangzhai abandoned the name Yiquan as he felt that having a name bound

the art to its image. His students and the public, in view of its successes, started to call the art

Dachengquan (Great Achievement Boxing) and Wang Xiangzhai, after some initial resistance,

accepted the name. However, he later reverted to using the name Yiquan again, as he felt that it

fitted the art better.

Yiquan Training

The complete training consists of seven steps:

Zhan Zhuang (Pole Standing) - described above.

Shi Li (Testing of Strength) - simple exercises for learning how to keep the whole-body

connection and whole-body strength whilst moving (this stage is equivalent to practicing

forms in other Internal Martial Arts) – in other words, learning how to integrate

mobilizers and stabilizers in movement.

Mo Ca Bu (Friction Step) - learning how to keep the whole-body connection and whole-

body strength whilst stepping.

Fa Li (Release of Power) - learning how to "release" power (fa-jin training). How to

release in any direction and with any part of the body.

Tui Shou (Pushing Hands) - this stage is similar to Taijiquan's Pushing Hands. Also can

be viewed as the previous three stages with a partner. Also called Dance of Death ( - just

a joke!).

Shi Sheng (Testing of Voice) - learning to augment power and integrate the centre of the

body in a more natural way using breathing musculature.

Ji Ji Fa (Combat Practice) - fixed and free sparring drills and sparring.

At all stages of training, students must try to follow the most important principle – Use mind,

not strength (yong yi bu yong li). This principle was clearly seen in the description of the

various stages of Zhan Zhuang training above.

Yiquan for health Most posture and musculo-skeletal problems seem to be caused by the misuse of mobilizers that

are usurping the role of stabilizers. Due to their low endurance characteristics, they cannot do the

job adequately. Thus it is no use to tell people who slump to "straighten up". They will naturally

use their mobilizers to lift their posture with the inevitable result that the muscles will get tired

and hurt and so they will slump again. To do any kind of conscious movement, it is only natural

to use mobilizers. This is where Zhan Zhuang training of Yiquan can help. It is ideally suited for

correcting all kinds of problems stemming from the imbalance between stabilizers and

mobilizers. And I think the training gives quicker results when compared to other therapies, like

the Alexander technique and the Feldenkreis method (and is probably less expensive, too).

There are other benefits stemming from the emphasis on tranquility and very slow and careful

movements. It obviously helps with any stress-related problems, and problems with co-

ordination and balance. It is an excellent method of regulating one's metabolism and sleep

pattern. The list could go on but the space is limited!

After the Shi Li training, students are taught (if that is the right word in this context) Health

Dance in which they link different exercises in a spontaneous manner.

The Traditional View I'll try to translate the vocabulary used in this article to a more traditional one often used in

Taijiquan and other Internal Martial Arts so that you can cross-check the ideas presented here

with your own training.

What I have been describing is how to gain control over muscles that we are not even aware of.

Clearly, any movement using stabilizers must seem powered by something else than muscles. In

Chinese culture, qi is a cause of movement so it is not surprising that the kind of movement I've

been describing would be attributed to qi. We have seen how this "qi" is trained by the mind

(awareness) and activated by the mind. Sometimes "bone breathing" or "bone squeezing"

methods are used to "congeal qi into bones". This is just another way of gaining awareness of the

deep muscular structures. Awareness of the stabilizers is felt like a tightness round the bones.

Due to the structure of slow-twitch fibers, deliberate use of stabilizers produces more heat than is

usual. This can be felt and it is different from a similar, but smaller, effect in the skin brought

about by relaxation. Both of these effects, but especially the heat produced deeper in the body,

are often taken as a sign of increased "qi" flow.

Conclusion Zhan Zhuang is the first step in acquiring Internal Power. The emphasis should be on relaxing all

muscles and feeling how the body balances against gravity. Slow, very subtle movements can be

felt under the guide of kinesthetic visualization (movement in stillness). Later on, when learning

to move, the body's structure should always be supported by stabilizers, producing the feeling of

standing at any point in the movement (stillness in movement).

Whilst I have supported my ideas with quotes, I would like to say that as far as I know, the

people I have quoted did not use any explanation referring to stabilizers and mobilizers. That part

is my own explanation and should not be treated as the "official" view.