yamaha - bekafun · 2012. 1. 27. · mixing console •wut* j’ir series mg1o2c m6124c mg1660...

YAMAHA

MIXING CONSOLE

MGPSeriesMGP12X MGP16X

MIXING CONSOLE

1vIG SeriesMG1O2C MG124C MG166C M6206CMG82CX MG124CX MG166CXMG166C-USB MG166CX-USB MG2O6C-USBMG24/14FX MG32/14FX

Digital Heart.

It has been 40 years since the release of Yamaha’s first professional analog mixing

console in 1972, the PM200. This year also marks the 25th anniversary of the landmark

release of our first ever digital mixer, the DMP7. It is no mere coincidence that, during this

momentous occasion, we are introducing a ground-breaking new product that represents a new

paradigm for compact professional mixing consoles: the MGP Series.

Drawing from our decades of experience crafting innovative, premium analog gear,

we originally developed our new discrete Class-A microphone preamps for professional use in

our high-end recording equipment. Utilizing an inverted Darlington circuit design,

our newly-refined D-PRE mic preamps deliver a fat, rich, smooth tone that gives the MGP Series a

significant advantage over any other mixer in its class.

— With Yamahas proprietary X-pressive EQ we’ve managed to capture ultimate analog authenticity by unlocking

the mysterious secret behind the expressive sound shaping capabilities of sought-after classic EQ modules.

At the heart of the MGP’s compact configuration, weve taken an innovative new approach to the

utilization of digital technology in an analog mixer; adding high-resolution effects, iPod/iPhone

integration and the superb functionality of our new Stereo Hybrid Channel to the warmth and musicality

of premium analog sound. The MGP Series represents the ultimate balance of the converging

technologies that are the heart and soul of Yamahas extraordinary achievements in professional audio.

1 •,_ r --

F — o ooo 000— O9000 oooo

— ,wl_______ -..----., 00_o00 0(10 0

1 1 1——

ø ooo 00 o 0• • f1. .j,.’31,J..’.1. 0.0000 000 1

1 00

1 -

-

•••••••• •• • •fl•S •SS•N •• S H’— 1• •• - — . . . . . . ,.. • . 1 1 1,1 1 1

rIlIllIlIlIlI 1 — —

J!I!II;. •••...

—. -----.--

•-• •.._LL •L11l

MIXING CONSOLE MIXING CONSOLE

MGPeries MG SeriesMGP12X MGP16X MG1O2C MG124C MG166C MG2O6C

MG82CX MG124CX MG166CXM6166C-USB MG166CX-USB M6206C-USBM024/14FX M032114FX

JJPJIfl’!’TIgo

HÂIuO#•

___

‘9

COMP CHARCTEPIST1CS

.1IHCLD: +2O’-5o

)

_____________________

t73

______

1)1-

lif___

___________ __________________

,.:—t-[/

______

.,11t,tt,1It—tt,t,

uv4uY’1

t,H000oiOJOJöfiGöcOOO*O_j!‘ElooVofioi ——

—r

_________

St,1

iir,iiiiiiiiiiiiIiIiuIIIIIIItIt

X9[dOLAJ

1—Ç:- 1\

ijïtffiijtitititijti[1Ç\ \\‘\\,ii»\\\\•a

I\\\t\:::::r:::::snsls+sasngdnouopi\\\3\°:;::::::::

\\•%\,\\•\\!;::::1—’A\\t\II

auoq/podJoA\\\

1r4\\\\t______S83A8boiuuywoiiindinoaqjjdaooy

14\\\

______

1llS\At\1°gojpep!AoJdSlfldUIH1IUUO!1IPPV

1IIS\•\Y\..

L_.suusgomdj-jpim

____________________________

(oeiejsjpimouow9)sindulou9[

JBMOdwowsqjA8Vqlv”sindul°PJ0[

Luis5)551LuisLt)Lt’k

____________________________________________________________

Luiss)sstLuiecieuc

___________________________________

S)OSUOØUiXiviwniwui)ØUUBL)3-9[

____________________________

nwawj

X9TiIDW

____

-t—-.

/

/st%

__

—-

.‘cJ••-:-?:££-i.e’;Lr’4

.t;

r

t‘É•—-‘fr

;.\‘‘t-.

/////

‘tmmf

MIXING CONSOLE •wut*

J’Ir

SeriesMG1O2C M6124C MG1660 M02060MGB2CX MG124CX MG166CX

‘

M6166C USB M01660X USB M6206C USB (T’) 2’L

— : :MG24/14FX M032/14FX ‘ t. t.,

-;it. L,

Whether you have a mixing application that involves only a few channels or -

up to 32 inputs with a need for flexible signal routing Yamaha S MG Seriesoffers a console that will give you the capacity control and performance youdeserve. All models are remarkably compact and lightweight for superior

0• •

handling and portability, but absolutely no compromises have been made in 4 t.

terms of features, performance, or durability.

/ —— ‘7 ;/

COMP

____________

High-Performance Mic Preamps with Phantom Power T tessorsThe mic preamps built into the MO Senes mixersinherit technology from Yamaha’s high-end Yaniaha was the first to implementttiis innovalive technology into small format mixers

professional consoles and are designed to deliver offering a simple and instantaneous advantage in achieving great sound on each

superior sonic performance. All mic preamps also individual back. Conventtonal compressors terid to be quite complex and can require

teature switchable 48V phantom power so you can significant expertse and time to use effectively, hut our 1 -knob compressars are optimally

take advantage of the natural extended response of set to add flexibilityto your sound wilh a single control. It has since become a standard

—, high-quality condenser microphones. feature on an increasing number of other manufactures’ consoles. One listen however and

t becomes abundantly dear that no one else has actually perfected t as we have.

MIXING CONSOLE MIXING CONSOLE

MG82cx ‘E MG1O2c (1

PExtraordinary sonic quality plus digital effects in a small- Extraordinary sonic quality plus channelbut-powerhil utility mixer. compressors in a small-but-powerfiil utility mixer.

(0 00 00000 0Q 0 00000 o o o o ÔczoØQ0ooøøooo npØ000oQQ

0o- 0o-e1 2 [3/4 56 [7/Si 1 2 3/4 56

• H OYAMAHA •O .H;t tr t(8’ t i” nt’.e OYAMAHA

___

-

___

-

_______

- 7/6 M102

e(l øib: ZZ 10(00

:,: :: r,: :: ::1

Feature .>) Feature 1)>4 Mic Inputs with Switchable 48V 1 Stereo Out 4 Mic Inputs with Switchable 48V • 1 Stereo OutPhentom Power 1 FX Send Phantom Power t 1 AUX Send8 Line Inputs (2 mono and 3 stereo) 2 Compressors 10 Une Inputs (2 mono and 4 stereo) • 2 Compressors

1 2 1/0 Insert SPX Digital Multi Effect 2 1/0 Insert

o o 0 0 00000o o 0 0 0 000

00)i i)

)çiÇ )

6) (t)

(Ii (1) 1) (t) 1)15)

®)5)1))T(.

(1) (1) 7) 1) (T)

6)2)6)7)6) (t)

0Q)(nØQQ)Ø Ir) w.

Option

13 16Tt)) ltttik MC Series

MIXING

CONSOLE MIXING CONSOLE

MGl24cx r MG124c‘ A versatile all-in-one console that can handle up to 12 Stunning MG Series sound plus and extra margin of inputs

inputs with internal effects. and signal-routing capacity.

I— 2 — 3 5/5 S /12 — 3 3 3 5 S $

i’ 1 1 Q 0 01- 00 ) ) -, )C) t) C) t)

-

10,o0C000000 ø)oû0Q00Q0rq o o o oo c4o 0 0

99ö 0

W OYAMAHA L!!.)jJ/3 5/l/5 $O “0 3’63 ,,MG124, 1 1 3 - 1;I/0,l]

h; ; ;-;-,-- .-. ,

t t ( t’ t

t t tf’ t (3 t’

rr’:-.r t- ç çr-ç’-ø t’r ri’o‘1 Io o •,,o t’ t’Lt’ vse •

( ( ( ( ((1 q • t t t a 0)

- —— 1 ——- -)

0)-• -— •-• r ,

__

]r’-rl .. • —. -- -

iiiïi’ïiÏ,

___

Feature 1» Feature P>)6 Mic Inputs with Switchable 48V 1. 1 AUX Send + 1 FX Send 6 Mic Inputs with Switchable 48V 1 Stereo OutPhantom Power • 2 Group Out Phantom Power - 2 AUX Sends12 Line Inputs (4 mono and 4 stereo) 4 Compressors 12 Line nputs (4 mono and 4 stereo) — 2 Group Out4 1/0 Insert - SPX Digital Multi Effect 4 1/0 Insert • 4 Compressors1 Stereo Out

346.2(13 5/8)

•xeooooooeoe°0 00 0 0 0 0 00000

00000000 0

•0000

0!000000®OOOOO.000 00 0 0 0 1 0

000000000 000000000 0

000000000 0

• i ç,

Option

91/2

1

11

1

B

ii1

_1_l 1 1 1(

MIXING CONSOLE MIXING CONSQLE MIXING CONSOLE MIXING CONSOLE

MG166cx-usB MGl66C-USB MG2O6c MG2O6C-USB

Harness the power of Direct digital recording Extended capacity, Advanced digital liveCubase Al as well as an capability with the supplied versatility and control recording capacity andoutstanding selection of Cubase Al software, for stage with 16 mi- capabilitySPX digital effects. crophone inputs.

t t. t, t,;. t- .-- . , t. t, - - - . --

000 t t t.t 0b :. ‘t t t -lO-’ . - - - --

t -t -t t -t -t- t -- --, .‘ -t , - , - . -. 500

- S t 0 S 0 [t) 0 t - t - ‘‘t -. - - — - o

4

4

-:. ‘ :--:-:- ..

‘

..... a. • . . . • t,t’

S....

- 2IIIIiI:I1 ‘ iiiiiiiiiiiiiiiiir

Feature R)) Feature 1)) Feature 1» Feature 1»

10 Mic Inputs with Switchable — 10 Mic Inputs with Switchable • 16 Mic Inputs with Switchable 16 Mic Inputs with Switchable48V Phantom Power 48V Phantom Power 48V Phantom Power 48V Phantom Power16 Line Inputs • 16 Line Inputs 1 20 Line Inputs 20 Line Inputs(8 mono and 4 stereo) (8 mono and 4 stereo) (12 mono and 4 stereo) (12 mono and 4 stereo)

8 1/0 Insert 1 8 /0 Insert • 12 1/0 Insert 12 1/0 Insert• 1 Stereo Out 1 1 Stereo Out 1 Stereo Out 1 Stereo Outr 2 AUX Sends + 1 FX Send 1 3 AUX Sends + 1 FX Send 1 4 AUX Sends 4 AUX Sends

• 4 Group Out r 4 Group Out t 4 Group Out 4 Group Out1 USB 1/0 J 1 USB /0 1 8 Compressors 1 USB 1/06 Compressors 1 6 Compressors Rack Mountable h. 8 CompressorsSPX Digital Multi Effect • Rack Mountable S Rack MountableRack Mountable

GUBASE Al (GUBASE Al(•GUBASE Al

.Li Built-in SPX Digital Effects

_______________________________________________________

No. Program Parameter No. Program Parameter

There’s an astonishing amount of signal processing power packed into 1 REVERB HALL 1 REVERB TiME 9 KARAOKE ECHO DELAY TIME

the compact chassis of the MG “CX” mixers. They incorporate a versa- 2 REVER8 [14112 REVERS TIME 10 VOCAL ECHO DELAY TIMEIiie digital multi-effect processor that provides a range of reverb, delay,modulation,and distorlion programs you can usa to reIne and define 3 REVERB ROOM 1 REVERB TIME 11 CHORUS 1 LFO FreCluenCY

your sound. Each of the 16 effect programs has a number of editable 4 REVERB ROOM 2 REVERS TIME 12 CHORUS 2 [F0 Frequencyparanieters as well as effect onfoff switching capability and return level

REVERB STAGE 1 REVERS TIME 13 FLANGER [F0 Frequencycontrol. You can even blend the effects into the aux sends for “wet

monitoring, so the performers can hear the effects too. 1f you need to 6 REVERB STAGE2 REVERS TIME 14 PRASER LFO Frequency

keep both hands free to play an instrument or perforni other operations, 7 REVERB REVERB TIME 15 AUTO WAH LFO Frequencyan optional footswitch can be connected to the mixer’s effect footswitch

jack for convenient onloff switching. 8 DRUM AMBIENCE REVERS TIME 16 DISTORTION DRIVE

Qo

L_

_J

OD

O0g::.

00

00

ôoo

o8o

ooo

oö

gggg0

00

00P

0

00

00

0000

00

gg

6oooo6o.o

o.o

6n

E_

.

oo

0O

00O

O0

00

0O

D00

00O

OO

O00

00

0O

fl00

6000oôo.oo.ooeôn

D_

00

O0

OO

OO

00

000

0O

flO

_.

006

oo0o

6o

.oo

ooo

6n

D_•

00

o.o

ooooo.o

oooon

orn

..0

00

o3

.ooo

o6o

.oo

.oo

oo

00

•0000

oo0

0000

n_

00

•o.o

oo

ooo

.oo

.oo

ono..

00

.6.o

ooo

6o.o

oo

co6

no.....

00

00

00

000

000

C0D

O.....

00

.6.o

ooo6o

.oc.o

o6c

00

•00

000

00

000

00

0(0

n.....

00

.o.0

00000.0

0.0

0ooon_

00

&o

ooo

6oo

oo

6o

00

o.o

oo

oo

o.o

c.oo

.’oo

..

00

•0

•00

00

00•0

00

n:=

._

00

6.o

oo

o6

o.o

o.o

o6o

00

oo

ooo

oo

.oo

.oo

oO

rn.....

00

6.o

oo

o6

o.o

o.o

6a

n.....

00

00

00

00

0•0

00Q

O.._

00

.00

00

o00

.00

on

__

oo0

6.o

oo

o6o

.oo

.oo

o6

o—

00

•o.o

oo

ooo

o.o

co

no_.

C.J

00

0•00

00

000

00

000

o:_

oo

6.o

ooo6o.o

oooo6o

O.....:

o;O

0!

Qo

00

0g:0000

6ooo

ooo

oo

6ggg

000

00

P0

0000

00

000

0-.—

•

6o

oo

o6o

.oo

.oo

6oi...

oo

00000000000

—gg

000

000

00000

0ô

oo

ooô

o.o

c.oc.6

oo....

C’J

oo

•00

000

oo

.oo

ooo

o_

(0,

•6.o

oo

oô

o.o

o.o

côo

n....

00

.o.0

00

00

o.0

0.0

0o

oo

o._

_

00

•00

O00

00

•0

0•00

U00

06.o

ooo

6o.o

o.o

c6o

00

•0•0

0000C

000000

00

•0•0

000

00

000

00

00

00

.6.0

00

0ô

o.o

o.o

co

öo

00

00

000

000

00

000

000

.6.ooooôo.oo.oooôo00

0•00

000

0•00

00

00

00

•0

•0

00

000

•0

00

00

00E

_000•Ö

06(0

60

=_

•

—00

•0

00000

000

0000

...

00

•0•00

00

00•00

00

000

ô.o

ooo

6o.o

o.o

o.6

o—

:

MIXINGCONSOLE Feature •)>

M:321 14 .24 Mic Inputs with Switchable 6 AUX

F)( 48V Phantom Power (4 AUX sends + 2FX sends)

%1 32 Une Inputs . 4 Group Out

i(24 mono and 4 stereo) 1 MonD Out

1 24 /0 Insert • 1 Stereo Outr 2 SPX Digital Multi Effect

;YMIWIA . - — —

t w_ -- — -

t I_I- tI.- Il- ----- —

_I_ .— _!

1-.-.. • •. . , _4_.. ø

s..; .. —__J ‘ .. . ... .—

-.-..-.

,‘ _•% — øb $ $ 4 ‘

r — ‘ # ‘ m .. ,,. , . , ,

*tjLb m em m ‘w , ‘

_4_, —1:r. . • a Ø m m % m * • 4. 4.’ 4’ ‘ 4 4’ . ,. — r E

E E F E

______

• 14-

e..re...wê.... . . • . . ....e’’, • . .— _. L L —

-- ---

ii i.i1i’ii1W.”.i 1’WiTii.i.+i.i..i..i. •‘t t t t t t t t t. — t, 1’ t t r t— t,, — t . —

:1 ;

H

j*i L’H i’,

•YAMAHA

___________

-

___

‘

r .- ...t ,

, 0

- i.. .L

Dual SPX Digital Effects EFFECT 1 EFFECT 2

No. Program Parameter No. Program Parameter

1 REVERB HALL Reverb time

In the MG24/1 4FX and MG32/1 4FX you have not one but 2 REVERB ROOM Reverb time

two high- performance digital signal processing stages, 3 REVERS PLATE Reverb time

fed by separate effect buses, so you can enhance your 4 REVERB VOCAL Reverb time

mix with two separate effects at the same time. And the 5 REVERB VOCAL 2 Reverb time

effects are provided by the very latest Yamaha DSP tech- 6 VOCAL ECHO Delay time

nology—you know you’re getting the best. Each stage 7 VOCAL ECHO 2 Oelay time

provides a selection 0fl 6 professional- quality SPX digital 8 DELAY Delay time

effects, including reverb, delay, pitch change, chorus, 9 DELAY 2 Delay time

phasing, vocal doubling, distortion, and more. Parameter 10 MOD. DELAY Delay time 10 EARLY REF. Room size

controls that can be adjusted to tailor the effects to your 11 REVERB Room size 11 CATE REVERB Room size

sonic requirement are also provided and Tap delay makes 12 PITCH Pitch 12 VOCAL Pitch fine

it easy to produce tempo- synchronized delays. 13 CHORUS Deptil 13 SYMPHONIC Depth

14 PHASER Modulation frequency 14 FLANGE Modulation frequency

15 RADIO VOICE Drive 15 DISTORTION Drive

16 TREMOLO Modulation frequency 16 TAP DELAY Feedback gain / Delay time

MGP & MG Series SpecificationsGeneral Specifications

Total Harmonic Distortion208z-2OkHz@ +14d8u

MGPI2X MGPI6X MG82CX MG1O2C MG124CX MG124C MGI66CX

0.02% Less than 0.1 O/

+0.51-1.0dB +1/-3dbFrequency Response

20Hz - 20kHz, refer to the nominal output level ©1kHz 20Hz —20 kHz @ +4 dBu (ST OUT)

-128 d8u Equivalent Inpet Noisef -I28dBu Equivalent Inpet Noise/ -l28dBu Equivulent Input Noise/

-102 dBs Residsal Output Noise -lOOdBu Resideal Output Name -S8dBu Residaal Output Noise

2OHz—2OkHz 20Hz—2OkHz 20Hz—2OkHzNoise

Rs=150Ç1 Rs=150f) Rs=150f)

Inpet Sam = Maximum Input Sam = Maximum Input Sam = Maximum

MIC: 6 MIC: 10 MIC: 4 MIC: 4 MIC: 6 MIC: 10

LINE: 4 mans + 4 stereo LINE: 8 mans + 4 stereo LINE: 2 mans + 3 stereo LINE: 2 mans + 3 stereo LINE: 4 mona ± 4 stereo LINE: 8 mons + 4 stereo

CH INSERT IN: 4 CH INSERT: 8 CH INSERT IN: 2 CH INSERT IN: 2 CH INSERT IN: 4 CH INSERT IN: 8INPUT Conriectors

RETURN: 1 stereo RETURN: 1 stereo RETURN: 1 stereo RETURN: 1 stereo RETURN: 1 stereo RETURN: 1 stereo

2TR IN: 1 stereo 2TR IN: 1 stereo 2TR IN: isteres 2TR IN: lstereo 2TR IN: 1 2TR IN: 1

STEREO OUT: 1 STEREO OUT: 1 STEREO OUT: 1 STEREO OUT: 1 STEREO OUT: 2 STEREO OUT: 2 STEREO OUT: 2

AUX SEND: 2 AUX SEND: 2 — AUX SEND: 1 AUX SEND: 1 AUX SEND: 2 AUX SEND: 2—

— EFFECT SEND: 1 — EFFECT SEND: 1 — EFFECT SEND: 1

CH INSERT OUT: 4 CH INSERT OUT: 8 CH INSERT OUT: 2 CH INSERT OUT: 2 CH INSERT OUT: 4 CH INSERT OUT: 4 CH INSERT OUT: 8

REC OUT: 1 REC OUT: 1 REC OUT: 1 REC OUT: 1 REC OUT: 1 REC OUT: 1 REC OUT: 1OUTPUT Connectors

MONITOR OUT: 1 MONITOR OUT: 1 MONITOR OUT: 1 MONITOR OUT: 1 MONITOR OUT: 1 MONITOR OUT: 1 MONITOR OUT: 1

GROUP OUT: 4 GROUP OUT 4 — — GROUP: 2 GROUP: 2 GROUP: 4

PHONES. 1 PHONES: 1 Phone: 1 Phsne: 1 Phone: 1 Phene: 1 Phane: 1

Crosstalk -74dB @ 1 kffz -70dB © 1 kHz

Phantom Power 48V phantom power per channel Switchsble 48V phantom power

MIC INPUT CH1 -2 and CH 3/4-5/6 CH1 -4, CH 5/6-7/8 CH1 -8, CH9/1 0-11/12Input HPF

100Hz 12dB/ed 80Hz 12dB/act 80Hz 12dB/act 80Hz 12dB/act

High 8kHz: shelving 10kHz: shelving 10kHz: shelving 10kHz: sfmelvingCH EO (MONO)

Mid 25OHz-5kHz: peaktng(MGP12X: CH1-4,9-12 MGP1OX. CH1-8,13-10) 2.5kHz: peaking 2.5kHz: pesking 250Hz-5kHz: peaking±15 dB (Max.)

Lom 125Hz: shelxing 100Hz: shelving 100Hz: sheixing 100Hz: sheluing

High 8kHz: shelving 1 0kHz: shelving 1 0kHz: shelving 1 0kHz: shelvingCH EO (STEREO)

Mid 2.5kHz: peakieg(MGP12X: CH5-8 MCP16X: CH9-12( —— 2.5kHz: pesking

±15 dB (Max.)Lom 125Hz: shelving 100Hz: shelving 100Hz: shelving 100Hz: shelving

CH1-4 1 CH1-8 CH1,2 CH1-4Compressor (COMP)

control e 1 (Gams/Threshold/Rstio) control x 1 (Gamn/Threshold/Ratio) control x 1 (Gain/Threshold/Rstio)

16 PROGRAM. PARAMETER conhol 16 PROGRAM, PARAME1ER control 1 16 PROGRAM, PARAMEOER controlFX1 :REV-X 8 PROGRAM, PARAMETER control 1

— t —

Intemal Fout Sw.tch 0;gital Effect. oruoff( 1 East Switzh iûignal Effect, oro?uffj t Fuut Switch (Oigtul Effect, ceoifm

Digital Effect 1FX2:SPX 16 PROGRAM, PARAMETER control — —

— 1 — —

2 x 1 2poinls LEO meter 2 s 7 points LEO meter 2 x 12 pomnts LEO meter

LEO Level Meter (PEAK. +10, +6, +3,0. -3. -6, -10, -15, -20, -25, -30dB) (PEAK. +6÷3,0, -5, -10, -20dB) (PEAK, ÷10, ÷6, ÷3,0, -3, -6, -10, -15, -20, -25, -30dB)

Pre MONITOR Level PEAK lights if the sigeal comes PEAK li9hIs if the signal comes PERK ligfrts if fIle signal comes

within 3dB xl the clipping lenet. wilhin 3dB of the dlippisg level. wilhin 3dB of the clippiog level.

PEAK mndicstor (red), 5113 indicstor (green) Red LEO turno on when post EO (ST CH: vr pest Mic HA)Signat Indicator

Peak lights 1 lhe signal comes within 3d8 of the clipping leuet. signal resches -3dB below clipping (1 7dBu).

USB Audio USB IN/OUT Pad, rPfrane exclxsive — — — — —

PA-lO: AC 38VCT, 0.62A 1 PA-20: AC 35VCT, 0.94APower Supply Adapter —

1 PA-30: AC 35VCT, 1 .4ACsble Length = 3.6w Cable Length = 3.6m

Power Supply 1 00-240V 5OHz/6OHz —

Power Consumption 45W max 55W max 21W 30W 35W

Dimensions (We H x 0) 348x143x 495 mm 447x 143e 495 mm 256.6x 62.2v 302.5 mm 346.20 86.1 5436.6mw 478v 1050 496 mm

Net Weight 7.5kg 9.0kg 1.6kg 1 1.5kg 3.2kg 1 3kg 5.5kg—

— Microphone Stand Adaptor 1 Microphone Stond Adaptor Foof Switcfr (EG-S) 1 RK-MI31 24 Foat Switch )FC-5)

Options (BMS-1OA) 1 (BMS-1OA) RK-MOl 24

Foot Switch(FC-5), RK-MG102 RK-MG102

X1CD Q_ N4C

1G166C MG166CX-USB MGI66C-USB MG2O6G MG2060-USB MG24/14FX MG32/14FX

Less than 0.1% @+14 dBu

20Hz — 20kHz, 6000 (with gain control at maximum level)

20Hz — 20kHz +1 dB, —3dB@+4dBu, 6000 (with gain control at minimum level)

—1 28dBu Equivalent input noise (CHs 1 to 24 (M1332/1 4FX)/CHO 1 to 16 (MG24/1 4FX))—99dBe Residual outpot noioe (ST, MONO OUT, AUX, EFFECT, GROUP OUT)—83dBu (87dB S/N( ST, M0NO, GROUP Maoter fader at nominal level; all Ch aooign owitcheo off.—78dBu (82dB S/N( ALlA manier control al nominal level; all channel mie cantrolo al minimum level,—64dBu (68dB S/N)ST, GROUP MaaIen fader and one Ch fader al naminal level.

(CHa 1 to 24 (MG32/14FX(/CH0 1 1016 (MG24/14FX((

MIC: 16 MIC: 16 MIC: 24

LINE: 12 mono + 4 stereo LINE: 16 mono + 4 ateree LINE: 24 mans + 4 atereaCH INSERTIN: 12 CH INSERTIN: 16 CH INSERTIN: 24RETURN: 2 oteree RETURN: 2 otereo RETURN: 2 stereo

2TR IN: 1 2Tl1 IN: 1 2TR IN: 1

3TEREO OUT: 2 STEREO OUT: 2 STEREO OUT: 2 STEREO OUT: 2 STEREO OUT: 1 STEREO OUT: 1UX SEND: 3 AUX SEND: 2 AUX SEND: 3 AUX SEND: 4 AUX SEND: 6 AUX SEND: 6— EFFECTSEND:1 — — — —

H INSERT OUT: 8 CH INSERT OUT: 8 CH INSERT OUT: 8 CH INSERT OUT: 12 CH INSERT DUT: 16 CH INSERT DUT: 241EC OUT: 1 REC OUT: 1 REC OUT: 1 REC OUT: 1 REC OUT: STEREO 1 REC OUT: STEREO 1MONITOR OUT: 1 MONITOR OUT: 1 MONITOR OUT: 1 MONITOR OUT: 1 STEREO SUB DUT: STEREO 1 STEREO SUB OUT: STEREO 1

GROUP: 4 GROUP: 4 GROUP: 4 GROUP: 4 GROUP OUT: 4 GROUP OUT: 4- — —

— GROUP INSERT OUT: 4 GROUP INSERT OUT: 4- — —

— ST INSERT OUT: 1 ST INSERT OUT: 1

Phove: 1 Phene: 1 Phane: 1 Phane: 1 Phone: 1 Phane: 1

—70dB belween input channela—70dB between iaputJoutput channelo (CH INPUT)+48V DC oupply to balavced inputa.

Cao be switchod ON/OFF in groups af eight channela.(Dne owitch for every eight channels.)CH1 -1 2, CH 13/14-19/20 MIC INPUT80Hz 1 2dB/act 80Hz 1 2dB/oct

10kHz: ohelving250Hz—5kHz: peaking100Hz: ohelving10kHz: shelving

HI-MID 3kHz: peakiog, LO-MID 800Hz: peaking

1 00Hz: alrelvingCH1-6 10K1-8 —

10 PROGRAM, PAIEtvME1’ER control— ... —

— Effect 1: 16 programa parameter cantrelFoot Swilch_(Oqital_Effect,_vn!of

— — —

— Effect 2: 16 programs parameter control

4 v 1 2-point LED metera [Stereo (L, R), PFL/AFL, GROUP (1 -4)]

(PEAK, +5, +3, +1,0, -1, -3, -5, -7, -10, -15, -20 dB)PEAK Iights ii the aignal comeawithin 3dB af the clipping level.Mono/Stereo Input Peuk Indicator Dne red LEO per channel.Comes on when post-ED aignal level reuches +l7dBu.Mono/Sterea loput Sigval lndicatar One gneen LED per channel.Comes en when poot-EO oigval level reachea —lOdBa.

Sampling Frequency = 44.1 kffz — Sampling Proquevcy = 44.1 kffz —

er 48kHz (depend on the application of PC) or4tkfz(dependortreappluetiorotPc)

USA and Canada: 1 20V AC, 60Hz / Korea: 220V AC, 60Hz / Othena: 230V AC, 50Hz

30W 35W 30W 40W 100W 120W

819 x 140 >< 551 mm 1027 x 140 x 551 mm

5.3kg 5.5kg 5.3kg 6.0kg 18.5kg 22kgFoot Switch )PC-5) — — Faat Switch (FC-5)

Specifications and appearancv sulvct to chonge without notice.

All trademorks avd regivtered trademorko are property of their revpectivv owvers.

MfP & Met Series

MG82CX, MG1O2C

DIGITAL INPUT CHARACTERISTICS

USB Pad, iPhone excLusive USBAtype

Connectioos GAIN —

— Inputlevel

Sensitndty” f NoninaI as. bote C8CtO

XLR-3-31 type’4

ANALOG OUTPUT CHARACTERISTICS

Connections

STEREO OUT [L, Al --24dBu

‘10 d8a is referenced to t 775 ((rare 0 48V s referonced to t V’r’r‘2 Senetorty t the lowest (wel that rat poduce er’ aatputof e4 dOr (t 23 VI,

or Olie rare nal cIc:rc: leve wIen ho cmt ‘t set to rnasl’num erel(all Ieders and locO :wIt’e’o ee er marrnum posrt:tfl

‘3 Combo jacks are blarced 1&Slervr’-VND 2&TpHOtI 3&Rnq—COLD(‘4 XLR-3-3tf32 type carrecttrs are oalaeoed {tC-Nlt 2H0T. 3.00LD(‘5 Phone Jacks are bataeced jtp.H0t, Hrg’COID Slteue.OND(

‘S Pho.re Jacos are urbalarceri‘7 Phone Jacks are w’halae, cd (timUr,! Ringlr Sleevu:ONO)1 St CH IN 9/1 t eoists only ‘i fIVtt2C‘9 Phoee Juebo we rapeccecu balarrced tiraHûr. Riag-COLO. S(eevel1llt2(‘to yuza’ttsx CIV tV 01012.’ 1410 CHt 24

t Mh24:t410 open ((IS. CR19 (((/75(81. ((1.2 m CHZV a* C112t 1/28(51‘t2121i24 ‘aX CH2t’22RLCH23ILl24(RI,’.’l//v e/y lh29../2IhiClltlCl32lRl

t3 CH thPUT XLR type coneeutois and Phane Jacks {tRS( are balassced (T: HOL R COLD, ((((((ja‘14195 ((IR tune c imeeti,r:s unbalanced

MGP12X, MGP16X

ANALOG INPUT CHARACTERISTICS

MOND CH INPUTMGP1 2X1 —4MGP16X 1—8

lopoit level

-16dB3k0

-34dB26

+10dB

50- 600/7MieS

-OOdBu -6OdBu -4OdBu

-36dBu


Connections

-l6dBu +4dBu

600/7 Lines-54dBu -34d0u -l4dBu

-lOdBu

STEREO OUT (L, R)

÷100Bu +3OdBu

750 600/7 Lines +4dBuXLR-3-32 Sype’4

+24dBuPhone Jock’7

- -

-8208e -HOdRu -4OdB’J— 300 . -

— XLR-3-31 Sype’4STEREO CH INRIT -16dB , Ce -36cBu -16dBj -6d0uMGP12X-5—8MGP16X 0—12 -34dB -54dBj -34dBu -l4dBu

— loco 6030 Lines PhDne Jack’6÷10dB -lOdBu --lOdBu ÷3OdBu

STEIEOCHIN°UT — -34dB -54dBu -34dBu -idBu PhoneJack’6MGP12X O—2 — — 1000 60012 LinesMDPi6X13-t6 — ÷10dB -1OdBu wt0dBu +30084 RCA Pin Jack

MOSO CH ((SERI IRMGP(2X1—4 — — lOkO 6000 Lines -2OdBu OdBu +200Bu PhoneJack(TRS)’7MGP1 6Xt —8

RETURN (L, R) — — 1000 6000 Lines -l2dBu ÷4dBu +24d8u Phone Jack’6

2TR IN (L, R) — — lOkO 60012 Lines -26HBV -10060 +lOdBV RCA Pin Jack

GROUP OUT (1—4) 150/7 lOkET Lines +4dBu +2OdBu Phone Jack’5

AUX SEND (1, 2) 750 600/7 Lines +4dBu ÷24dBs XLR-3-32 (ype’4

EX SEND r 2) 15OCT 10012 ((aas --4dBu ÷20dB’j Phone Jack’7

tIONOCHINSERTOUTMG°12X’ —4 15OCT 1000 Lines OoB’j ..2OdBu Phone Jack’7MGP16X1—8

REC OUT (L, Al 600/7 100/7 Lees -100BV +1OdBV RCA Pia Jack

MONITOR OJT )L. R) 1500 1000 Lines -4d3u +200Bu Pbone Jsck’5

PHONES 1000 0E2 Phones 3mW 75mW Stereo Phcre Jack


Cennocflons GRIN Atlas! badImpedance

Format L Connector

1 -6008CH IN MIO 11.2)

-16dB300 50-60012 -72oBc

Mies -28dBs

-6008u


6cBu -o-4aBu

Connections

iype’4STEREO OUT [LR] 15012 lOkET ((sea

-34dB 1 1 -46dBu -345Bu -l4dBu 11000 6000 ((nosCH IN LINE 11.2)

- 2dBs ÷1OdBu •j TRS phone )ack’S

STCHMIC(N -60dB -72dBu -6OdBa -4000u3012 50-6000 XLR-3-31 type’4

(3/4, 5/6) -16dB M1CO -20dBu -16dBu -6dBu

STCHLINEIN -34dB -46dBu -34dBu -l4dBu1000 60012 Lines — — ?hsne )ack’6

(3/4, 5/6) -j-tOdB - 2dBu ÷l006u +30dBu

STCHIN — lOkET 00OCT Lines -22dBu -lOdBu +l0dBuPhonejack’6

(7/8, 9/10) RCA pin (acH

CH INSERT IN 11,2) — 1 0kC2 60012 Lines -l2dBu OdBu +200Bu TRS phone jack’7

RETURN (LA] — lOkET 60012 Linet - 8dBs +4dBu -+-24dBu Phone jack’6

2TR IN (L,R] — 10012 60012 Lines -22dBV -10dBV +100BV RCA pin jack

-n4d0u —200Bu

+408e j +2Od0’j Phonejack’0AUXSEND 1500 1000 LUns

CH INSERT OUT (1-2) 750 1000 ((fles OdBu +20080 Rhone jack’7

REC OUT [L, R] 6000 1 lOkET Lines -10081 ÷1OdBV RCA pin jack

MON!TCR OUT [L. R] 1500 1OkQ Lines +4dBu -,-2OdB’j Phonejack’9

PHONES OUT 10012 4012 Prones 3mW 75-nW Stereo procejack

MG124C, MG124CX


-60dB 50-6030 -uDdoti , -6000u -400BuCHIN ((10(1-4)

dB300 Mies -36dBs -16085 —4dBJ

7512 60002 ((sea

-34dB -5400u -34dBu 14OBUEHINLINE(t-4) -- lOkET 6000TLjnes —‘-

- TRSphonetyck’5+10dB 1 -lOdBu +lOdBu +3008u

STCHMICIN -60dB 50-6000 -800Bu -600811 -4008V3kET XLR-3-31 tpe’4

(5/6,7/8) -16dB Micu -36dBu -T6UBu -6d8u

STCHL[NEIN -34dB -54dBu -34dBu -l4dBulOkET 600ETLines — °hunnjack’6

(5/6,7/8) .brtOd0 -lOdBu +lOdBu -a3OdBu

STCHIN — Phonejack’OlOkET 60002 Lines -3OdBu -lOdBu +lOdBu(9/10,11/12) RCA pin jack

CH [NSERT IN (1-4) — lOkET 6000 Lines -2OdBu OdBu -b-2OdBu TRS phone jack’7

RETURN (LA) — lOkET 1 60002 Linos -l2dBu -b-4dBu +24dBu Phone jack’6

2TR IN ]L,RJ — 1 OkET 1 80002 Loes -20080 -1OdBV +10080 RCA pin (acH

-,-4d6uXLR 3-32 tvpe’2,

Phsne’ack’4

GROUP OUT [1,2] 15012 lOkET Lions +4oBu -r-200BJ Phonejack’5

AUXSEND[1, 21

(EFFECTSEND)15002 lOkET Lines -+-4dBu +200Bu Phsne(ack’S

CH INSERT OUT (1-4) 7503 lOkET Lines OdBu +2OdBu Phosnjack’6

REC OUT ]L, R] 6000 lOkET Lines -100BV +1OdBV RCA pinjack

• MONITOR OUT L, R] 15012 lOkET Linet +4dBu +2OdBu Phonejack’5

PHONES OUT 1000 4OCT Lines 3mW 75mW Sterns phone jack

.w.i.,-,,,,,i,M1’P&MflSerir’e

MG166C, MG166CX, MG166C-USB, MG166CX-USB

-60dBCHINMIC(1-8)

-16dB

MG24/14FX, MG32/14FX


3k0 50-6000Mics

-8OdBu -600Bu -400Bu

-36dBu -l6dBu ÷4dBu


Connections 1 Actual SourcaImpedance

XLR-3-31 type*4 STEREO OUT [L,R] 750 6000 Lines

-34dB -54dBu -34dBu -l4dBuCH LNLINE(1-8) — lOkQ 6000 Lines — — — TAS phone jack*5

+10dB -lOdBu +lOdBu +30d8u

STCHMICIN -60dB -8OdBu -6OdBu -4OdBu3k63 50-6000 XLR-3-31 type*4

(9/10, 11/12) -16dB Mics -36dBu -l6dBu -6dBu

STCHLINEIN -34dB -54dBu -34dBu -14d0u10002 6000Lines Phonejack*6

(9/10, 11/12) ÷10dB -lOdBu +lOdBu +3OdBu

ST CH IN Plione jack*6lOkC3 6000 Liees -3OdBu -lOdBu ÷lOdBu

(13/14, 15/16)— ACA pin jack

CH NSERT IN (1-8) — 10kC2 6000 Lines -20dBu OdBu ÷2OdBu TAS phone )ack*7

• RETURN[L,R] — lokO 6000 Lines -12d6u +4dBu +24dBu Phonejack*6

2TR IN [LA] — lOkO 6000 Lines -26dBV -IOdBV ÷1OdBV RCA pin jack

+4dBu +24dBuXLR 3-32 type*4

TAS phone jack*5

GROUP OUT (1-4) 1500 10k62 Lines +4dBu +2OdBu Phene)ack*9

1500 lOkQ Lines ÷4dBu ÷2OdBu Phone)ack*9

CH INSERTOUT(1-B) 7562 10k02 Lines OdBu +2OdBu Phonejack*7

AEC OUT [L, R] 6000 lOkO Lines -1OdBV +1OdBV ACA pinjack

MONITOR OUT [L, A] 1500 lokO Lines ÷4dBu +2OdBu Phone )ack*9

PHONES OUT 1000 400 Phones 3mW 75mW Stereo phone jack

MG166C-USB, MG166CX-USB

DIGITAL INPUT/OUTPUT CHARACTERISTICS

MG2O6C, MG2O6C-USB —


Terminal Format Data Iangth Connactor

-60dBCHINMIC)1-12)

-16dB

USB USB AUDIO 1.1 16 bil USBBtype

3kC2 50 -6000Mics

-BOdBu -6OdBu -4OdBu -

-36dBu -l6dBu +4dBu

ANALOG OUTPUT CI-IARACTERISTICS

Connectiona

STEREO OUT [LA] 750 6000 Lines

ST CH LINE IN(17/18, 19/20)

-34dB -54dBu -34dBu -l4dBu GROUP OUT [1-41 15002 1000 Lines +4dBu +2OdBu P000ejack*9CH IN LINE (1-12) lOkC3 6000 Lines — TAS phone )ack*5

+10dB -lOdBu +lOdBu +3OdBu AUXSEND(1-4) 1500 lOkClLines +4dBu +20d0u Phonejack’9

STCH MIC IN -60dB -8OdBu -6OdBu -4OdBu CH INSERT OUT (1-12) 7502 lOkC2 Liees OdBu ÷2OdBu Phanejack*7300 50-6000 XLR-3-31 type*4

(13/14-19/20) -16dB MUs -36dBu -l6dBu -6dBu REE OUT[L, Al 6000 1000 Lines -10d6V +1008V RCApinjack

ST CH LINE IN -34dB -54d8u -34dBu -l4dBu MONITOR OUT [L, R] 1500 lOkO Lines +4dBu ÷2OdBu Phonejack*9lOkO 600ClLines Thooejack*6

(13/14,15/16) +10dB -lOdBu ÷lOdBu ÷3OdBu PHONESOUT 1000 400Phones 3mW 75mW Stereophonejack

XLR 3-32 type’4,+4dBu ÷24dBu -

Phonelack*5

10062 6000 Lines -3OdBu -lOdBu +lOdBuPhonejack*6

ACA pin ack

CHINSEATIN)1-12) — lOkC2 6000 Lines -2OdBu OdBu ÷2OdBu TAS phane )ack*7

RETURN [LA] — 10k02 6000 Lines -l2dBu +4dBu +24dBu Phone jack*6

2TA IN [LA] — 10k03 6000 Lines -26dBV -1OdBV ÷1OdBV RCA pin jack

ANALOG INPUT CHARACTERISTCS

MG2O6C-USB

DIGITAL INPUT/OUTPUT CHARACTERISTICS

CHINPUT[A,B]*10 L_

1 26

Terminal Format Data lanth Connector

-60dB

-16dB

USB US8AUDIO1.1 l6bit USBBtype

300250-6000 Mics

60062 Lines


-6OdBu

-34dBu

-l6dBu

÷lOdBu

Connections

-4OdBu

+14d8u

÷4dBu

÷3OdBu

A: XLR-3-3ltype *4

B: Phone Jack(TAS) *13

STOUT[L,A]MONO OUT

-34dB -34dBu -l4dBu TAS000neJack*1U*11*12STER INPUT*11 *12 10002 6000 Lines

+10dB +10 dBu +30 dBu ACA Pin Jack*1 2

CHINSEATIN*10 lokO 60003Lines OdBu ÷20d0u._________________________ —

— TAS phone Jack *5GROUP INSERT IN (1-4) 10k63 6000 Lines 0 dBu +20 dBu

SUB IN (1,2) [L, R] lOkC3 60002 Lines +4 dBu +24 dBu TAS phone Jack*9

TBIN 1000 50-6000 Mics -5OdBu -30d0u XLR-3-3ltype *14

2TA IN [L, R] 1 10062 6000 Lines -1OdBV ÷1OdBV ACA Pin jack

15002 60002 Lines +4dBu +24dBu

Connector

XLR-3-32 type *4

GROUP OUT (1-4)1500 6000 Lines +4dBu +2OdBu TAS phone Jack *9

AUX OUT (1 -6)

ST SUB OUT [L, R[)1500 lOkO Lines +4dBu ÷2OdBu TAS phone Jack 9

EFFECT OUT (1,2)

CHINSERTOUT*1

GROUP INSERT OUT (1-4) 15063 10062 Lines 0 dBu ÷2OdBu TAS phone Jack *5

ST INSERT OUT (L, A]

REE OUT [L, A] 60062 10k02 Lines -10 d0V ÷10 dBV ACA Pinjack

PHONES OUT 10063 4002 Phenes 3mW 75mW Stereo Phone Jack

M*aec,,,,*,,i* MGP & MG Series

MGP12X, MGP16X

iîi Ti

T I

E0,

>-J•0.0ci0

cSci

CsJcc

hi

h

11I

!! J!i

II20

)

>-J•0.0xci

0

‘i

:1

0 0 0) CD 0 0 0,

CD c 0 w w 0 0 t 0. r CD CD 0 (0 1 3

0 0,

0, CD 0 0,

0, CD 0 0,

0, CD c 0 w 0 0)

0) CD c 0 0,

0,

0 0 t 0. r CD CD 0 (0 -t 0) 3

-

G) - x >< 0 0.

1 CD CD (0 -t 3

udrUlP8UJd

S9OOO[d

IIIIIIIIMI 909Vdl

SJ8UMO&A!I3dSaiilU0Uad0idaJESNJEWOPBUP8iSIS!b2JpUSSNJEWOPCJILIYsDpOuflOLJijMSuBqo0DSIQflSGUSS000USSUdSpoe000geap!oedp.

WODO!pflOJdUWPMAM

uodopnSlOWEWEHXO8OdNOIIOddODVHW’JVA

VH%1IAIVA*

yamaha - bekafun · 2012. 1. 27. · mixing console •wut* j’ir series mg1o2c m6124c mg1660...

Documents