xv fragments for trio (flute, viola, double bass)

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This piece is written with a genetic algorithm to generate the rhythmcal interactions through the numerical interferences of the prime numbers from 1 to 31 and the Fibonacci series from 1 to 34. The atonal pitch-material is controlled by a synthetic scale made of C-D-Eb-F#-G-B which interact intuitively by a tone-hierarchy technique with the relative scale made by the remaining 6 tones and complete the entire 12 chromatic scale.This musical score is free, but give me the whole credits if it is performed by someone interested, and, if possible a copy of the recording would be very appreciated indeed for my portfolio. If the view of the document is unclear or garbled is because of the HTML5 optimisation from Scribd that create problems with music scores only. The PDF is above 300 DPI, so once you have downloaded it will be a fine solution. If not you can email me and I will send you personally a copy.

TRANSCRIPT

  • Osvaldo Glieca

    XV Fragmentsfor

    Flute Viola

    Double Bass

    MMXIV Osvaldo [email protected]

  • MMXIV Osvaldo Glieca

    XV Fragments

    for

    Flute

    Viola

    Double Bass

    Natural chromatic harmonics are notated at the played pitch

    Notes

    The natural chromatic harmonics can be played through the whole length of the fingerboard by applying a light pressure

    on the string. The natural harmonic on the fingerboard require an increasing left hand pressure on the string proportioned

    on the string length. Closer the position to the instrument's body the more pressure is required.

  • Osvaldo Glieca

    4

    4

    4

    4

    4

    4

    q = 96 XV Fragments

    MMXIV Osvaldo Glieca

    Fl.

    Vla.

    Db.

    &

    B

    spiccato 3

    ?

    spiccato

    3 3

    & mp fB

    3 3

    ? 3 3

    & mfB

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  • q = 72

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  • q = 72 q = 96

    q = 72

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    piu' mosso

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    &

    subito accellerando

    ffapprox.

    U

    ptempo primo

    B

    U

    ff, gliss. gliss. gliss. gliss. p

    ?

    &

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    l.v.

    arco

    mp o& 5 5 3 p~~~~~~~5 3B

    3p

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    o mf sul G U

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  • 44

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    &

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    a tutta forza

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    55

    5 5?

    a tutta forza

    ~~~~~~~~~~~~

    ~~~~~~~~~~~~

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  • &B 3 3 33

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    pizz.

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    &

    B 35

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    ~~~

    &

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    pizz.

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    &

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    & p mf fB

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    London, January 1, 2014

    7

  • Cover_FrontXV Fragments_New_FinalCover_Back