XII INTERNATIONAL CLAVICHORD SYMPOSIUM

The Clavichord as a Pedagogical Instrument: Past, Present and Future

Other Topics (history, restoration, building, etc.)

1 – 5 SEPTEMBER 2015

INTERNATIONAL CENTRE FOR CLAVICHORD STUDIES Magnano (BI) – Italy

Cover picture: Emanuel Handmann (1718 – 1781) The Music Lesson (1769) Oil painting Kunstmuseum, Basel, Switzerland

ASSOCIAZIONE FESTIVAL MUSICA ANTICA A MAGNANO Bernard Brauchli, President

XII INTERNATIONAL CLAVICHORD SYMPOSIUM

1 – 5 SEPTEMBER 2015

O R G A N I S E D B Y T H E I N T E R N A T I O N A L C E N T R E F O R C L A V I C H O R D S T U D I E S

C H A I R M E N

B E R N A R D B R A U C H L I

O R G A N I S A T I O N C O M M I T T E E

D e r e k A d l a m P e t e r B a v i n g t o n M e n n o v a n D e l f t

T h é r è s e B r a u c h l i A l b e r t o G a l a z z o J u d i t h W a r d m a n

S P O N S O R S

A S S E S S O R A T O A L L A C U L T U R A D E L L A R E G I O N E P I E M O N T E F O N D A Z I O N E W I L L Y B R A U C H L I

F O N D A Z I O N E C A S S A D I R I S P A R M I O D I B I E L L A C O M U N E D I M A G N A N O

P A R R O C C H I A D I M A G N A N O

M u s i c a A n t i c a a M a g n a n o V i a R o m a 4 3

1 3 8 8 7 M a g n a n o ( B I ) , I t a l y T e l . : + 3 9 3 4 6 8 8 1 8 3 8 6 F a x : + 3 9 0 1 5 9 2 3 0 1 9 0

info@MusicaAnticaMagnano.com www.MusicaAnticaMagnano.com

BENVENUTO

È, come sempre, da più di vent’anni, con un gran piacere, che Vi accogliamo, Voi fedeli partecipanti, e Voi nuovi venuti, a questo XII° Simposio, ma purtroppo anche con una profonda tristezza, siccome è la prima riunione senza la collaborazione e la presenza calorosa e appassionata di Christopher Hogwood.

Benché, come sempre, aperto a tutti gli aspetti del clavicordo, quest’incontro è dedicato più particolarmente al ruolo importante del nostro strumento nel suo aspetto pedagogico (passato, attuale, e futuro). La fondazione e la nascita di molte iniziative dedicate al clavicordo, che si vedono apparire in tanti paesi in seguito a gli incontri e le pubblicazioni di Magnano, dimostrano il ruolo internazionale che giochiamo in questa azione, ed è con una grande soddisfazione che vediamo il risultato dei nostri sforzi.

La cornice ideale di Magnano, e l’accoglienza calorosa delle sue Autorità e della sua Popolazione, contribuiscono per tanto a questo successo, e Le ringraziamo di cuore.

Un caloroso benvenuto a Voi tutti, con l’augurio di condividere, come sempre, questi giorni nell’atmosfera più piacevole e ispiratrice!

Bernard Brauchli

WELCOME It is, as always, for over twenty years, with great pleasure that we welcome you, faithful participants, and you, newcomers, to this XIIth Symposium, but unfortunately also with deep sadness, as it is the first meeting without the collaboration and the warm and passionate presence of Christopher Hogwood.

Although open to all aspects of the clavichord, this meeting is devoted more particularly to the important role of our instrument in its educational aspect (past, present, and future). The foundation and the birth of many initiatives dedicated to the clavichord, which have appeared in many countries as a result of the meetings and publications of Magnano, demonstrate the international role that we play in this work, and it is with great satisfaction that we see the result of our efforts.

The ideal setting of Magnano, and the warm welcome of its Authorities and its Population, account for much of this success, and we thank them heartily.

A warm welcome to all of you, with the hope of sharing, as always, these days in the most pleasant and inspiring atmosphere!

Bernard Brauchli

ASSOCIAZIONE FESTIVAL MUSICA ANTICA A MAGNANO

The Associazione Festival Musica Antica a Magnano was initially conceived to promote period-instrument concerts in the twelfth-century Romanesque church of San Secondo and performances on the Giovanni Bruna organ, built in 1794 and housed in the parochial church of Magnano. Over the years the activities organised by the Association have expanded to include courses in early keyboard performance (clavichord, harpsichord, organ and fortepiano), as well as voice, recorder, baroque cello, baroque violin, lute and romantic guitar, musicology and organology. A music library has been established and the restoration of the church of Santa Marta in Magnano is currently under way and already serving as a cultural hall.

L’Associazione Festival Musica Antica a Magnano è un’organizzazione inizialmente concepita per proporre concerti di musica antica con strumenti d’epoca e sull’organo costruito nel 1794 da Giovanni Bruna per la Chiesa parrocchiale di Magnano. Tale iniziativa si è sviluppata nel corso degli anni promuovendo corsi sugli antichi strumenti a tastiera (clavicordo, clavicembalo, organo e fortepiano) e canto, flauto dolce, violoncello barocco, violino barocco, liuto e chitarra romantica, musicologia e organologia. É stata creata una biblioteca ed è in corso il recupero della Chiesa di Santa Marta, ma già utilizzata come spazio culturale.

T H E I N T E R N A T I O N A L C E N T R E F O R C L A V I C H O R D S T U D I E S

Officially established in 1996 by Bernard Brauchli and Christopher Hogwood as another of the activities of the Association, the Centre acts as a catalyst for the promotion of the clavichord. Apart from the Symposium and the publishing of the Proceedings, the Centre hosts workshops specifically dealing with building and performance. The Centre has also undertaken the publishing of music either written for the clavichord or especially adaptable for that instrument.

Ufficialmente creato nel 1996 da Bernard Brauchli e Christopher Hogwood come nuova attività dell’Associazione, il Centro agisce come catalizzatore per la promozione del clavicordo. Oltre il Congresso e alla pubblicazione degli Atti, il Centro ospita seminari specificamente dedicati alla costruzione e all’interpretazione. Il Centro ha anche intrapreso l’edizione di musica scritta per il clavicordo o adatta a questo strumento.

PARTICIPANTS DEREK ADLAM (England) – Keyboard instrument maker, Performer STEPHEN BIRKETT (Canada) – Associate Professor, Dept. of Systems Design Engineering, University of Waterloo, Canada BERNARD BRAUCHLI (Switzerland) – Performer, musicologist, President of Musica Antica a Magnano NORBERTO BROGGINI (Switzerland) – Organist of the Temple des Eaux-Vives (Geneva), conductor of the Ensemble “Aqua Viva” DALYN COOK (The Netherlands) – Student, Koninlijk Conservatory, Den Haag, The Netherlands DAVID GERRARD (United Kingdom) – PhD Student, University of Edinburgh, Scotland MARITTA HELIÖ (Finland) – piano and historical keyboard Professor, Jyväskylä Vocational Institute ALFONS HUBER (Austria) – Uni.-Doz. Dr.; Kunsthistorisches Museum, Sammlung alter Musikinstrumente, Vienna, Austria HELI KANTOLA (Finland) – Student at Sibelius Academy, Helsinki, Finland ESTEBAN MARIÑO GARZA (Mexico) – Master’s degree student at the University of South Dakota (U.S.A.) ANNA MARIA McELWAIN (Finland) – Performer, co-founder and artistic Director of the Nordic Historical Keyboard Festival ALBERT MÜHLBÖCK (Austria) – Graduate CCM, Cincinnati (U.S.A.), performer FABIO RIGALI (South Tirol, Italy) – Student, University of Göteborg MARIANNE SIEGL (Austria) – Mag.: Kunsthistorisches Museum, Sammlung alter Musikinstrumente, Vienna, Austria MEGUMI TANNO (Japan) – Performer, Master Degree at the Royal Conservatory in the Hague JAMES TIBBLES (New Zealand) – Head of Early Music Studies at the University of Auckland. Artistic Director of Age of Discovery. Director of the University’s Ensemble, Collegium Musicum, performer on historic keyboard instruments. MICHAEL TSALKA (The Netherlands/Israel) – Performer, Artistic Director of the Geelvinck International Fortepiano Festival, Amsterdam MENNO VAN DELFT (The Netherlands) – Performer, Professor at the Conservatory of Amsterdam, The Netherlands ROB VAN HAARLEM (The Netherlands) – Performer PEKKA VAPAAVUORI (Finland) – Dmus, Rector at Sibelius Academy, Kuopio, Finland EIJA VIRTANEN (Finland) – Master of Music, Sibelius Academy 1997 ILTON WJUNISKI (France) – Professeur at the Conservatoire municipal du 17e arrondissement de Paris, performer

L ECTURES

(Chiesa di Santa Marta)

SCHEDULE

WEDNESDAY, 2 SEPTEMBER

09:30 Welcome by Bernard Brauchli

MORNING LECTURES — Moderator: Derek Adlam 09:45 PEKKA VAPAAVUORI: “Clavichord – A Practice Instrument or a Device of artistic Expression”. 10:30 Pause 10:45 MICHAEL TSALKA: Sonatas by Anton Stefan (1726 – 1797).

13:30 to 14:45

In the Sacristy of the Chiesa di Santa Marta: DIAPORAMA (Bernard Brauchli): THE CLAVICHORD’S ICONOGRAPHY (ca. 60 minutes).

AFTERNOON LECTURES — Moderator: Bernard Brauchli 15:00 JOAN BENSON (read in absentia by Derek Adlam) — “Teaching with the Clavichord in Our Electronic World.” 15:45 DAVID GERRARD — “MIMEd 4460: “The Revival Clavichord in extremis”. 16:30 Pause 16:45 ANNA MARIA MC ELWAIN : Recital — Ludwig van Beethoven, Sonata in C major op. 2 no. 3 (Allegro con brio – Adagio –

Scherzo - Allegro – Allegro assai). _____ 19:00 Dinner 21:00 Concert (Chiesa Romanica di San Secondo)

THURSDAY, 3 SEPTEMBER

MORNING LECTURES — Moderator: Menno van Delft 09.00 MENNO VAN DELFT, “The transcendental Clavichord – Instruments and Repertoire exceeding the F1 - f 3 Compass”. 09:45 FABIO RIGALI — “Soundboard Woods”. 10.30 Pause 10:45 MEGUMI TANNO — Recital: “Complaint at the Clavier”. Carl Philipp Emanuel Bach (1714 – 1788), Fantasia in F sharp minor, Wq. 67

Josef Haydn (1732 – 1809), Andante with Variations in F minor, Hob. XII-6. W. A. Mozart (1756 – 1791), Piano Sonata in C major, KV 330 (Allegro moderato, Andante cantabile, Allegretto).

13:30 to 14:45 In the Sacristy of the Chiesa di Santa Marta: DIAPORAMA (Bernard Brauchli): THE CLAVICHORD’S ICONOGRAPHY (ca. 60 minutes).

AFTERNOON LECTURES — Moderator: Derek Adlam 15:00 ESTEBAN MARIÑO GARZA — “History, Technology and cultural Significance. The Clavichord from the National Museum of

Viceregal Period, Tepotzozllan, State of Mexico”. 15:45 Pause 16:00 EIJA VIRTANEN — Recital:

D. Buxtehude (1637 – 1707), Suite in D, Bux WV 233 J. S. Bach (1685 – 1750), Duetto in F, BWV 803 M. Puurtinen (1949 – ), Nocturno for the Clavichord (2014) Louis J.-A. Lefébure-Wely, Bolero de Concert, op. 166 Joh. Fr. Agricola (1720 – 1774), Sonata in F J. Clausells, Sonata in B flat

MARITTA HELIÖ — Recital: Carl Philipp Emanuel Bach (1714– 1788), Sonata Wq. 57/2. W. A. Mozart (1756 – 1791), Rondo in A, KV 511. William Byrd (1540 – 1623) , Pavan & Galliarda in F. EIJA VIRTANEN & MARITTA HELIÖ: Pekka Kostianen, Rasavilli Visaralli.

_____

19:00 Dinner

FRIDAY, 4 SEPTEMBER

MORNING LECTURES — Moderator: Bernard Brauchli 09:00 DEREK ADLAM — ‘“Morris Steinert”, – a Pioneer of the Clavichord Revival’.

09:45 STEPHEN BIRKETT — “Research on historical Brass Wire”.

10:30 Pause

10:45 ALFONS HUBER, with MARIANNE SIEGL — “Michael Praetorius’s Clavichord Italienischer Mensur”.

14:00 OPTIONAL EXCURSION: ‘“ Wool Experience” at the Lanificio F.lli Botto, Miagliano’.

19:00 Dinner

FREE EVENING

SATURDAY, 5 SEPTEMBER

MORNING LECTURES — Moderator: Alfons Huber 09:00 ILTON WJUNISKY — The Case of Johann Kaspar Ferdinand Fischer’s ‘Ariadne Musica’ (1702?): the clavichord as an

instrument for the performance and pedagogy of its twenty short preludes and fugues in several tonalities and of its five Ricercar.

09:45 NORBERTO BROGGINI — “Arrangements for two Keyboard Instruments of J. S. Bach Organ Trio-Sonatas”.

10:30 Pause

10:45 HELI KANTOLA — Recital: Georg Böhm (1661 – 1733), Suite Bo. 7 in F major (Allemanda – Courante – Sarabanda/Double-Gigue) Carl Philipp Emanuel Bach (1714 – 1788), Fantasia II in C, Wq 61/6 (from “Clavier-Sonaten für Kenner und Liebhaber” (1787) Domenico Scarlatti (1685 – 1757), Sonate in d minor K. 213 and in G major K. 146

AFTERNOON LECTURES — Moderator: Bernard Brauchli 15:00 JAMES TIBBLES — “Clavichord study as a pathway to musical expressivity in related keyboard instruments”

15:45 JAMES TIBBLES — Recital: J. S. Bach (1685 – 1750), Capriccio sopra la lontananza del suo fratello diletissimo, BWV 992. C. P. E. Bach (1714 – 1788), Sonata 2 (6th coll., 1787). E. Wolf (1735 – 1792):, Sonata 2 in E♭, from Sechs Sonaten,(Leipzig, 1789) Allegro con spirit – Adagio – Allegro. D. G. Türk (1750 – 1813), Sonata 6 in G, HedT 98.2.6. Allegro di molto – Grave – Rondeau (poco allegro).

16.15 OPEN DISCUSSION AND CLOSING STATEMENTS (Derek Adlam, Bernard Brauchli, and Menno van Delft)

_______

19:00 Dinner

21:00 Concert (Chiesa Romanica di San Secondo)

E VENING P ERFORMANCES

(Chiesa Romanica di San Secondo)

WEDNESDAY, 4 SEPTEMBER, 21:00

I L T O N W J U N I S K I

ARIADNE MUSICA (1702?/1715) Venti Preludi e breve Fugue in tutte le Tonalità

Praeludium I /Fuga Praeludium II /Fuga Praeludium III / Fuga Praeludium IV / Fuga Praeludium V / Fuga Praeludium VI / Fuga Praeludium VII / Fuga Praeludium VIII / Fuga Praeludium IX / Fuga Prraeludium X / Fuga

Praeludium XI / Fuga Praeludium XII / Fuga Praeludium XIII / Fuga Praeludium XIV / Fuga Praeludium XV / Fuga Praeludium XVI / Fuga Praeludium XVII / Fuga Praeludium XVIII / Fuga Praeludium XIX / Fuga Praeludium XX / Fuga

Joh. Kaspar Ferdinand Fischer (ca. 1665 – 1746)

⎯⎯ INTERMISSION ⎯⎯

N O R B E R T O B R O G G I N I & M I C H A E L T S A L K A ”

Trio Sonata BWV 527 Johann Sebastian Bach (1685 – 1750)

Trio Sonata BWV 528

Trio Sonata BWV 530

THURSDAY, 4 SEPTEMBER, 21:00

R O B V A N H A A R L E M “ P R E P A R I N G F O R S U N D A Y ’ S S E R V I C E ”

Fantasia, part 1: Très vivement, BWV 572.

Johann Sebastian Bach (1685 – 1750)

Kleines Harmonisches Labyrinth, BWV 591 (Introitus, Centrum, Exitus).

Johann Sebastian Bach

Das Holsteinisches Orgelbüchlein: Passacaglia. Hans Friedrich Micheelsen (1902 — 1973) Intermezzi, Book I: 1, 2 and 3. Hendrik Andriessen (1892 – 1940) Partita Ach wie nichtig, ach wie flüchtig. Georg Böhm (1661 – 1733) For Emily and Kip. James Woodman, 1957

D A L Y N C O O K

M u s i c a l P o r t r a i t s Plainte faite à Londres pour passer la Melancholie, portrait of an emotion

Johann Jakob Froberger Bach (1616 – 1667)

From “Petites Pièces pour le Clavecin”, portraits of friends: La Caroline — L’Herrmann — La Buchholz — L’Aly Rupalich

Carl Philipp Emanuel Bach (1714 – 1788)

From Sonata in C major, K. 309, Portrait of Rosa Cannabich (Andante un poco adagio) Wolfgang Amadeus Mozart (1756–1791) Fantasy in F-sharp minor, H. 300, self-portrait Carl Philipp Emanuel Bach

⎯⎯ INTERMISSION ⎯⎯

M I C H A E L T S A L K A

From Six Sonatas for the Harpsichord, Op. 2 Sonata No. 1 in D Major : I. Allegro Spiritoso / II. Andante / III. Allegro assai Sonata No. 2 in F Major : I. Allegro / II. Andante Gratioso (editor’s spelling) / III. Menuet and Trio / IV. Allegro Sonata No. 3 in C Major : I. Allegro Moderato / II. Menuet and Trio / III. Allegro Sonata No. 4 in G Major : I. Allegro Molto / II. Andante Cantabile /

III. Pollonese (editor’s spelling) / IV. Allegro assai / V. Tempo di Menuet

Josef Anton Steffan (1726 – 1797)

SATURDAY, 5 SEPTEMBER, 21:00

A L B E R T M Ü H L B Ö C K

Ludwig van Beethoven and his teacher Christian Gottlob Neefe

Rondo Op. 51 no. 2 in G major (1797), Andante cantabile e grazioso.

Fantasia in F minor (1798?), Grave – Adagio – Allegretto – Allegro di molto – Andantino– Largo – Allegretto – Più Allegro – Adagio – Coda (Allegro di molto).

Ludwig van Beethoven (1770 – 1827)

Christian Gottlob Neefe (1748 – 1798)

N O R B E R T O B R O G G I N I

Anonymous Keyboard Pieces from the Franciscan Monastery of Aránzazu Archive (Basque Country, Spain)

Sonata ms 968 I (Adagio / Allegro). Sonata ms 968 II /Allegro / Largo).

Folías de España con Variaciones, ms . 396.

⎯⎯ I N T E R M I S S I O N ⎯⎯

M E N N O V A N D E L F T

“ K r a e m e r v e r s u s K r a e m e r ” , A welcome back to Iohann Paul Kraemer’s Clavichord # 571 (Göttingen, 1803).

Works of W. F. Bach, C. F. C. Fasch, J. W. Hässler, and others (to be announced).

Sponsored by

Via Roma 43 13887 MAGNANO (BI), Italy

www.MusicaAnticaMagnano.com info@MusicaAnticaMagnano.com

Tipografia Gariazzo M. di Gariazzo B. & C. s.n.c. – Vigliano Biellese