The Downstairs66 East 4th Street, NYC, 10003

October 3 - 20, 2019

Written by Paul David YoungDirected by Evan Yionoulis

all my fathers

All My FathersWritten by Paul David YoungDirected by Evan Yionoulis

Cast:Richard Gallagher*..............David Younger Brian Hastert*....................Dr. Woodman

Deborah Hedwall*..................Regina Younger Jonathan Hogan*............Bill Younger

Lighting Design by Donald HolderSet Design by Ao Li

Costume Design by Teresa Snider-SteinVideo and Sound Design by Melissa Friedling

Christine J. Colonna*: Stage Manager

Staff ListingAssistant Lighting Designer: Zachary M. BrienzaAssistant Costume Designer: Sara Vandenheuvel

Assistant Director: Heather ArnsonSound and Projections Programmer: Käri Berntson

Wardrobe Master: Emily PisarraLight Board Operator: David Bonilla

Special ThanksBrooklyn College Department of Theatre

Darren Deverna, PRG Lighting

Footnotes: 1 Lorraine Hansberry, Raisin in the Sun (New York: Random House, 1994)(character name for family).

2 Lillian Hellman, Six Plays by Lillian Hellman (New York: Random House, 1979) (ThenLittle Foxes, individual character name).

All My Fathers is co-produced by Skylight Productions Theater in association with Deborah Green (Hadestown).

ACTORS EQUITY ASSOCIATION (AEA), founded in 1913 was the first of the American Actors’ Unions and now represents more than 45,000 actors, singers, dancers, and stage managers nationally. Equity members are dedicated theatre professionals who uphold the highest artistic standards. Historically, AEA has stood at the forefront of many issues, including: civil rights (from the historic 1947 boycott of the then-segregated National Theatre in Washington D.C. to the 1986 founding of the Non-Traditional Casting Project); preserva-tion of historic theatres (it initiated the land-marking of all of the Broadway theatres); national, state and local funding for the arts (AEA helped to create the National Endowment for the Arts); and arts lobbying to advance, foster, and benefit all those connected with the art of theatre. A member of the AFL-CIO, AEA is affiliated with the Federated International Artists (FIA), an international organization of performing arts unions. For more information, visit AEA’s website at www.actorsequity.org.

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Richard Gallagher (David) Credits include Broadway: Harry Potter and the Cursed Child, 1984, The Front Page, The Lyons, The Importance of Being Earnest, Other NY credits include: The Pearl (Major Barbara), WP Theater, Lark Theatre, 59E59 Theaters. Selected regional credits include: Actors Theatre of Louisville (Angels in America parts 1 & 2), McCarter Theatre, Studio Theatre (Tribes), Baltimore Centerstage, Yale Repertory Theatre and The Norman Conquests at Northern Stage, Dorset Theatre Festival (directed by Evan Yionoulis) and Weston Playhouse. Film: Naked Singularity (with John Boyega & Olivia Cooke), El Camino (with Elisabeth Moss). TV: Recurring roles in Orange Is the New Black and Turn: Washington’s Spies. Other television: Blacklist, Quantico, Chicago P.D., Person of Interest, Blue Bloods, Law & Order, As the World Turns, Looking for Kathleen, Wallflowers. MFA, Yale School of Drama.

Brian Hastert (Dr. Woodman) Recent stage credits include the New York premier of Tectonic Theatre Project’s Uncommon Sense, Of Good Stock (Manhattan Theatre Company), Mission Drift (The National Theatre, London), A Future Perfect (SpeakEasy, World Premier), The Ragged Claws (Cherry Lane), as well readings/workshops at New Dramatists, The Lark, Manhattan Theatre Club, Ensemble Studio Theatre, Dixon Place, The Working Theatre, The Living Theatre, Terra Nova, and others. TV: Happy!, The Deuce, The Good Wife, Allegiance, Flesh and Bone, I love You… But I Lied, The Vampire Leland (pilot). Film: Walk With Me (upcoming). Radio: Twelve Years (BBC4). Brian is a founding member of The TEAM, a Brooklyn-based theater ensemble under the artistic directorship of Tony award-winning director Rachel Chavkin. With The TEAM, Brian has helped create seven original works and created roles in Particularly in the Heartland and Mission Drift which was recently voted one of the 50 best plays of the 21st century by The Guardian. As an educator, Brian was the founding head of Pace University’s BFA program in Acting for Film, Television, Voice Overs, and Commercials where he oversaw the creation of a new path for training actors and preparing them for a career in a world of digital media. MFA: Yale School of Drama. Similar information with better pictures can be found at brianhastert.com.

Deborah Hedwall (Regina) has been acting and teaching in New York for over 30 years. She has created many new roles in original Off Broadway productions; Sight Unseen by Donald Margulies at MTC for which she received an OBIE and Drama Desk Nomination, Savage in Limbo by John Patrick Shanley, Extremities by William Mastrosimone, Amulets Against The Dragon Forces by Paul Zindel at Circle Rep, Blind Date by Horton Foote at Ensemble studio Theater, Fall To Earth, directed by Joe Brancato at 59 East 59, Why We have a Body at The Women’s Project directed by Evan Yionoulis. Regionally she has worked at The Actor’s Theater of Louisville, The Eugene O’Neill Theater Conference, The Arena Stage, The New Play Festival at Sundance, The Long Wharf Theater, Yale Repertory, and Baltimore Center Stage where she appeared in Who’s Afraid of Virginia Woolf directed by Ethan McSweeny. Since then she has worked at the Bay Street Theater in Sag Harbor in Men’s Lives (directed by Harris Yulin), at Barrington Stage in Breaking the Code (directed by Joe Calarco), and at Hartford Stage in Christopher Shinn’s new play An

Opening in Time (directed by Oliver Butler). Film and Television credits include Netflix’s Jessica Jones, Homeland, HBO’s Barry Levinson’s You Don’t Know Jack with Al Pacino, The West Wing, Law & Order, The Big C, Delocated, and Vera Farmiga’s Higher Ground, and to be released AFTER YANG directed by Kogonada. For two seasons Deborah played the mother in the Emmy Award winning series I’ll Fly Away. Hedwall has maintained an acting studio in New York for over 25 years.

Jonathan Hogan (Bill) On Broadway he appeared in Comedians, Otherwise Engaged, Fifth of July, The Caine Mutiny Court Martial, As Is (Tony and Drama Desk nominations for Best Actor), Burn This, Taking Steps, and The Homecoming. Among the many plays he appeared in as a member of Circle Rep since 1973 were Lanford Wilson’s The Hot l Baltimore, The Mound Builders, and Balm in Gilead (in collaboration with Steppenwolf – Drama Desk Award for Best Ensemble). Other performances Off Broadway include Wilson’s Book of Days, Brian Friel’s Molly Sweeney, London Wall, Samuel D. Hunter’s Pocatello (Drama Desk nomination for Outstanding Featured Actor), Kenneth Lonergan’s Hold Onto Me Darling (Lucille Lortel Award nominee for Outstanding Featured Actor) and Hindle Wakes. Regionally he has performed at the Dorset Theatre Festival, The Berkshire Theatre Festival, Merrimack Repertory, Long Wharf, McCarter, The La Jolla Playhouse, Repertory Co. of St. Louis, George St. Playhouse, and Hartford Stage. Films and TV include In Country, The House On Carroll Street, A Fish In The Bathtub, Revolution #9, several Movies of the Week, L.A. Law, Quantum Leap, all the Law & Orders, House of Cards, The Looming Tower, and Woody Allen’s yet to be released A Rainy Day in New York. Mr. Hogan is a graduate of The Goodman Theatre and School of Drama.

Paul David Young’s (Playwright) 2017 Trump satire, Faust 3: The Turd Coming, or The Fart of the Deal, performed by four clowns at Judson Church, was featured in The New York Times, The Huffington Post, New York Magazine, Time Out New York, Village Voice (“Voice Choice”), The Wall Street Journal, and Hyperallergic. Upstage Downstage picked his play Kentucky Cantata, at HERE in New York, as one of the top 13 plays of Off-Broadway and Off-Off-Broadway for 2015. Erik Haagensen of Backstage selected his In the Summer Pavilion in NYCFringe and at 59e59 Theaters as a “Critic’s Pick.” His No One But You won the Kennedy Center’s Paula Vogel Playwriting Award and was a finalist for the Kendeda Fellowship. His one-act Aporia was a finalist for the Kennedy Center’s John Cauble Short Play Award. His translations, with Carl Weber, of Heiner Müller’s Anatomy Titus Fall of Rome and Macbeth were published as Heiner Müller: After Shakespeare. A contributing editor at PAJ (MIT Press), he writes regularly for Hyperallergic. His book newARTtheatre: Evolutions of the Performance Aesthetic, about visual artists appropriating theatre, was issued by PAJ in 2014. He has had residencies at Lower Manhattan Cultural Council’s Workspace, Millay Colony, Djerassi Resident Artists Program, and Ensemble Studio Theatre’s Summer Conference. LMCC awarded him a five-month Process Space residency on Governors Island for 2015, where he conceived and performed Curtain Wall Part 3: An Immersive Landscape Theater Performance of Christopher Marlowe’s Hero and Leander, in which he swam across New York Harbor. www.pauldavidyoung.com

Evan Yionoulis (Director) is an award-winning director who has helmed new plays and classics in New York and across the country. She has enjoyed collaborations with major American playwrights, including Adrienne Kennedy (the critically acclaimed productions of He Brought Her Heart Back in a Box, world premiere, and Ohio State Murders, Lortel Award for Best Revival, Theatre for a New Audience) and Richard Greenberg (the premieres and New York productions of The Violet Hour, Biltmore Theatre, Broadway; Everett Beekin, Lincoln Center Theatre; and Three Days of Rain, Manhattan Theatre Club, Obie Award for direction). In her twenty years as a resident director at Yale Repertory Theatre, she directed Richard II, Cymbeline, The Master Builder, George F. Walker’s Heaven, Brecht’s Galileo, Gozzi’s The King Stag (which she adapted with composer Mike Yionoulis and Catherine Sheehy), Caryl Churchill’s Owners, Guillermo Calderon’s Kiss, and numerous other productions. Credits include work at the Mark Taper Forum, Huntington, NY Shakespeare Festival, the Vineyard, Cherry Lane, 2econd Stage, American Music Theatre Festival, Dallas Theatre Center, Actors Theatre of Louisville, Williamstown, Denver Center, Portland Stage, PlayMakers Rep, and many others. She directed SEVEN, a documentary theatre piece about extraordinary women from across the globe who work for human rights, in New York, Boston, Washington, Aspen, London, Deauville, and New Delhi. She serves on the Executive Board of SDC, the labor union representing stage directors and choreographers as Secretary, and is a Princess Grace Foundation Awards recipient. She is the Richard Rodgers Director of the Drama Division at the Juilliard School.

Donald Holder (Lighting Design) Broadway: Tootsie, Kiss Me Kate, Straight White Men, My Fair Lady, Anastasia, Oslo, M Butterfly, She Loves Me, Fiddler On The Roof, The King and I, On The Twentieth Century, The Bridges Of Madison County, Golden Boy, Spiderman- Turn Off The Dark, Ragtime, Movin’ Out, Thoroughly Modern Millie, and many others. He has designed fifty eight Broadway productions, is the recipient of two Tony awards (The Lion King and South Pacific) and thirteen Tony nominations. Opera: Porgy Rigoletto for the Berlin Staatsoper, Porgy and Bess, Otello, ‘wo Boys, The Magic Flute, Samson et Delilah at the New York Metropolitan Opera, Carmen for the Chicago Lyric and Houston Grand Opera, many others. Television/Film: Recent projects include Smash Seasons one and two (NBC Dreamworks), Oceans Eight (Warner Brothers Pictures). Mr. Holder is a graduate of the Yale School of Drama and the University of Maine, and Head of Lighting Design at Rutgers University.

Teresa Snider-Stein (Costume Design) is a twenty-five year veteran of New York and Regional theatre, who has designed costumes for nearly a hundred productions. Selected credits include: I’m not Rappaport (Broadway & regional tour); Everett Beekin (Lincoln Center); the original productions of the Pulitzer Prize-winning The Young Man from Atlanta, (Signature Theatre, Huntington Theatre, and Alley Theatre); Raised in Captivity, (Vineyard Theater and South Coast Rep); and 36 Views (Huntington Theatre, Boston, MA). For nine years as the resident costume designer at Signature Theatre in New

York City, Ms. Snider-Stein particularly enjoyed the intensive yearlong collaboration with the various playwrights in residence. She designed the costumes for over thirty-five productions by Romulus Linney, Lee Blessing, Edward Albee, Horton Foote, Adrienne Kennedy, Sam Sheppard, Arthur Miller, John Guare, and Maria Irene Fornes. Working directly with each of the playwrights she was able to focus on specificity of character and tap into each author’s particular point of view. Through participation in this in-depth exploration of individual playwrights’ work, she was part of the team that helped cement the Signature Theatre’s playwright-centric techniques. New York credits include Playwrights Horizons, the Public Theater, Lucille Lortel Theatre, Classic Stage Company, the Vineyard Theatre, Irish Repertory Theatre, The Jewish Repertory Theatre, Mabou Mines, Village Light Opera Company, Ensemble Studio Theater, and Women’s Project & Productions. Regionally she has worked at South Coast Rep, Goodspeed Opera Company, The Alley Theatre, New York Stage and Film, Dallas Theatre Center, Williamstown Theatre Festival, Ford’s Theater, Coconut Grove Playhouse, the Huntington Theatre Company, George Street Playhouse, Portland Stage Company, and Paper Mill Playhouse. Most recent theatrical costume designs include the NYC premieres of HIM (Primary Stages); The Hereafter Musical (Theater 80); and MIKA created in answer to Secretary General Ban Ki-Moon’s initiative to end violence against women worldwide and presented at the Trusteeship Council Chamber at the United Nations, NYC. Ms. Snider-Stein was awarded the Bronze Medal for Costume Design at the 2005 World Stage Design International Exhibition and is a member of United Scenic Artists local 829 and USITT. She holds an MFA in Design from the Yale School of Drama and is currently Head of Costume Design and Assistant Professor of Theatre at Brooklyn College, CUNY.

Ao Li (Set Design) is a set designer and visual artist who has worked internationally. His designs include: Scraps (Flea Theatre), Real (The Tank), As You Like It (Columbia University), Waiting for Godot (Alfred University), Lucretia (Cantata Profana), Where is My Maple Town (Theatre Row), Kiss (Yale Repertory Theatre), ‘Tis Pity She’s a Whore (Yale School of Drama), Titus Andronicus (Iseman Theatre), Yale Cabaret credits include: The Apple Tree, Xander Xyst, Dragon:1 and The Styx Songs. His work in Shanghai include: Cao Zhi (Academy Theatre), Blind (Shanghai International Arts Festival), Everything in the Garden (Duanjun Theatre) among others. Ao associate designed Soft Power (The Public Theatre), The Orphan of Zhao at Beijing Poly Theater and assisted on productions including Judgement Day (Park Avenue Armory), The Twilight Zone (West End), Tamerlano (Frankfurt Opera), Le Nozze Di Figaro (Theatre Des Champs-Elysses) and Scenes From Court Life (Yale Repertory Theater) etc. His artwork has received three solo exhibitions including Expression, 2009 and Childhood. He holds an MFA in Set Design from Yale School of Drama and a BFA in Stage Design from Shanghai Theatre Academy. He is the co-founder and former president of the Intercultural Performance Studio in Shanghai. He is the winner of Donald and Zorca Oenslager Travel Fellowship Award in Design, Richard Harrison Senie Scholarship and Donald M. Oenslager Scholarship in Stage Design. http://aoliarts.com/about

Melissa Friedling (Sound & Video Design) is a filmmaker and media artist. Her work has been exhibited internationally at venues including Tribeca Film Festival (NY), Athens Institute for Contemporary Art (ATHICA), Hallwalls Contemporary Art Center (Buffalo), Art Space (New Haven), Microscope Gallery (NY); Experiments in Cinema (NM); Cornell Cinemas, Everson Museum of Art (Syracuse), Apexart (NY), New Orleans International Film Festival, Ann Arbor (MI), Atlanta Film Fest, Women in the Director’s Chair International Film & Video Festival, Black Maria Film & Video Festival, International Women Directors’ Film Festival (Créteil, France). She has been a recipient of a Fulbright Award and artist’s grants from the New York Foundation for the Arts and the New York State Council for the Arts. She has previously created video for theatrical works written by Paul David Young, mounted at PS1 MoMA and at Judson Memorial Church. Friedling lives in Brooklyn, NY and teaches at The New School.

Christine J. Colonna (Stage Manager) credits include Broadway: Tootsie. Pre-Broadway: Tootsie. Off-Broadway: Blue Ridge; The Great Leap (Atlantic Theater Company), The Resistible Rise of Arturo Ui, Pacific Overtures (Classic Stage Company), Ordinary Days; Lonely Planet (Keen Company), The Metromaniacs (The Red Bull Theater), The Dread Pirate Project (world premiere, Baryshnikov Arts Center), Three Wise Guys (TACT), Stupid F*cking Bird (AADA). Regional: Hurricane Diane (world premiere, (Two River Theater Company), Evita; Mamma Mia; Fiddler on the Roof (Maine State Music Theatre). MFA: Mason Gross School of the Arts, Rutgers University.

Zachary M. Brienza (Assistant Light Design) is a freelance lighting designer based in New York City. He is an alumnus of Rutgers Mason Gross School of The Arts where he received a BFA in Lighting Design. During his time with Rutgers Theater Company he designed eight shows; most notably Julius Caesar, Herakles, and An Octoroon. His professional credits include The Eleventh Hour, No Child, & Sophie Scholl - The Final Days. Other credits include: Assistant Lighting Designer for Shake & Bake: Love’s Labour’s Lost.

Heather Arnson (Assistant Director) Associate/Assistant highlights: Michael Wilson (BEAU, Fellow Travelers, Right Before I Go, others), Lila Neugebauer (The Wolves), Leigh Silverman (Seat of Our Pants), and Evan Yionoulis (All My Fathers). As a director, selected credits: Apartment Block, Your Title Goes Here, Wasp, and Elizabeth: Almost By Chance A Woman. Associate member of SDC, 2019 Princess Grace Award Reader, SDCF Observership 2017 -2018, Newington-Crosby Fellow, B.A. in Theatre from UCLA. www.HeatherArnson.com Next: https://www.beauthemusical.com/@ Joe’s Pub.

La MaMa’s historic, landmark building at 74 East 4th Street is undergoing an urgently needed complete renovation and restoration to preserve the historic façade, create building-wide ADA accessibility, and provide much needed performance, exhibition and community space for decades to come. La MaMa, founded by Ellen Stewart in 1961, has been on east 4th Street since 1967. La MaMa embraces every person in its community and is legendary as the place where new artists of all nations, cultures, races, and identities are given opportunities. It is the place where art begins. To learn more about the renovation, or to make a donation please visit www.lamama.org/remakeaworld

RESTORE A BUILDING REMAKE A WORLD

LA MAMA

Rendering: 74 East 4th St.

La MaMa StaffArmando AriasBuilding Superintendent

Hao BaiResident Audio Visual Designer

William Electric BlackPoetry Electric Curator

David BonillaTechnician

Marc BovinoGraphic Design

Michael BoydLa Galleria

Clayton Daniel BriggsFront of House Staff

Rocco Candela-MichelusTechnician

Carlos CardonaPhotographer/Videographer

Minji ChoiIntern

Allison ChometArchive Metadata/Digitization

Theo CotePhotographer/Videographer

James DewhurstTechnician

David DiamondLa MaMa Umbria Coordinator

Gilberto Diaz-FloresFront of House Staff

Ambrose Doster-SchellenbaumTechnician

Kaori FujiyabuDeputy Director of Development

Mary FulhamManaging Director

Michal GamilyCoffeehouse Chronicles Curator Merry Geng47 Great Jones Reception William GfellerIntern

Sophie Glidden-LyonArchive Digital and Special Projects Manager

Luis Grande CoronaFront of House Staff

Denise GreberPuppet Series Director,Marketing Manager,International Relations

Yael HaskalDevelopment Associate Chris IgnacioBox Office Manager

Marielle IliazoskiTechnician

Joyce M. Isabelle, CFREDevelopment Director

John IssendorfDirector of Audience Development

Atticus JonesTechnician

Taewoo KimIntern

Yeonguk KimIntern

Ryan LeachSocial Media Marketing Associate

Andrés López-Alicea Front of House Staff

Alejandra Lorenzo-AgrontFront of House Staff

Aurane LouryIntern

Jun MaedaResident Set Designer

Kenneth MartinOperations Consultant

Juan MerchanLighting Supervisor

Sarah MurphyTechnician

Matt NasserExperiments Reading Series Coordinator Palante Technology CooperativeIT Support

Nicky ParaisoProgramming Director-The ClubLa MaMa Moves! Curator

Benjamin PeeplesArchive Metadata/Digitization Beverly PettyProducing Director

Pearse RedmondFront of House Supervisor

Molly ReismanFront of House Staff

Federico RestrepoPuppet Series Producing Director

Jack ReynoldsAssistant Technical Director

Giacomo RocchiniCarpenter

Ozzie RodriguezDirector Of Archive

Matt Ross MediaPress Representative

Kiku SakaiAccounts Manager

Luis G. J. Santiago ClaudioFront of House Staff

Jane Catherine ShawFront of House Staff

Melissa SlatteryAccounts Manager

Shigeko SugaArchive Associate

Amy SurrattProducing Associate

Mark TambellaTechnical Director

Anastasios Toulios47 Great Jones Porter

Gregory Toulios47 Great Jones Superintendent

Martin ValdezBuilding Superintendent Asst.

Linda van EgmondIntern

Mia YooArtistic Director

La MaMa 58th Season Sponsors: The Andrew W. Mellon Foundation and The Howard Gilman Foundation

Public support provided by: National Endowment for the Arts; National Historical Publications and Records Commission; New York City Department of Cultural Affairs, in partnership with the City Council, with special thanks to City Council Speaker Corey Johnson and Council Members Margaret Chin, Daniel Dromm, and Carlina Rivera; Office of the Manhattan Borough President, Gale Brewer; New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

July 1, 2018 – June 30, 2019 LA MAMA GRATEFULLY ACKNOWLEDGES THE GENEROUS SUPPORT OF: $100,000+ The Andrew W. Mellon Foundation Anonymous Booth Ferris Foundation Ford Foundation John Fulham Howard Gilman Foundation New York City Department of Cultural Affairs

$50,000-$99,999 Donald Capoccia & Tommie Pegues The Harold and Mimi Steinberg Charitable Trust Julie & Bayard Henry Mary Rosie Richard Memorial Fund National Historical Publications and Records Commission New York State Council on the Arts

$50,000-$99,999 (cont.) Lise Olney & Timothy W. Fulham The Shubert Foundation Trust for Mutual Understanding

$25,000-$49,999 Frank Carucci & David Diamond Marta Heflin Foundation Cheryl L. Henson Wendy vanden Heuvel/ JKW Foundation Patricia Machado & Jeffrey Neuman / The Sequoia Foundation for Achievement in the Arts & Education Steven B. Malkenson MAP Fund Mertz Gilmore Foundation National Endowment for the Arts Open Society Foundations Sonya H. Soutus Candice & Joel Zwick

$10,000-$24,999 The Achelis and Bodman Foundations Jody & John Arnhold Beijing Contemporary Art Foundation

$10,000-$24,999 (cont.) William M. Carey/ Cortland Associates, Inc. Con Edison Consulate General of the Netherlands in New York The Fan Fox and Leslie R. Samuels Foundation The Gladys Krieble Delmas Foundation Robert Goldberg Yorke Construction Corporation Kenji Ima The Jerome Robbins Foundation The Jim Henson Foundation The Spingold Foundation Deborah Tolman & Luis Ubiñas Joy Tomchin

$5,000-$9,999 Scott Asen/ The Asen Foundation Eugene “the Poogene” Chai The Curtis W. McGraw Foundation Ruth Epstein & Richard Pinner Karen Hauser & Warren Leight van Itallie Foundation The Jane Henson Foundation

YOUR SUPPORT MAKES ART HAPPEN La MaMa is deeply grateful to all of our friends and supporters, whose generosity provides vital resources to our artists and diverse programming to our audiences. You can donate online at lamama.org or send a check to La MaMa at 66 East 4th Street, New York, NY 10003.

$5,000-$9,999 (cont.) Matthew J. Reynolds New York Landmarks Conservancy Wynn J. Salisch Marc Shaiman Sundance Institute Erik Sussman United Federation of Teachers The William & Eva Fox Foundation/Theatre Communications Group Scott Wittman

$2,500-$4,999 Liz Armstrong Marina Arsenijevic & Donald Bronn Axe-Houghton Foundation Winsome Brown Jeanne Donovan Fisher Laurie Goldberger & Leslie Kogod Jeffrey Haley Matthew Hall / Goldstein Hall PLLC The Harkness Foundation for Dance Buck Henry Charitable Fund Eliot S. Hubbard Gail & Eli Lederman Peter McKillop James E. Reynolds Brenda & Peter Swords Darren Sussman $1,000-2,499 Elizabeth Seamans / The Anchor Fund of The Pittsburgh Foundation Benchmark Title Agency, LLC Michael Benzi/ Federated National Land Angela & Michael Errico Teresa & Olivier Evering Elise Frick & John A. Garraty, Jr. Jill Hanekamp H.B. Henson/ The Puppet Slam Network Gerald Herman Mikiko Ino The John Golden Fund David Goldstein Neil LaBute The Lambs Foundation Lawryn LaCroix/ Pinkhouse Productions Sarah & Seth Lederman Lucille Lortel Foundation Gregg C. McCarty

$1,000-2,499 (cont.) Daryl & Michael Moss Moira Smith/M&T Bank Mary Mullin Charles Parente/ Parente Development LLC Margaret H. Parker Polly Parker & Damon Smith Estelle Parsons & Peter Zimroth Jamie & Mark Pollack/ Electro-Miniatures Corp. Dale Ponikvar Michael Pressel/ RPO Incorporated Susan Yonaoshi Quimby John Rhodes Jon Ritter/The 1848 Foundation Joan A. Rose Arleen Sorkin & Chris Lloyd Eric Usinger/ Emmet Marvin Martin LLP Barbara Whitman Christine L. Pennoyer/The William C. Bullitt Foundation Thomas Young

Thank you to for your matching gifts: The Coca-Cola Company, the Doris Duke Charitable Foundation, and Google.

In kind support generously provided by 44º North Vodka, Heights Chateau, Ann Kayman/New York Grant Company, Long Trail Brewery, Pat Lynch/Patricia Lynch Associates Inc., and NYC Department of Cultural Affairs Materials for the Arts, and Ostroff Associates Inc.. Legal services generously provided by Goldstein Hall PLLC.

Board Of Directors

Frank CarucciPresident Joan RoseVice President Donald A. CapocciaTreasurer Richard PinnerSecretary Byung Koo AhnEugene ChaiJane FriedmanMary FulhamTimothy W. FulhamJeff HaleyJill HanekampMatthew HallSarah LedermanSteven B. Malkenson Wynn J. SalischLuis A. UbiñasScott WittmanMia YooJoel Zwick

Advisory Board

André De ShieldsMichael A. FinkGretchen GreenPeter Swords

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