writing workshop 3

31
WRITING WORKSHOP 3 ETHN 100 Week 10 Session 1

Upload: lesa

Post on 23-Feb-2016

23 views

Category:

Documents


0 download

DESCRIPTION

Writing Workshop 3. ETHN 100 Week 10 Session 1. Last Time. Analyzed the documentary, “Chicano! Quest for a Homeland,” for key terms and evidence. . Today. Prepare for WA3 by reflecting on WA2. Warm-Up: - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: Writing Workshop 3

WRITING WORKSHOP 3ETHN 100 Week 10 Session 1

Page 2: Writing Workshop 3

Last Time Analyzed the documentary, “Chicano!

Quest for a Homeland,” for key terms and evidence.

Page 3: Writing Workshop 3

Today Prepare for WA3 by reflecting on WA2. Warm-Up:

Discuss the thesis and evidence you brought to class. How do you intend to alter your thesis from WA2 to include dimensions of the African American experience? What advantages and/or challenges do you face?

Page 4: Writing Workshop 3

WA2

Grade RangeA 13.50 – 15.00B 12.00 – 13.49C 10.50 – 11.99D 9.00 – 10.49F 0 – 8.99

Most students fell between B and C.

Page 5: Writing Workshop 3

Thoughts on Academic Writing

Page 6: Writing Workshop 3

Academic Writing: Writing to Learn and Discover It takes time to develop solid ideas. Most students are familiar with writing to learn,

or rather, writing to show that you have learned. Fewer are familiar with writing to discover.

Writing is a critical means for refining initial thoughts into statements that are our own, that illuminate.

Academic writing is never done because there is always more that can be learned about a subject. However, it is important to get things as far along as you can and turn in polished work.

Page 7: Writing Workshop 3

The Irony of Teaching Academic Writing in Ethnic Studies Courses

Modes of explanation and argumentation occur within cultural realms. The academic paper is a cultural form – it carries within it assumptions about what knowledge is, how it is formed, and how it is most effectively conveyed.

I like to think I take a “using the master’s tools to free the slave” approach. That is, I present students with more traditional strategies, but I do this as a way to encourage critical thinking about subjects that often ignored, omitted, or overlooked.

Page 8: Writing Workshop 3
Page 9: Writing Workshop 3

Writing Assignment 2: Observations and Feedback

Page 10: Writing Workshop 3

Observations of Students’ Thinking in WA2

Most students talked about representation and land. All of the crosscutting themes were represented.

Solid grasp of course materials. Many relied heavily on stereotypes of

Native Americans – nature, peaceful, non-violent.

Some did a lot of prep work to write the paper.

Page 11: Writing Workshop 3

Feedback: Ideas The majority of students provided thesis

statements that led to summary rather than argument.

This is a sign that your thesis statement is too broad and needs to be focused.

Page 12: Writing Workshop 3

Feedback: Style Titles are too broad. They should reflect your argument. Avoid using course jargon such as crosscutting themes. Watch ambiguous terms such as “they,” “we,” and “our.” Several papers were clearly written to me, your professor,

as the audience. This isn’t a personal communication between you and me. It’s for a wider academic audience.

Be careful of “and then” storytelling. This is usually a sign that you aren’t making an argument.

Be specific about time. Give years, eras, or periods. Avoid: “as time passed,” “over many years,” “over the span of

time,” and “throughout history.”

Page 13: Writing Workshop 3

Feedback: Mechanics Long paragraphs. Further = degree / Farther = distance. Revisit how to list references and cite in

text. Several “lazy citers”: citing at the end of

the paragraph, citing the same source and page over and over again.

Page 14: Writing Workshop 3

Thesis Statements In the last Writing Workshop, I gave

these examples (Labor and Intra-Ethnic Dynamics): Simple: Evolving labor conditions led to

conflict among Native Americans. Elaborated: Evolving labor conditions due

to European American hunger for resources developed cultural conflict within Native American communities.

Page 15: Writing Workshop 3

Students’ Thesis Statements Native Americans struggled to survive European

domination. In this paper, I explore the Native American

experience from the crosscutting themes intra-ethnic groups and labor.

The system of European and European American paternalism that evolved from “discovery” to colonization and expansion was motivated by an unchecked hunger for resources—land, materials, and labor—and justified by ethnocentric misrepresenations of Native Americans.

Page 16: Writing Workshop 3
Page 17: Writing Workshop 3

Preparing for Writing Assignment 3

Page 18: Writing Workshop 3

Writing Assignment 2 Develop an initial thesis about ethnic

struggle and conflict that incorporates two or more crosscutting themes about the experience and racial formation of one group.

Due Wed, 3/20

Page 19: Writing Workshop 3

Native Americans

African Americans

Chicana/os Asian and Pacific Islander Americans

Intra-Ethnic DynamicsMovement, Space, and PlaceDiscriminationLabor

Communities

Representations

Assimilation/Acculturation

Page 20: Writing Workshop 3

Writing Assignment 3 Develop a thesis that explores the

relationship between two or more crosscutting themes from our course (i.e. labor and movement, representation and discrimination, intra-ethnic groups and community, etc.) and their significance to the collective experience of Native Americans and African Americans.

Due Wed, 4/22 (Sections 03) and 4/23 (Sections 08 and 09)

Page 21: Writing Workshop 3

Native Americans

African Americans

Chicana/os Asian and Pacific Islander Americans

Intra-Ethnic DynamicsMovement, Space, and PlaceDiscriminationLabor

Communities

Representations

Assimilation/Acculturation

Page 22: Writing Workshop 3

Crosscutting Themes

Key Terms from Native American Experience

Key Terms from African American Experience

Intra-ethnic Groups Tribes, Assimilation, “Full-Bloods” vs. “Half-Bloods,” Urban Indians, Reservation Indians

Movement Black Hills, AIM, Trail of Tears, Termination, Red Power, Self-determination, Boarding Schools

Discrimination Goon Squad, Indian Civil War, Indian injustice, court laws, verdict (manslaughter instead of murder), Dick Wilson, Arawak, Dawes Act

Labor Goon squad, government jobs for Indians, Governmnet allegiance, moving to the city for minimum wage jobs, Baffalo, Christopher Columbus

Communities Goon squad, Ghost Dance at Wounded Knee, free Indian society, Arawak, Hispaniola, Dawes Act, Indian Reorganization Act

Representation Ghost dance as a threat; full-bloods as stupid; Poultier, Savages, Caliban (Tempest)

Assimilation/Acculturation

Government jobs for Indians; land versus money, Medicine Man, Spirit of ancestors, Boarding Schools

Page 23: Writing Workshop 3

Writing Assignment 4 and Final Develop a thesis that addresses the

following questions: What trends or patterns with regards to ethnic struggle and conflict have you observed among the four groups we studied this semester? What lessons can be learned from ethnic group experiences in the United States that can help to address issues in other nations and regions?

Page 24: Writing Workshop 3

Native Americans

African Americans

Chicana/os Asian and Pacific Islander Americans

Intra-Ethnic DynamicsMovement, Space, and PlaceDiscriminationLabor

Communities

Representations

Assimilation/Acculturation

Page 25: Writing Workshop 3

Evaluation of WA3 In WA1, I evaluated Style and Mechanics. In WA2, we add Ideas. In WA3, we add Organization &

Coherence and Support

Page 26: Writing Workshop 3

Organization and Coherence: An “A” Paper

Uses logical structure appropriate to the paper’s subject, purpose, audience, thesis, and disciplinary field. Sophisticated transitional sentences often develop one idea from the previous one or identify their logical relations. It guides the reader through the chain of reasoning or progression of ideas.

Page 27: Writing Workshop 3

Organization and Coherence: Some Tips

Most students do a decent job making an argument in their Introduction and Conclusion. The middle paragraphs usually offer a lot of summary.

Consider a brief “mapping statement” after your thesis. “To substantiate this position, I will…” or “The paragraphs that follow illustrate this claim by…” Refer back and edit this statement while writing your

paper to make sure you are doing what you set out to do.

Every paragraph should have a topic sentence that relates to the thesis and guides the reader to the next idea in your argument.

Page 28: Writing Workshop 3

Support: An “A” PaperUses evidence appropriately and effectively, providing sufficient evidence and explanation to convince.

Page 29: Writing Workshop 3

Support: Some Tips Most students do not discuss their evidence

enough. The building blocks of academic papers are: Claims – Independent ideas Subordinate ideas:

Evidence Explanation Examples Elaboration

When you revise your work, ask yourself what is needed to make things clearer for your reader.

Page 30: Writing Workshop 3
Page 31: Writing Workshop 3

Next Time Lecture on power and resistance and

historical background on Mexican Americans/Chicana/os.

Bring RN on Lukes. Check website for a reading to be posted tonight.