writing tips from nine television writers

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Page 1: Writing Tips from Nine Television Writers

WRITING TIPS FROM9 TELEVISION WRITERS

JulianTina JossFey Whedon Fellowes More&

Page 2: Writing Tips from Nine Television Writers

Writing comesin many forms.

Page 3: Writing Tips from Nine Television Writers

Whether you choose to write a book, a blog,

a poem, or a script,

the basic rules of writing andstorytelling still apply.

Page 4: Writing Tips from Nine Television Writers

Even if you're not a screenwriter,these writing tips from the oneswho wrote your favorite shows

will help you as you seekto master your craft.

Page 5: Writing Tips from Nine Television Writers

1. Vince Gilligan(Breaking Bad, Better Call Saul, The X-Files)

Page 6: Writing Tips from Nine Television Writers

It's always a conscious choice to surprisepeople. That is always the mandate. Today,

with all the wonderful—and sometimes not sowonderful—entertainment it's harder than

ever to keep things interesting,so you have to surprise people.

— Vince Gilligan —

(Click here toview the source

material.)

Page 7: Writing Tips from Nine Television Writers

2. Tina Fey(Unbreakable Kimmy Schmidt, Saturday Night Live, 30 Rock)

Page 8: Writing Tips from Nine Television Writers

You have to try your hardest to be at the top ofyour game and improve every joke you canuntil the last possible second, and then you

have to let it go. You can't be that kid standingat the top of the waterslide, overthinking it . . .

You have to let people see what you wrote.

— Tina Fey —

Page 9: Writing Tips from Nine Television Writers

3. Jack Burditt(Mad About You, Frasier, 30 Rock, The Mindy Project, Last Man Standing)

Page 10: Writing Tips from Nine Television Writers

The old cliché is "keep writing," but I really believethat's a huge part of it. I'm so much better now than Iwas three years ago when I started 30 Rock. I feel likeit's a continual learning process, the muscle that has

to be exercised . . . Keep working at it. And try andlearn your craft. It is a craft. There are great courses

and good books on it. Devour everything.

— Jack Burditt —

Page 11: Writing Tips from Nine Television Writers

4. Julian Fellowes(Downton Abbey)

Page 12: Writing Tips from Nine Television Writers

All drama is about tension. That terrible thingsare going to happen, the risk of this or that. It'svery difficult when a couple gets together in aseries and they're frankly well-suited and theyget married. You know you have to push them

over a cliff or something because there'snothing more to be said.

— Julian Fellowes —

Page 13: Writing Tips from Nine Television Writers

5. Robert Carlock(Unbreakable Kimmy Schmidt, 30 Rock, Joey, Friends)

Page 14: Writing Tips from Nine Television Writers

There's no more visceral reaction than people notlaughing. But when you say something that totallybombs you hope someone else says, "Oh what I

thought you were going to say was X," or "What if itwent there?" When you're writing it's as if you're

turning something over in your hands and makingsure you're looking at every side of it.

— Robert Carlock —

Page 15: Writing Tips from Nine Television Writers

6. Mike Schur(The Office, Parks and Recreation, Brooklyn Nine-Nine)

Page 16: Writing Tips from Nine Television Writers

You just hang out with people who are good at itand learn everything that they do. I don't knowthat there are little pithy aphorisms or anythingthat I can point to about how to magically makegreat television. It comes from kind of grinding it

out day after day after day with people whoknow what they're doing.

— Mike Schur —

Page 17: Writing Tips from Nine Television Writers

7. Jenji Kohan(Orange Is the New Black, Weeds, Tracey Takes On…)

Page 18: Writing Tips from Nine Television Writers

I think that shows that are completely dramaticare a lie because people use humor to cope. That

is how we deal with things. In the darkestsituations, there is humor. And if you don't show

that, you're not being true to real life. I think itwould be exhausting and depressing to write, towatch, and to live if it was just focused on drama.

— Jenji Kohan —

Page 19: Writing Tips from Nine Television Writers

8. Mitch Hurwitz(Arrested Development)

Page 20: Writing Tips from Nine Television Writers

I don't think I would have tried creating Arrested[Development] if I really thought "look at the data of what's

already been developed. They won't make this" but Ishould have—that was the evidence that existed. . . . Ithink that everyone has to jump off that cliff and make

that assumption in their own work—because the truth is,even if it doesn't happen, you have a more interesting life

if you're to sit down and write a novel than doing themath on the likelihood of it getting published.

— Mitch Hurwitz —

Page 21: Writing Tips from Nine Television Writers

9. Joss Whedon(Buffy the Vampire Slayer, Firefly, Angel, Agents of S.H.I.E.L.D.)

Page 22: Writing Tips from Nine Television Writers

You know what? I never give up on anything, because youcome back around, and suddenly the thing you thoughtyou'd never do is relevant. I talked with my wife about

Much Ado About Nothing for years, and it was always like,"I don't feel like my take on the material is solid enough tomerit that." And then one day I woke up and said, "Wait aminute, I know exactly what I think that movie's about." I

definitely have had a lot of projects that stalled, but Inever know which one's going to suddenly pick itself up.

— Joss Whedon —

Page 23: Writing Tips from Nine Television Writers

Looking for moregreat writing tips?

Check out the full article foradvice from Dan Harmon,

Paula Pell, Anthony Horowitz, and Marta Kauffman.

Follow Scribendi onFacebook and Twitter.

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