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WEST POINT CLUB
DESIGN PROPOSAL7.20.15
7.20.15
HISTORY & RESEARCH
WEST POINT CLUB
DESIGN PROPOSAL
7.20.15
NOTABLE PIECES OF WEST POINT HISTORY:
Core values: duty, honor & country
Most strategic location in the country according to George Washington who transferred his headquarters to West Point in 1779.
Historically devoted to the art and science of warfare, West Point was never captured by the British, despite Benedict Arnold’s treason.
Oldest continuously occupied military post in USA.
Academy graduates included generals Grant, Lee, Sherman and Jackson. Other impressive graduates were Eisenhower, MacArthur, Bradley, Arnold, Clark, Patton, Stilwell and Wainwright.
DUTY - HONOR - COUNTRY
OFFICER’S CLUBan area where military personnel socialize, eat, entertain guests, and (possibly) live
synonym: mess
origin: from the Old French mes, ‘portion of food’, drawn from the Latin verb mittere, meaning ‘to send’ or ‘to put’; original sense was “a course of a meal put on the table”
Enrollment was opened to women in 1976. Sixty-two women graduated in the class of 1980, to include Andrea Hollen, Rhodes Scholar.
For the first half century, USMA graduates were largely responsible for the construction of the bulk of the nation’s initial railway lines, bridges, harbors and roads.
Buildings designed by some of the premier architects of their time.
The Officers’ Club is one of the three neoclassic buildings in a row designed by McKim, Mead & White in1902 out of granite.First formal officers’ mess of the U.S. Army.
Minor renovations in the 1930s; expanded in 1962; several smaller renovations since then.
The Pratt Interior Design Teamvisited three NYC clubs andresearched others that functionsimilarly to West Point Officer’s Club.
Relevant takeaways from thesevenues are as follows:
Spaces are designated for specific functions.Expectations for behavior within these spaces are understood.
The Harvard brand is reflected in the design and color scheme.
Old and new are successfully integrated in design.
HARVARD CLUB OF NEW YORK CITY35 W. 44TH STREET | NEW YORK
Color scheme is used cohesively throughout the space.
Club Logo is used as and identifier throughout the club.
Stained glass is a repeated motif in various rooms of the club, creating a cohesive feel to the various spaces.
THE NATIONAL ARTS CLUB15 GRAMERCY PARK SOUTH | NEW YORK
Motifs are repeated throughout the club spaces.
Club identity is evident through materiality in the usage of significant artifacts collected bymembers.
THE EXPLORERS CLUB46 E. 70TH STREET | NEW YORK
How this research affects the overall design proposal for West Point Officers Club:
Historically respectful integration of new design
Cohesive color scheme
Continuity of design motifs throughout spaces
WPC logo is more prominent
West Point identity is built into the design
Specific purpose for each space
Reflects the impressive men and women who have graced its halls through the years
INSPIRATION
WEST POINT CLUB
DESIGN PROPOSAL
7.20.15
EXISTING ARCHITECTURE HUDSON CHAIN CADET UNIFORMS
CONCEPT
WEST POINT CLUB
DESIGN PROPOSAL
7.20.15
INDIA WHITES
ENTRYAND
CIRCULATION
ENTRY VESTIBULE ENTRY MAIN STAIRCASE
ENTRY FLOOR LOGO IN BRASS
CLASSIC TUB CHAIR
DISPLAY CONSOLE
WALL DISPLAY CASES
EXISTING TERRAZZO
B. MOORE STONINGTON GRAY
BRASS ACCENTS
MODERN BEAUX ARTS LIGHTING
TURN OF THE CENTURY AREA RUG
ATHENA ROOM
ATHENA ROOM c.1909 ATHENA ROOM c.1969
FULL DRESS JACKET WITH CROSS BELTS & FIRSTIE SASH
DARK RED LEATHER
GRAY VELVET UPHOLSTERY
GRAY TWEED UPHOLSTERY
VELVET PRINT UPHOLSTERY
BEAUX ARTS CHANDELIERS
KEELEY CHAIR DETAIL DARK WOOD FLOORING
R. HARDWARE MODERNO FLATWEAVE RUG
ARCHITECTURE & B. MOORE COVENTRY GRAY
B. MOORE WHITE DOVE
BALLROOMADDITION
c. 1962
LONG “O” UNIFORM COATS INDIA WHITES & FIRSTIE SASH
BALLROOM c.1964
MAHARAM BRUSHED MERINO PRUSSIAN WOOD PANELS
SHERWIN WILLIAMS AURA WHITE
BENJAMIN MOORE WHITE DOVE R. ABBEY CHANDELIER PLASTER RELIEF
R. HARDWARE MODERNO FLATWEAVE RUG DARK WOOD FLOORING
B. MOORE WITCHING HOUR GRAY
DRESS GRAY UNIFORMS
ROBERT ABBEY CHANDELIER
WOOD WALL PANELING
DARK WOOD FLOORING
R. HARDWARE MODERNO FLATWEAVE RUG
B. MOORE DIOR GRAY
DARK WOOD FLOORING
ROBERT ABBEY FLUSH MOUNT CHANDELIER
R. HARDWARE MODERNO FLATWEAVE RUG
SHERWIN WILLIAMS AURA WHITE
BOARDWALK OAK WALL PANELS WHITE OVER GRAY UNIFORMS
R. ABBEY SCONCE
BEAUX ARTS CHANDELIER
B.MOORE SYMPHONY BLUE R. HARDWARE ARTE RUG
DARK WOOD FLOORING As FOR CLASS
PRIVATE DINING ROOM/BLUE ROOM c. 1909
BAR DESIGN PROPOSAL
WEST POINT CLUB
DESIGN PROPOSAL
7.20.15
The significance of Benny Haven’s Bar lies in the generations of West Point Cadets who relied on the off-post off-limits tavern run by Benny Haven’s and his wife, Letitia. For a few hours, they could escape the rigors of their studies and enjoy a home cooked meal and the specialty drink of the house - the “hot flip”, made of rum or cider, beaten eggs, sugar and spices. Benny and Letitia loved each cadet as their own son.
Famous West Point cadets who frequented the tavern included Edgar Allan Poe, thefuture Union general Ambrose Burnside, future Confederate generals Henry Heth, Braxton Bragg and George E. Pickett, and future Confederate president Jefferson Davis.
Though moved from its original location, the tavern still exists in Highlands Falls. Ourproposal to change the name of the West Point Club bar to “The Haven” honors theexistence of the original bar while giving a nod to the spirit of the institution through the adaption of its namesake. In respecting this history, both in name and in design, we also acknowledge the long gray line that connects West Point graduates through the years.
ARMY COMBAT UNIFORMS (ACU)
MURAL INSPIRATION EXISTING BENNY HAVENS MURAL DOG TAGS/THE LONG GRAY LINE
SURROUNDING ARCHITECTURE
OBSTACLE COURSE
INSPIRATION
FLOOR PLAN
1 | PERIMETER SEATING AREA
2 | BAR & SEATING
3 | FIREPLACE SEATING AREA
4 | BILLIARD AREA
1 3 42
REFLECTED CEILING PLAN
1 | BILLIARD LIGHT & WHITE OAK
2 | CEILING & WALL SCONCE
3 | COVE LIGHT & CEILING PAINT
ELEVATIONS
1/4" = 1'-0"1 NORTH FP
1/4" = 1'-0"1 SOUTH TV
1/4" = 1'-0"1 ENTRY EXTERIOR
1/4" = 1'-0"1 SOUTH
1/4" = 1'-0"1 WEST
NORTH ELEVATIONSCALE: 3/32” = 1’-0”
E6
EAST ELEVATIONSCALE: 3/32” = 1’-0”
E1 SOUTH ELEVATIONSCALE: 3/32” = 1’-0”
E2
WEST ELEVATIONSCALE: 3/32” = 1’-0”
E3
BILLIARD FIREPLACE WALL ELEVATIONSCALE: 3/32” = 1’-0”
E5
BAR FIREPLACE WALL ELEVATIONSCALE: 3/32” = 1’-0”
E4
EXTERIOR ENTRANCE ELEVATIONSCALE: 3/32” = 1’-0”
E7
1 EAST
p l e bes
c ows
f i r s t i e
p l e bes
c ows
f i r s t i e
p l e bes
c ows
f i r s t i e
CONCRETE FLOOR
TINTED PRIVACY GLASS
WALL PANELING B. H. MURAL LINE DRAWING
BENJAMIN MOORE CALM, SILVER CHAIN & GALVESTON GRAY
SECTION, WALL & FLOOR TREATMENTS
ANTIQUED MIRROR TILES
DISPLAY CASES
PAINTED DOG TAGS TEXTURED WALL
BAR & BISTRO
BISTRO TABLE TOP
CHAIR LEATHER BAR STOOLS
BANQUETTE STYLE
BAR CHAIRS
STONE BAR TOP WITH ROUGH EDGE
RESTORATION HARDWARE CHANDELIER
WHITE OAK BAR BASE
BAR AREA
BANQUETTE BACK FABRIC / SEAT FABRIC
BISTRO TABLE
ENTRANCE TO THE HAVEN
SOUTHEAST VIEW OF BAR
SOUTHWEST VIEW OF BAR
BENNY HAVENS PEN & INK PRINT
AREA RUG WITH ABSTRACT DOG TAG DESIGN
IRON COFFEE TABLE
RESTORATION HARDWARE SAVOY COLLECTION SOFA IN VINTAGE CIGAR
RH BISTRO GLOBE MILK GLASS DBL SCONCE
FIREPLACE AREA
BEHR VENETIAN PLASTER B. MOORE GALVESTON GRAY
FIREPLACE AREA
BAR STOOL
HIGH BOY COCKTAIL TABLE
BLACK IRON PANED ENTRANCE DOORS BLACK IRON BILLIARD LIGHT
BILLIARD TABLE
BILLIARD AREA
BILLIARD ROOM
THE HAVEN FOOD PRESENTATION AND BRANDING
WEST POINT CLUB
DESIGN PROPOSAL
7.20.15
RUSTIC STYLE UTENSILS
BAR FOOD SERVED ON BOARD BAR FOOD SERVED IN IRON SKILLET BAR SNACKS SERVED ON BOARD
MONOGRAMMED BARWARE
THE HAVEN
THE HAVEN
THE HAVEN
THE HAVEN
THEHAVEN
HAVENTHE
THE HAVEN
THE HAVEN
TH HAV N