NEW! World cinema Streaming Video collection

call: 1-800-322-8755 CollegeOnline@InfobaseLearning.com

fax: 1-646-349-9687 www.Films.com • www.Infobase.com

• Unlimitedaccessfromanylocation—oncampusoroff

• EasilyembedvideosintoBlackboard,Moodle,orotherCMS

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• Includesmasterpiecesandawardwinnersdirectedby:

More than 380 classic and contemporary feature films from Africa, Asia, Europe, Latin America, the Middle East, and the United States.

FritzLang

GeorgesMéliès

JeanRenoir

LuisBuñuel

AkiraKurosawa

YasujirōOzu

SergeiEisenstein

AlfredHitchcock

IdaLupino

OusmaneSembène

FedericoFellini

RobertoRossellini

ZhangYimou

KingHu

GlauberRocha

YilmazGüney

SatyajitRay

…andmanymore!

T his unique collection includes the best of the silent era,groundbreakinginternationaldirectors,AmericanandEu-

ropeanmasterpieces fromthemid-20thcentury,andaward-winning contemporary films featured by Global Lens. Thecollection shines a light on the history of cinema while alsoprovidingaglimpse intotheculturesand issuesofcountriesaroundtheworld,makingitusefulbeyondfilmstudiesdepart-mentsbybringingvaluetoprogramsinareastudies,politicalscience,history,worldlanguages,andmore.

All foreign language films are accompanied by Englishsubtitles.UsingFilms On Demand’sCustomSegmenttool,fac-ultyandstudentsmaycreatecustomizedsegmentsofspecificscenesfromafilm,whichcanbeembedded,shared,andsaved.Some World Cinema titles contain mature themes or content;viewerdiscretionisadvised.

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“ These richly diverse films…can enhance classes that reach far beyond cinema studies…a powerful pedagogic resource for educating a 21st-century student body.”

Jerry W. Carlson, PhD, Professor of Comparative Literature & Film Studies, The City College & Graduate Center CUNY

collection highlights include:

indian film—14filmsbySatyajitRay(includingPather Panchali,The World of Apu,Aparajito,andThe Big City),aswellasfilmsbycontemporarydirectorssuchasAdoorGopalakrishnan,ParthoSen-Gupta,andRajeshShera.

chinese-language film—the1993CannesPalmed’OrwinnerFarewell My Concubine(ChenKaige),Spring in a Small Town(FeiMu),fourfilmsbyKingHu(Dragon Gate Inn,Touch of Zen,The Fate of Lee Khan,andRaining in the Mountain),fourofZhangYimou’smostfamousfilms(The Story of Qiu Ju,Red Sorghum,Ju Dou,andThe Herd),aswellastwofilmsbyTsaiMingLiang(The RiverandVive L’Amour).

latin american film—classicsfromGlauberRocha(includingBlack God, White Devil,Antonio Das Mortes,andEntranced Earth),12ofLuisBuñuel’sMexico-basedproductions(includingCannesPalmed’OrwinnerViridiana,The Exterminating Angel,andSimon of The Desert),andaward-winningcontemporaryfilmsbydirectorsfromMexico,Brazil,Columbia,Argentina,Uruguay,Peru,Cuba,Chile,andEcuador.

Turkish and middle eastern film—sevenfilmsbyTurkishdirectorYilmazGüney(includingCannesPalmed’OrwinnerThe WayakaYol,andHopeakaUmut)aswellasaward-winningcontemporaryfilmsfromIran,Iraq,Lebanon,Egypt,Israel,andPalestine(includingThe Kite,The White Meadows,andToll Booth).

Soviet, eastern european, and central asian film—10filmsbySergeiEisenstein(includingBattleship Potemkin,October,Strike,andIvan the Terrible),andaward-winningcontemporaryfilmsfromKyrgyzstan,Kazakhstan,Tajikistan,Yugoslavia,Bosnia,Croatia,Albania,Serbia,Macedonia,andGeorgia(includingWhen Father Was Away on Business,Fine Dead Girls,andA Wonderful Night in Split.)

British film—thepre-HollywoodworkofmajorBritishdirectorslikeAlfredHitchcock(includingThe 39 Steps,The Lady Vanishes,andThe Man Who Knew Too Much)andMichaelAnderson(1984andThe Naked Edge),aswellasfilmsbyOrsonWelles.

african film—Cairo StationbyYoussefChahine,sixfilmsbyOusmaneSembène(includingBlack GirlakaLa Noire de…,andThe CurseakaXala),twofilmsbyFloraGomes(Those Whom Death RefusedandTree of Blood),andacclaimedcontemporaryfilmssuchasThe Night of Truth,Daughter of Keltoum,andMax and Mona.

italian film—classicsfromVittorioDeSica(includingThe Bicycle ThiefandTwo Women),FedericoFellini(includingLa Dolce VitaandVariety Lights),andRobertoRossellini(includingPaisan,Rome, Open City,andJourney to Italy),aswellasfilmsbyLuchinoVisconti,MichelangeloAntonioni,andGiuseppeDeSantis.

German film—FritzLang’sMetropolisandM,JosefVonSternberg’sThe Blue Angel,WalterRuttmann’sBerlin: Symphony of a Metropolis,multiplefilmsbyF.W.MurnauandGeorgeWilhelmPabst(includingPandora’s BoxandDiary of a Lost Girl),aswellasfilmsbyPaulLeni,RobertSiodmak,andRobertWiene.

French film—GeorgesMéliès’seminalworkA Trip to the Moon,aswellasfilmsbyJeanRenoir(Rules of the GameandDiary of a Chambermaid),LuisBuñuel’sFrance-basedwork(includingAn Andalusian Dog,Tristana,andThe Golden Age),andReneClair(The Million).

Japanese film—16filmsbyAkiraKurosawa(includingRashomon,Drunken Angel,andStray Dog),21filmsbyKenjiMizoguchi(includingThe Story of the Last Chrysanthemums,Sansho the Bailiff,andUgetsu),16filmsbyYasujirōOzu(includingTokyo Story,I Was Born, But…,andLate Spring),andfilmsbycontemporarydirectorssuchasJuzoItamiandKazuyoshiOkuyama.

american film—multipletitlesfromBusterKeaton(includingThe General andSteamboat Bill Jr.),D.W.Griffith(includingThe Birth of a NationandIntolerance),CharlieChaplin,andothersrepresentingthebestofearlyAmericancinema,plusfilmsbyDouglasSirk,AlfredHitchcock,FrankCapra,IdaLupino,OrsonWelles,BusbyBerkeley,andmorecoveringthegoldenageofHollywood.

World cinema Streaming Video collection

NEW!

call: 1-800-322-8755 CollegeOnline@InfobaseLearning.com

fax: 1-646-349-9687 www.Films.com • www.Infobase.com

Contact us today for a FREE TRIAL today: