working with the public sector in using cc licenses: lessons learned
DESCRIPTION
"Working with The Public Sector in Using CC Licenses:Lessons Learned", a 15-min presentation given at the CC Asia Conference 2010. June 4-5, Seoul, Korea. http://wiki.creativecommons.org/CC_Asia_Conference_2010TRANSCRIPT
Working with The Public Sectorin Using CC Licenses:
Lessons Learned
CC Asia Conference 2010
Tyng-Ruey ChuangCreative Commons Taiwan @
Research Center for Information Technology InnovationAcademia Sinica
Outline
• Who we are and where we come from• Outreach to the public sector about CC
licenses• Some observations and perspectives
Disclaimer
My observations and opinions are my own.
They not necessarily represent those of myemployer or any of the organizations or
projects in which I am involved.
• Who we are– Creative Commons Taiwan– A project hosted in Academia Sinica, a
government-funded research organization
• Where we come from– Started in 2003 as part of the “law and
policy” work in an open source initiative– CC Taiwan licenses launched in 2004– In a unique position to talk to the public
sector, educators/students, and the public
The Public Sector
• Direct administration funded throughtaxation
• Publicly owned corporations• Partial outsourcing [of public projects]
• “Grants” from government departments– Grants not necessarily given to CC Taiwan– Relationships transcend grants
“Copyright Crimes and Remedies”
• The “piracy problem”• CC licenses as infrastructures for large scale
people-to-people content sharing and reuse• Grants to develop contents, and to hold
seminars about public licensing (in particularthe CC Licenses)
• The audience: The public; educators andstudents
• Importance of long-term relationships
Government Publications• Make them more accessible, and produce
them in less cost• “More fun, less work”• Grants to develop contents, and to hold
seminars about the CC Licenses• The audience: Civil servants and “decision
makers”
• Various types of government publications• “historical problem” v.s. “new process”• The need for best practices
Content Holders and Producers
• Entities holding large content collections ofhigh cultural and economic values– Archives, museums, public television services, etc.
• “What are others doing with their collections?”• Seminars and consultations on pubic licensing• Audience: Program staff and stakeholders
• There are always managerial considerations• Need to look into sustainability models
Observations• CC Licenses are getting very popular
– questions about details; licenses not “cure all”• Issues of liability
– how to resolve conflicts, and how to takeresponsibility “if something goes wrong”?
• In-house counsel; sustainability model– the path from “nice idea” to “good practice”
• Learning from your neighbors– eventually everyone is a smart neighbor!
• Policy decisions have great implications– few major policy decisions so far, however
Perspectives• Need new strategies to get major policy
changes– dealing with bureaucratic reality– bottom-up and top-down approaches
• Is legislative process a good option?– may put people in difficult positions
• Joining force from the open standards and freesoftware movements
• Voices from the younger generations (even inthe public sector)
Thanks• Intellectual Property Office, Ministry of Economic
Affairs (TIPO)• Computer Center, Ministry of Education (CC/MOE)• The Council for Cultural Affairs (CCA)• The Research, Development, and Evaluation
Commission (RDEC)• Public Television Service (PTS)• Taiwan E-Learning and Digital Archive Program
(TELDAP)
and many more