woods_portfolio_8.16.16
TRANSCRIPT
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
MODERN ADAPTATIONS OF CLASSICAL MEDIA: PERSONAL PROJECTAdobe Illustrator and InDesign
MODERN ADAPTATIONS OF CLASSICAL MEDIA AS WEB SERIESthe lydia bennetThe Lizzie Bennet Diaries
7.13.12-1.29.13Pemberley Digital
maria of the luThe Lizzie Bennet Diaries
9.7.12-9.28.12Pemberley Digital
collins and collinsThe Lizzie Bennet Diaries
11.9.12-5.24.14?Pemberley Digital
dominoThe Lizzie Bennet Diaries
1.30.13-2.15.13Pemberley Digital
harriet’s musicEmma Approved2.27.14-8.23.14
Pemberley Digital
THE LIZZIE BENNET DIARIESPride and Prejudice–Jane Austen
4.9.12-3.28.13Pemberley Digital
the autobiography of jane eyreJane Eyre–Charlotte Bronte
2.28.13-6.21.14Nessa Aref
welcome to sanditonSanditon–Jane Austen
5.13.13-8.12.13Pemberley Digital
emma approvedEmma–Jane Austen
10.7.13-8.21.14Pemberley Digital
classic aliceMany; Crime and
Punishment–Dostoyvetsky3.4.14-1.12.16
Kate Hackett Productions
jules and montyRomeo and Juliet–Shakespeare
3.10.14-5.5.14Tufts University
nothing much to doMuch Ado About Nothing–
William Shakespeare3.25.14-10.28.14
The Candle Wasters
the new adventures of peter and wendy
Peter Pan–J.M. Barrie5.9.14-9.6.15?Epic Robot TV
the march family lettersLittle Women–Louisa May Alcott
12.25.14-6.25.15?Created by Cherrydale Productions,
distributed by Pemberley Digital
A4O (ALL FOR ONE)The Three Musketeers–Alexandre Dumas
3.7.16-5.20.16Created by Cherrydale Productions,
distributed by Kinda TV
green gables fablesAnne of Green Gables–L.M. Montgomery
1.8.14-4.26.16Created by Marie Trotter, Alicia Whitson,
and Mandy Harmon frankenstein, mdFrankenstein–Mary Shelley
8.19.14-10.31.14Pemberley Digital with
PBS Digital Studios
carmillaCarmilla–J. Sheridan Le Fanu
8.19.14-10.1.2015?Created by Smokebomb Entertainment,
produced by U by Kotex,distributed by KindaTV
“The Lizzie Bennet Diaries” and “Emma Approved” both created spin-off series featuring characters from the show, as a way of adding to characterization to the series’ main players.Notably, the writers of “The Lizzie Bennet Diaries” published two books from the perspectives of Lizzie and Lydia Bennet, taking place during the series.
The trend of adapting classical works of media began with “The Lizzie Bennet Diaries” in 2012. Originally concieved by producer Hank Green as a love letter of sorts to his wife Katherine, the vlog series presented as a project by Lizzie Bennet quickly went viral, with the series’s first episode currently having over two million views on YouTube. In addition to creating a video series presenting the main conflict from the classic novel, Green, producer/writer/director Bernie Su, and writers Katie Rorick, Tracy Bitterolf, and Tamara Krinsky created an extensive “transmedia” experience: not only the original “Lizzie Bennet” video series, but also Twitter accounts for their characters that interacted with viewers, four spin-off vlog
series, two books, and a sequel of sorts in the miniseries “Welcome to Sanditon.” One of the first spiritual successors of “Lizzie Bennet,” “The Autobiography of Jane Eyre,” based on the Charlotte Bronte novel, debuted on YouTube close to the end of “Lizzie Bennet.” This series was different from its predecessor, as “Jane Eyre” had a much smaller creative team, cast, and budget, but it paved the way for future productions by smaller or student-led web series. The creative team behind “Lizzie Bennet,” rebranded as Pemberley Digital, next produced an adaptation of Jane Austen’s novel “Emma,” this time extending the transmedia experience to a fashion blog covering the outfits worn by the titular Ms. Woodhouse. For their
efforts, both “Lizzie Bennet” and “Emma Approved” won Creative Arts Emmy Awards for Original Interactive Programs. “Lizzie Bennet” also won two Streamy awards.After this outstanding success at adapting classical novels to web series, many groups across the globe tried their hand at creating adaptations of previously worn-out material. The groups included more professional production companies, such as Cherrydale Productions (“The March Family Letters” and “All for One”) and Epic Robot TV (“The New Adventures of Peter and Wendy”); allegiances between production companies and their distributers, like Pemberley Digital with PBS Digital Studios (“Frankenstein, MD”)
and Smokebomb Entertainment with U by Kotex and Kinda TV (“Carmilla”); and student-created projects, including “Green Gables Fables,” “Jules and Monty,” and “Nothing Much to Do.”Some series even combined multiple classical media sources into one cohesive narrative, such as “Classic Alice,” where the central Alice is a graduate student who explores literature like “The Odyssey,” “Macbeth,” and “Persuasion.” Adapting classical media to web series also allows for an exploration of current topics, such as media like “Carmilla,” “All for One,” and “The March Family Letters” exploring gender identity and sexuality, and “Lizzie Bennet” addressing Internet privacy and familial relationships.
MODERN ADAPTATIONS OF CLASSICAL MEDIA AS WEB SERIESthe lydia bennetThe Lizzie Bennet Diaries
7.13.12-1.29.13Pemberley Digital
maria of the luThe Lizzie Bennet Diaries
9.7.12-9.28.12Pemberley Digital
collins and collinsThe Lizzie Bennet Diaries
11.9.12-5.24.14?Pemberley Digital
dominoThe Lizzie Bennet Diaries
1.30.13-2.15.13Pemberley Digital
harriet’s musicEmma Approved2.27.14-8.23.14
Pemberley Digital
THE LIZZIE BENNET DIARIESPride and Prejudice–Jane Austen
4.9.12-3.28.13Pemberley Digital
the autobiography of jane eyreJane Eyre–Charlotte Bronte
2.28.13-6.21.14Nessa Aref
welcome to sanditonSanditon–Jane Austen
5.13.13-8.12.13Pemberley Digital
emma approvedEmma–Jane Austen
10.7.13-8.21.14Pemberley Digital
classic aliceMany; Crime and
Punishment–Dostoyvetsky3.4.14-1.12.16
Kate Hackett Productions
jules and montyRomeo and Juliet–Shakespeare
3.10.14-5.5.14Tufts University
nothing much to doMuch Ado About Nothing–
William Shakespeare3.25.14-10.28.14
The Candle Wasters
the new adventures of peter and wendy
Peter Pan–J.M. Barrie5.9.14-9.6.15?Epic Robot TV
the march family lettersLittle Women–Louisa May Alcott
12.25.14-6.25.15?Created by Cherrydale Productions,
distributed by Pemberley Digital
A4O (ALL FOR ONE)The Three Musketeers–Alexandre Dumas
3.7.16-5.20.16Created by Cherrydale Productions,
distributed by Kinda TV
green gables fablesAnne of Green Gables–L.M. Montgomery
1.8.14-4.26.16Created by Marie Trotter, Alicia Whitson,
and Mandy Harmon frankenstein, mdFrankenstein–Mary Shelley
8.19.14-10.31.14Pemberley Digital with
PBS Digital Studios
carmillaCarmilla–J. Sheridan Le Fanu
8.19.14-10.1.2015?Created by Smokebomb Entertainment,
produced by U by Kotex,distributed by KindaTV
“The Lizzie Bennet Diaries” and “Emma Approved” both created spin-off series featuring characters from the show, as a way of adding to characterization to the series’ main players.Notably, the writers of “The Lizzie Bennet Diaries” published two books from the perspectives of Lizzie and Lydia Bennet, taking place during the series.
The trend of adapting classical works of media began with “The Lizzie Bennet Diaries” in 2012. Originally concieved by producer Hank Green as a love letter of sorts to his wife Katherine, the vlog series presented as a project by Lizzie Bennet quickly went viral, with the series’s first episode currently having over two million views on YouTube. In addition to creating a video series presenting the main conflict from the classic novel, Green, producer/writer/director Bernie Su, and writers Katie Rorick, Tracy Bitterolf, and Tamara Krinsky created an extensive “transmedia” experience: not only the original “Lizzie Bennet” video series, but also Twitter accounts for their characters that interacted with viewers, four spin-off vlog
series, two books, and a sequel of sorts in the miniseries “Welcome to Sanditon.” One of the first spiritual successors of “Lizzie Bennet,” “The Autobiography of Jane Eyre,” based on the Charlotte Bronte novel, debuted on YouTube close to the end of “Lizzie Bennet.” This series was different from its predecessor, as “Jane Eyre” had a much smaller creative team, cast, and budget, but it paved the way for future productions by smaller or student-led web series. The creative team behind “Lizzie Bennet,” rebranded as Pemberley Digital, next produced an adaptation of Jane Austen’s novel “Emma,” this time extending the transmedia experience to a fashion blog covering the outfits worn by the titular Ms. Woodhouse. For their
efforts, both “Lizzie Bennet” and “Emma Approved” won Creative Arts Emmy Awards for Original Interactive Programs. “Lizzie Bennet” also won two Streamy awards.After this outstanding success at adapting classical novels to web series, many groups across the globe tried their hand at creating adaptations of previously worn-out material. The groups included more professional production companies, such as Cherrydale Productions (“The March Family Letters” and “All for One”) and Epic Robot TV (“The New Adventures of Peter and Wendy”); allegiances between production companies and their distributers, like Pemberley Digital with PBS Digital Studios (“Frankenstein, MD”)
and Smokebomb Entertainment with U by Kotex and Kinda TV (“Carmilla”); and student-created projects, including “Green Gables Fables,” “Jules and Monty,” and “Nothing Much to Do.”Some series even combined multiple classical media sources into one cohesive narrative, such as “Classic Alice,” where the central Alice is a graduate student who explores literature like “The Odyssey,” “Macbeth,” and “Persuasion.” Adapting classical media to web series also allows for an exploration of current topics, such as media like “Carmilla,” “All for One,” and “The March Family Letters” exploring gender identity and sexuality, and “Lizzie Bennet” addressing Internet privacy and familial relationships.
MODERN ADAPTATIONS OF CLASSICAL MEDIA AS WEB SERIESthe lydia bennetThe Lizzie Bennet Diaries
7.13.12-1.29.13Pemberley Digital
maria of the luThe Lizzie Bennet Diaries
9.7.12-9.28.12Pemberley Digital
collins and collinsThe Lizzie Bennet Diaries
11.9.12-5.24.14?Pemberley Digital
dominoThe Lizzie Bennet Diaries
1.30.13-2.15.13Pemberley Digital
harriet’s musicEmma Approved2.27.14-8.23.14
Pemberley Digital
THE LIZZIE BENNET DIARIESPride and Prejudice–Jane Austen
4.9.12-3.28.13Pemberley Digital
the autobiography of jane eyreJane Eyre–Charlotte Bronte
2.28.13-6.21.14Nessa Aref
welcome to sanditonSanditon–Jane Austen
5.13.13-8.12.13Pemberley Digital
emma approvedEmma–Jane Austen
10.7.13-8.21.14Pemberley Digital
classic aliceMany; Crime and
Punishment–Dostoyvetsky3.4.14-1.12.16
Kate Hackett Productions
jules and montyRomeo and Juliet–Shakespeare
3.10.14-5.5.14Tufts University
nothing much to doMuch Ado About Nothing–
William Shakespeare3.25.14-10.28.14
The Candle Wasters
the new adventures of peter and wendy
Peter Pan–J.M. Barrie5.9.14-9.6.15?Epic Robot TV
the march family lettersLittle Women–Louisa May Alcott
12.25.14-6.25.15?Created by Cherrydale Productions,
distributed by Pemberley Digital
A4O (ALL FOR ONE)The Three Musketeers–Alexandre Dumas
3.7.16-5.20.16Created by Cherrydale Productions,
distributed by Kinda TV
green gables fablesAnne of Green Gables–L.M. Montgomery
1.8.14-4.26.16Created by Marie Trotter, Alicia Whitson,
and Mandy Harmon frankenstein, mdFrankenstein–Mary Shelley
8.19.14-10.31.14Pemberley Digital with
PBS Digital Studios
carmillaCarmilla–J. Sheridan Le Fanu
8.19.14-10.1.2015?Created by Smokebomb Entertainment,
produced by U by Kotex,distributed by KindaTV
“The Lizzie Bennet Diaries” and “Emma Approved” both created spin-off series featuring characters from the show, as a way of adding to characterization to the series’ main players.Notably, the writers of “The Lizzie Bennet Diaries” published two books from the perspectives of Lizzie and Lydia Bennet, taking place during the series.
The trend of adapting classical works of media began with “The Lizzie Bennet Diaries” in 2012. Originally concieved by producer Hank Green as a love letter of sorts to his wife Katherine, the vlog series presented as a project by Lizzie Bennet quickly went viral, with the series’s first episode currently having over two million views on YouTube. In addition to creating a video series presenting the main conflict from the classic novel, Green, producer/writer/director Bernie Su, and writers Katie Rorick, Tracy Bitterolf, and Tamara Krinsky created an extensive “transmedia” experience: not only the original “Lizzie Bennet” video series, but also Twitter accounts for their characters that interacted with viewers, four spin-off vlog
series, two books, and a sequel of sorts in the miniseries “Welcome to Sanditon.” One of the first spiritual successors of “Lizzie Bennet,” “The Autobiography of Jane Eyre,” based on the Charlotte Bronte novel, debuted on YouTube close to the end of “Lizzie Bennet.” This series was different from its predecessor, as “Jane Eyre” had a much smaller creative team, cast, and budget, but it paved the way for future productions by smaller or student-led web series. The creative team behind “Lizzie Bennet,” rebranded as Pemberley Digital, next produced an adaptation of Jane Austen’s novel “Emma,” this time extending the transmedia experience to a fashion blog covering the outfits worn by the titular Ms. Woodhouse. For their
efforts, both “Lizzie Bennet” and “Emma Approved” won Creative Arts Emmy Awards for Original Interactive Programs. “Lizzie Bennet” also won two Streamy awards.After this outstanding success at adapting classical novels to web series, many groups across the globe tried their hand at creating adaptations of previously worn-out material. The groups included more professional production companies, such as Cherrydale Productions (“The March Family Letters” and “All for One”) and Epic Robot TV (“The New Adventures of Peter and Wendy”); allegiances between production companies and their distributers, like Pemberley Digital with PBS Digital Studios (“Frankenstein, MD”)
and Smokebomb Entertainment with U by Kotex and Kinda TV (“Carmilla”); and student-created projects, including “Green Gables Fables,” “Jules and Monty,” and “Nothing Much to Do.”Some series even combined multiple classical media sources into one cohesive narrative, such as “Classic Alice,” where the central Alice is a graduate student who explores literature like “The Odyssey,” “Macbeth,” and “Persuasion.” Adapting classical media to web series also allows for an exploration of current topics, such as media like “Carmilla,” “All for One,” and “The March Family Letters” exploring gender identity and sexuality, and “Lizzie Bennet” addressing Internet privacy and familial relationships.
MODERN ADAPTATIONS OF CLASSICAL MEDIA AS WEB SERIESthe lydia bennetThe Lizzie Bennet Diaries
7.13.12-1.29.13Pemberley Digital
maria of the luThe Lizzie Bennet Diaries
9.7.12-9.28.12Pemberley Digital
collins and collinsThe Lizzie Bennet Diaries
11.9.12-5.24.14?Pemberley Digital
dominoThe Lizzie Bennet Diaries
1.30.13-2.15.13Pemberley Digital
harriet’s musicEmma Approved2.27.14-8.23.14
Pemberley Digital
THE LIZZIE BENNET DIARIESPride and Prejudice–Jane Austen
4.9.12-3.28.13Pemberley Digital
the autobiography of jane eyreJane Eyre–Charlotte Bronte
2.28.13-6.21.14Nessa Aref
welcome to sanditonSanditon–Jane Austen
5.13.13-8.12.13Pemberley Digital
emma approvedEmma–Jane Austen
10.7.13-8.21.14Pemberley Digital
classic aliceMany; Crime and
Punishment–Dostoyvetsky3.4.14-1.12.16
Kate Hackett Productions
jules and montyRomeo and Juliet–Shakespeare
3.10.14-5.5.14Tufts University
nothing much to doMuch Ado About Nothing–
William Shakespeare3.25.14-10.28.14
The Candle Wasters
the new adventures of peter and wendy
Peter Pan–J.M. Barrie5.9.14-9.6.15?Epic Robot TV
the march family lettersLittle Women–Louisa May Alcott
12.25.14-6.25.15?Created by Cherrydale Productions,
distributed by Pemberley Digital
A4O (ALL FOR ONE)The Three Musketeers–Alexandre Dumas
3.7.16-5.20.16Created by Cherrydale Productions,
distributed by Kinda TV
green gables fablesAnne of Green Gables–L.M. Montgomery
1.8.14-4.26.16Created by Marie Trotter, Alicia Whitson,
and Mandy Harmon frankenstein, mdFrankenstein–Mary Shelley
8.19.14-10.31.14Pemberley Digital with
PBS Digital Studios
carmillaCarmilla–J. Sheridan Le Fanu
8.19.14-10.1.2015?Created by Smokebomb Entertainment,
produced by U by Kotex,distributed by KindaTV
“The Lizzie Bennet Diaries” and “Emma Approved” both created spin-off series featuring characters from the show, as a way of adding to characterization to the series’ main players.Notably, the writers of “The Lizzie Bennet Diaries” published two books from the perspectives of Lizzie and Lydia Bennet, taking place during the series.
The trend of adapting classical works of media began with “The Lizzie Bennet Diaries” in 2012. Originally concieved by producer Hank Green as a love letter of sorts to his wife Katherine, the vlog series presented as a project by Lizzie Bennet quickly went viral, with the series’s first episode currently having over two million views on YouTube. In addition to creating a video series presenting the main conflict from the classic novel, Green, producer/writer/director Bernie Su, and writers Katie Rorick, Tracy Bitterolf, and Tamara Krinsky created an extensive “transmedia” experience: not only the original “Lizzie Bennet” video series, but also Twitter accounts for their characters that interacted with viewers, four spin-off vlog
series, two books, and a sequel of sorts in the miniseries “Welcome to Sanditon.” One of the first spiritual successors of “Lizzie Bennet,” “The Autobiography of Jane Eyre,” based on the Charlotte Bronte novel, debuted on YouTube close to the end of “Lizzie Bennet.” This series was different from its predecessor, as “Jane Eyre” had a much smaller creative team, cast, and budget, but it paved the way for future productions by smaller or student-led web series. The creative team behind “Lizzie Bennet,” rebranded as Pemberley Digital, next produced an adaptation of Jane Austen’s novel “Emma,” this time extending the transmedia experience to a fashion blog covering the outfits worn by the titular Ms. Woodhouse. For their
efforts, both “Lizzie Bennet” and “Emma Approved” won Creative Arts Emmy Awards for Original Interactive Programs. “Lizzie Bennet” also won two Streamy awards.After this outstanding success at adapting classical novels to web series, many groups across the globe tried their hand at creating adaptations of previously worn-out material. The groups included more professional production companies, such as Cherrydale Productions (“The March Family Letters” and “All for One”) and Epic Robot TV (“The New Adventures of Peter and Wendy”); allegiances between production companies and their distributers, like Pemberley Digital with PBS Digital Studios (“Frankenstein, MD”)
and Smokebomb Entertainment with U by Kotex and Kinda TV (“Carmilla”); and student-created projects, including “Green Gables Fables,” “Jules and Monty,” and “Nothing Much to Do.”Some series even combined multiple classical media sources into one cohesive narrative, such as “Classic Alice,” where the central Alice is a graduate student who explores literature like “The Odyssey,” “Macbeth,” and “Persuasion.” Adapting classical media to web series also allows for an exploration of current topics, such as media like “Carmilla,” “All for One,” and “The March Family Letters” exploring gender identity and sexuality, and “Lizzie Bennet” addressing Internet privacy and familial relationships.
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“DAY OF CARING:” LOGO REDESIGNVariable sizes, Adobe Illustrator
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“SHE DID WHAT SHE WANTED (WOMAN CRUSH MONTH: GINA RODRIGUEZ)”: PERSONAL PROJECT
8x10” pages, Adobe Illustrator and InDesign
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“ANCHORED:” T-SHIRT DESIGN FOR AWAKENING 2014 RETREAT10x8”, Adobe Illustrator
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“ANCHORED:” POSTER DESIGN FOR AWAKENING 2014 RETREAT11x17”, Adobe Illustrator
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“LET US SING:” FALL T-SHIRT DESIGN FOR CATHOLIC CAMPUS MINISTRY 10x9”, Adobe Illustrator
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“JACK FROST:” POSTER DESIGN FOR JACK FROST 5K RUN/WALK 11x17”, Adobe Illustrator, Photoshop and InDesign
Special thanks to our sponsors:
Saturday, January 31, 2015
O’Reilly Catholic Student Center847 South Holland AvenueSpringfield, MO 65806
Registration/Packet Pickup 8:00 a.m. @ CCMRace 9:00 a.m. @ CCM
Cost: $20.00 before Jan. 30th, 4:00 p.m. OR $25.00 the day of the race.(All registrations are non-refundable.)
Awards given to 1st, 2nd and 3rd place 5K finishers in each age group, male and female. The award ceremony immediately follows the race.
Long-sleeve Dry-Fit shirts will be given to the first 250 registered and paid participants!T-shirt size guaranteed if registered and paid by January 9th!
Age groups: Under 15, 15-19, 20-29, 30-39, 40-49, 50-59, 60-69, Over 69For more information, call (417) 865-0802.
GOLD SPONSORS
SILVER SPONSORS
BRONZE SPONSORSANDY’S FROZEN CUSTART
BAMBINO’SBEACON STUDENT HOUSING
HASELHORST PROPERTIESHEALTH TRACKS
MERCYSAMEK & CO., CPA
SPERRY CAN NESS/RANKIN COMPANY
SPRINGFIELD UNDERGROUNDKEITH SEIWERT, CPAWOOTEN COMPANY
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“JACK FROST:” LOGO, T-SHIRT AND POSTER DESIGN FOR JACK FROST 5K RUN/WALK 9x9”, Adobe Illustrator, Photoshop and InDesign
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“PTX WORLD TOUR:” PERSONAL PROJECT11x17”, Letterpress with polymer cuts
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“THE SALMON OF MILD SYMPATHY:” PERSONAL PROJECT4x6”, Colored pencil and inks
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“REASONS TO LOVE BEING A BADGER:” PERSONAL PROJECT8x10”, Pen and ink, Adobe Photoshop and Illustrator
JUST TRUEFLEXIBLERUPERT GRINTDETERMINED
HUMBLETRUSTINGHARDWO
RKINGFRIENDLY
GOODLUCKY
DWAYNEJOHNSON
familymulti-
talented
GOODTHEY LIVE BY THE KITCHENMATTHEW LEWIS
reasons to love
being a
badger
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“WINTER:” COVER DESIGN8x11,” Pen and Ink, Adobe Photoshop
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“BEAR WITH ME:” PERSONAL PROJECT9x9”, two-color linoleum print
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“HARRY POTTER HIGH FANTASY:” PERSONAL PROJECTVariable sizes, pen and Adobe Photoshop
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“HUEVEMBER:” PERSONAL PROJECTVariable sizes, pen and ink, Adobe Photoshop
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“INKTOBER:” PERSONAL PROJECTEach 5.5x8”, pen and ink
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“TRAVELOGS:” PERSONAL PROJECTVariable sizes, watercolor paint, ink
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
12
“FRIENDS AND FAMILY:” PERSONAL PROJECTBlack and white film, 120mm
Illustration and Graphic Design314.258.3527
[email protected] Woods on Behance and LinkedIn
“THE DAILY DOODLES:” PERSONAL PROJECTVariable sizes, dry-erase marker
If you’d like to see more of my work, a more complete portfolio can be viewed on my LinkedIn page!