fromA BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.htmlby José Ángel GARCÍA LANDA(University of Zaragoza, Spain)

WILLIAM BLAKE (1757-1827)

(English poet and illustrator; son of a hosier, apprenticed engraver, st. Royal Academy of Art, l. London, Rev. Mathew's and Joseph Johnson's circle, became radical libertarian and millenarist Protestant, enemy of authority and rationalism; married Catherine Boucher, loving marriage without children, unsuccessful printer, moved to Lambeth, tried and acquitted for treasonable expressions; considered demented by contemporary critics, later vindicated by Romantics, great success in 20th c. as visionary poet and illustrator)

Works

Blake, William. Poetical Sketches. 1783._____. From Poetical Sketches. ("To Spring," 1783; "To Autumn,"

1783; "To the Evening Star," 1783). In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 39-40.*

_____. An Island in the Moon. Satire. Written c. 1784-85. In The Real Blake. By E. J. Ellis. 1907. (Vs. virtuosi).

_____. "There Is No Natural Religion." (a and b). 1788. In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 41-42.*

_____. There Is No Natural Religion. Electronic edition in William Blake Archive. http://dazzle.village.virginia.edu:8888/blake

_____. Songs of Innocence. 1789._____. Songs of Innocence. New York: Dover._____. From Songs of Innocence. ("Introduction," 1789; "The Ecchoing

Green," 1789; "The Lamb," 1789; "The Little Black Boy," 1789; "The Chimney Sweeper," 1789; "The Divine Image," 1789; "Holy Thursday," c. 1784, pub. 1789; "Nurse's Song," c. 1784, pub. 1789; "Infant Joy," 1789). In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 43-48.*

_____. "Introduction" to Songs of Innocence. Poem. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 930.*

_____. "The Chimney Sweeper." In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 837.*

_____. "The Lamb." Poem. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 1029-30.*

_____. Tiriel. 1789, pub. 1874._____. Songs of Innocence. 1789._____. The Book of Thel. 1789-91. In The Norton Anthology of English

Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 59-64.*

_____. The Book of Thel. Electronic edition in William Blake Archive. http://dazzle.village.virginia.edu:8888/blake

_____. From The French Revolution: A Poem in Seven Books. 1791. In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 145-46.*

_____. A Song of Liberty. Poem. 1792. In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 82-84.*

_____. America: A Prophecy. 1793. _____. America: A Prophecy. Electronic edition in William Blake

Archive. http://dazzle.village.virginia.edu:8888/blake_____. From America: A Prophecy. In The Norton Anthology of

English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 146-47.*

_____. The Marriage of Heaven and Hell. 1790-93. In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 72-82.*

_____. The Marriage of Heaven and Hell. In The Poetical Works of William Blake. London, 1913.

_____. The Marriage of Heaven and Hell. In The Portable Blake. Ed. Alfred Kazin. 1976. Harmondsworth: Penguin, 1985.

_____. The Marriage of Heaven and Hell. Electronic edition in William Blake Archive. http://dazzle.village.virginia.edu:8888/blake

_____. Visions of the Daughters of Albion. 1793._____. Visions of the Daughters of Albion. Electronic edition in

William Blake Archive.

http://dazzle.village.virginia.edu:8888/blake_____. Visions of the Daughters of Albion. 1793. In The Norton

Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 64-71.*

_____. The Book of Urizen. Poem. 1794._____. The First Book of Urizen. Electronic edition in William Blake

Archive. http://dazzle.village.virginia.edu:8888/blake

_____. Songs of Experience. 1794._____. Songs of Experience. New York: Dover._____. From Songs of Experience. 1794. ("Introduction"; "Earth's

Answer"; "The Clod & the Pebble"; "Holy Thursday"; "The Chimney Sweeper" c. 1790-92; "Nurse's Song"; "The Sick Rose"; "The Fly"; "The Tyger"; "My Pretty Rose Tree"; "Ah Sun-flower"; "The Garden of Love"; "London"; "The Human Abstract" 1790-92, pub. 1794; "Infant Sorrow"; "A Poison Tree"; "To Tirzah" pub. 1805; "A Divine Image" c. 1790-91). In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 49-59.*

_____. "The Sick Rose." In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 811.*

_____. "The Tiger." Poem. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 1030-31.*

_____. Drafts for "The Tyger." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2860-62.*

_____. "A Poison Tree." Poemhunterhttp://www.poemhunter.com/poem/a-poison-tree/2014

_____. Songs of Innocence and of Experience. Electronic edition in William Blake Archive. http://dazzle.village.virginia.edu:8888/blake

_____. Songs of Innocence. Songs of Experience / Cantos de inocencia. Cantos de experiencia. Bilingual ed. Ed. and trans. Elena Valentí. Barcelona: Bosch, 1987.

_____. Canciones de Inocencia y de Experiencia. Ed. José Luis Caramés and Santiago González Corugedo. Madrid: Cátedra.

_____. Europe: A Prophecy. 1794._____. Europe: A Prophecy. Electronic edition in William Blake

Archive. http://dazzle.village.virginia.edu:8888/blake

_____. The Book of Los. Poem. 1795._____. The Book of Los. Electronic edition in William Blake Archive.

http://dazzle.village.virginia.edu:8888/blake_____. The Book of Ahania. 1795._____. The Book of Ahania. Electronic edition in William Blake

Archive. http://dazzle.village.virginia.edu:8888/blake DISCONTINUED

_____. The Four Zoas (Orig. Vala), written and rev. 1797-1804._____. The Song of Los. Electronic edition in William Blake Archive.

http://dazzle.village.virginia.edu:8888/blake_____. "Two Letters on Sight and Vision." 1799, 1827. In The Norton

Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 88-91.*

_____. Milton, a Poem in Two Books. 1804._____. Milton, a Poem Electronic edition in William Blake Archive.

http://dazzle.village.virginia.edu:8888/blake_____. Preface to Milton, a Poem in Two Books. In The Personal Note.

Ed. H. J. C. Grierson and S. Wason. London: Chatto, 1946. 99-100.

_____. "Auguries of Innocence." Written 1803-6. In Gilchrist, The Life of William Blake. 1863.

_____. "And did those feet" (Preface to Milton). c. 1804-10. In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 85-86.*

_____. Jerusalem: The Emanation of the Giant Albion. 1804-20._____. Jerusalem. Ed. Morton D. Paley. William Blake Trust._____. "The Ancient Britons." Select. from A Descriptive Catalogue .

1809. In H. Adams 413-415._____. "The Canterbury Pilgrims." 1809. In Jones, English Critical

Essays (Nineteenth Century) 85-94._____. From A Vision of the Last Judgment. Essay. 1810. In The

Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 86-88.*

_____. "The Everlasting Gospel." C. 1818._____. The Book of Job. (Illust.). 1825._____. From Blake's Notebook. Pub. 1863, 1935. ("Mock on, Mock on,

Voltaire, Rousseau"; "Never Pain to Tell Thy Love"; "I Askèd a Thief"). In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 84-85.*

_____. The Poetical Works of William Blake. London, 1913.

_____. Poetry and Prose of William Blake. Ed. Geoffrey Keynes. London: Nonesuch, 1927.* 1961.

_____. The Complete Writings of William Blake. Ed. Geoffrey Keynes. London: Nonesuch; New York: Random House, 1957.

_____. The Complete Writings of William Blake. Ed. G. Keynes. 2nd ed. 1966.

_____. The Complete Poetry and Prose of William Blake. Ed. David V. Erdman. 1965.

_____. The Complete Poetry and Prose of William Blake. Ed. David Erdman. Commentary by Harold Bloom. Rev. ed. New York: Anchor, 1988.

_____. The Complete Poetry and Prose of William Blake. Ed. David V. Erdman. Berkeley: U of California P, 1981.

_____. Blake. Ed. W. H. Stevenson. (Penguin Poetry Library). Harmondsworth: Penguin.

_____. The Complete Writings: With Variant Readings. Ed. Sir Geoffrey Keynes. Oxford: Oxford UP, 1969.

_____. The Portable Blake. Ed. Alfred Kazin. 1976. Harmondsworth: Penguin, 1985.

_____. Blake's Poetry and Designs. (Norton Critical Edition). Ed. Mary Lynn Johnson and John Grant. New York: Norton, 1979.

_____. Poemas proféticos y prosas. Ediciones de Bolsillo. _____. Selected Poetry and Prose. Ed. David Punter. London:

Routledge, 1988._____. Milton a Poem and the Final Illuminated Works: The Ghost of

Abel, On Homers Poetry [and] On Virgil, Laocoön.Ed. Robert N. Essick and Joseph Viscomi. (Blake's Illuminated Books 5, ed. David Bindman). London: William Blake Trust / Tate Gallery, 1993.*

_____. Poems of William Blake. Ed. Peter Ackroyd. London: Sinclair-Stevenson, 1995.*

_____. Selected Poetry. Ed. Michael Mason. (World's Classics). Oxford: Oxford UP, 1996.

_____. Poems in The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Hodder Headline-Arnold, 1997. 661-7.*

_____. Papers in The Romantic Age. 18 vols. database. (English Letters). Intelex / Oxford UP, 2004. (Correspondence and papers from William Blake, Robert Burns, Samuel Wesley, Maria Edgeworth, Sydney Smith, David Ricardo, Robert Southey, Jane Austen, J. M. W. Turner, Edward John Trelawny, Percy Bysshe Shelley, Fanny Brawne From the Oxford UP ed.). http://www.nlx.oup.com

2004

Biography

Ackroyd, Peter. Blake. London: Sinclair-Stevenson, 1995.*_____. Blake. New York: Knopf (Distributed by Random House),

1996._____. Blake. New edition. London: Vintage, 2007.*Gilchrist, Alexander. The Life of William Blake. 1863.Murry, John Middleton. William Blake. 1933. "William Blake" In SparkNotes

http://www.sparknotes.com/poetry/blake/context.html2005-05-20

Wilson, Mona. The Life of William Blake. 1927.

Criticism

Ackroyd, Peter. "William Blake, A Spiritual Radical." Lecture, winter 1995. In Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 352-64.*

Ahearn, Edward J. "An Anatomy of the Visionary: Blake's Marriage of Heaven and Hell." In Ahearn, Visionary Fictions. New Haven: Yale UP, 1996. 13-33.*

"Auguries of Innocence Summary." In eNotes.http://www.enotes.com/salem-lit/auguries-innocence2007-04-02

Balfour, Ian. "The Future of Citation: Blake, Wordsworth and the Rhetoric of Romantic Prophecy." In Writing the Future. Ed. David Wood. London: Routledge, 1990. 115-28.*

Bataille, Georges. "Blake." In Bataille, La littérature et le mal. 1957. Paris: Gallimard, 1990. 59-77.*

Beer, John. Romantic Consciousness: Blake to Mary Shelley. Houndmills: Palgrave Macmillan, 2003.

Bertholf, Robert J., and Annette S. Levitt, eds. Willliam Blake and the Moderns. Albany: State U of New York P, 1982.*

Bidney, Martin. "Creating a Feminist-Communitarian Romanticism in Beloved: Toni Morrison's New Uses for Blake." Papers on Language and Literature 36.3 (2000): 271-301.

Bishop, Elizabeth Morchard. Blake's Hayley. London, 1951; New York, 1972.

Blake: SONGS OF INNOCENCE AND EXPERIENCE. (Brodie's Notes). Houndmills: Macmillan.

Blake: SONGS OF INNOCENCE AND EXPERIENCE. (Macmillan Master Guides). Houndmills: Macmillan.

Bloom, Harold. "Blake's Apocalypse: 'Jerusalem'." In English Romantic Poets: Modern Essays in Criticism. 2nd ed. Ed. M. H. Abrams. New York: Oxford UP, 1975. 98-111.*

Brackett, Geoffrey L. Revisionary Prophetics: Blake's Poetic Response to Milton. Houndmills: Macmillan, 2000.

Bredvold, Louis I. "William Blake." In Bredvold, The Literature of the Restoration and the Eighteenth Century 1660-1798. London: Collier-Macmillan, 1962. 187-94.*

Bruder, Helen P. William Blake and the Daughters of Albion. Basingstoke: Macmillan, 1997.

Cameron, J. P. "William Blake Study Guide." Scribd 30 April 2008.http://www.scribd.com/doc/2744474/WILLIAM-BLAKE-Study-Guide2009

Cernuda, Luis. "William Blake." In Cernuda, Pensamiento poético en la lírica inglesa del siglo XIX. Madrid: Tecnos, 1986. 24-34.*

Clark, Lorraine. Blake, Kierkegaard, and the Spectre of Dialectic. 1991.

Clark, Steve, and David Worrall, eds. Historicizing Blake. Basingstoke: Macmillan, 1994.*

Cook, Guy. "The Tyger." In Cook, Discourse and Literature. Oxford: Oxford UP, 1994. 214-24.*

Crehan, Stewart. "William Blake." In The Romantic Period. Ed. David B. Pirie. Vol. 5 of the Penguin History of Literature. Harmondsworth: Penguin, 1994. 117-50.*

Curran, Stuart, and Joseph Anthony Wittreich, Jr., eds. Blake's Sublime Allegory. Madison: U of Wisconsin P, 1973.

Daiches, David. "The Romantic Poets I: Blake, Wordsworth, and Coleridge." In Daiches, A Critical History of English Literature. 2 vols. London: Secker and Warburg, 1960. 856-904.*

Damon, S. Foster. William Blake: His Philosophy and Symbols. London: Dawsons of Pall Mall, 1969.*

De Luca, Vincent Arthur. "Blake's Concept of the Sublime." 1991. In Romanticism: A Critical Reader. Ed. Duncan Wu. Oxford: Blackwell, 1995. 17-54.*

Drabble, Margaret. "Blake, William." In García Landa, Vanity Fea 24 Nov. 2015.*http://vanityfea.blogspot.com.es/2015/11/blake-william.html 2015

Edwards, Gavin. "Mind-Forg'd Manacles: A Contribution to the Discussion of Blake's 'London'." Literature and History 5.1 (Spring 1979).

Eliot, T. S. "Blake." In Eliot, The Sacred Wood. London: Methuen, 1986.

_____. "Blake." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 413-26.*

_____. "William Blake." In Eliot, Selected Essays. 2nd ed. Rev. London: Faber, 1934. 317-22.

_____. "William Blake." 1920. In Eliot, Selected Essays. 3rd ed. 317-22.

Ellis, E. J. The Real Blake. 1907. Erdman, David V. "Blake: The Historical Approach." In English

Romantic Poets: Modern Essays in Criticism. 2nd ed. Ed. M. H. Abrams. New York: Oxford UP, 1975. 72-89.*

Essick, Robert. William Blake's Commercial Book Illustrations. Oxford: Oxford UP,1991.

Feldman, Joshua. "William Blake's 'The Clod and the Pebble': An Analysis." Suite 101 15 Oct. 2009.*

http://british-poetry.suite101.com/article.cfm/william_blakes_the_clod_and_the_pebble2010

Fisch, Harold. The Biblical Presence in Shakespeare, Milton, and Blake. Oxford: Clarendon Press, 1999.

Ford, Boris, ed. From Blake to Byron. Vol. 5 of The New Pelican Guide to English Literature. Harmondsworth: Penguin, 1982. 1990.*

Fox, Susan. Poetic Form in Blake's "Milton." Princeton (NJ): Princeton UP, 1976.

Frye, Northrop. Fearful Symmetry: A Study of William Blake. Princeton: Princeton UP, 1947.

_____. "The Road to Excess." In Myth and Symbol. Lincoln: U of Nebraska P, 1963. (Blake).

_____. "The Road of Excess." In Frye, The Stubborn Structure 160-74.*

_____. "The Keys to the Gates." 1966. In Frye, The Stubborn Structure 175-99.*

_____. "Auguries of Experience." In Frye, The Eternal Act of Creation: Essays, 1979-1990. Ed. Robert D. Denham. Bloomington: Indiana UP, 1993. 3-8.*

_____. "Blake's Treatment of the Archetype." In English Romantic Poets: Modern Essays in Criticism. 2nd ed. Ed. M. H. Abrams. New York: Oxford UP, 1975. 55-71.*

_____. "Blake's Bible." In Frye, Myth and Metaphor: Selected Essays 1974-1988. Ed. Robert D. Denham. Charlottesville: UP of Virginia, 1990. 1991. 270-88.*

_____. "Blake's Biblical Illustrations." In Frye, The Eternal Act of Creation: Essays, 1979-1990. Ed. Robert D. Denham. Bloomington: Indiana UP, 1993. 62-78.*

García Teruel, Gabriela, and Santiago González. "Métodos y traducciones de poesía: 'The Tyger' - 'El tigre' de William Blake." Stvdia Patriciae Shaw oblata. Vol. 1. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 255-68.*

Gardner, Stanley. The Tyger, the Lamb and the Terrible Desart: SONGS OF INNOCENCE AND OF EXPERIENCE in its Times and Circumstance: Including Two Facsimile Copies. London: Cygnus Arts, c. 1998.

Glausser, Wayne. Locke and Blake: A Conversation across the Eighteenth Century. UP of Florida, 1998.

Gleckner, Robert F. "Point of View and Context in Blake's Songs." In English Romantic Poets: Modern Essays in Criticism. 2nd ed. Ed. M. H. Abrams. New York: Oxford UP, 1975. 90-97.*

Glen, Heather. "Blake's 'London': The Language of Experience." In New Historicism and Cultural Materialism: A Reader Ed. Kiernan Ryan. London: Arnold, 1996. 146-56.*

Grierson, H. J. C. "Blake and Gray." In Grierson, The Background of English Literature and Other Collected Essays and Addresses. London: Chatto, 1925. 200-55.*

Grigson, Geoffrey. "Landscape Painting from Blake to Byron." In From Blake to Byron. Ed. Boris Ford. Harmondsworth: Penguin, 1982. 358-76.*

Harding, D. W. "William Blake." In From Blake to Byron. Ed. Boris Ford. Harmondsworth: Penguin, 1982. 69-87.*

Hilton, Nelson. "Blakean Zen." 1985. In Romanticism: A Critical Reader. Ed. Duncan Wu. Oxford: Blackwell, 1995. 1-16.*

Hodgard, Patricia, and Theodore Redpath, eds. Romantic Perspectives: The Work of Crabbe, Blake, Wordsworth and Coleridge as Seen by their Contemporaries. London: Harrap, 1964.

Horn, William Dennis. "William Blake and the Problematic of the Self." In William Blake and the Moderns. Albany: SUNY Press, 1982. 260-85.

Larrissy, Edward. William Blake. Oxford: Blackwell, 1985.Leavis, F. R. "Justifying One's Valuation of Blake." Human World 7

May 1972. In Leavis, The Critic as Anti-Philosopher. London: Chatto, 1982. 1-23.*

Lincoln, Andrew. Spiritual History: A Reading of William Blake's Vala or The Four Zoas. Oxford: Clarendon Press, 1996.

Mee, Jon. Dangerous Enthusiasm: William Blake and the Culture of Radicalism in the 1790s. Oxford: Clarendon, 1993.

Mellor, Anne K. "Blake's Portrayal of Women." Blake 16 (1982/3).Mezquita Fernández, María Antonia. "Poetas y visiones: William Blake

y Claudio Rodríguez." In AEDEAN XXX: Proceedings of the 30th International AEDEAN Conference. [Huelva, 2006]. Ed. María Losada Friend et al. Huelva: U de Huelva, 2007.* (Claudio Rodríguez, 1934-1999).

Middleton, Peter. "The Revolutionary Poetics of William Blake: Silence, Syntax and Spectres." Oxford Literary Review 6 (1983): 35-51.

Morton, A. L. The Everlasting Gospel. London, 1958. Muñoz Valdivieso, Sofía. "Northrop Frye and William Blake: A Shared

Vision." In AEDEAN Select Papers in Language, Literature and Culture: Proceedings of the 17th International Conference. [U of Córdoba, 1993]. Ed. Javier Pérez Guerra. Vigo: AEDEAN, 2000. 315-18.*

Newlyn, Lucy. PARADISE LOST and the Romantic Reader. Oxford: Oxford UP, 1993. Pbk. 2001.*

Nuttall, A. D. The Alternative Trinity: Gnostic Heresy in Marlowe, Milton, and Blake. Oxford: Clarendon, 1999.

O'Neill, Michael. (U of Durham). "'And I Stain'd the Water Clear': Blake." In O'Neill, Romanticism and the Self-Conscious Poem. Oxford: Clarendon Press, 1997. 3-24.*

Onega, Susana. "The Plato Papers: Peter Ackroyd's 'Contrary' to Blake's Jerusalem." In London in Literature: Visionary Mappings of the Metropolis. Ed. Susana Onega and John Stotesbury. Heidelberg: Winter, 2002. 183-209.*

Otto, Peter. Constructive Vision and Visionary Deconstruction: Los, Eternity, and the Productions of Time in the Later Poetry of William Blake. Oxford: Oxford UP, 1991.

Pagliaro, Harold. Selfhood and Redemption in Blake's SONGS.Paley, Morton D. Energy and the Imagination: A Study of the

Development of Blake's Thought.

_____. The Continuing City: William Blake's Jerusalem._____. "The Figure of the Garment in The Four Zoas, Milton, and

Jerusalem." In Blake's Sublime Allegory. Ed. Stuart Curran and Joseph Anthony Wittreich, Jr. Madison: U of Wisconsin P, 1973. 119-39.

_____, coed. Blake: An Illustrated Quarterly. Paley, Morton, and Michael Phillips, eds. William Blake: Essays in

Honour of Sir Geoffrey Keynes. 1973. Pérez Romero, Carmen. "La poesía de expresión inglesa en la lírica de

Juan Ramón Jiménez: W. Shakespeare, W. Blake, Emily Dickinson, W. B. Yeats en la obra juanramoniana." Ph.D. diss. U of Extremadura.

Pinto, V. de Sola. "Isaac Watts and William Blake." Review of English Studies 20 (1944): 214-23.

Price, Martin. To the Palace of Wisdom: Studies in Order and Energy from Dryden to Blake. Garden City (NY): Doubleday, 1964.

_____. To the Palace of Wisdom: Studies in Order and Energy from Dryden to Blake. Carbondale (IL): Sourthern Illinois UP, 1970.

Punter, D. "William Blake." In Literature in Context. Ed. Rick Rylance and Judy Simons. Houndmills: Macmillan, 2000.

Rainsford, Dominic. Authorship, Ethics, and the Reader: Blake, Dickens, Joyce. Basingstoke: Macmillan, 1997.

Raleigh, Walter. "William Blake." 1905. In Raleigh, Some Authors. Oxford: Oxford UP, 1923. 251-88.

Rawlinson, Nicholas. William Blake's Comic Vision. Houndmills: Macmillan, 2000.

Rodway, Allan. "'London', William Blake." In Rodway, The Craft of Criticism. Cambridge: Cambridge UP, 1982. 124-33.*

Ruskin, John. "Blake." From The Eagle's Nest. 1872. In The Literary Criticism of John Ruskin. New York: Doubleday, 1965. 347.

Sánchez Pérez, Aquilino. Blake's Graphic Work and the Emblematic Tradition. Murcia: Servicio de Publicaciones de la Universidad de Murcia, 1982.

Sherry, Peggy Meyer. "The 'Predicament' of the Autograph: 'William Blake'." Glyph 4 (1978): 130-55.

Spurr, Barry. "Romanticism—In Praise of Imagination." In Spurr, Studying Poetry. Melbourne: Macmillan Education Australia, 1997. 166-98.* (Blake; Wordsworth, "Tintern Abbey"; "Intimations of Immortality"; "Composed upon Westminster Bridge", "The prelude"; Shelley, "Mutability"; "Mont Blanc"; Keats, "Bright Star", "La Belle Dame sans Merci," "Ode to a Nightingale", "To Autumn").

Swinburne, Algernon Charles. William Blake: A Critical Essay. London: Chatto & Windus, 1906.*

_____. William Blake: A Critical Essay. Ed. Hugh J. Luke. Lincoln: U of Nebraska P, 1970.

Thompson, E. P. Witness against the Beast: William Blake and the Moral Law. Foreword by Christopher Hill. Cambridge: Cambridge UP, 1993. 1994. *

_____. "Witness against the Beast." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.

Viscomi, J. Blake and the Idea of the Book. 1993.Welch, Dennis M. "Blake's Songs of Experience: The World Lost and

Found." English Studies: A Journal of English Language and Literature 76.3 (1995).*

Wells, D. A Study of William Blake's Letters. 1987.Whittaker, Jason. William Blake and the Myths of Britain. Houndmills:

Macmillan, 1999.Williams, Nicholas M., ed. William Blake Studies. (Palgrave

Advances). Houndmills: Palgrave Macmillan, c. 2006.Wilson, Colin. The Outsider. London: Victor Gollancz, 1956.

(Barbusse, Sartre, Camus, Hemingway, T. E. Lawrence, Vaslav Nijinski, Alexei Tolstoy, Dostoevsky, Blake, Nietzsche, Kafka, T. S. Eliot, Rilke, Joyce).

_____. The Outsider. Including a new Postscript for this edition. London: Pan Books, 1967. 1970. 1971.*

Wimsatt, W. K. (vs. "London"). In Wimsatt, Day of the Leopards: Essays in Defense of Poems. 1976.

Wolfreys, Julian. Writing London: The Trace of the Urban Text from Blake to Dickens. 1998.

Yeats, W. B. "William Blake and the Imagination." In W. B. Yeats, Essays and Introductions. 1961. London: Macmillan, 1979. 111-115.

Anthologies

Bottrall, Margaret, ed. William Blake: Songs of Innocence and Experience. (Casebooks series). Basingstoke: Macmillan, 1969.

Lucas, John, ed. William Blake. (Longman Critical Readers). Harlow (Essex): Addison Wesley Longman, 1998.*

Punter, David, ed.. William Blake. (New Casebooks). Basingstoke: Macmillan, 1996.

Audio

Bragg, Melvyn, et al. "Songs of Innocence and of Experience." BBC 4 23 June 2016.*http://www.bbc.co.uk/programmes/b07gh4pg#play2016

Internet resources

Dundee University literary resource list. (Includes concordance to Blake's Songs). http://www.dundee.ac.uk/English/favelink.htm (Autumn 1996).

"William Blake." Wikipedia: The Free Encyclopedia.*http://en.wikipedia.org/wiki/William_Blake2014

William Blake Archive. (Morris Eaves, Robert Essick and Joseph Viscomi).http://www.blakearchive.org2012

William Blake Online (Tate Gallery exhibition website)http://www.tate.org.uk/britain/exhibitions/blake.htm2007-04-02

William Blake pagehttp://www.aa.net/~urizen/blake.html

William Blake page. Blake's complete works, indexed, plus a concordance and a biography.http://www.unomaha.edu/~wwwengl/blakeweb/

Music

Ambrosini, Claudio. Proverbs of Hell. Cantata. 1990-91.Blake, William. "Holy Thursday." In William Walton, A Song for the

Lord Mayor's Table. Jill Gomez. In Walton, Christopher Columbus Suite: Premier Recording. [...]. CD. Colchester: Chandos Records, 1990.*

Somervell, Arthur. "Songs of Innocence." In Somervell, The Shropshire Lad. James Lee's Wife. Songs of Innocence. Patricia Rozario, Catherine Wyn-Rogers, Christopher Maltman, Graham Johnson. The Duke Quartet. CD. (The English Song Series, 2). EU: HNH-Naxos, 1998.*

Tavener, John. The Tiger. Choral setting on Blake's poem. 1987._____. "Eternity's Sunrise." 1997. In Tavener, Eternity's Sunrise. CD.

Harmonia Mundi, n. d. [c. 1998].*

Series

(Blake's Illuminated Books.) Series ed. David Bindman. 6 vols. London: William Blake Trust / Tate Gallery, 1991-1995.

Video

González Maestro, Jesús. (Jesús G. Maestro). "William Blake: La nostalgia literaria de un mundo mitológico." Video lecture. YouTube (Jesús G. Maestro) 1 March 2016.*https://youtu.be/iXDlSr1_pTY

2017