why people travel: the search for the authentic other
DESCRIPTION
Why Do People Travel ? Is it a wanderlust, a search for something or someone?TRANSCRIPT
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The Search for
The Authentic Other
(India: As the Authentic
Other)
By
Sarvajeet Chandra
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TABLE OF CONTENTS
Introduction
1. The ‘Place’ product
2. History of travel and tourism
3. The business of leisure
4. Touristhood
5. The language of tourism
6. India-the ‘other’
a. India : The authentic ‘other’
country
b. India : The lure of Tantrism and
Hinduism
c.India: The drawing force of
Buddhism
d. India : Himalayas
e. India : The desert and the sea
f. India : Of heritage and events
Bibliography
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INTRODUCTION TO
THE AUTHENTIC OTHER
Tourism is the ‘ism’ that drives the largest industry of the
modern world. It forms an integral component of the fast
growing business of leisure. Accounting for roughly 11% of
global GDP, tourism is a major ‘movement’ impacting the
world.
The Search for the Authentic Other
A very substantial part of tourism, as we know today, is the
individual’s search for authenticity; of people travelling away
from their home societies to an authentic (often primitive)
other; drawn by myths embedded in folklore, heritage,
religion, literature.
It is this search for the authentic other that has brought
tourism closer to religion, blurring boundaries between a
pilgrim and a tourist. The tourist of the west, searching for
the authentic other, is a pilgrim of the modern secular world.
His religion is the individualistic religion of the modern
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society, as different from the collective and organised notion
of civil religion. The tourist, fed up of the western secular
materialism, locates his elective centre ‘out there’ away
from his home society. The counterpart of the western
tourist is the pilgrim of the east who locates his elective
centre in the holy places of worship.
Thus, there is a great degree of similarity in the sacred
pursuit of authenticity for a western tourist and an eastern
pilgrim. This search for authenticity, in both cases, is
thwarted by the tourism industry and the religious
establishments respectively by setting up of staged
authenticities - fake representations that are perceived as
real by the pilgrim and the tourist.
Tourism for Recreation
The rest of the tourism movement is driven by recreation; of
people whose centres are firmly rooted in their own
societies, who travel to indulge in ‘play’ - a characteristic
feature of post-modernistic society.
These people are lured by the myths created by the tourism
industry; indulge in pleasures - becoming paupers, kings,
visiting miniature ancient Egypt etc.4
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The most striking example of this kind of tourism is the
concept of theme park, notable Disneyland. The theme parks
‘recreate reality’ and creates myths about peoples,
countries, concepts, civilisations etc. The tourist plays with
these, often deriving a vicarious pleasure.
Thus a useful way of looking at tourism is to look at two
major motivations propelling modern tourism
The search for the authentic other (driving many tourists
of the west and pilgrims of the East).
The recreation and the concept of ‘play’
This booklet examines tourism in the light of what is
mentioned above. The breadth of this project is restricted by
its focus on ‘tourism in India’. However India, as we shall
see, is a good example of the diversity and the complexity of
the issues involved in the study of tourism.
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CHAPTER 1
Place Product
Tourism is an important component of the big business of
leisure that sells a destination or a place product.
The characteristics of a place product are:
Spatial scale: a place is inevitably one component in the
hierarchy of spatial scale, a characteristic unique to the
place product. The potential holidaymaker buying Goa
may be simultaneously purchasing other levels of
hierarchy - the hotel, India, east etc. A different structured
hierarchy may create a different product.
Multi sold: The same destination, the same facilities etc.
can be sold to different groups of consumers for different
purposes.
The place may be viewed differently in tourist origin area
and tourist destinations inclusive of travel in the former
and exclusive in the latter.
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A place product is distinguished by variety of businesses
and experiences obtainable at that place. Each individual
consumes a unique selection of these products. As a
consequence, place product is marketed by destination
agencies without a clear idea of nature of product being
consumed.
A Tourism Product = Place Product + Travel
Segmentation On The Basis Of the Place
Product
The segmentation can be product focused and can therefore
be done on the basis of types of destinations. Destinations
can be segmented in broadly three segments:
1. Locations
a) real
b) man made( cities , theme parks )
2. Travel as the destination - cruise liners, trains (toy trains).
3. The stay as the destination - resorts, hotel cum palace etc.
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1. Locations
The real locations will always continue to lure people. It will
be difficult to replicate the experience of visiting the real
thing. However, the most inventive solution is to shed
history and natural environment and create destinations
from a scratch. These artificial locations can be purpose built
and can be altered to suit the requirements of changing
times.
One of the important examples of an artificial location is the
city of Las Vegas. It started from a single industry-gambling-
destination. The secret of success of Las Vegas did not lie in
gambling but its ability to help people escape to a different
world. However, the secret of continued success of Las
Vegas lies in its continuous innovation. Today, it has become
one of the top convention cities in America.
Another important area in this field has been the concept of
theme park pioneered by Disneyland. They have started the
process of creating look-alike of the existing destinations, or
new attractions. The advantage of creating such destinations
is that they can be bigger, more reliable than the existing
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destinations. Besides, they can be renovated, scrapped and
modified.
Disneyland theme parks are the biggest tourist draws.
Disney researches the audience's needs and then creates it.
The company's biggest works are simulation of real things,
not inventions. At Disneyland in Anaheim, for example, the
company is building California Adventure, a microcosm of
the state, which will allow the tourist to visit the state in one
day.
America has 600 theme parks and half of the Americans
have visited at least one of them.
2. Travel as a destination
Increasingly the ship, the railway etc. are not just a means of
travel: they are the destination. With increasing popularity
of cruise liners, cross-country trains, travel has emerged as
an exciting destination. Besides comfortable stay and
reasonable prices, these options provide a unique
environment. They provide the opportunity of seeing
popular locations, often without passport or visa hassles.
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For the operators it is very profitable deal .The occupancy of
cruise liners is higher as compared to hotels. In addition,
cruise passengers, unlike hotel guests have to take meals in
the ship itself, generating additional revenue.
Modern cruise ships are floating artificial destinations
offering a full resort worth of entertainment. Like the tourism
business, at large, these cruise liners are divided into two
categories: big liners for a wholesome entertainment and
small cruise liners for niche segments - nature watch,
historical sites etc.
In India, the Palace on Wheels has become an ideal example
in which the tourists travel in a train in a style reminiscent of
the maharajas; where travel is the destination.
3. The stay as the destination:
With the increasing numbers of palaces converted into
hotels, hotels trying to recreate natural environments and
resorts the stay has become a destination. The success of
Sun City, with massive promotion through beauty pageants
has made people look as hotels not merely as a place to stay
but a destination. This concept is also represented in the
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palace cum hotels and heritage hotels in India. The hotels
themselves have become 'the show'.
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CHAPTER 2
HISTORY OF TRAVEL AND TOURISM
2000 years Before Christ, in India and Mesopotamia.
Travel for trade was an important feature since the
beginning of civilisation. The port at Lothal was an important
centre of trade between the Indus valley civilisation and the
Sumerian civilisation.
600 BC and thereafter
The earliest form of leisure tourism can be traced as far back
as the Babylonian and Egyptian empires. A museum of
historic antiquities was open to the public in Babylon. The
Egyptians held many religious festivals that attracted the
devout and many people who thronged to cities to see
famous works of arts and buildings.
In India, as elsewhere, kings travelled for empire building.
The Brahmins and the common people travelled for religious
purposes. Thousands of Brahmins and the common folk
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thronged Sarnath and Sravasti to be greeted by the
inscrutable smile of the Enlightened One- the Buddha.
500 BC, the Greek civilisation
The Greek tourists travelled to sites of healing gods. The
Greeks also enjoyed their religious festivals that increasingly
became a pursuit of pleasure, and in particular, sport.
Athens had become an important site for travellers visiting
the major sights such as the Parthenon. Inns were
established in large towns and seaports to provide for
travellers’ needs. Courtesans were the principal
entertainment offered.
This era also saw the birth of travel writing. Herodotus was
the worlds’ first travel writer. Guidebooks also made their
appearance in the fourth century covering destinations such
as Athens, Sparta and Troy. Advertisements in the way of
signs directing people to inns are also known in this period.
The Roman Empire
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With no foreign borders between England and Syria, and
with safe seas from piracy due to Roman patrols, the
conditions favouring travel had arrived. First class roads
coupled with staging inns (precursors of modern motels)
promoted the growth of travel. Romans travelled to Sicily,
Greece, Rhodes, Troy and Egypt. From 300 AD travel to the
Holy Land also became very popular. The Romans
introduced their guidebooks (itineraria), listing hotels with
symbols to identify quality.
Second homes were built by the rich near Rome, occupied
primarily during springtime social season. The most
fashionable resorts were found around Bay of Naples. Naples
attracted the retired and the intellectuals, Cumae attracted
the fashionable while Baiae attracted the down market
tourist, becoming noted for its rowdiness, drunkenness and
all- night singing.
Travel and Tourism were to never attain a similar status until
the modern times.
In the Middle Ages
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Travel became difficult and dangerous as people travelled
for business or for a sense of obligation and duty.
Adventurers sought fame and fortune through travel. The
Europeans tried to discover a sea route to India for trade
purposes and in this fashion discovered America and
explored parts of Africa. Strolling players and minstrels made
their living by performing as they travelled. Missionaries,
saints, etc. travelled to spread the sacred word.
Leisure travel in India was introduced by the Mughals. The
Mughal kings built luxurious palaces and enchanting gardens
at places of natural and scenic beauty (for example Jehangir
travelled to Kashmir drawn by its beauty.
Travel for empire building and pilgrimage was a regular
feature.
The Grand Tour
From the early seventeenth century, a new form of tourism
was developed as a direct outcome of the Renaissance.
Under the reign of Elizabeth 1, young men seeking positions
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at court were encouraged to travel to continent to finish
their education. Later, it became customary for education of
gentleman to be completed by a ‘Grand Tour’ accompanied
by a tutor and lasting for three or more years. While
ostensibly educational, the pleasure seeking men travelled
to enjoy life and culture of Paris, Venice or Florence. By the
end of eighteenth century, the custom had become
institutionalised in the gentry. Gradually pleasure travel
displaced educational travel. The advent of Napoleonic wars
inhibited travel for around 30 years and led to the decline of
the custom of the Grand Tour.
The development of the spas
The spas grew in popularity in the seventeenth century in
Britain and a little later in the European Continent as
awareness about the therapeutic qualities of mineral water
increased. Taking the cure in the spa rapidly acquired the
nature of a status symbol. The resorts changed in character
as pleasure became the motivation of visits. They became
an important centre of social life for the high society.
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In the nineteenth century they were gradually replaced by
the seaside resort.
The sun, sand and sea resorts
The sea water became associated with health benefits. The
earliest visitors therefore drank it and did not bathe in it. By
the early eighteenth century, small fishing resorts sprung up
in England for visitors who drank and immersed themselves
in sea water. With the overcrowding of inland spas, the new
sea side resorts grew in popularity. The introduction of
steamboat services in 19th century introduced more resorts
in the circuit. The seaside resort gradually became a social
meeting point
Role of the industrial revolution in promoting travel
in the west
The rapid urbanisation due to industrialisation led to mass
immigration in cities. These people were lured into travel to
escape their environment to places of natural beauty, often
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to the countryside they had come from change of routine
from a physically and psychologically stressful jobs to a
leisurely pace in countryside.
Highlights of travel in the nineteenth century
Advent of railway initially catalysed business travel and
later leisure travel. Gradually special trains were
chartered to only take leisure travel to their destinations.
Package tours organised by entrepreneurs such as
Thomas Cook.
The European countries indulged in a lot of business travel
often to their colonies to buy raw material and sell
finished goods.
The invention of photography acted as a status-enhancing
tool and promoted overseas travel.
The formation of first hotel chains; pioneered by the
railway companies who established great railway terminus
hotels.
Seaside resorts began to develop different images as for
day-trippers, elite, for gambling.
Other types of destinations-ski resorts, hill stations,
mountaineering spots etc.
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The technological development in steamships promoted
travel between North America and Europe.
The Suez Canal opened direct sea routes to India and the
Far East.
The cult of the guidebook followed the development of
photography.
Tourism in the Twentieth Century
The First World War gave first hand experience of countries
and aroused a sense of curiosity about international travel
among less well off sector for the first time. The large scale
of migration to the US meant a lot of travel across the
Atlantic. Private motoring began to encourage domestic
travel in Europe and the west. The sea side resort became
annual family holiday destination in Britain and increased in
popularity in other countries of the west. Hotels proliferated
in these destinations.
The birth of air travel and after
The wars increased interest in international travel. This
interest was given the shape of mass tourism by the aviation
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industry. The surplus of aircrafts and growth of private
airlines aided the expansion of air travel. The aircraft had
become comfortable, faster and steadily cheaper for
overseas travel. With the introduction of Boeing 707 jet in
1958, the age of air travel for the masses had arrived. The
beginning of chartered flights boosted the package tour
market and led to the establishment of organised mass
tourism. The Boeing 747, a 400 seat craft, brought the cost
of travel down sharply. The seaside resorts in the
Mediterranean, North Africa and the Caribbean were the
initial hot spots of mass tourism.
A corresponding growth in hotel industry led to the
establishment of world-wide chains. Tourism also began to
diversify as people began to flock alternative destinations in
the 70s. Nepal and India received a throng of tourists lured
by Hare Krishna movement and transcendental meditation.
The beginning of individual travel in a significant volume
only occurred in the 80s. Air travel also led to a continuous
growth in business travel especially with the emergence of
the MNCs.
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CHAPTER 3
THE BUSINESS OF LEISURE.
Leisure is the time available to the individual when work,
sleep and other needs have been met. Leisure as a construct
involves a number of dimensions
Absorption and concentration of ongoing experience
Lessening of focus on self
Feelings of freedom and lack of restraint
Enriched perception of objects and events
Increased intensity of emotions
Increased sensitivity to feelings
Decreased sensitivity to passage of time
The Components of Leisure Motivation
Beard and Ragheb identified four motivational needs derived
from Maslow’s hierarchy of needs. These needs form the
components of leisure motivation. They are –
Intellectual component23
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Social component
Competence mastery
Stimulus avoidance
Intellectual component is the extent to which individuals are
motivated by mental activities such as learning, exploring,
discovering, thought, imaging. This can be a primary high
need (a visit to Madurai to study temple architecture) or a
low need triggered by a specific event or environment.
Social component is the need for friendship, self-esteem and
interpersonal relationship. The holidays are not only status-
or ego- enhancing experiences. There is also a sense of
belonging with the place visited. People tend to identify with
a place visited. This is higher for people who are more
satisfied with their holidays and for those with three or more
visits. The relationship not only involves social identification
but also a relationship with the geographical place.
Competence mastery component is in order to achieve,
challenge, master and compete. This is often physical (i.e.
sports) but also includes fine arts and other intellectual
pursuits. Competence mastery is coupled with other
components of leisure motivation. A course in wind surfing
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(competence mastery) can also mean meeting like –minded
individuals (social need).
Stimulus avoidance is drive to escape and get away from
over-simulating life experiences. The most obvious
component of leisure motivation, a chance to rest and
unwind.
The components of leisure motivation vary within holidays
and between holidays. On a holiday, a tourist may rest for
few days (stimulus avoidance); thereafter explore the place
(intellectual component). The holidaymaker may assign
different purposes to holidays. One holiday might be family
centred (social need), the other for playing golf (competence
mastery) etc.
Changing Nature of Leisure in Western Society:
From ordered recreation to the beginning of individual travel
In the 12th century monarchy there was an ordered
recreation regulated by the state. Sports like archery was
promote by the monarchy for recuperation of physical
efficiency.
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The concept of leisure travel in the seventeenth century was
restricted to the rich. Even then, travel was undertaken as a
means of recuperation as witnessed in the growth of spas
and later the seaside resorts. These became meeting points
of the high society. Young aristocrats on Britain took the
Grand Tour to educate themselves before they took on
aristocratic responsibility .The concept of recreation was
promoted by the western society as something to be
managed for the ethical good of the individual.
In the 19th century the middle class organisations promoted
recreational opportunities to combat the evils of gambling
and drinking. The leisure time of the youth was provided for
through organisations such as Boy Scouts and Girl Guides
which built an ethos of self sufficiency.
With growing individualism, wealth, democratisation and
advancements in technology which reduced modes of social
control, individual travel, as we know today came into being.
Kama and Leisure in Indian Society
The concept of Kama as one of the four principles - Dharma,
Artha, Kama and Moksha - gives a very different perspective 26
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to Indian concept of leisure, as rooted in desire. This is
different from ordered recreation in western societies, where
leisure was clothed in acceptable garb of re-creation for the
ethical good of the individual. This continuous tension was
visible in the development of spas and beach resorts,
originally meant for health and well being; which gradually
developed as pleasure resorts.
The ancient India on the other hand accepted activities of
leisure in a forthright manner and developed it as an art.
Institutionalisation of the concept of ‘ganika’ was one
example in which the role of leisure in the life of the
individual was recognised and provided for. However, leisure
travel was not an important activity. This concept of Kama
was to fade in the oblivion with the beginning of Muslim rule.
Leisure Today: An Indian Alternative
Since the past few years leisure has re- emerged as a
thriving business with an Indian face. In the leisure sector,
there is a whole new set of Indian icons gaining popularity
and respect. There is a pride and confidence in all things
Indian. Indians are also adapting western notions to the
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requirements of changing times. This is different from
merely aping the west.
This has led to growth in domestic travel which far outstrips
outbound leisure travel. More Indians are gradually
travelling for recreation or to escape boredom and not just
meet friends and relatives.
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CHAPTER 4
TOURISTHOOD
The process by which a person decides to leave his ordinary,
familiar life and decides to tour and thereafter his
reintegration into his daily life-the process of Touristhood-
can be divided in a few stages
The Pre-Trip Stage of Tourism Travel
Corporation
The tourist wishes a break from the ordinary life. He wishes
to escape or seek something. He readies himself mentally
and physically for tourism .The tourist prepares for
Touristhood.
The On-Trip Stage of Tourism Travel
Emancipation
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It means a journey from ordinary bounds of his daily life into
unbound realm of the non-ordinary .It combines
a. Spatial travel
b. Cross beyond home’s socio-cultural threshold
The cross beyond home’s threshold is aided by several
touristic items, mainly symbolic- suitcase, camera, travellers’
cheque. The tourist wears a mask as his real identity is
disguised. This mask and the symbolic signifiers induce an
emancipative magic. The new lifestyle is understood by the
tourist and recognised and understood by others.
Animation
This stage arrives when the tourist is ‘away from it all’. The
tourist enters an illusive state of detachment,
disengagement and spontaneity. The tourist peels away the
home-bound cultural layers and enters a new time-space.
The tourist may break the cultural layers. Breaking rules
becomes one of the rules of Touristhood. The tourist
assumes or knows in this non-ordinary playground animated
behaviour is acceptable. The society which hosts the tourist
also understands this behaviour. Many closed doors of the
ordinary open in the land of the non-ordinary; a long list of
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tourist S’s (snow, sand, sea, surf, sex etc.) is expanded to
include sin.
Repatriation
In this the tourist experiences a resurrection of former self as
he travels back to his ordinary world. This implies
reaffirmation and yielding to the ordinary world.
The Post -Trip Stage of Tourism Travel
Incorporation
Tourist becomes a part of mainstream and Touristhood is
over.
Touristhood and Holiday Making Behaviour
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The tourist in the process of touristhood exhibits a special
‘holiday making behaviour’. Some characteristics of holiday
making behaviour are
Mindlessness: This is part of optimisation of experience-
we retain that memory which is sufficient to meet a need.
Why is there a need, for example to recall every detail
while we are driving on a holiday trip?
Adaptation: As tourists are holiday-makers and not only
holiday takers they adapt to failed expectations. They
pursue things that give them satisfaction and avoid things
that do not.
Likes and dislikes: Most satisfactory activities during
holidays relates to Maslow’s higher hierarchy of needs,
while the dislikes stems from perceived threats to basic
needs.
Multi-motivation: The same holiday may be used to
satisfy various needs.
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CHAPTER 5
THE LANGUAGE OF TOURISM
The language of tourism is the language of modernity,
promotion and consumerism. The semiotics of the language
of tourism is important in the analysis of tourism advertising
with its cultural coded connotations, in the study of tourism
imagery and in the treatment of tourism communication as a
discourse in myth.
Some of the significant theoretical perspectives that have
significantly contributed to understanding of contemporary
tourism are those based on perspectives of authenticity,
stranger-hood and play.
The Authenticity Perspective
According to MacCanell tourists sought out ‘authentic
experiences’ in other times and places. This search for
meaning was a contemporary version for pre-modern quest
for the sacred. The tourist of today is the pilgrim of the
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modern world. This religion was not as much as the
collective and organised notion of ‘civil religion’ but the
concept of implicit or individual religion of and increasingly
individualistic society. This authenticity is not simply the
quality of the object; it is a struggle, a social process in
which competing interests argue for their own
interpretations of history.
The tourist attempts to penetrate deeper and deeper into
the hidden and real (backstage) regions of these other times
and representations. The tourist industry thwarts such a
quest by covertly staging reality and authenticity. What the
tourist believes is the real thing -the backstage of the life of
others - was the front stage, set up in advance; manipulated
by the tourist establishment. In perpetuating and creating
such a sense of falsehood, the tourism industry had actually
imbued the tourist with a false sense of consciousness.
Tourism as a language of authentication
A tourist attraction is a sign, that it represents (marker)
something (sight) to someone (the tourist). The marker
provides information (name, picture, etc.) to the sight
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(signified). The marker is the first contact the sight seer has
with the sight.
Markers are either off sight (e.g. travel books, travel stories)
or on sight (notices). Since off sight markers anticipate the
sight, they are often superior to sight.
Off sight markers play an important role in stereotyping the
sight .An example of this is the must see features. Therefore
sightseers do not ‘see’ Delhi. They see -the red fort, the
Baha’i temple, the Rashtrapati Bhavan, the old Delhi
bazaars. As elements in the symbolic set called Delhi, each
of these items is a symbolic marker. Most of the off-sight and
some on sight markers are formulated by the outsiders. The
‘Exotic East’ and ‘the city of Joy’ are expressions used by the
non-indigenous. Local voices rarely constitute markers in
contemporary tourism.
The Stranger-Hood Perspective
Cohen believed that the dichotomy of familiarity and
stranger-hood constituted the essential elements of tourist
experience. This led to a classification of tourism into
institutionalised and non-institutionalised tourism. 36
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Institutionalized tourism
Dealt with by the tourism industry- tour operators, travel
agents, hoteliers etc.
The organised mass tourist: Values familiarity, low on
adventurousness. Anxious to maintain his/ her ‘environment
bubble’ on the trip. Purchase ready-made, often cheap,
packages of the shelf. Guided through destination having
little contact with the local culture or people. Most tourists of
the developing countries like India and first time tourist fall
in this category.
The individual mass tourist: Similar to the organised one
except that there is more flexibility and scope for personal
choice. The ‘environment bubble’ is very much there.
Non- institutionalised travel
Consists of independent individual travel shunning contact
with the tourism industry except wherever necessary.
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The explorer: Trip organised independently; gets off the
beaten track. Comfortable accommodation and reliable
transport. Environmental bubble abandoned on occasions.
The bubble is there to step into if things get tough.
The drifter: Values novelty, high on adventurousness. All
connections with the tourism industry are spurned and
drifter attempts to get as far from home and familiarity as is
possible. With no fixed itinerary, the drifter lives with the
local people, immersing himself in the local culture.
Tourism as a language of differentiation
The language of tourism promotes familiarity-stranger-hood
dichotomy by trying to fill the gap between the tourist and
the native. It strikes a balance between offering novelty and
protecting from the dangers of strangeness. Most of the
advertising that speaks of strangeness speaks of stranger-
hood also speaks about the warm echelons of familiarity with
hotel chains , continental cuisine for the tourist from the
west .In the study of travelogues, for instance, travel writers
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‘manage’ unfamiliarity with their readers ( e.g. through
denigration of locals and establishing expatriate
connections.)
The Play Perspective
Advocated by the sociologist John Urry, this view advocates
the coming of the age of image-a post modern era- the age
in which representation is more important than reality;
where hyper-reality is claimed to be superior to reality. The
nostalgic construction of heritage, emphasis on spectacle,
concept of theme park is important elements in the
perspective of the play with reality.
The Disneyland, for example, is an out-of-time, out-of - place
deliberately contrived and artificially staged concept which
authentically represents the condition of playing with reality.
Tourism as a language of recreation.
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The tourist gaze is anticipated and directed by media which
constructs and reinforces the gaze. The gaze is moulded by
professional opinion former (writer, guides etc. which tell
people where to gaze). Tourism turns culture into consumer
items and markets them. The language of tourism tells them
to come out and play and engage in pleasures.
The Characteristics of Language of Tourism
1. Structure of the language
The meaning system of the language is located in the
culture of the receiver rather than face value meaning of the
message. The strategy of ‘indexical transference’ of objects
transferred to people and people converted into objects is
very common to the language of tourism; a discourse which
speaks of the mythical structures in the tourists’ mind. Thus
in promoting nature, for example, what is supplied is the
version of nature worked over by culture and science to yield
the ‘natural’.
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This accentuation of time is also manifested in the hyper
reverential towards all that is old. Further, there are the
accompanying notions that the new spoils the old and the
anxious feeling that the tourist may have arrived too late.
This disenchantment with the present may be converted into
an almost utopian desire for future transformed by
technology. Thus in the scenario where the present
disappear a binary opposition is established between the
past and the future.
One strategy applied in the language of tourism is the
‘denial of time’. It implies emancipation from routine
organised time to an animated state of non-ordinary time; a
symbolic inversion of everyday life where the weekday
becomes a weekend.
The language of tourism avoids the present by pointing to
the future. The past is often sold to the future. We are told to
go where action was.
3. Monologue
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Most of the tourism literature is a monologue with rhetoric
of moral superiority by the addresser with more knowledge
and experiences.
4. Euphoria
The discourse focuses only on the present and speaks of it in
glowing terms.
5. Tautology
The tourist merely confirms the discourse which persuaded
them to take the trip. They assert as true, what was shown
before they departed. The language of brochure becomes a
self fulfilling prophesy.
The Techniques of Language of Tourism
The language of tourism uses many verbal and visual
techniques for effective expression of the language.
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The various verbal techniques are: simile, metaphor,
languaging, humour, use of keywords, testimony and ego-
targeting.
1. Simile and metaphor
Simile and metaphor are often used to manage the
unfamiliarity of the destination for the tourist. The
strangeness of the exotic is minimised by the use of familiar
themes like the ‘Manchester of the east’ for the city of
Ahmedabad, etc. This usage tends to increase in direct
relationship with the strangeness of destination being
promoted.
2. Keywords
The rhetoric of advertising employs images and symbols
from the shared language of the target audience and the
advertiser. The rhetoric employs ‘keywords’ (escape,
adventure, road less travelled etc.) which are derived from
the fancies of tourist generating societies. The keywords
relate the search for the authentic which stems from the
condition of anomie in the home society of the potential
tourist. An advertisement for Kumaon and Garhwal (U.P.
Tourism) talks of these areas as “take the road less travelled
by”, “get there before the crowd” etc.
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3. Testimony
The projection of favourable destination images may not be
carried out by recognisable spokespersons who can lend
support to the advertised images. The use of Paul Hogan of
Crocodile Dundee fame, who through the film comes to
stand for Australia. His rugged naturalness is ideal for
promoting great outdoors and his happy-go-lucky attitude,
emblematic of the attitude of the people, manages to give
Australia an edge over its more staid down-under rivals. The
testimony may also take the form of a satisfied customer as
in the advertisement of Kathmandu’s Yak and Yeti hotel
where a satisfied tourist describes his experiences as - “ I
almost got lost in those huge, gorgeous grounds” , “ we
went back to 18th century for dinner” etc. Rounding off with
“I guess that is what makes the Yak and Yeti Nepal’s finest
hotel”.
4. Humour
Humour can be successfully employed in tourism especially
in tourism employed in the use of pun like the use of
Bermuda shorts for promoting Bermuda for short-break
vacations like “ Bermuda shorts as a far away land close to
home” or “ Bermuda shorts . Bermuda, a short trip to a
perfect holiday”.
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Management of unfamiliarity can also be dealt with
humorously by preparing the would-be visitor for the strange
customs of destinations people as for example the Tibet yak
milk “.....the smell of hot yak butter , which is a good way to
smell , if you like it ..”
5. Languaging
Languaging is the use of real or fictitious foreign words, of
which the user has scant knowledge to include a
manipulation of the vernacular. This use of particular
expressions shared by the writer and the reader, with their
occasional poetic treatment can be both ego- enhancing and
memory sustaining. E.g. “Yunctan food is totally different
from the rest of the country- instead of tacos and burritos
they eat cochinita pubil, rellenonegro de para, pocchue etc.
6. Ego targeting
It targets the individual, with the dialogue assuming the form
of intimate conversation, often making the individual feel
special, for personalised service. The individuals buys into
the product thinking that the purchase will make him a bit
more like himself, someone special etc........perpetrating the
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myth of self actualisation An advertisement for Garhwal
and Kumaon by U. P. Tourism says “if you are dying for a
breath of rare oxygen- Pithoragarh, Kausani are where a
deep breath will make you come alive again!”
Visual techniques like the use of colour, format, visual cliché
etc. also contribute to the language of tourism.
It has been seen that the use of colour in promotional
images has sought to convey specific images. The use of
primitive colours, for example, for promotion of third world
destinations helps build up sensualist imagery of a noble
savage , living close to nature - pure, innocent and
authentic. The predominant colours of paradise are white
and blue signifying tranquillity and sterilisation of nature.
Visual cliché is also evident in pictures which accompany the
discourse on tourism. The tourists often see through these
cliché, but it is a pleasant feeling to be seduced by them
again and again. . Visual clichés that can be used are - deep
blue ocean, white sand, palm trees, sunset, happy &
colourfully dressed locals, untouched landscapes, exciting
nights etc.
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The verbal and visual techniques are often employed by
language of tourism, often in combination, to interact with
the tourist and lure him towards staged authenticities, in his
search for the authentic other.
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CHAPTER 6
INDIA - THE ‘OTHER’
An interesting area of study concerning tourist arrivals in
India is the myths that exist in the westerners’ mind when he
intends to visit the country. This has to do primarily with
India being perceived as 'the other’. This 'otherness' has
been constructed over a long span of time, in the numerous
contacts the west has had with this country, over two
thousand years.
The first significant contact of India with the west was with
Alexander, who invaded India in 330 BC. He was the first in
the long line of westerners to become a disciple of an Indian
guru. To him, India represented a different school of
thought; a fascinating source of wisdom. However, the Greek
scholars accompanying Alexander complained that
understanding Indian philosophy was like making mud flow
through water. The east was beginning to be perceived as
different and/or strange. The first seeds of 'otherness' were
sown.
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After the invasion of Alexander there was regular trade
between India and the Romans until 1-2 century AD. With
the decline of the Roman Empire direct contacts between
India and the west ended as the trade stopped. Thereafter,
India entered into the realms of the myth… as rare Indian
spices and beautifully crafted Indian articles came on the
caravan of Arabic traders to the west.
The search for a sea route to India (to promote direct trade
with India primarily for spices) made India the magnet of
European explorers in the Middle Ages. Explorations were
followed by conquest as the English, Dutch, Danes and the
French colonised India.
In the 18th and the 19th, century India emerged as the
exotic 'other' to the European travellers. Travellers returned
with tales of the fabulous and the fantastic east. There was
very little information on the history and heritage of the
country. It was assumed that like all other colonies India
needed a civilising influence. Tales of gilded domes, kings,
sword swallowing acrobats, peddlers of reincarnation,
widows leaping into the pyre caused gasps of amazement
and wonder. India was a glorious and glittering circus -
spectacular, exciting but unreal.
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The initial study of Indian history and cultural heritage was
done by the British. It is they, who pieced together its past
and weaved the image of modern India. From a glorious
circus they converted it into a fascinating museum- full of
tombs, temples, sculptures, study of Hinduism etc.
The Heritage of India
For a foreign tourist the heritage of India can be divided into
the following categories.
Great places to stay- Palace cum hotels, houseboats,
Clubs of the British era... These places have become
popular because of the nostalgia, they evoke due to
linkages with great kings, legends, British history. This is
one area where heritage has been constructed to suit the
needs of tourists .E.g. Lake Palace Hotel (Udaipur), Taj
Mahal Intercontinental (Mumbai), House boats (Srinagar)
etc.
Places with Indo -European Flavour - Monuments from the
colonial past, primarily British. These places seem to
belong to a far off time and evoke nostalgia. E.g. Victoria
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Memorial (Calcutta), Fernhill Palace (Ooty), Hotel
Metropole (Mysore) etc.
Nostalgia of the Hippie movements: towns with Tibetan
influence, Goa etc. This town were the key centres for the
Hippie movement in the 70s: symbolising escape from the
western civilisation. E.g. Goa, Dharmsala, countryside
near Manali etc.
Forts and Palaces: Primarily Rajput and Mughal forts. With
legends, personalities, architectural splendour, the
success of such places depend on how easily the tourist
relates to the myths associated with this place. The Taj
Mahal would not have been so popular but for the love of
the emperor for his wife. E.g. Red Fort, Forts at Jaiselmer,
Chittorgarh etc.
Deserted cities: Fatehpur Sikri, Hampi. These places
present a haunting reminder of the past. As a centre of
thriving empires, at one time they evoke a nostalgia from
the past; a relic of the progress of human civilisation.
Interesting trips: toy trains, backwater boat rides, Palace
on wheels. They are interesting rides as well as important
representations of heritage. The Palace On Wheels for
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example takes back the tourist in maharaja's times where
he indulges in the vicarious pleasure of living like a
maharaja
India Today
Today, there are broadly two images of India held by the
westerners. One of the image is grounded in a fascination
for a rich heritage, a profound civilisation; whereas the
other looks at India as a place which is poor , inward looking
etc. The Indian reality probably lies in an integration of
these two images. But as far as the westerner is concerned,
he exists in one of these two mythical worlds - of India being
perceived as
1. The authentic other
2. The inauthentic other
India - The Inauthentic Other
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degenerated into a cultural cull de sac; that India has made
very little contribution to make to the ongoing civilisation of
humanity.
The Indian thought has been dominated by imagination, a
mode of knowing religion. This is inferior to the rational
civilisation of the west. It is this imagination which has led to
generation of myths and superstitions as opposed to science
and rationality of the west. The west is forceful and
masculine while the east is passive and feminine.
The westerners harbouring this view refrain from visiting
India when one of the Indian cities Mumbai is attacked on
26/11. Most of them never intend visiting India- a land ruled
by Hindu fundamentalists, poverty etc.
India-The Authentic Other
There is a segment in the west which has an idealistic
perception of India, once articulated most vehemently by
Carl Gustav Jung -
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This view believes that the intuitive, mystical and symbolic
Indian thinking may provide westerners with access to that
part of themselves that they have 'lost'. This view considers
the internal spiritual factors as decisive. It refuses to see the
contradictions in Indian thinking. This section of people often
reacts against secular materialism of west and seeks to
escape into the authentic 'other' world of Indian spiritualism.
The Authentic ‘Other’ Country
The search for the authentic ‘other’ has, broadly speaking,
attracted two kinds of tourists to India.
One of them derives a vicarious pleasure in trying to identify
the ‘authentic other’ from the staged authenticities set up by
tourism industry. He is merely content in living in a make-
belief world of his myths about the country and refuses to
see indicators and realities which run contrary to his
perceptions.
The other is a pilgrim in the real sense who explores the
various dimensions of the country in his bid to find the
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‘authentic’ other. It is this type of pilgrim which stays in
ashrams, attends yoga weeks and pursues a serious study of
the Indian philosophy.
In the Indian context, the search for the authentic ‘other’
has manifested itself
in the lure of Indian mysticism (Tantrism)
the drawing forces of Hinduism, Buddhism and New Age
movement
The myths that surround the Himalayas, the Great Indian
Desert etc.
The Lure of Indian Mysticism
Tantrism, considered repugnant by mainstream Hindus, is a
tradition that ran parallel to mainstream Brahminism. It was
probably derived from the fertility cult of the indigenous
people. The subject of Tantrism introduces symbols, ideas
and terms exotic to the western minds. Labelled as
pornography by some it has also engendered strange
fascination.
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Tantrism is concerned with practical methods and lays little
stress on religious theories, easily understood by the
westerners. It focuses on Shiva and Shakti; Shakti - the
cosmic force which supports the universe. The act of sexual
intercourse is symbolic union of Shiva-Shakti. The act of
intercourse is considered a yogic exercise which creates a
mystic sense of oneness. The nude female form is the
representation of the goddess. Spiritual progress is achieved
not by avoiding desires but by transforming them.
The most influential exponent of Tantra among the western
people has been the Osho - Bhagwan Rajneesh. His view of
sex and mysticism was a deliberate combination of Tantrism
and Jungism. His interpretation of Tantrism along with a
growing awareness of Kundalini Yoga made for a formidable
combination of sensuality and spiritualism. This contributed
to his immense popularity in the west.
The philosophy of Rajneesh is monistic, which allows for no
evil. He accused Christian ministers of preaching sin to make
people feel guilty and inferior. He was one of the most
influential of the Indian Gurus. His ashrams continue to be of
great tourist interest and a place of pilgrimage for the
Oshoiites.
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The Drawing Force of Hinduism
Hinduism has been compared by western scholars to a
jungle - whatever can grow in it grows. It has a luxuriance of
intellectual thought and practical ritual that compares and
contrasts at the same time. This evokes exotic images in the
eyes of the westerner.
The spread of Hinduism in the west
In 1893, Vivekananda was one of the first Hindu missionaries
to the west. He established a Vedanta society which had a
lot of Christian converts. However it was only in the 1960s
that a widespread section of the western society came in
contact with Hinduism. Pop musicians invited Indian gurus to
preach their teaching. The ideas of Krishna as a divine lover
and Shiva as an erotic yogi created exotic images in the
eyes of the westerners. These two gods drew the largest
following in the western masses.
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The great paradox of Shiva being both an ascetic and yogi
epitomised the very opposite of western ideas of god. Shiva
is a synthesis of contradictions. The two aspects of Shaiviite
teaching i.e. Yoga and Tantra spread widely in the west.
Krishna, on the other hand, inspired the Bhakti movement
and society of Krishna consciousness.
The growing popularity of yoga
The amazing feats of ascetics and yogic practises narrated
by the European travellers to India in the nineteenth century
led to the rise of Sanskrit scholarship and Indian
philosophical studies in the universities of Europe. In the
1960s young people in the west started looking up to yoga
for mind-expanding experiences.
The most influential of these movements was the
Transcendental meditation advocated by Mahesh Yogi. It
became very popular with the interest shown by the Beatles.
The Maharishi started the spiritual regeneration movement
and positioned himself as a psychotherapist and not a Guru.
Yoga has found increasing acceptance as an applied
philosophy in the west. In addition, the increased popularity
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of yoga has contributed to the successful international yoga
weeks and yoga spas in areas like Rishikesh. These places
have also become important centres for study of Hinduism
for western tourists/pilgrims.
Other Gurus
The Sanskrit scholar Prabhupada was the founder of the
movement of
Krishna consciousness abhorring tenets of western
materialism. The other movements of Sathya Sai Baba,
Swaninarayans also contributed to the popularity of
Hinduism in the west.
This led to increasing number of pilgrimages to holy religious
spots and ashrams of Gurus by believers and tourists. The
ashrams of gurus are important places of tourist interest like
Vrindavan (Hare Krishna movement), Sai Baba Puttaparthi
etc.
The lure of Hinduism has also led tourists to visit the holy
cities like
Varanasi, Haridwar. The temple towns like Kanchipuram,
Mahabalipuram also witness significant tourist attention.
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The new age movement
As early as 1873, translations of Upanishads influenced
Madame Helena Blavatsky to find the Theosophical society.
This was the beginning of the new age movement, a
movement which tried to incorporate the best from the East
and the West. The monistic ideas of the Upanishads came as
an intellectual boost to the philosophers of the new age
movement.
In 1893, Annie Besant travelled to India from Britain leaving
behind 'the husk of the outworn creed' for something more
genuine. She provided the stimulus to the new age
movement; as a reaction to the ideas of western secular
materialism. The new age movement is based on the quest
for spirituality as opposed to religion.
Today, ancient Indian and Chinese thought are being drawn
into western philosophy. In 1991, 1/4 of the westerners
believed in reincarnation. 15% of the population in Britain
meditates which is more than the one that goes to church
regularly. All over the west spiritual retreat centres are
becoming important destination for tourism and pilgrimage.
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The various new age symbols like Yoga acupuncture; new
age authors like Deepak Chopra are becoming increasingly
popular.
On the west coast of America, new age institutions, radio
stations are being set up. This movement has led to a
greater integration of the East and the West and has
contributed to renewed interest in the east in a wide section
of Westerners.
The Drawing Force of Buddhism
The life of Gautama has assumed a nature of a heroic myth.
His birth is likened to the rising of another sun. The truth
that Buddha awoke to was the law of life that has existed
since time immemorial. He travelled the length and breadth
of this country to preach his message; areas that form the
parts of the Buddhist trail today.
Buddhism in Asia
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About hundred years after Buddha's death two main streams
of Buddhism developed and spread to South Asia and East
Asia.
Mahayana Buddhism travelled northward through the Tibet,
China, Korea and Japan. This happened over two thousand
years. The Mahayana, the greater vehicle, stresses on the
importance of leading all people to enlightenment in daily
life. It is Mahayana form which has given Buddhism a world-
wide appeal.
The Hinyana Buddhism holds strictly to original doctrine and
ritual. Buddha has been made a God to be worshipped and
favours asked to. The Hinyana School was influenced by the
native religion of the lands it went to. Therefore it took
various forms in the various countries it went to. This school
of teachings spread south, through Sri Lanka, Burma and
Thailand.
After about thousand years Buddhism began to be dogged
by ritual and dogma and lost its freshness and vigour. In
India, it was gradually assimilated in Hinduism to be
rediscovered by the British; in the nineteenth century, with
the help of accounts of Chinese travellers - Fa Hein and Huen
Tsang.
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The appeal of Buddhism in the west
Buddhism is an apt solution to the flaws of western secular
materialism and an attractive alternative to the
metaphysical dogmas of Christianity. The form of Buddhism
that is popular in the west is the Mahayana form. The
Mahayana form is based on rationality that teaches man to
free himself from suffering if he believes in his own Buddhist
nature.
The appeal of Buddhism lies in its attack against the
religious systems that inculcate fear and guilt.
Emphasis on experience: Buddhism takes experience as
the starting point. There are no prerequisites of
metaphysical beliefs. It emphasises on suffering and the
end of suffering, which can be known from self-
experience. This emphasis on self-experience makes it
appealing to the individual in the west.
Rationality: The Mahayana school recognises no divinity or
authority, whether religious or political. . It asks for action
only when something makes sense. This is in strong
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contrast to the strong emphasis on divinity, faith and
belief in Christianity.
Practicality: the religion recommends a diagnosis to end
suffering which depends on the practitioner to follow or
reject .There is no concept of damnation or sin. This
emphasis on choice as an alternative to blind belief or
faith in Christianity has made a modern religion.
An interesting aspect of tourism in India concerned with
Buddhism is that a majority of the international tourists it
attracts come from Asia-Pacific and Sri Lanka. The countries
of Asia Pacific especially Japan are a growing market for
India. A substantial number of tourists from Sri Lanka,
which is the third most important market, are drawn by
Buddhism.
The tourist attractions which concern themselves with
Buddhism are divided into two categories:
The Buddhist trail: concerning holy spots relating to
Buddha's life and important monuments. These spots
attract pilgrims/tourists from Asia-Pacific and Sri Lanka.
The rub of Buddhism: these spots bank upon the lure of
Buddhism enmeshed with other myths. Buddhism forms a
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background for other myths such as the story of Shangri
La (covered in Himalayas and Tourism). The emerging
destinations in these areas are Ladakh and Sikkim.
Himalayas and Tourism
Himalayas have possessed a mythic status for people of
India. Most Indians except those who live in mountains do
not have a strong geographical conception of the mountains.
The Himalayas tend to be mythical rather than actual
mountains.
The concept of Himalayas is based on legends and myths of
the Hindu tradition. Himalayas are home to the holiest of
shrines and the spots in the Hindu mythology. A pilgrimage
to the abode of Gods is a regular feature of Hindu Bhakti
tradition.
To the west, the same region is influenced to by the
currency of the new myth, articulated in recent times by the
novel of James Hilton- the Lost Horizon.
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The novel is built around the fantasy of a paradise in the
Tibetan plateau beyond world's highest mountains - Shangri
La, a valley of the blue moon. The Shangri La relocated itself
- to Tibet, Nepal, Ladakh and Bhutan- as tourists came in
droves, driven by the myth. As the sanctity of each
Forbidden City was violated by mass tourism, the fantasy
moved from a sacred place to utopia or from 'a symbolic
concentration' to ' a geographic abstraction'
The tale at a profound level is the author's reaction to the
shortcomings of the western civilisation. It is a tale of
liberation from the thrall of time and western materialism.
Life at Shangri La is extraordinarily long; none of its
inhabitants hurries or exerts pressure on fellow beings. Life
proceeds in the pursuit of aesthetic and intellectual pursuits
with no conflict and competition. By association, the popular
western conception of the countries in the Himalayan region
is of romantic, mystic realms and this image is perpetuated
in literature and promotion of tourism.
To quote a young Frenchman -
“Ladakh is the last place where you can see what Tibet must
have been ..... If you felt anything in these hours we have
been together; any intensity, any trust, think that it was not
just from me or from us, but from Ladakh."
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The extent to which a Himalayan region remains a
reminiscent of Shangri La depends on the retention of
unchanged elements of the lost Tibetan authenticity. This
aspect was capitalised upon by the tourism department of
Nepal to promote itself since 70s. Today, the government of
Bhutan has gone to great extent to preserve the myth of the
Shangri La. It has done so by restricting development,
making people wear national costume on prescribed
occasions, banning television and restricting entry to the
very rich.
Trekking through the Himalayan region and walks are not
only important for their scenic beauty but also constitute
small explorations in search for the authentic other.
The Desert and The Sea
The desert and tourism
The magnetic fascination for the deserts in some segments
of the western society lies in great empty spaces - the
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ultimate in escape from the western society .The lure of the
desert also stems from the mythical structures created in
the western mind in their contact with Arabian people and
their literature. The gossip of the desert was magic, with
tales of blood and feuds. It was promoted by the spread of
the tales of the Arabian nights-of Ali Baba and forty thieves
etc.-and works of Omar Khayyam and others.
The tale of the Great Indian Desert
The myth of the Thar is linked intricately to Rajputs-their
valour, battles for honour, the majestic palaces and the
impregnable forts. It is similar to the magic evoked by tales
of the Arabian Desert - of kings dying for honour, of wealthy
maharajas with many wives, of women throwing themselves
to Johar, the legend of Padmavati. And the myth lives on;
consumed by the tourists in the form of travelling on the
palace of wheels, in consumption of heritage at increasingly
popular heritage hotels and palace-cum-hotels. The
MacCanell's tourist finds in these an authentic another- full
of virtue, grandeur, and honour and heritage.
The camel safari, for example, in the desert with forts, ruins,
deserted villages, fertile oasis exercises a magical spell on
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the tourist- the ultimate in space from the western
civilisation. The desert festival at Jaiselmer and the camel
fair at Pushkar are events which add revelry, enthusiasm and
colour to an already romantic mythical structures -created
by the Rajput valour and the emptiness of the desert.
Heritage of the Rajputanas
The success of painted havelis in Shekawati, of heritage
hotels and palace on wheels indicates a very lucrative
market for heritage tourism in Rajasthan: the success of
which in the future will depend upon the interpretation of
history to suit the needs of changing times and the tastes of
tourists. It is essential to build on the mythical structures in
the tourist’s mind and stage authenticities like fairs, heritage
sites etc. Desert will forever remain an ultimate in escape;
and heritage, if constructed and staged in a relevant fashion
will interweave with it to become a formidable attraction.
Heritage when weaved with desert gives a meaning to the
empty desert. This allows the tourist to escape into an
authentic ‘other’ world where time moves slowly, people die
for honour, and the culture is full of liveliness, simplicity and
honesty.
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The Sea and Tourism
For centuries, the sea has fascinated human beings. The
coastlines have represented the fringe between the known
and the frighteningly unknown.
The Romans were the first ones to build villas by the sea.
However, the seaside as a tourist destination is
comparatively modern. In the eighteenth century, the
seaside was first promoted, in England, as a place for
recuperation. Today, it has become a place of relaxation, fun
and idleness.
The beach: Margins of experience
Beaches are marginal littoral strips; of neither land nor the
sea. They are margins of experience. This marginality is not
only geographical but also social and physiological.
Therefore as society changes so does the meaning and use
of the beach...
In the Victorian age, it was a place of flesh and bodily
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sanctioned ‘escape route’ and regression into childhood for
the adults; as adults play child games and eat child foods.
Other beaches provide opportunities for the young to pass
through passages of rites; without the presence of younger
and older generation.
The scenario in India
The conventional sun-sand -sea resort (primarily located in
the Mediterranean and tropical islands) has witnessed a
decrease in tourist traffic due to overcrowding and an
increasing preference for other forms of tourism by western
tourists. There is an increasing section of western tourists
which is looking for a resort with sun-sand -sea and a
flavour / meaning attached to it .It is this category of tourists
which is attracted to seaside resorts in India .
In India, a few good beaches attract tourists who come for
leisure travel. The beaches in India are roughly divided into
few categories:
Beaches with Indo-European flavour: Found in Goa, Diu etc.
these beaches attract tourists looking for a good beach and
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those who wish to revisit their past. They have an Indo –
European flavour, which evokes nostalgia in a European
tourists’ mind.
A conventional sun- sand- sea resort: These beaches are
typical resorts with a local cultural flavour thrown in to add
to the attraction like Kovalam, Gopalpur-on-sea, Ahmedpur
Mandvi etc. The primary attraction of these centres is the
relatively un-crowded beach woven with the excitement of a
different culture...
Beaches and religion: These beaches become the epitome of
escape from the western secular materialism. This attracts
the MacCannell’s tourist. They combine the familiarity of
beach experience with the lure of religion. They are also
good attractions for domestic tourist, who lured by religion,
also happen to visit the beach .These include locations like
Puri, Konark, Mahabalipuram etc.
The Island
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The islands are characterised by their smallness and
insularity. The islands are not only geographical identities,
they are is-lands; locations of the present freed from the
concerns of the future. In doing so they represent an escape
in which time stands still and future looks far away.
Most islands have limited tourism resources. The island ,as
a tourist attraction, lacks diversity .It depends
overwhelmingly on sun, sand and the sea often with an
additional attraction thrown in to differentiate it from an
another island .
The Indian scenario
The islands with an enormous tourist potential are the
Andamans and the Nicobar islands. These islands represent
the epitome of escape- far away from the mainland and
civilisation. Besides, the beaches of Andamans and Nicobar
islands have an attractive Caribbean flavour: white coral
sand, gin clear water and multi-coloured fish and coral.
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Heritage and history
Heritage and history are social constructs. Any age can
reassemble and rearrange the inheritance of people and
places. They are truths that are held to be known about the
past. However, the past is subject to interpretations and
heritage is a three-way relationship between a site, its
presenter and audience. Heritage therefore needs to be
realigned to the needs of the times, to the taste of the
present audience. A relevant realignment of heritage to the
trends of the recent times creates a successful tourist
attraction.
The telling of history involves a conveyance of untruths. The
act of interpretation changes it. The heritage of the Ram, for
example, manifested in the interpretation of the concept of
Ram Rajya is a part of reactionary revivalism, for a
generation of Indians who feel imaginatively deprived in the
present
The development of Disneyland, which led to production of
history and manufacture of heritage, is an important lesson
in understanding the perception and marketing of heritage.
The Disney spectacle is a themed and montage display of
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simulations and hyper reality; to a point where truth and
fiction become indistinguishable.
In Britain, a new development in heritage called industrial
heritage has emerged. This concept celebrates the industrial
sites, mining sites etc. Ironbridge, the foundation of
industrial revolution, has become an important heritage site.
Other heritage sites like deserted soviet army bases,
Spanish castles cum hotels, secret armaments factory are
becoming popular. In India heritage is being staged through
the development of heritage hotels, heritage festivals,
Palace on wheels, etc. India offers tremendous opportunity
for development and staging of heritage.
The success of Disneyland has an important lesson. It
indicates that plural interpretations of heritage will become
commonplace. The scope for multiple truths will continue to
widen.
Special events
Special events (festivals, sport and cultural events) have
deep cultural meanings and involve unique behaviours.
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Licence and revelry are closely associated with events.
Attendance at events is a leisure experience that is freely
chosen for its intrinsic rewards.
Events have to compete with various attractions and
activities; hence events can be packaged and substituted.
The strong competitive advantage of events is the social
benefit of attending ‘in groups’. Events are participative in
nature. Hence, their success to some extent depends upon
the participants. Thus what people bring to the events is as
important as what they find there. Special events are
characterised by their uniqueness, atmosphere and quality.
All over the world various events –rooted in ancient and
modern heritage have been a big tourist draw. Some events
like the Olympic Games, Soccer world cup etc. provide
excellent opportunity to the host state to boost tourism and
construct and stage heritage. Various events rooted in the
past still continue to be major draws for their uniqueness
and atmosphere like the Spanish bullfights.
Indian Events – an embarrassment of riches.
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Indian events range from the modern to the ancient. They
fulfil various purposes from recreation to religion. Most of the
heritage fairs are rooted in the religious tradition or meant to
be a market for business. Basically, the Indian events can be
classified in a few categories:
The modern festivals – the republic day parade,
Independence Day etc. These provide ample opportunities
for staged authenticities. The various Jhankis of states for
example are representations of states and their heritage.The
religious festivals - the car festival (Puri), the festival of gods
(Kulu), Dusshera (Mysore), and the Kumbh melas provide
opportunities for domestic tourists to indulge in a religious
activity .These festivals attract the MacCanell’s tourists: the
Heritage festivals – snake boat race (Alappuzha), desert
festival (Jaiselmer), camel fair (Pushkar) etc. Many of these
festivals are rooted in tradition and are a tremendous draw
for the foreign tourist. Many of these like the Jhansi
Mahotsav (Jhansi) or the festival of Lucknow are staged
versions of authenticities constructed by the tourism
departments.
There is an enormous opportunity for staging authenticity
and interpreting heritage through events. Events are
gradually becoming very important in itineraries of the
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tourists. Due to their strong participative nature and social
exuberance they are a unique attraction.
BIBLIOGRAPHY
1. Chasing the Indian monsoon - Alexander Frater.
2. Critical issues in tourism - Gareth Shaw and Alan M.
Williams.
3. Encyclopaedia of hospitality in tourism - Michael Olsen
and Mahmood Khan.78
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4. Hinduism in Great Britain - Edited by Richard Burghart.
5. Hospitality and travel marketing - Alastair Morrison
6. India file - Trevor Fishcock
7. Marketing tourism places- Edited by Gregory Ashworth
and Brian Goodall.
8. Northern India and Southern India - Nelles Verg
9. Portrait of India - Ved Mehta
10. The business of tourism - J. Christopher Holloway.
11. The desert and the sown-Gertrude Bell
12. The development and marketing of visitor attractions-
John Swarbrooke.
13. The spirit of Hinduism - David Burnett
14. The theory and practise of tourism- Keith Waterhouse.
15. The tourist business- Donald E. Lundberg
16. The tourist experience- Edited by Chris Ryan
17. The tourist image - Edited by Tom Selwyn
18. Travel industry yearbook- Somerset R. Waters
19. Tourism, principles and practise- Chris Cooper, J.
Fletcher, D. Gilbert and S. Wanhill.
20. Tourism today : A geographical analysis- Douglas
Pearce
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