when you want to go subtle you have to go trimless”

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When you want to go subtle, you have to go trimless” TRIMLESS SERIES

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Page 1: When you want to go subtle you have to go trimless”

“When you want to go subtle, you have to go trimless”

T R I M L E S S S E R I E S

Page 2: When you want to go subtle you have to go trimless”

32

DISCOVER THE NEW WAY OF LIGHTING M e e t t h e l a t e s t e x p a n s i o n o f K a r i z m a L u c e ’ s D e a d e l l a L u c e

s e r i e s : t h e t r i m l e s s s e r i e s . P e r h a p s t h e m o s t r e f i n e d l i g h t i n g

s o l u t i o n e v e r .

CONCEALED IN THE CEILING U n i q u e a b o u t t h e t r i m l e s s s e r i e s i s t h a t t h e y s e e m t o b l e n d

i n t o t h e c e i l i n g . W i t h o u t n o e d g e s v i s i b l e a r o u n d t h e f i x t u r e .

I t i s t r u l y a f i r s t : y o u n o w c a n c r e a t e l i g h t w i t h o u t t h e l u m i n a i r e

b e i n g v i s i b l e . T h e e l e g a n t d e s i g n , s u b t l y c o n c e a l e d i n t h e

c e i l i n g , p u t s a s p a r k l e i n a n y b u i l d i n g .

EASY TO INSTALLT h a n k s t o t h e m a g n e t i c p u s h o n /o f f s y s t e m , i n s t a l l i n g h a s

b e e n m a d e v e r y e a s y . S i m p l y c h a n g e t h e l u m i n a i r e o r r e f l e c t o r ,

w i t h o u t d a m a g i n g t h e c e i l i n g .

ENDLESS LIGHTING OPPORTUNITIES C h o o s e f r o m v a r i o u s d i m m i n g a n d c o n t r o l o p t i o n s , s u c h a s

C a s a m b i , D A L I , o r p h a s e - c u t d i m m i n g . A n d t h e b a s i c p a r a m e t e r s?

W e o f f e r a h i g h C R I 9 0 + a s a s t a n d a r d a n d a c o l o u r s p e c t r u m o f

2 7 0 0 K , 3 0 0 0 K o r 4 0 0 0 K . D i m t o w a r m i s a l s o a v a i l a b l e , o r i n

s o m e c a s e s e v e n t u n a b l e w h i t e .

WIDE RANGE OF POSSIBILITIES A l l l u m i n a i r e s a r e a v a i l a b l e i n b l a c k a n d w h i t e . T h e a n t i - g l a r e

r e f l e c t o r s c o m e i n s i x d i f f e r e n t s t y l i s h c o l o u r s . A d d i t i o n a l l y ,

t h e l u m i n a i r e s a r e a v a i l a b l e i n d i f f e r e n t s i z e s , r o u n d o r s q u a r e ,

f i x e d o r a d j u s t a b l e . T h i s m a k e s t h e t r i m l e s s s e r i e s w i d e l y

a p p l i c a b l e i n l i g h t i n g p r o j e c t s i n h o s p i t a l i t y i n d u s t r y , o f f i c e s ,

l u x u r y h o u s i n g a n d r e t a i l .

Page 3: When you want to go subtle you have to go trimless”

54

Ref lector colors D ea ser ies

goldsi lver high gloss

chrome whiteblack high gloss

black matt

Housing colors

D E A D E LL A LU CE TR I M LES S

D E A D I A N A ( X S-S ) D E A D I O N (S )

D E A D U R G A ( X S )D E A D E V I ( S )

V iew fu l l specs at Kar izmaluce.com

Page 4: When you want to go subtle you have to go trimless”

76

S ingle f rame

Quadrup le Square f rame

Double f rame Tr ip le f rame

Quadrup le f rame

READY TO ENRICH YOUR PROJECT WITH THIS NEW WAY OF LIGHTING?

SINGLE, DOUBLE, TRIPLE, QUADRUPLE OR QUADRUPLE SQUARE.

O u r e n t i r e t r i m l e s s r a n g e w i t h s p e f i c a t i o n s

c a n b e v i e w e d a t k a r i z m a l u c e . c o m . D o y o u

h a v e a n y q u e s t i o n s o r w i s h e s? P l e a s e d o

n o t h e s i t a t e t o c o n t a c t u s . L e t u s p l e a s a n t l y

s u r p r i s e y o u .

M U LT I P L E U S E

T h e s t a n d a r d i n s t a l l a t i o n f r a m e i s s i n g l e , b u t y o u c a n c h o o s e a l s o f o r a d u o , t r i p l e ,

q u a d r u p l e o r q u a d r u p p l e s q u a r e a p p l i c a t i o n . J u s t b y c u t t i n g t h e s i d e s o f t h e f r a m e s

a n d c o n n e c t t h e m t o e a c h o t h e r .

Page 5: When you want to go subtle you have to go trimless”

K A R I Z M A L U C E B . V .

S N E E K E R M E E R 4 A

8 5 0 2 T P J O U R E

T H E N E T H E R L A N D S

+ 3 1 ( 0 ) 5 1 3 2 2 6 0 0 8

I N F O @ K A R I Z M A L U C E . C O M

K A R I Z M A L U C E . C O M

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