what is a theater
TRANSCRIPT
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Republic of the Philippines
Matiao National High School
Special Program in Arts
A Compilation
On
THEATER
Submitted To:
Rudy B. Pascua, JR THEATER Arts Teacher
Submitted By:
Nadine Morales BarrosSPA-3 Student
Date of SubmissionMarch 21, 2011
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What is a theater?
Theatre (or theater, see spelling differences) is a branch of the performing arts. Any
performance may be considered theatre; however, as a performing art, theatre focuses almost
exclusively on live performers creating a self-contained drama. A performance qualifies as
dramatic by creating a representational illusion.
By this broad definition, theatre had existed
since the dawn of man, as a result of the human tendency for storytelling. Since its inception,
theatre has come to take on many forms, utilizing speech, gesture, music, dance, writing, and
spectacle, combining the other performing arts, often as well as the visual arts, into a single
artistic form. The word derives from the Ancient Greek theatron ( ) meaning "a place for
viewing."[3]
Modern Western theatre derives in large measure from Greek drama, from which it
borrows technical terminology, classification into genres, and many of its themes, stock
characters, and plot developments.
Reference: http://wiki.answers.com/Q/What_is_a_theater#ixzz1GxOYQcZJ
The Basic Elements of Theatre
Script/Text, Scenario, Plan:
This is the starting point of the theatrical performance. The element most often
considered as the domain of the playwright in theatre. The playwrights script is the
text by which theatre is created. It can be simplistic, as in the 16th
century, with the
scenarios used by the acting troupes of the Commedia dell arte, or it can be
elaborate, such as the works of William Shakespeare. The script, scenario, or plan is
what the director uses as a blue print to build a production from.
The Process:
This is the coordination of the creative efforts usually headed up in theatre by the
director. It is the pure process by which the playwrights work is brought to
realization by the director, actors, designers, technicians, dancers, musicians, and
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any other collaborators that come together on the script, scenario, or plan. This is
the works in progress stage.
The Product:
This is the end result of the process of work involved. The final product that results
from all of the labors coming together to complete the finished work of script,
scenario, and plan, in union with all of the collaborators in the process to create the
final product. This is what the audience will witness as they sit in the theatre and
view the work.
The Audience:
Theatre requires an audience. For all of the arts public is essential. The physical
presence of an audience can change a performance, inspire actors, and create
expectations. Theatre is a living breathing art form. The presence of live actors on
the stage in front of live audiences sets it apart from modern day films and
television.
What are the different kinds of plays?
Tragedy; comedy; drame, or Schauspiel; the society play, otherwise known as the pièce,
or the emotional drama; melodrama; spectacular drama; musical drama; farce comedy, or
farcical comedy; farce; burlesque; burletta; comedietta.
The importance of theater
Theatre has been an influential factor in many people's lives, creativity can flourish,
academics can improve and means of self-expression can be developed. It is important to have
mandatory theatre classes because when a student participates, they benefit significantly.
Theatre can be influential in all aspects of life. Participating in theatre classes can stimulate
student's creativity and thought process. Developing a creative mind can lead to a more
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tolerant attitude because, "The creative process of theater leads children to be more open-
minded and acceptable because of the diverse roles they portray."1 In the future, students who
have grown up with theatre will become more tolerant of sensitive issues, which could create
better living conditions globally.
The role of theater in our society
What role does theatre play in society? According to the theorists who write treatise
after treatise about it, the theatre has quite an influential role in our world. But how is its role
defined? Is it a social institution, a place of cathartic release, or a purveyor of simple
entertainment? Each move these descriptions has been applied to theatre and to its multiple
roles. One of the most controversial roles of theatre is its function in teaching. The theatre has
been shown to be didactic, but opinions vary on whether this type of instruction is a good thing.
Theatre has also provided evidence of having influence on politics. Once again, theorists
debate the benefits and detriments of this influence. More specifically, the theorists Schiller,
Zola, and Plato individually discuss this concept of social influence in their works. Though their
opinions vary, they each focus on truth in the theatre. Truth seems easy enough to define:
that which is not false. But how does one define truth on the stage? What is happening on
stage is not actually happening, but the actors are actually doing it, so is it true or not?
Mimesis is a subjective term that somewhat encompasses this concept of truth by
characterizing theatre in terms of imitation and representation. Schiller, Zola, and Plato write
about theatres role in society and attempt to define and evaluate the concept of truth on
stage. Schiller approaches theatre as a moral institution, arguing that a mixture of imagination
and accuracy is the best route to influencing society; he feels this influence is positive. Another
who feels theatres ability to influence society is a good thing is Zola; he finds the didactic
qualities will come out of pure truth on stage, which involves meticulous authenticity.
Conversely, while Plato acknowledges the mimetic qualities of theatre, he finds them to be
removed from the truth and their influence on society to be negative. Overall, the concept of
theatre representing truth through mimesis is addressed by Schiller, Zola, and Plato in their
analyses of how the theatre plays a didactic and politically influential role in society. It is
interesting, though, that the overall implications on society arise in their discussions of how
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truth is portrayed on stage to an audience instead of how an audience interprets what is
truthful to them. With their focus on the power of the stage, each theorist has overlooked the
power of the audience. In his treatises, The Stage as a Moral Institution and On the Use of
the Chorus in Greek Tragedy, Schiller expresses his belief that theatre can and should play a
didactic role because it is positive for society. Schiller works on the basic principle that the
creative process liberates humankind by allowing the spectator to see through sensuous matter
and discover the free working of the mind (250). Through the theatre, Schiller feels that
moral instruction can be given, and that this process is a good thing. The reason Schiller
believes the theatre is so powerful is that he feels that sight is always more powerful than
description; thus, both the understanding of religion and laws can be heightened if the stage is
used to display their truths (250). However, the stage needs to display these truths in a certain
way in order for the play to be the most didactic. Schiller explains theatre as a mirror for
society, suggested his concept.