what do you hear?. why is this a story? and listen to this

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What do you hear?

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Page 1: What do you hear?. Why is this a story? And listen to this

What do you hear?

Page 2: What do you hear?. Why is this a story? And listen to this

Why is this a story?

Page 3: What do you hear?. Why is this a story? And listen to this

And listen to this.

Page 4: What do you hear?. Why is this a story? And listen to this

Zombie infection- why was this a story?

- what made it interesting- what made it newsworthy

Page 5: What do you hear?. Why is this a story? And listen to this

Welcome to Reporting for the Radio where you will learn to think,

to analyze, to question, to interview, to write scripts, to write

for many platforms,

Page 6: What do you hear?. Why is this a story? And listen to this

What you will learn continued

• to work collaboratively, to analyze the work of others, to meet deadlines, to be held accountable, to think about audiences, to work harder than you’ve ever worked before, to wake up early.

Page 7: What do you hear?. Why is this a story? And listen to this

Today• News service explanation – Alyssa Lenhoff and Tim Francisco• Syllabus review – Tim Francisco• History and significance of radio reporting – Alyssa Lenhoff• Technical explanation of WYSU and relationship to this class –

David Luscher.• Details –

– Textbook– Equipment– Website– Lab hours– Subscriptions– Email and phone

Page 8: What do you hear?. Why is this a story? And listen to this

News Service

• Concept

• Stories

• Expectations

• Operating procedures and policies

• Equipment lending

• Lab

• LINK:

Page 9: What do you hear?. Why is this a story? And listen to this

News service explanation

• A lot of hard work.

• One incredible opportunity.

• Joint venture

• Details critical

• Professional networking to an extreme

Page 10: What do you hear?. Why is this a story? And listen to this

Syllabus Explanation

• Syllabus for Radio Reporting – Tim Francisco

Page 11: What do you hear?. Why is this a story? And listen to this

Radio reporting today

• While other traditional media have lost huge audience numbers, radio news has not suffered the same devastation.

• WHY? - Discussion

Page 12: What do you hear?. Why is this a story? And listen to this

Radio reporting today

• Captive audience

• NPR has remained stable

• Who is listening?– Equal numbers of men and women– Interested in learning– Median age = early 50s for traditional radio– Younger for online and podcast

Page 13: What do you hear?. Why is this a story? And listen to this

Radio reporting today continued

• It all ends unless you deliver “the driveway moment”

– When a report really works.

Page 14: What do you hear?. Why is this a story? And listen to this

Radio reporting – brief history

• Nov. 1916 – first radio news - An estimated audience of several thousand, in a 200 mile radius around New York City tuned in for election coverage.

• Edward R. Murrow – listen to story about Murrow.

Page 15: What do you hear?. Why is this a story? And listen to this

NPR Goals/Code of Ethics

• Fair – all views

• Unbiased – separation from personal opinion

• Accurate

Page 16: What do you hear?. Why is this a story? And listen to this

WYSU & The Working Relationship – David L.

• Goal of WYSU

• History of news and WYSU

• Expectations for project

Page 17: What do you hear?. Why is this a story? And listen to this

Assignment -

• Read Chapters One,Two and Three – Sound Reporting.

AND LISTEN TO:

• Uninsured Americans

• Heathrow Airport

• At least four other NPR stories. Be prepared to discuss

Page 18: What do you hear?. Why is this a story? And listen to this

Suggestions

• Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read. Read.

Page 19: What do you hear?. Why is this a story? And listen to this

Suggestions

• Read what?

- Anything.

But at a minimum:

The Vindicator, The New York Times and any other newspapers.

Page 20: What do you hear?. Why is this a story? And listen to this

Suggestions

• Watch. Watch. Watch. Watch.

• Watch. Watch. Watch. Watch.

• Watch. Watch. Watch. Watch.

• Watch. Watch. Watch. Watch.

• Watch. Watch. Watch. Watch.

• Watch. Watch. Watch. Watch.

• Watch. Watch. Watch. Watch.

Page 21: What do you hear?. Why is this a story? And listen to this

Watch what?

• Anything. But at a minimum: 60 Minutes.

Page 22: What do you hear?. Why is this a story? And listen to this

Suggestions

• Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen.

• Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen. Listen.

Page 23: What do you hear?. Why is this a story? And listen to this

Listen to What? And Whom?

• Us.

• Your neighbors.

• Your family.

• People you see in Kilcawley.

• People you see anywhere.

• NPR – All Things Considered.

Page 24: What do you hear?. Why is this a story? And listen to this

Story

• By next week, you will be assigned one of these stories.

• You will be working in pairs of two.

• Your partner for the first story is the one sitting to your right.

• We will let you select which story you would like from the list. The list will change regularly. Check back often.

Page 25: What do you hear?. Why is this a story? And listen to this

Next week

• Come to class having read, watched and listened.

• You will be applying that knowledge. (No more clues.)