week 3 lesson 1 - egmont uk · to draw a detailed sketch of the inside of the whale’s mouth. ......

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Week 3 Lesson 1

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Week 3

Lesson 1

SPaG Starter

Draw a line to match each word to the correct suffix to make

an adjective.

What other

stories do you

know that

include a

character being

swallowed by a

whale?

(Read chapters 28 – 29)Lesson 3.1

LO: To draw a picture using information from a text

Lesson 3.1

LO: To draw a picture using information from a text

Click to

watch the

clip!

Click to

watch the

clip!

Lesson 3.1

LO: To draw a picture using information from a text

Let’s re-read pages 200-203. Pay attention to the description of being inside the whale’s mouth. What do

you imagine it is like?

Lesson 3.1

LO: To draw a picture using information from a text

To draw a detailed sketch of the inside of the whale’s mouth. Use

clues from the text to help you. Once you’ve finished, write a

short descriptive paragraph to go with your drawing.

Lesson 3.1

LO: To draw a picture using information from a text

Zones of relevance1. Discuss the words with your partner then sort them onto the diagram. Use a dictionary if

you’re unsure of any of the definitions.

2. If a word is completely irrelevant and does not remotely describe being inside the

whale’s mouth AT ALL put it outside of the chart.

3. If it IS relevant, decide how relevant - the more relevant the word is it is the closer it

must be to the centre. When you’ve finished, add your own words to the chart.

Lesson 3.1

LO: To draw a picture using information from a text

Week 3

Lesson 2

SPaG Starter

Insert one comma in the correct place in the sentence

below.

Despite her fears Mouse went to rescue Sparrow.

(Read chapters 30 – 33)

Click to

watch the

video

Lesson 3.2

LO: To identify the structure of an adventure story

1 Ordinary World

We’re introduced to the hero in their

normal day-to-day setting.EXAMPLES:

Woody in Andy’s

room, Mouse on the

Huntress, Belle living

with her father in

small village in

France.

Lesson 3.2

LO: To identify the structure of an adventure story

2 The Call To Adventure

The hero receives a challenge that

will take them away from their

ordinary life, for example a quest to

follow or a mission.

EXAMPLE:

Shrek is told he must

rescue Princess

Fiona in order to get

his swamp back.

Lesson 3.2

LO: To identify the structure of an adventure story

3 Refusal Of The Call

The character rejects the challenge

either arguing that they are not

capable, or don’t want to embark on

the adventure or that the adventure

is unnecessary. Other characters

can refuse the call on behalf of the

hero or try and persuade the hero

not to go.

EXAMPLE: The

Dursleys hiding Harry

Potter’s invitations to

Hogwarts.

Lesson 3.2

LO: To identify the structure of an adventure story

4Meeting with the mentor

The hero meets a mentor who will

guide him/her towards the

adventure but ultimately the hero

must face the challenge alone.

EXAMPLE: Harry

Potter meets Hagrid.

Lesson 3.2

LO: To identify the structure of an adventure story

5Crossing The Threshold

The character leaves their ordinary

world and starts their adventure.

This can either be voluntarily or

involuntarily.

In The Lord of the

Rings, Frodo crosses

the threshold both of

his house at Bag End

and also out of the

Shire, into lands

totally foreign to him.

Lesson 3.2

LO: To identify the structure of an adventure story

6Tests, Allies & Enemies

The hero’s resolve is tested as

he/she faces obstacles and

challenges along the way. New

characters often appear at this

point, some of whom will help and

support them on their journey.

Others may be enemies.

EXAMPLE: Buzz

meeting the aliens at

Pizza Planet. Simba

meeting Timon and

Pumba in The Lion

King.

Lesson 3.2

LO: To identify the structure of an adventure story

7The Ordeal

The critical moment in the story.

The hero must confront their worst

fears. This is normally a perilous

situation or a meeting with an

enemy.

EXAMPLE: Buzz and

Woody have to

escape from Sid.

Lesson 3.2

LO: To identify the structure of an adventure story

8The Road Home

The hero’s resolve is tested as

he/she faces obstacles and

challenges along the way.

The hero decides to return to the

“ordinary world” to defeat the

enemy/claim their reward/clear their

name etc…

EXAMPLE: Simba

returning to Pride

Rock to challenge

Scar.

Lesson 3.2

LO: To identify the structure of an adventure story

9The Resurrection

This the climax of the story.

Sometimes this is a character who

was believed dead returning. It can

also be the hero realising they have

changed forever.

EXAMPLE: Belle tells

the Beast she loves

him and breaks the

curse.

Lesson 3.2

LO: To identify the structure of an adventure story

Lesson 3.2

LO: To identify the structure of an adventure story

Complete the Hero’s Journey

sheet for either Sea or

another adventure story that

you know.

Week 3

Lesson 3

SPaG StarterCopy out the sentences and replace the underlined word

or words in each sentence with the correct pronoun.

When Mouse got to the end of the path, Mouse turned

right.

The path had a large hole in it. Mouse fell into the hole.

Lesson 3.3

LO: To plan the opening to a story

(Read chapters 34 – 37)

Sea is the first book in the The Huntress

trilogy. Can you think of any other well-

known trilogies?

The next book the trilogy is called Sky. Today we are

going to plan the opening chapter. What do you think

might happen? Will the characters be the same? Let’s

brainstorm!

Lesson 3.3

LO: To plan the opening to a story

You can use the planning

format to help you or, if

you’d rather, you can plan

your chapter in your own

way.

Lesson 3.3

LO: To plan the opening to a story

Swap your plan with the person next to you. Read

your partner’s plan and tell them one thing you like

and one thing you think could be improved.

Lesson 3.3

LO: To plan the opening to a story

Week 3

Lesson 4

SPaG Starter

Copy the sentence and circle the prepositions.

Sparrow walked through

the doorway and sat on the

bed.

Lesson 3.4

LO: To write a first draft

(Read chapters 38 – 41)

With your partner read the story openings and decide

which is your favourite/least favourite.

Questions to discuss:

What makes them effective story openings?

How do the authors hook in the reader?

What unanswered questions do these openings leave the reader with?

Today you’re going to turn your plans into a first draft.

Let’s start by doing one together.

Lesson 3.4

LO: To write a first draft

Who would like to share their first draft?

Lesson 3.4

LO: To write a first draft

Week 3

Lesson 5

SPaG Starter

What is the function of the sentence below?

Put your books down.

Lesson 3.5

LO: To edit and improve our work

Editing Checklist

Have you used appropriate detail?

Have you used commas to mark clauses?

Have you used capital letters at the start of sentences and

names?

Have you checked your apostrophes?

Have you checked there/their/they’re?

Have you used simple, compound and complex sentences?

Have you used paragraphs and varied the lengths?

Have you used a mixture of connectives?

Have you kept to either past or present tense?

Is it interesting?

(Read chapters 42 – 46)

The rest of this lesson is yours to edit, redraft

and improve your work. Use your time wisely!

Lesson 3.5

LO: To edit and improve our work

Write a book review of Sea for next lesson.

Homework!