Wednesday Evening, February 24, 2016, at 8:30

Swimming in Dark Waters—Other Voices of the AmericanExperience

Featuring Rhiannon Giddens, Leyla McCalla & Bhi Bhiman

This evening’s program is approximately 75 minutes long and will be performed without intermission.

Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella.

Endowment support provided by Bank of America

This performance is made possible in part by the Josie Robertson Fund for Lincoln Center.

The Program

Please make certain all your electronic devices are switched off.

The Appel RoomJazz at Lincoln Center’s Frederick P. Rose Hall

American Songbook

We would like to remind you that the sound of coughing and rustling paper mightdistract the performers and your fellow audience members.

In consideration of the performing artists and members of the audience, those who must leave before the end of the performance are asked to do so between pieces. Flash photography and the use of recording equipment are not allowed in the building.

Additional support for Lincoln Center’s American Songbook is provided by The DuBose andDorothy Heyward Memorial Fund, The Shubert Foundation, Jill and Irwin B. Cohen, The G & A Foundation, Inc., Great Performers Circle, Chairman’s Council, and Friends ofLincoln Center.

Public support is provided by the New York State Council on the Arts.

Artist catering provided by Zabar’s and zabars.com

MetLife is the National Sponsor of Lincoln Center

UPCOMING AMERICAN SONGBOOK EVENTSIN THE APPEL ROOM:

Thursday Evening, February 25, at 8:30La Santa Cecilia

Friday Evening, February 26, at 8:30Charles Busch: The Lady at the MicA cabaret tribute to Elaine Stritch, Polly Bergen, Mary Cleere Haran, Julie Wilson & Joan Rivers

Saturday Evening, February 27, at 8:30Terri Lyne Carrington’s Mosaic Project: Love & Soulfeaturing Valerie Simpson & Oleta Adams

IN THE STANLEY H. KAPLAN PENTHOUSE:

Wednesday Evening, March 16, at 8:00Luluc

Thursday Evening, March 17, at 8:00Anaïs Mitchell

Friday Evening, March 18, at 8:00The Cooper Clan All Together

The Appel Room is located in Jazz at Lincoln Center’s Frederick P. Rose Hall. The Stanley H.Kaplan Penthouse is located in the Samuel B. and David Rose Building at 165 West 65thStreet, 10th floor.

For tickets, call (212) 721-6500 or visit AmericanSongbook.org. Call the Lincoln Center Info Request Line at (212) 875-5766 or visit AmericanSongbook.org for complete programinformation.

Join the conversation: #LCSongbook

The Rallying Cry of Protest SongsBy James Reed

There is just one thingI can’t understand, my friend.Why some folk think freedomWas not designed for all men.

When Pops Staples wrote those words in 1965, he could never have knownthat they would remain relevant some 50 years later. He likely hoped theywouldn’t. Recorded by the Staple Singers, live in a church and with the quak-ing fervor of a tent revival, “Freedom Highway” rang out as a missive shotstraight from the heart of the civil rights movement.

The song was inspired by 1965’s freedom marches from Selma toMontgomery, Alabama, during which hundreds made the 50-mile trek to rallyfor voting rights for African Americans. Enduring deadly clashes with police,troopers, and angry mobs, they completed their journey on the third attempt.“Freedom Highway” has since become not just an anthem of that historicmoment, but rather a testament to the power of music to document and pre-serve our culture from disparate perspectives.

Swimming in Dark Waters—Other Voices of the American Experience isfirmly aligned with that mission. The performance’s title evokes the notion ofsurvival, of keeping one’s head above water at uncertain times when thatseems impossible. It presents songs—of resistance, of uplift, of heartache—that don’t merely advocate for change: They celebrate it.

Bolstered by her acclaimed debut solo album, last year’s Tomorrow Is MyTurn, Rhiannon Giddens casts a curatorial eye on slavery narratives andbrings them into the 21st century with a fresh perspective. Cellist LeylaMcCalla burrows into the history of Louisiana’s musical traditions and, in a direct link to her lineage, Haitian protest songs. And Bhi Bhiman, raised inSt. Louis as the son of Sri Lankan immigrants, infuses his topical songs withcaustic wit reminiscent of Randy Newman.

Together, this evening’s artists connect the dots across genres and genera-tions, revealing that songs of freedom have deep roots that extend to mod-ern times. Assembled by Giddens, who first made her name with theCarolina Chocolate Drops, the performers are hell-bent on challenging ourcommon assumption of who’s a singer-songwriter and what a protest songshould accomplish.

Be honest: Who comes to mind when you think of a singer-songwriter? Is itBob Dylan and Joni Mitchell, or perhaps James Taylor and Neil Young? Whydon’t we consider Bob Marley, Buffy Sainte-Marie, or even Stevie Wonder

American Songbook I Note on the Program

Note on the Program

American Songbook I Note on the Program

as such? They, too, reflected their times, but through the prism of their expe-rience, their own skin color.

“The idea was to put a show together to talk about the American voice—whatis it and who represents it,” Giddens says. “Well, it’s everybody in America,but we tend to focus on one slice. So this is an attempt to put the focus on adifferent slice. There are a lot of great singer-songwriters of color who don’tget thought about as much as they should.”And what about the protest song?It’s Pete Seeger or Joan Baez leading the masses in a chorus of “We ShallOvercome” or Phil Ochs declaring, “I ain’t marching anymore,” right? (Ochsonce famously quipped, “A protest song is a song that’s so specific that youcannot mistake it for BS.”)

Sure, but it’s also Billie Holiday startling audiences with “Strange Fruit”:“Black bodies swingin’ in the Southern breeze/Strange fruit hangin’ from thepoplar trees.” It’s also Sam Cooke promising that “A Change Is Gonna Come”in 1964, and Marvin Gaye offering proof with “What’s Going On?” that, in fact,hadn’t come by the early 1970s. We’re living in a fertile time for protest music.Last year alone ignited a wave of artists dissecting bitter truths learned inplaces such as Ferguson, Missouri, Baltimore, and Charleston, South Carolina.With jarring frequency, headlines tell of grim realities across the country:police brutality (almost always against black Americans), mass shootings, therise of a presidential candidate who openly calls for banning Muslims fromentering the U.S.

Musicians responded the only way they could—in song. Taken from his widelypraised album “To Pimp a Butterfly,” rapper Kendrick Lamar’s “Alright”became a battle cry of the Black Lives Matter movement. “We gon’ bealright,” he assured us, and we believed him. In “Hell You Talmbout,” it tookR&B superstar Janelle Monáe more than six harrowing minutes to recite thenames and thereby honor all the African Americans who were killed orwounded by police last year.

Heartsick about a racially motivated shooting at a South Carolina church,singer-songwriter Peter Mulvey wrote “Take Down Your Flag,” urging thestate to lower the Confederate flag flying at its capitol building; it eventuallydid. Giddens was so devastated in the wake of that same massacre that shealso composed a call to action. With just a hand drum, her resonant voice, anda choir echoing her words, “Cry No More” rattled the rafters of the NorthCarolina church where she filmed the video. “I think we all have something tosay,” Giddens says, “and it’s our responsibility to say it.”

James Reed, a former music critic at the Boston Globe, writes about the artsand lives in Boston.

—Copyright © 2016 by Lincoln Center for the Performing Arts, Inc.

American Songbook I Meet the Artists

Best known as a member of the Grammy-winning Carolina ChocolateDrops (CCDs), Rhiannon Giddens stole the show at a 2013 concertcurated by T Bone Burnett at New York’s Town Hall. Afterward, Burnettproduced her 2015 solo debut record, Tomorrow Is My Turn, which deftlyincorporates folk, jazz, gospel, and the blues.

Reviving, interpreting, and recasting traditional material from a variety ofsources has been central to Ms. Giddens’s career, especially in hergroundbreaking work with the CCDs. With their two Nonesuch albums,Genuine Negro Jig (2010, Grammy winner) and Leaving Eden (2012), theCCDs have shared the role African-American performers and songwritersplayed in U.S. folk-music history, while making recordings that are vital,contemporary, and exuberant. Iconic choreographer Twyla Tharp was soentranced by their work that she created Cornbread Duet, a dance pieceset to a suite of songs by the CCDs that had its world premiere at theBrooklyn Academy of Music.

Ms. Giddens’s journey, in a larger sense, began in the Piedmont region ofNorth Carolina, where she was raised—an area with a rich legacy of old-time music, black and white, that she would explore in depth after college.While studying opera at Oberlin Conservatory of Music, Ms. Giddensbegan to do contra-dance calling on the weekends. At first a playful musi-cal detour, it prefigured the unique course her career would take. She mether original CCDs bandmates at 2005’s Black Banjo Gathering in Boone,North Carolina, and got schooled in the Piedmont’s traditional music byJoe Thompson, an elderly African-American fiddle player who passed onto Ms. Giddens and her cohorts many of the songs that would make uptheir early repertoire.

Meet the Artists

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American Songbook I Meet the Artists

Leyla McCalla finds inspiration from avariety of sources, whether it is herHaitian heritage, living in New Orleans,or dancing at Cajun Mardi Gras. Amulti-instrumentalist, Ms. McCalla is acellist and singer whose distinctivesound is impossible to replicate. Hermusic reflects her eclectic and diverselife experiences. Born in New York Cityto Haitian emigrant parents, she wasraised in suburban New Jersey, thenrelocated as a teenager to Accra,Ghana, for two years. Upon her return,

Ms. McCalla attended Smith College before transferring to New York University,where she studied cello performance and chamber music. She moved to NewOrleans to play cello on the streets of the French Quarter.

The move signaled a journey of musical and cultural discovery, with NewOrleans becoming home for Ms. McCalla. Most recently, she has been explor-ing on cello the fiddling styles of the late Louisiana Creole fiddlers CanrayFontenot and Bébé Carrière. Ms. McCalla’s move to New Orleans also signaleda new stage in her career. It was while playing on the street that she caught theattention of Tim Duffy, the founder and director of the Music Maker ReliefFoundation. He introduced her to the Carolina Chocolate Drops, a renownedAfrican-American string band. After appearing on the band’s Grammy-nominated album Leaving Eden and touring extensively with the group, Ms.McCalla shifted focus to her solo career. Her debut album, Vari-Colored Songs:A Tribute to Langston Hughes, comprises works she composed to Hughes’spoetry, Haitian folk songs, and original pieces.

Bhi Bhiman is an American singer-songwriter. His musical style hasdrawn a diverse range of comparisonsfrom Rodriguez and Woody Guthrie toNina Simone and Bill Withers. Anaccomplished guitarist and lyricist, it isMr. Bhiman’s unique voice that trulysets him apart. Since the release of hisdebut album in 2012, he has touredextensively with artists ranging fromChris Cornell to the Carolina ChocolateDrops. He has performed at Bonnaroo

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Music Festival and Outside Lands, as well as Carnegie Hall. Mr. Bhiman has alsowritten for other artists such as William Bell and the hip-hop group the Coup. InMay Mr. Bhiman will release his follow-up LP, Rhythm & Reason, produced bySam Kassirer (Lake Street Dive, Josh Ritter). The 10-song album reveals moreof his soul and R&B influences.

American Songbook

In 1998, Lincoln Center launched American Songbook, dedicated to the celebra-tion of popular American song. Designed to highlight and affirm the creativemastery of America’s songwriters from their emergence at the turn of the 19thcentury up through the present, American Songbook spans all styles and gen-res, from the form’s early roots in Tin Pan Alley and Broadway to the eclecticismof today’s singer-songwriters. American Songbook also showcases the out-standing interpreters of popular song, including established and emerging con-cert, cabaret, theater, and songwriter performers.

Lincoln Center for the Performing Arts, Inc.

Lincoln Center for the Performing Arts (LCPA) serves three primary roles: pre-senter of artistic programming, national leader in arts and education and com-munity relations, and manager of the Lincoln Center campus. A presenter ofmore than 3,000 free and ticketed events, performances, tours, and educationalactivities annually, LCPA offers 15 programs, series, and festivals includingAmerican Songbook, Great Performers, Lincoln Center Festival, Lincoln CenterOut of Doors, Midsummer Night Swing, the Mostly Mozart Festival, and theWhite Light Festival, as well as the Emmy Award–winning Live From LincolnCenter, which airs nationally on PBS. As manager of the Lincoln Center campus,LCPA provides support and services for the Lincoln Center complex and the 11resident organizations. In addition, LCPA led a $1.2 billion campus renovation,completed in October 2012.

American Songbook I Meet the Artists

Lincoln Center Programming DepartmentJane Moss, Ehrenkranz Artistic DirectorHanako Yamaguchi, Director, Music ProgrammingJon Nakagawa, Director, Contemporary ProgrammingJill Sternheimer, Director, Public ProgrammingLisa Takemoto, Production ManagerKate Monaghan, Associate Director, ProgrammingCharles Cermele, Producer, Contemporary ProgrammingMauricio Lomelin, Producer, Contemporary ProgrammingRegina Grande, Associate ProducerAmber Shavers, Associate Producer, Public ProgrammingLuna Shyr, Senior EditorNick Kleist, Company ManagerOlivia Fortunato, House Seat Coordinator

For American SongbookMatt Berman, Lighting DesignScott Stauffer, Sound DesignAmy Page, Wardrobe Assistant

Matt Berman

Matt Berman is the resident lighting designer for Lincoln Center’s AmericanSongbook. He continues his design work for Kristin Chenoweth, Liza Minnelli,Alan Cumming, Brian Stokes Mitchell, Lea Salonga, and Elaine Paige on theroad. Through his work with ASCAP and several U.S.-based charities, Mr.Berman has designed for a starry roster that includes Bernadette Peters, BarbraStreisand, Reba McEntire, Melissa Errico, Deborah Voigt, Michael Urie, StevieWonder, India Arie, Garth Brooks, Billy Joel, and Sting. His international touringschedule has allowed him to design for iconic venues such as Royal Albert Hall,the Paris Opera, the Olympia theater in Paris, Royal Theatre Carré inAmsterdam, the Sporting Club in Monte Carlo, the Acropolis, the famedamphitheater in Taormina, Sicily, Luna Park in Buenos Aires, and the SydneyOpera House. Closer to home, he has done work for the Hollywood Bowl, AliceTully Hall, and Carnegie Hall. Mr. Berman’s television work includesChenoweth’s recently released special, Coming Home, as well as seven LiveFrom Lincoln Center broadcasts, and the Tony Award–winning Liza’s at thePalace, which he also designed for Broadway. Other Broadway credits includeBea Arthur on Broadway, Nancy LaMott’s Just in Time for Christmas, and KathyGriffin Wants a Tony at the Belasco Theater.

Scott Stauffer

Scott Stauffer has been the sound designer for Lincoln Center’s AmericanSongbook since 1999; the Actors Fund concerts of Frank Loesser, Broadway 101,

American Songbook

American Songbook

Hair, and On the Twentieth Century; and Brian Stokes Mitchell at CarnegieHall. His Broadway credits include A Free Man of Color, The Rivals, Contact(also in London and Tokyo), Marie Christine, Twelfth Night, and Jekyll & Hyde.Off-Broadway Mr. Stauffer has worked on Promises, Hereafter, A Minister’sWife, Bernarda Alba, Third, Belle Epoque, Big Bill, Elegies, Hello Again, TheSpitfire Grill, Pageant, and Hedwig and the Angry Inch. His regional creditsinclude productions at the Capitol Repertory Theatre, University of Michigan,Hanger Theatre, Berkshire Theatre Festival, Chicago Shakespeare Theater, andAlley Theatre. As a sound engineer, Mr. Stauffer has worked on The Lion King,Juan Darién, Chronicle of a Death Foretold, Carousel, Once on This Island, andLittle Shop of Horrors (Off-Broadway).

UPCOMING EVENTSJazz at Lincoln Center’sFrederick P. Rose Hall

February 2016ROSE THEATER

Christian McBride/Henry Butler, StevenBernstein & The Hot 9February 26–27, 2016 at 8pmTwo world-class bands explore the relationshipbetween jazz and American popular song. Thedouble bill is headlined by Christian McBride. Themaster musician has appeared on over 300 record-ings and is considered one of the most accom-plished bassists alive. Now a leader of his ownGrammy Award-winning Big Band, featuring astaggering and diverse lineup of top musicians,McBride simultaneously shows off his composi-tional talent and unmatched ability to drive a bandfrom behind the bass. The other portion of theconcert features Henry Butler, Steven Bernstein &The Hot 9, featuring New Orleans piano virtuosoHenry Butler. Described by the New York Timesas “both historically aware and fully prepared tocut loose,” this exhilarating group introduces thehot jazz of years past to the endless possibilities ofthe modern jazz landscape.Free pre-concert discussion nightly at 7pm.

THE APPEL ROOM

Cécile McLorin SalvantFebruary 12–14 at 7pm & 9:30pmIt doesn’t get more perfect than singer CécileMcLorin Salvant for a Valentine’s Day–inspiredperformance. An innovative singer with extraordi-nary soul, intuition, and deep character, Salvant isthe next great jazz vocalist in the lineage of EllaFitzgerald, Betty Carter, and Dianne Reeves. The2010 Thelonious Monk International VocalCompetition winner and 2014 and 2016 GrammyAward nominee has become a Jazz at LincolnCenter regular, and her growing reputation forhaving an exceptional command of diverse andchallenging repertoire will serve audiences wellfor this romance-laden occasion.

March 2016THE APPEL ROOM

Moonglow: The Magic of Benny GoodmanMarch 4–5 at 7pm & 9:30pmThe story of jazz’s first popular integrated band istold by scriptwriter and seven-time Emmy Award-winner Geoffrey Ward (Ken Burns’ Jazz), narratedlive by host Wendell Pierce (HBO’s Treme andThe Wire), and performed by an ensemble ofpianist Christian Sands (in the role of TeddyWilson), drummer Sammy Miller (Gene Krupa),20-year-old vibraphone sensation Joel Ross(Lionel Hampton), and a host of special guest clar-inetists. Peter Anderson, Will Anderson, PatrickBartley, and Janelle Reichman each take a turnrepresenting the unparalleled voice of BennyGoodman. These unique and informative perfor-mances will channel the “King of Swing” and tellthe story of his groundbreaking band.

Aaron Diehl: The Real DealMarch 18–19 at 7pm & 9:30pmPianist Aaron Diehl has been a Jazz at LincolnCenter favorite since he was named “Out -standing Soloist” in the Essentially Ellington com-petition in 2002. He has since toured the world inthe bands of Cécile McLorin Salvant, WycliffeGordon, and more. Now a respected leader andprolific sideman, the prestigious winner of the2011 Cole Porter Fellow of the American PianistsAssociation makes his Appel Room debut as aleader. These concerts will feature vibraphonistWarren Wolf, trumpeter Dominick Farinacci, sax-ophonist Stephen Riley, bassist Paul Sikivie,drummer Lawrence Leathers, and Jazz atLincoln Center Orchestra saxophonist JoeTemperley.Free pre-concert discussion, nightly, at 6pm &8:30pm.

Except where noted, all venues are located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor.

Tickets starting at $10.

To purchase tickets: Visit jazz.org or call CenterCharge: 212-721-6500. The Jazz at Lincoln Center Box Officeis located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm.

For groups of 15 or more: 212-258-9875 or jazz.org/groups.

For more information about our education programs, visit academy.jazz.org.

For Swing University and WeBop enrollment: 212-258-9922.

Find us on Facebook (jazzatlincolncenter), Twitter (@jazzdotorg), YouTube (jazzatlincolncenter), andInstagram (jazzdotorg).

UPCOMING EVENTS

Jazz at Lincoln Center’sFrederick P. Rose Hall

In deference to the artists, patrons of Dizzy’s Club Coca-Colaare encouraged to keep conversations to a whisper during the performance.

Artists and schedule subject to change.

Dizzy’s Club Coca-Cola is located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor New York.

Reservations: 212-258-9595 or jazz.org/dizzys; Group Reservations: 212-258-9595 or jazz.org/dizzys-reservationsNightly Artist sets at 7:30pm & 9:30pm.

Late Night Session sets Tuesday through Saturday; doors open at 11:15pm

Cover Charge: $20–45. Special rates for students with valid student ID. Full dinner available at each artist set.

Rose Theater and The Appel Room concert attendees, present your ticket stub to get 50% off the late-night cover charge at Dizzy’s Club Coca-Cola Fridays and Saturdays.

Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theaterand The Appel Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours.

Dizzy’s Club Coca-Cola gift cards now available.

Find us on Facebook (DizzysClubCocaCola), Twitter (@jazzdotorg), YouTube (jazzatlincolncenter), and Instagram (jazzdotorg).

February 2016Freddy Cole: Songs for Loverswith Elias Bailey, Quentin Baxter, and Harry AllenFebruary 11–12 / 7:30pm & 9:30pmFebruary 13* / 7:30pm & 10pmFebruary 14* / 6:30pm & 9pm*prix fixe menu – special pricing applies. Visitjazz.org/dizzys for details.

“One for My Baby:” Antoinette Henry Singsthe Great Jazz Standardswith Hendrik Helmer, Yasushi Nakamura, EmmetCohen, and Jonathan BarberFebruary 157:30pm & 9:30pm

Greg Lewis Organ Monk QuintetFlip Side Sessionswith Ron Jackson, Riley Mullin, Reggie Woods,and Jeremy Bean ClemonsFebruary 167:30pm

Emmet Cohen Organ Quartet Flip Side Sessionswith Benny Benack III, Tivon Pennicott, and Joe SaylorFebruary 169:30pm

Brandee Younger“Wax & Wane” Album Release Concert Co-Presented by Revive Musicwith Anne Drummond, Chelsea Baratz, DezronDouglas, and Dana HawkinsFebruary 177:30pm & 9:30pm

Ben Allison Groupwith Steve Cardenas, Allison Miller, and JeremyPeltFebruary 18–217:30pm & 9:30pm

Akua Allrichwith Warren Wolf, Kris Funn, Carroll Dashiell III,and Braxton CookFebruary 227:30pm & 9:30pm

Joe Chambers Outlaw Bandwith Rick Germanson, Ira Coleman, and BobbySanabriaFebruary 23–247:30pm & 9:30pm

The Music of Dexter Gordon: A CelebrationDexter Gordon Legacy Ensemblewith Dezron Douglas, Victor Lewis, Joe Locke,Abraham Burton, and Craig HandyFebruary 25–287:30pm & 9:30pm

jazz at lincoln center

jazz.orgFrederick P. Rose Hall Broadway at 60th StreetBox O�ce: Ground Floor CenterCharge: 212-721-6500

family concert: who is frank sinatra?FEB 6 • 1PM & 3PM | ROSE THEATER | JAZZ FOR YOUNG PEOPLEWith vocalist Kenny Washington, storyteller Allan Harris, and Andy Farber & His Orchestra

The Jazz for Young People Family Concert is funded through the generosity of Mica and Ahmet Ertegun.

cécile mclorin salvantFEB 12–14 • 7PM & 9:30PM | THE APPEL ROOMVocalist Cécile McLorin Salvant performs for Valentine’s Day weekend

monty alexander & friends:frank sinatra at 100FEB 12–13 • 8PM | ROSE THEATERPianist Monty Alexander and special guest vocalist Kurt Elling

christian mcbride/henry butler, steven bernstein & the hot 9FEB 26–27 • 8PM | ROSE THEATERAn outstanding double bill of two of today’s most exciting and energetic jazz ensembles

february

jazz at lincoln center

jazz.orgFrederick P. Rose Hall Broadway at 60th StreetBox O�ce: Ground Floor CenterCharge: 212-721-6500

moonglow:the magic of benny goodmanMAR 4–5 • 7PM & 9:30PM | THE APPEL ROOMWith narrator Wendell Pierce, pianist Christian Sands, drummer Sammy Miller, vibraphonist Joel Ross, plus clarinetists Peter Anderson, Will Anderson, Patrick Bartley, and Janelle Reichman

webop family jazz party: sophisticated ladiesMAR 12 • 1PM & 3PM | VARIS LEICHTMAN STUDIOJoin Ms. Patrice and our WeBop all-star band as we celebrate the sophisticated ladies of jazz. You’ll enjoy WeBop-friendly renditions of the music of Ella Fitzgerald, Billie Holiday, Sarah Vaughan and more with your wee-boppers, including “All of Me” and “Stormy Weather”

aaron diehl: the real dealMAR 18–19 • 7PM & 9:30PM | THE APPEL ROOMPianist Aaron Diehl with vibraphonist Warren Wolf, trumpeter Dominick Farinacci, tenor saxophonist Stephen Riley, bassist Paul Sikivie, drummer Lawrence Leathers, and Jazz at Lincoln Center Orchestra baritone saxophonist Joe Temperley

march

jazz at lincoln center

JAZZ AT LINCOLN CENTERPROUDLY ACKNOWLEDGESOUR SEASON SPONSORS:

jazz.org/subs 212-258-9999

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