WE ARE CULTURE CATALYSTS AND MOMENT MAKERS

ENTERTAINMENT. ELEVATED.

THE DEFINITIVE VOICE OF ENTERTAINMENT AMONG BOTH INDUSTRY LEADERS AND POP CULTURE FANSHOLLYWOOD LIVES HERE

R O B E R T D E N I R O / A D A M D R I V E R / J A M I E F O X X / T O M H A N K S / S H I A L A B E O U F / A D A M S A N D L E R

T H E

December 4, 2019

BABY YODA’S FATHER SPEAKSJon Favreau on his stellar year and beyond

‘I WROTE 30 CHRISTMAS MOVIES’Who’s fa-la-la-ing all the way to the bank

SHARI REDSTONE’S NEXT MOVECan a merged ViacomCBS compete?

THE NEW DRAG QUEEN ECONOMYRed carpets and rising revenue

A C T O R R O U N D T A B L E

40cover [P]{Print}_51639480.indd 2 12/3/19 12:32 PM

Heat Index

Showbiz Stocks

The Re ortBehind the Headlines

D E C E M B E R 4 , 2 0 1 9T H E H O L L Y W O O D R E P O R T E R 1 7

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Illustration by James Fosdike

↑ Digital‘Low’ Value Subs?Hulu scales up quickly with deep discounts p. 20

Labor#PayUp ProgressHollywood assistants step up organizing p. 22

$17.57 (+6%) CUMULUS (CMLS)

Investors see upside in syndication for the radio firm, in particular of conservative talker Ben Shapiro, ahead of the presidential election.

$136.07 (-14%) ROKU (ROKU)

Morgan Stanley cuts its rating to “underweight” amid concerns that earnings at the streaming platform will “slow meaningfully” in 2020.

publishing business as a non-core asset for potential divestiture for ViacomCBS,” says CFRA Research analyst Tuna Amobi, noting that the division “has recently been a drag on CBS’ overall results while also unlikely to play a meaningful strategic role in the direct-to-consumer transition for the combined company.”

Beyond narrowing its focus to growth areas with potential — such as selling content to D-to-C streaming platforms like Netflix and investing in its own services, like CBS All Access — the com-pany could use proceeds of asset sales to pay down its $17.4 billion debt. Divesting for a more nar-row focus was already a strategy employed by former CBS CEO Leslie Moonves, who shed the bill-board business in 2013 and radio three years later.

A fter Jeff Bewkes was made CEO of Time Warner in 2007, he sold off AOL,

Time Warner Cable and even corporate namesake Time Inc. to focus the firm’s energies on the creation and distribution of film and TV content (and aggressively position it for an eventual sale to AT&T). Rupert Murdoch, for decades an acquirer, sold most of 21st Century Fox to Disney this year for $71.3 billion to concen-trate on live sports and news with Fox Corp.

Now, as ViacomCBS officially forms (expected on Dec. 4), Wall Street analysts and insiders are predicting that controlling shareholder Shari Redstone, CEO Bob Bakish and president and act-ing CBS CEO Joseph Ianniello are pondering a similar strategy — call it slimming down to scale up.

As ViacomCBS finally takes shape, Wall Street skeptics hope the mogul will sell ‘non-core’ assets (like book publishing, real estate or even a TV channel) to better position the firm for investors

BY PAUL BOND AND GEORG SZALAI

To be sure, investors are clamor-ing for something of significance, given shares of both CBS and Viacom have sunk steadily, wiping roughly $10 billion off the com-bined firm’s market cap since they revealed Aug. 13 that they would merge. Bakish’s pronouncement of a minimum $500 million in

cost synergies within two years just isn’t cutting it.

Indeed, there are assets that stick out as divestiture pos-

sibilities, such as book publisher Simon & Schuster and Watch! magazine. At CBS, where Simon & Schuster resides, overall revenue rose 6 percent in 2018 to $14.5 bil-lion, but its publishing segment saw a slight decline to $825 mil-lion. “It wouldn’t perhaps be far-fetched to think of the book

Paul TelegdyThe NBC Entertainment chairman leads the network to its first November sweep win in viewers since the Must-See TV heyday of 1996, snapping CBS’ 18-year winning streak.

Simon CowellThe America’s Got Talent creator takes fire as an outcry over Gabrielle Union’s exit from the NBC show raises concerns over its treatment of people of color.

Alki DavidA jury slaps the Greek billionaire and producer with $58 million in damages in a sexual battery and harassment case brought by a former assistant.

Does Shari Redstone’s Empire Need to Slim Down to Scale Up?

Nov. 25-Dec. 2

Bakish

Ahmed BestThe Jar Jar Binks character actor rejoins the Star Wars team, hosting a Lucasfilm game show set to debut on Disney+ in fall 2020.

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Creative Space

The Business

D E C E M B E R 4 , 2 0 1 9T H E H O L L Y W O O D R E P O R T E R 4 9

Photographed by Jai Lennard

“I want to be accessible,” says Angelo of

choosing a desk in the middle of Vice’s

millennial-heavy newsroom.

Jesse AngeloVice Media’s news and entertainment boss

on digital skepticism, James Murdoch’s investment and the ‘corrupt system’ of cable news

By Jeremy Barr

Jesse Angelo was photographedNov. 21 at Vice’s Brooklyn headquarters.

Angelo still uses shorthand if he takes notes in

a reporter’s notebook, but, he says, “I

prefer Evernote on my laptop.”

A “completely spontaneous

moment” between Angelo and his

wife, former Daily Beast columnist Rebecca Dana.

A model of an old WH Smith

newsstand in London, where Angelo began his career. “Papers

were so much fun,” he recalls of

the time.

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Style

D E C E M B E R 2 0 1 9T H E H O L L Y W O O D R E P O R T E R 5 5

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Salvatore Ferragamo

Bicolor leather Studio handbag; $2,800, at

Salvatore Ferragamo boutiques and

ferragamo.com

Three head-to-toe power looks break down how to wearsleek and chic leather pieces — some faux,

some real, all new this winter — to the office Photographed by Lisa Shin

CitySlickers

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Marvel’s politically active Captain America is ready to

retire his shield for directing gigs, an Apple series

and the fight against Donald Trump (and Tom Brady?):

‘I’d be disappointed in myself if I didn’t speak up’

a V E n g E DChris Evans

March 27, 2019

APPLE’S BITEOF HOLLYWOODA starry launch

and the great

‘rebundling’ of TV

AGEnTS VS.WrITErS

A long-shot plan

to end the feud

BY GAVIN POLONE

DISnEY-FOX:THE aFTErmaTH

POWErLaWYErS

2019

11cover [P]{Print}_47212283.indd 1

3/26/19 12:27 PM

‘My mission is alwaysabout letting other people knowyou’re not alone’

April 30, 2019

OPRAHWANTSMOREApple plans, 2020 contenders and the creative fire that

fuels an icon of inspiration

AGENTSOF CHANGE50 trailblazers drivingopportunity and inclusion

WHO CANPLAY WHAT?From Aladdin to Pose, the politics of casting now

DEATH BY DATA AT NETFLIXBy Norman Lear and Rita Moreno

INSIDE THE GLOBALSTAR SEARCH

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PLUS

15cover [P]{Print}_47829525.indd 1

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February 20, 2019

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JARED LETO GETS HIGH WITH

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Red Carpet Peacocking,Last-Minute Tuxes,

Razzle-Dazzle Diamonds andOscar Night’s New Politics

THR’S BIGGEST ISSUE EVER!

P L U S

AND ...

STARS &STAND-INS

A THR Portfolio

8cover [P]{Print}_46690392;10_View.indd 2 2/14/19 1:45 PM

A A M P u b l i s h e r ' s S t a t e m e n t , D e c . 2 0 1 9 I n s t a g r a m , F a c e b o o k , Tw i t t e r , Yo uTu b e c o m S c o r e , J a n u a r y 2 0 2 0 , U S

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NEWSLETTERS

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U N I Q U E M O N T H LY V I S I TO R S

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A L L VA L E N C E B R A N D S

S E P T E M B E R 21, 2 0 19 • B I L L B O A R D . C O M

GRAMMYPREVIEW

2020

How genre-busting, chart-topping, meme-making artists  LIL NAS X and LIZ ZO became new models for artist development — and major Grammy

contenders

MEET THE NEW BOSSRECORDING ACADEMY CEO DEBORAH DUGAN

ON THE CAMPAIGN TRAILWOOING AWARDS VOTERS NOW

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WE ARE CULTURE CATALYSTS AND MOMENT MAKERS

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APPENDIXSPECS • PRODUCTS • CALENDAR • CONTACTS

PRINT SPECSBLEED PARTIALS, COVERS & SPECIALITY SIZES STAND-ALONE BACK COVERS: MAILING LABEL IN UPPER RIGHT CORNER ALONG SPINE. CONTACT PRODUCTION FOR BACK COVER, BLEED PARTIAL AND OTHER SPECIALTY SIZE SPECS AND TEMPLATES.

LIVE (SAFE) AREA FOR ALL BLEED ADS: KEEP ALL TYPE AND CRITICAL GRAPHIC INFORMATION .375” (9.5MM) WITHIN THE TRIM ON ALL FOUR SIDES.

ALL CROP MARKS MUST BE OFFSET (OUTSIDE OF THE BLEED AREA) BY AT LEAST .375” (9.5MM)

PRINTINGWeb offset (SWOP)

Saddle Stitched

Publication trim size 10” x 13”

MECHANICAL REQUIREMENTSBleed ads should have a minimum .25” (6.35mm) bleed on all 4 sides and should include offset trim indications. Trim indications should be offset by .375” (9.525mm).

SAFETYAll live elements, i.e. type on bleed ads, must be a minimum of 3/8” (.375 inch or 9.525mm) inside the final trim area.

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Partial ads should be supplied to trim only.

FILE SUBMISSIONAll ad submission must be press-ready PDF/X1-a files via the THR ad portal, e-mail, CD or FTP upload. (FILE NAME SHOULD INCLUDE NAME OF ADVERTISER & ISSUE RUN DATE)

DIGITAL AD REQUIREMENTS MEDIA

THR prints PDF/X-1a files only. Export setting: ADOBE ACROBAT 6 (1.5) or higher. Quality control depends on properly created PDFs.

SPECS: Contact: ads@thr.com

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FONTSEmbed all necessary fonts in PDFs.

COLORThe color space must be CMYK or grayscale. No RGB, LAB or embedded color profiles (such as ICC profiles).

No files with PMS colors will be accepted without prior notification. Otherwise, all PMS colors MUST be

converted to CMYK.

Surprinting on Metallic inks will produce muted colors.

Note any special color information on the Contact Proof.

LIABILITY

THR cannot be held responsible for the quality of reproduction if these specifications are not adhered to.

Ads received after deadline may not publish in the desired issue.

THR will not be held responsible for changes the THR Production depart-ment must make to any ad that is inadequate or fails to adhere to THR Digital Ad Specifications.

THR is not liable for the final output if no Contact Proof is supplied.

THR will store files for 30 days.

PRODUCTION SERVICESTHR maintains an in-house Art Department. Contact your sales rep for ad design details and rates.

FOR DEADLINES, AD SPECIFICATIONS OR TECHNICAL QUESTIONS CONTACTMAYA ESLAMI 323.525.2093THR will accept your press ready PDF/X1-a files via the THR ad portal, e-mail, CD or FTP upload.

AD PORTALDeliver ads through our Ad Portal: prometheus.sendmyad.com

EMAILads@thr.com

(SUBJECT LINE MUST INCLUDE NAME OF ADVERTISER AND ISSUE DATE)

POSTAL ADDRESS5700 Wilshire Blvd., Suite 500, Los Angeles, CA 90036

SPACE BLEED NON-BLEED TRIM - THIS IS OUR PAGE SIZE FULL PAGE 10.5” X 13.5” 9.25” X 12.25” 10” X 13” 266.7mm X 343mm 235mm X 311mm 254mm X 330mm

2-PAGE SPREAD 20.5” X 13.5” 19.25” X 12.25” 20” X 13” 520.7mm X 343mm 489mm X 311mm 508mm X 330mm

6-COLUMN 15.3333” X 13.5” N/A 14.8333” X 13” 389.4mm X 343mm 376.71mm X 330mm

1/2 HORIZONTAL 8.3333” X 5.67” N/A 211.66mm X 144mm

1/2 VERTICAL 4” X 11.9167” N/A 101.6mm X 302.6mm

1/3 HORIZONTAL 8.3333” X 3.67” N/A 211.6mm X 93mm

1/3 VERTICAL 2.5833” X 11.9167” N/A 65.6mm X 302.6mm

1/4 HORIZONTAL 8.3333” X 2.67” N/A 211.66mm X 68mm

1/4 VERTICAL 1.875 ” X 11.9167” N/A 47.63mmX 302.6mm

1/4 SQUARE 4” X 5.67” N/A

1/2 HORIZONTAL 20.5” X 6.75” 18.3333” X 5.67” 20” X 6.25” SPREAD 520.7mm x 171.45mm 465.66mm x 144mm 508mmx 158.75mm

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1/4 HORIZONTAL 20.5” X 3.75” 18.3333” X 2.67” 20” X 3.25” SPREAD 520.7mm x 95.25mm 465.66mm x 68mm 508mm X 82.55mm

1/2 HORIZONTAL 10.5” X 6.75” 8.3333” X 5.67” 10” X 6.25” 266.7mm x 171.4mm 211.66mm x 144mm 254mm x 158.75mm

1/2 VERTICAL 5.3125” X 13.5” 4” X 11.9167” 4.8333” X 13” (+ BOOKENDS) 135mm x 343mm 101.6mm x 302.6mm 122.76mm x 330.2mm

1/3 HORIZONTAL 10.5” X 4.75” 8.3333” X 3.67” 10” X 4.25” 266.7mm x 120.65mm 211.66mm x 93mm 254mm x 108mm

1/3 VERTICAL 4.17” X 13.5” 2.5833” X 11.9167” 3.4167” X 13” (+ BOOKENDS) 106mm x 343mm 65.62mm x 302.6mm 86.7mm x 330mm

1/4 HORIZONTAL 10.5” X 3.75” 8.3333” X 2.67” 10” X 3.25” 266.7mm x 95.25mm 211.66mm x 68mm 254mm x 82.6mm

1/4 VERTICAL 3.20” X 13.5” 1.875” X 11.9167” 2.71” X 13”

HIGH-IMPACT PRINT

For Your Consideration

Best Limited Seriesand in all eligible categories

AppleTV_Inside_Files.indd 1 11/5/19 11:13 AM

For Your Consideration

Best Drama Seriesand in all eligible categories

For Your Consideration

Best Drama Seriesand in all eligible categories

Watch on the Apple TV app.

AppleTV_Inside_Files.indd 2 11/5/19 11:13 AM

November 13, 2019

LAURA DERN

LUPITA NYONG’O

JENNIFER LOPEZ

RENÉE ZELLWEGER

AWKWAFINA

SCARLETT JOHANSSON

THE SECRET PAST OF

A HOLLYWOOD FUTURIST

‘THE RACHEL’ LATTE, ANYONE?

PEAK TV AS POP-UPS

STREAMING STANDOFF:

THE COMING LABOR WAR

VROOOOM! THE MAKING

OF FORD V FERRARI

37cover [P]{Print}_51185351.indd 1

11/12/19 12:13 PM

P O S T E R R E V E A L S LE E V E W R A P FR O N T C OV E R GAT E F O LD

4 p a g e ve r s i o n

i n s i d e g a t e f o l d ex t e n d e d

S H O R T S TA P LE D C OV E R W R A P

November 13, 2019

LAURA DERNLUPITA NYONG’OJENNIFER LOPEZ

RENÉE ZELLWEGERAWKWAFINA

SCARLETT JOHANSSON

THE SECRET PAST OF A HOLLYWOOD FUTURIST

‘THE RACHEL’ LATTE, ANYONE?PEAK TV AS POP-UPS

STREAMING STANDOFF:THE COMING LABOR WAR

VROOOOM! THE MAKINGOF FORD V FERRARI

37cover [P]{Print}_51185351.indd 1 11/12/19 12:13 PM

MATERIALS DUE: TUESDAY, 11/26ISSUE DATE: WEDNESDAY, 12/4

OUTSIDE FRONTOUTSIDE BACK

OUTSIDE SHORT STAPLED MAG COVER1

5191-5 11/26/19RM_THR_Wrap_12-4_4CFP_4F

“THE HOLLYWOOD REPORTER” MAGAZINESTAPLED COVER WRAP UNITMECH BLEED: 10.5"W X 10.5"HMECH TRIM: 10"W X 10"HMECH SAFETY: 9.5"W X 9.5"HSHIP: PDF/X-1A:2001 + COLOR PROOF

FOR YOUR CONSIDERATION IN ALL CATEGORIESINCLUDING

BEST PICTUREFOR YOUR CONSIDERATION IN ALL CATEGORIESFOR YOUR CONSIDERATION IN ALL CATEGORIESFOR YOUR CONSIDERATION IN ALL CATEGORIES

WRITTEN BY LEE HALL DIRECTED BY DEXTER FLETCHERADVERTISEMENT

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C OV E R W R A P

HIGH-IMPACT DIGITAL

H O M E PAG E TA K EOV E R R O S P R E- R O LL R O S D I S P L AY N E W S LE T T E R S

EVENTS

OCTO B E R N OVE M B E R D ECE M B E RJ U N E

THR CONTACTSJ U L I A N H O L G U I N

Executive Vice President, Head of Brand Partnerships

julian.holguin@billboard.com 212 .493.4115

V I C T O R I A G O L D Senior Vice President,

Entertainment victoria.gold@thr.com

323.525.2028

B E T H D . R A B I S H AW Senior Vice President,

Television & Media beth.d.rabishaw@thr.com

323.525.2259

A L E X V O N B A R G E N Vice President, Luxury

alex.vonbargen@thr.com 212 .493.4321

A L I S O N S M I T H - P L E I S E R Managing Director, International

alison.smith@thr.com +44.7788.591.781

J O E M A I M O N E Vice President, Billboard Sales

joe.maimone@billboard.com 212.493.4427

C A R O LY N B E R N S T E I N Executive Director,

Film & Television carolyn.bernstein@thr.com

323.525.2193

D E B R A F I N K Executive Director,

Independent Film & Talent debra.fink@thr.com

323.525.2249

S C O T T P E R R Y Executive Director, Television

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