water works park: building precedents...water works park: building precedents national museum of...

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WATER WORKS PARK: BUILDING PRECEDENTS NATIONAL MUSEUM OF ROMAN ART - MERIDA, SPAIN ARCHITECT RAFAEL MONEO EL GRECO CONGRESS CENTER - TOLEDO, SPAIN ARCHITECT RAFAEL MONEO SHELTER FOR ROMAN ARCHAEOLOGICAL SITE - CHUR, SWITZERLAND ARCHITECT PETER ZUMTHOR HEDMARK MUSEUM, HAMAR, NORWAY ARCHITECT SVERRE FEHN PUBLIC LIBRARY - CEUTA, SPAIN ARCHITECT PAREDES PEDROSA KOLUMBA MUSEUM - COLOGNE, GERMANY ARCHITECT PETER ZUMTHOR Built over a still-buried portion of the original Roman town, founded in 24 B.C. Complementary material palette. Contrast between smooth new surfaces and rough ruins. 40,000 SF convention center woven into 16th century urban fabric of this UNESCO World Heritage site. Clear distinction between old and new. Protective pavilion over Roman ruins. Light, modern metal and wood structure contrasts with the heaviness of the ruins. 13th century Bishop’s fortress ruins and 18th-century barn and manor, woven together by a contemporary intervention in concrete, wood, steel, and glass. Geometry and strategically-placed pillars designed around 14th-century ruins below. The ruins are only revealed from within. Art museum of the Roman Catholic Archdiocese, built over the ruins of a late-Gothic church. Material choices integrate old with new, while clearly distinguishing one from the other.

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  • WATER WORKS PARK: BUILDING PRECEDENTS

    NATIONAL MUSEUM OF ROMAN ART - MERIDA, SPAINARCHITECT RAFAEL MONEO

    EL GRECO CONGRESS CENTER - TOLEDO, SPAINARCHITECT RAFAEL MONEO

    SHELTER FOR ROMAN ARCHAEOLOGICAL SITE - CHUR, SWITZERLANDARCHITECT PETER ZUMTHOR

    HEDMARK MUSEUM, HAMAR, NORWAYARCHITECT SVERRE FEHN

    PUBLIC LIBRARY - CEUTA, SPAINARCHITECT PAREDES PEDROSA

    KOLUMBA MUSEUM - COLOGNE, GERMANYARCHITECT PETER ZUMTHOR

    Built over a still-buried portion of the original Roman town, founded in 24 B.C. Complementary material palette. Contrast between smooth new surfaces and rough ruins.

    40,000 SF convention center woven into 16th century urban fabric of this UNESCO World Heritage site. Clear distinction between old and new.

    Protective pavilion over Roman ruins. Light, modern metal and wood structure contrasts with the heaviness of the ruins.

    13th century Bishop’s fortress ruins and 18th-century barn and manor, woven together by a contemporary intervention in concrete, wood, steel, and glass.

    Geometry and strategically-placed pillars designed around 14th-century ruins below. The ruins are only revealed from within.

    Art museum of the Roman Catholic Archdiocese, built over the ruins of a late-Gothic church. Material choices integrate old with new, while clearly distinguishing one from the other.