vol. 20 spring 2012 tasmanian gemmologist · pearls, which have been found all along the central...
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Tasmanian Gemmologist
Vol. 20 Spring 2012 Page 1.
Special Notes
& Dates
Annual General Meeting
20th January 2013
Black Buffalo Hotel
11am
Committee details 2
Greetings
Royal Hobart Show
3
Synthetics in Perspective
Cont.
4/5
Mexico’s Black Pearls
Mushroom Pearl?
6/7
50myo Fossil
In praise of Semi-Precious
8/9
Jades and
More Jade
10/
11
Go Goanna Advertisement 12
The Voice of the
Tasmania Division
GAA
What’s inside
Notice of AGM
The 20th Annual General Meeting of this Association
will be held on
Sunday, 20th January, 2012 at 11am
at the
Black Buffalo Hotel, Federal Street, Nth Hobart
Remember: All members must be financial in order to vote at
the Annual General Meeting.
Following this meeting there will be an auction of items surplus to
requirements to the division, a list of items is elsewhere on page 8.
This will be followed by luncheon, please RSVP to Jewel 2614233 by
12th January, 2013
You could lose your F.G.A.A.
Please ensure that your membership is paid by
31st March 2013,
otherwise you will be at risk of losing your F.G.A.A. status.
Our rules state that if your membership lapses then you can no longer
remain a fellow of The Association.
The process for applying for re-instatement can be quite involved, so
don’t risk all the “hassle”.
This being a “not for profit” organisation, we seek your support in
keeping your membership up to date.
Page 2
Tasmania Division) Inc.
President: Jewel Beresford Ph: 6261 4233 Email: [email protected]
Vice President: Vicky James Ph:6239 0225 Email: [email protected]
Secretary: Maree Prickett Ph: 6297 8311 Email: [email protected]
Treasurer: Byron Nicol Ph: 6247 7619 Email: [email protected]
Committee: Richard Wright 6247 1579 Megan Dickens 6265 9651
Don McDonald
Andrew Friedrich 6247 9606 Robert Long 6249 8845
Syd Prickett 6271 3500 John De Ruyter 6225 5312
Education contacts: Robert Long 62498845 [email protected]
Syd Prickett 6271 3500 [email protected]
Correspondence address:
P.O. Box 2138
Howrah
TAS 7018
Tutorial address:
“Philip Smith Centre”
2 Edward Street
Glebe TAS 7000
Contact details:
Ph / Fax; 03 62614233
Email; [email protected]
URL; www.gem.org.au/tasdivf.htm
Public officer: Jewel Beresford 62614233 Newsletter Editor: Paul Beresford 62614233
Newsletter Reminder
This newsletter contains important
information technological updates, humour,
news of your division etc., but it also has
details of forthcoming events about which
you will not receive any other notices !!
Therefore failure to read this may result in
you missing out on events. Your feed back
would also be appreciated and if you think
more articles about, whatever could or
should be included…..
Send them in.
The Gemmological Association of Australia
Written contributions to this newsletter are very
welcome. If you have any material you would
like to be published please forward it in either
written or electronic form (preferred) to the
appropriate addresses on page 2.
It does not have to be a large item
“Enjoyment
comes
from
Involvement”
Page 3 Christmas Greetings
A Very Happy Christmas to you,
your family and friends
and
Best Wishes for a wonderful New Year
from all at
Tasmania Division
Congratulations & Many Thanks
C ongratulations to all who took part and entered the Jewellery and Gemstones classes in this year’s
Royal Hobart Show, particularly we wish to congratulate John De Ruyter on his award of Champion
for a beautifully facetted quartz.
Many thanks to all who manned the stand, helped set up and pull down, your efforts were greatly
appreciated, so to Byron Nicol, Sally and Robert Long, Vicki James, John De Ruyter, Don McDonald,
Maree and Syd Prickett, Richard Wright and Diane Cowburn (two of whom aren’t members) we extend
our sincere thanks.
The new location is certainly nothing like the old one, but we did the best we could within the limits we
were given, we did make a profit to add to our funds and it is still the best revue raiser we have, that being
said we will discuss it in committee and make a decision to continue or not by the beginning of next year.
Page 4 Synthetics in Perspective by Ricci Dipshan
I n the spring of 2012, the diamond industry’s confidence
in its self-regulated disclosure practices was considerably
shaken. International Gemological Institute (IGI) labs in
Antwerp and Mumbai found more than 600 undisclosed
synthetic diamonds passed off as natural stones, at natural
diamond prices, in batches of melee stones sent in for
certification.
The polished dealer and his supplier were under the impression that the stones, in sizes ranging from .30
carats to .70 carats with VVS to VS clarities in F to J colours, were all natural. The characteristics of the
synthetics at both the Mumbai and Antwerp labs were similar, suggesting that the stones had originated
from a common source.
The discovery of the stones highlights an inherent loophole in the natural diamond industry. Large stones
usually come with certifications and are generally easier to identify as natural or synthetic. Melee stones
under .20 carats, however, are harder to examine and can be very tricky to detect, as “they are generally
dispersed in parcels of natural diamonds,” says Thomas Hainschwang, director of GGTL Laboratories,
comprised of Gemlab in Liechtenstein and GemTechLab in Geneva, Switzerland, which focuses on melee
and gemstone grading and testing. “The smaller the stones, the more difficult it gets.
The incident set off a wave of alarm. Roland Lorié, chief executive officer (CEO) of IGI, summed up the
industry’s apprehension by noting that “a diamond dealer cannot tell the difference between natural and
synthetic diamonds and it requires sophisticated machinery at the labs to make the necessary findings. This
means that there could be a large amount of undisclosed synthetic diamonds on the market.”
Many trade organizations and laboratories issued trade alerts calling for dealers to
remain vigilant regarding their sources and reiterating the pivotal need for proper and
full disclosure and identification. A warning issued by the Diamond Trading
Company (DTC) stated that “trading in misrepresented or undisclosed products,
whether inadvertently or not, could cause irreparable damage to the industry’s
reputation. Furthermore, such irresponsible practices could undermine the integrity of
the diamond supply chain, damaging both trade and consumer confidence.”
In light of the discovery, many industry players were left wondering if this was an isolated incident or if the
synthetics market has become a serious threat to the natural diamond market. Understanding how
synthetics are made, how they are detected, their inherent characteristics and their prominence in the
marketplace is important in assessing synthetics’ place in the diamond and jewellery industry and the
extent to which the natural and synthetic industries can coexist.
At first glance, the synthetic market might appear to be a serious threat to the natural diamond industry.
According to a report commissioned by the Antwerp World Diamond Centre (AWDC) and prepared by
New York business consulting group Bain & Company in 2011, entitled “The Global Diamond Industry:
Lifting the Veil of Mystery,” about 5 billion carats of synthetic diamonds were manufactured in 2010. The
overwhelming majority of these 5 billion carats, however, were used for industrial purposes. Indeed, less
than .01 percent of the gem-quality diamond market was made up of synthetics in 2010, according to the
report.
“The vast majority of our business is aimed at commercial purposes,” notes Joe Lancia, chief executive
officer (CEO) of Scio Diamond Technology Corp., a synthetic diamond manufacturer in Greenville, South
Carolina. Like all other synthetic producers, Scio, which “started doing business in 2011 when it purchased
assets from former synthetic manufacturer Apollo Diamond,” thinks of synthetic diamonds primarily as
tools for industrial and technological advancements.
Cont. Page 5
“Diamonds, after all, have the most versatile properties of any raw material on earth — whether it’s for
optics, heat transformation or other tasks,” says Lancia. “Think of in the future using diamonds inside cell
phones and laptops to reduce heat. They also can be used for medical equipment — on the surgical side, a
diamond blade is the best precision tool available.” And while Scio “doesn’t have the capacity to be making
enough carats to affect the natural diamond market, and is focused on the industrial-commercial side,” says
Lancia, “we do have a small division that makes gem-quality stones.”
Almost all of the synthetics hitting the market are at least VS-quality stones. This is due more to the fact that
manufacturers only put out high-quality stones that will be profitable than it is due to the control
manufacturers have over their production. While there definitely is some level of control, “it’s imitating a
natural process, so you are at the mercy of some natural forces,” explains Lancia. “We can grow up to 30
stones in one reactor, but we cannot predict that all 30 will be the same.”
The majority of the synthetics in the market are also priced at substantially lower price points than natural
diamonds. “One of our laboratory-grown diamonds costs at least 25 percent less than a mined stone of the
same size, cut and quality,” says Uzi Breier, CEO of Washington D.C.–based CVD manufacturer
Washington Diamonds, LP (WDLP), which started doing business in September 2012. Indeed, with price a
key selling point, many manufacturers try to make their synthetics inexpensive to stay competitive in the
market. “Currently,” adds Breier, “we are looking at distributors to offer our stones through the internet,
providing the least expensive way to purchase beautiful diamonds.”
Aside from Scio Corporation and Washington Diamonds, there are only a handful of synthetic diamond
manufacturers currently operating in the jewelry market worldwide. They include D. Nea Diamonds,
Chatham Created Gems, LifeGem and Gemesis in the U.S., and New Age Diamonds in Russia.
Extract from an article in the Rappaport Magazine - October 2012
Page 6 Mexico's Black Pearls
T he cultured Mexican blacks pearls trademarked
"Sea of Cortez Cultured Pearls," have a
colouration similar to that of Tahitian pearls. They are
grown mostly in rainbow-lipped oysters and a few
indigenous Panamic black-lipped oysters (Pinctada
mazatlanica, which is similar to the Tahitian Pinctada
margaritifera). The pearls are grown in Bacochibampo
Bay, near the city of Guaymas in the state of Sonora.
Pearls, which have been found all along the Central
American coast, were discovered by the pre-Columbian Aztecs and Zapotecs as well as the Yaquis and
Seris tribes. Tribe members enjoyed wearing and trading pearls and shell centuries before the Europeans
arrived, but it was the Spanish conquistadors and explorers who made the pearls world famous. The written
history of Central American pearls begins with Vasco Nuñez de Balboa (1475-1519), who in 1513 travelled
across Panama to become the first Spaniard to reach the Pacific Ocean. To prove his worthiness and loyalty,
Balboa sent back gold and pearls to Spain's King Ferdinand.
The history of commercial Mexican pearl farming begins a few
years before Mikimoto made popular his mabés and round white
Japanese cultured pearls. It is said that the world's first commercial
pearl oyster farm began in Mexico in earnest around 1903 in La Paz.
The city (not to be confused with La Paz, Bolivia) is located on the
east coast of Baja, north of Cabo San Lucas, and it's where modern
pearl trading began in the 18th century.
But the farming industry there was short-lived. In 1914 the Mexican Revolutionary Army left the city of La
Paz—and its pearl farms—in ruin. Following the revolution, only pearl diving remained, and that industry
was destroyed by a mysterious event in 1936 that killed the pearl oysters in the Sea of Cortez.
The culprit turned out to be the Hoover Dam, which prevented the
Colorado River's fresh water from reaching the Sea of Cortez. The sea's
salinity increased, changing the distribution of species, which changed
the ecosystem, and oysters began to die. The Sea of Cortez took decades
to recover. Overfishing may also have been part of the problem and as a
result of the diminishing numbers of pearl oysters, the government
declared a permanent ban on fishing the two pearl oyster species in
1940.
A small experimental farm inside the Bay of La Paz was launched in the
1960s with advice and help from the late Australian pearl culture
specialist C. Dennis George and Don Manuel Lozano Gallo. But just
when it seemed the return of the Mexican black pearl was imminent, the
federal government—in what was reported to
be an act of political vengeance—seized and nationalized the pearl farm.
The 1990s saw political changes in Mexico, and pearl farming started again. The
first experimental harvest of cultured mabé pearls took place in February 1994 at
the research facilities of the Guaymas Campus of the Instituto Tecnológico y de
Estudios Superiores de Monterrey. Loose round cultured pearls were harvested in
1995, and in 1996 the first modern saltwater pearl farm on the American continent
began.
Gem Notes By Gary Roskin, G.G., FGA
Pteria sterna
Pinctada mazatlanica
Pearl ? Page 7
Jewel & Mike Cooke
Diane & Byron
Andrew & Mike Cooke
Elizabeth Ruth and others
A Gemmological Institute of America
(GIA) examination laboratory recently
received an unusual pearl, which bore a striking
resemblance to a mushroom.
For centuries, humans have claimed anything
from pieces of toast to floor stains have
resembled deities and idols. Often in these cases
whether someone can see the apparent likeness
or not often comes down to personal perception
and motivation. However, when the GIA
received a pearl that unmistakably resembled a
field mushroom, researchers were more focused
on determining if it could actually be a
legitimate pearl.
Akira Hyatt, a gemmologist at the GIA
laboratory in New York, studied the pearl,
which was recovered near Indonesia, and
noticed even more intricate features it had in
common with mushrooms.
“The specimen bore an uncanny likeness to a
mushroom, consisting of a bell-shaped cap atop
a narrower stem,” she wrote in a report for the
GIA. “In addition, under the cap we observed
arching radial structures very reminiscent of the
‘gills’ found in actual mushrooms. The pearl’s
brown colour further added to the mushroom
effect.”
Digital imaging and microscopic examination
further illuminated bizarre attributes including a
“mottled growth pattern and coloration” and a
“noticeable flame structure at the top of the cap
[of the pearl]”.
Posted August 21, 2012 | By Brendan Lawley
Page 8 Page 9
A 50 million year old fossil has been uncovered in the Ekati diamond mine in Canada's Northwest
Territories. The fossilized piece of redwood was preserved by solidified magma from a prehistoric
eruption, and indicates that Canada's frigid north was once host to a far warmer climate which permitted
rich forest growth.
According to Live Science the fossil was uncovered 315
meters below the Earth's surface in a kimberlite pipe – a
volcanic pipe formed when magma pushes through
fractures in the Earth's crust and which is a frequent source
of diamond deposits.
Scientists say the site of the mine, which is located just
south of the Arctic Circle, would have once been covered
with a forest of prehistoric redwoods, some of which were
engulfed by an eruption of magma from deep below the
earth's surface over 50 million years ago.
The specimen is believed to be the oldest of its type ever uncovered in the region, exceeding northern Canada's Axel Heiberg fossil forest by millions of years in age.
50 million year old fossil Page 8
Items for Auction
The following items are to be auctioned/ sold following the AGM at the Black Buffalo Hotel on the 20th
January, 2013.
Fibre optic light box and two arm flexible fibre glass rod attachment
New T. Linton fibre optic light box and two fibre glass rod attachments
(light box needs repair)
Ring - type fibre optic light attachments (2) for the above.
Snow – O – Scope axial figure instrument
Polariscope – home made.
Two Shibuya refractometers – Number 1 & Number 5 ( has re-polished prism)
Two Ohaus Dial – O – Gram beam balances
Heavy metal stand for ? microscope
Brother labeller (still in box)
Panasonic Easa phone
A selection of Books and Journals
In Praise of Semi-Precious – by Alistir Tait
I n the world where gemmology is a science and mineralogists and academics attempt to create a
correct an unambiguous nomenclature for the jewellery trade the term semi-precious has
become something of a dirty word. Traditionally diamond, ruby, sapphire and emerald were
‘precious’ and almost everything else ‘semi-precious’. So opal and aquamarine were semi-precious
yet in many cases could be of greater value than the average diamond or sapphire. It is a useless and
ambiguous term with no clearly definable meaning, and so a covert slap on the wrist for all of us
who apply the term semi-precious within our discipline.
I would take some exception to this and argue that it is an acceptable and much loved term that will
not go away and has a long established place in the jewellery consciousness.
Its not that I’m a jewellery luddite. I don’t hark back to those halcyon days of imperial measures
when jewellery was priced in guineas, and a diamond was of ‘the first water’ and not some
incomprehensible letter of the alphabet. Today, selling a row of pearls may bring the trading
standards officer to your door demanding to know why it was 20 inches long and not 50cm. I know
which terminology my clients prefer and understand.
Nomenclature is a minefield. As a retail jeweller and gemmologist, applying the correct CIBJO
description may help pave the way towards a world harmonisation of terms and there are times
when referring to the Blue Book is appropriate. It brings clarity and confidence to the buying
public, however, I’m never going to stop them loving their mystic topaz, faux pearls or French jet.
The term semi-precious has been around for a considerable time because it fulfils a function and
conveys a meaning. The general public understand the term ‘precious’, as in a ‘precious stone’, to
be making a judgement of worth and value. It is itself vague and woolly for we cannot define which
gemstone is of adequate value to be described as precious and which is not. It is really the term
precious stone that is at fault, for not only is it ambiguous, it begets non-precious and semi-precious
as valid terms also.
The CIBJO Blue Book (Coloured Stone Division 2010/11) defines a precious stone as any ‘natural
gemstone of inorganic origin…...used in jewellery’. Value here is not a qualification and therefore
all gemstones (as defined by CIBJO) are precious stones. A ‘D’ colour diamond or a humble agate
or jasper are equally ‘precious’. I’m afraid this only muddies the waters of commonly used
nomenclature further.
As Edwin Streeter simply described semi-precious materials - ‘those (gemstones) of less
commercial value’. It might be impossible to define a line that divides what we describe as precious
from the semi-precious (or non-precious) but without it there is no other word we can use to
describe this category, and that is why it endures.
Semi-precious is like an elderly and rather embarrassing uncle. Never politically correct and often a
bit vague and ambiguous, possibly living in the past and always speaking out inappropriately.
However, irrespective of what anyone says, he is going to be about for some considerable time to
come. Semi-precious is rather like him. ………. ………..With thanks to Alistair Tait, a member of
the Scottish Gemmological Association, for allowing reprinting.
Antique and Fine Jewellery, 116A Rose Street, Edinburgh, EH2 3JF, TEL: 0131 225 4105
Page 9
Page 10
0 Jades Page 10
N ephrite and jadeite were used from prehistoric periods for hard-stone
carving. Jadeite has about the same hardness as quartz, while
nephrite is somewhat softer. It was not until the 19th century that a French
mineralogist determined that "jade" was in fact two different materials
Among the earliest known jade artefacts excavated from prehistoric sites
are simple ornaments with bead, button, and tubular shapes. Additionally,
jade was used for adze heads, knives, and other weapons, which can be
delicately shaped. As metal-working technologies became available, the
beauty of jade made it valuable for ornaments and decorative objects.
Jadeite measures between 6.0 and 7.0 Mohs hardness, and Nephrite
between 6.0 and 6.5, so it can be worked with quartz or garnet sand, and
polished with bamboo or even ground
jade. Jadeite is very tough and
resistant because of its tight growth of tiny interlocking grains.
Nephrite, a variety of the mineral actinolite, is even tougher, due to its
composition of fibrous crystals inter-twinned in a tough compact
mass.
The English word jade (alternative spellings "jaid", "jadeite") is
derived (via French l'ejade and Latin ilia), from the Spanish term
piedra de ijada (first recorded in 1565) or "loin stone", from its reputed
efficacy in curing ailments of the loins and kidneys. Nephrite is
derived from lapis nephriticus, the Latin version of the Spanish piedra
de ijada.
Jadeite, with its bright emerald-green, pink, lavender, orange and
brown colours was imported from Burma to China only after about
1800. The vivid green variety became known as Feicui or Kingfisher
(feathers) Jade. It quickly became almost as popular as nephrite and a
favourite of Qing Dynasty's nouveau riche, while scholars still had
strong attachment to nephrite (white jade, or Khotan), which they
deem as the symbol of a nobleman.
Nephrite jade in New Zealand is known as pounamu in the Māori language
(often called "greenstone" in New Zealand English), and plays an
important role in Māori culture. It is considered a taonga, or treasure, and
therefore protected under the Treaty of Waitangi, and the exploitation of it
is restricted and closely monitored. It is
found only in the South Island of New
Zealand, known as Te Wai Pounamu in
Māori—"The [land of] Greenstone
Water", or Te Wahi Pounamu—"The
Place of Greenstone".
Jade was a rare and valued material in pre-Columbian Mesoamerica. The
only source from which the various indigenous cultures, such as the
Olmec and Maya, could obtain jade was located in the Motagua River
valley in Guatemala. Jade was largely an elite good, and was usually
carved in various ways, whether serving as a medium upon which
hieroglyphs were inscribed, or shaped into symbolic figurines. Generally,
the material was highly symbolic, and it was often employed in the
performance of ideological practices and rituals.
Jades Page 11
J ade may be enhanced (sometimes called "stabilized"). Note that some merchants will refer to these as
Grades, but it is important to bear in mind that degree of enhancement is different from colour and
texture quality. In other words, Type A jadeite is not enhanced but can have poor colour and texture.
There are three main methods of enhancement, sometimes referred to as the ABC Treatment System.
Type A jadeite has not been treated in any way except sur face waxing. Type B tr eatment involves exposing a promising but stained piece of jadeite to chemical bleaches
and/or acids and impregnating it with a clear polymer resin. This results in a significant improvement of
transparency and colour of the material. Currently, infrared spectroscopy is the most accurate test for the
detection of polymer in jadeite.
Type C jade has been ar tificially stained or dyed. The effects are somewhat
uncontrollable and may result in a dull brown. In any case, translucency is usually
lost. B+C jade is a combination of B and C: it has been both ar tificially dyed AND
impregnated.
Type D jade refer s to a composite stone such as a doublet compr ising a jade top
with a plastic backing.
A Diamond & Jade Delight
R io Tinto’s pink diamonds have been combined for the
first time with imperial jade in a piece of jewellery.
The statement necklace, known as The Argyle Empress, was
designed by luxury jeweller Chow Tai Fook and is valued at
$5.5 million.
The necklace combines more than 43 carats of Argyle pink
diamonds with 33 imperial jade beads. The Argyle pink dia-
monds include five of its signature pink tender diamonds,
collected over the past five years.
“The Argyle Empress is a celebration of two of the earth’s
rarest treasures and is a perfect union between East and
West,” said Josephine Johnson, the manager of Argyle
Pink Diamonds. “This heirloom piece of jewellery is the
first of its kind for the growing Chinese market and will take
its place in history as a coveted masterpiece.”
The necklace has been designed around two beautiful pink diamond encrusted flower motifs depicting the
Hong Kong Camellia, the perfect counterpoint to the verdant colours of the leaves depicted in the surround-
ing jade, the company explained.
The Argyle Empress is being showcased at various events in Hong Kong, before traveling to London as
part of an Argyle pink diamond jewellery exhibition at Kensington Palace, London.